Saturday Afternoon Sessions (Convention 2012)

Session 13: 1:30pm - 3:00pm

13.01 Unsympathetic Bonds: Postbellum Definitions of Connection after Sentimentalism
Chair: Michael Cadwallader, University of North Carolina-Chapel Hill
“The Sentimental Social Reformer in American Realism”
Esther Arnold, University of Rochester
“‘Like Lava in a Coffee Cup’: Howells, Martí and the Haymarket Affair”
Michael Collins, University of Nottingham
“The Sympathetic Body in William Dean Howells’s 1890s Social Novels”
Nicholas Van Kley, Brandeis University
Highland Room A
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13.02 20th Century Irish Women Writers I
Chair: Elizabeth Foley O’Connor, Marist College
“The Real New Woman: The Politics of Female Friendship in Somerville and Ross’s ‘The Silver Fox’”
Anne Jamison, University of Ulster
“Orientalism and Feminism in the Plays of Eva Gore-Booth”
Kate Tomkie, Boston College
“‘You Ought to Take up Writing’: Women, Space, and Expectation in Mary Lavin’s Fiction”
Daniel Shea, Mount Saint Mary College
“Bloody Writing: The Politics of Pain in Margaretta D’Arcy’s Tell Them Everything
Amy Washburn, Kingsborough Community College
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room B
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13.03 African American Women in Rochester
Chair: Jennifer Sieck, George Washington University
“Navigation and Morality in Harriet Jacobs’s Incidents in the Life of a Slave Girl
Allison Siehnel, University at Buffalo-SUNY
“The Heroism of ‘General Moses’ (Tubman)--As Confirmed by Family”
Juanita Hayes, Albany State University
“Performance, Portraits and Prose: Self-representations of African American Women in Rochester”
Jennifer Sieck, George Washington University
“Female, African American, and Deaf: Rochesterians Reflect on Black Deaf Culture in the City”
Nikki Brown, University of New Orleans
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room C
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13.04 Approaches to Adventure in the Late 19th Century
Chair: Rebekah Greene, University of Rhode Island
“‘Adventures in Skin’: Elizabeth Hornby’s Mid-nineteenth Century Travels in South America”
Ann C. Colley, Buffalo State College
“Conrad’s Lord Jim, Adventure, and the Threat of New Media”
Patrick Belk, University of Tulsa
“‘[A] romance of all things’: Personhood, Property, and Pride in Stevenson’s Kidnapped
Rebekah Greene, University of Rhode Island
“‘Brazen Images’: Kipling’s ‘The Man Who Would Be King,’ Newspaper Heroism, and Parody”
Andrea Rehn, Whittier College
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room D
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13.05 Avatars of Apocalypse in Latin American and Iberian Cultures
Chair: Antonio Cordoba, Connecticut College
“Creating a Culture of Fear: The Expulsion of the Moriscos from Spain and Apocalyptic Discourse”
Kathleen Bartels, Catholic University of America
“Animal Sacrifice and Ecological Catastrophe in Federico García Lorca’s Poeta en NuevaYork
Anna Hiller, Kansas State University
“Laboratorios de lo sagrado: visiones del Apocalipsis en la novela experimental última”
Daniel García-Donoso, Yale University
“The Fictionalization of the Dystopian Experience in the Contemporary Brazilian Narrative”
Luana Barossi, University of São Paulo
Multimedia Session: TV/VCR-DVD
Highland Room E
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13.06 Portfolios and Other E-Stories
Chair: Fabiana Cecchini, Texas A&M University
“The Portfolio Practice in the Italian Curriculum: Introduction”
Fabiana Cecchini, Texas A&M University
“Digital Portfolios and Other E-tools for Alternative Assessment in the Italian Language Curriculum”
Cristina Abbona-Sneider, Brown University
“Student Portfolios in the First Two Semesters of Italian”
Chiara De Santi, SUNY Fredonia
“E-Story in the Classroom: New Approach of a Communicative Learning”
Elda Buonanno Foley, Iona College
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room F
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13.07 Representing Illness: Fiction’s Sick Bodies
Chair: Rita Bode, Trent University
“Insane Plotting: Class, Health, and Legitimacy in Wilkie Collins’s Woman in White
Maria L. Plochocki, Medgar Evers College-CUNY
“Colonial Contagions: Labor, Sickness, and Scars in The Clever Woman of the Family
Amanda Waugh, University of Massachusetts-Amherst
“A Tale of Two Bodies: Illness and Aging in The Wide, Wide World and The Scarlet Letter
Melissa R. Kowalski, Lehigh University
“Euthanasia: Acts of Mercy in Fiction”
Elsa Nettels, William and Mary College
Highland Room G
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13.08 Daughters of The Woman Warrior: Fighter Girls in American Literature
Chair: Karen Li Miller, Trinity College
The Book Thief’s Liesel Meminger, Narrative Warrior”
Katie Peel, University of North Carolina-Wilmington
“A Woman Warrior of the Borderlands: Nepantla in Viramontes’s Under the Feet of Jesus
Abigail Manzella, Yeshiva University
“‘A New Kind of Freedom’: Warrior Daughters in Young Adult Fiction”
Sara Hosey, Nassau Community College
“Reader, I Slept With Him: Jane Eyre and Defending Sensuality in Mary Gordon’s Final Payments
Jennie-Rebecca Falcetta, Sacred Heart University
Highland Room H
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13.09 Continuities in English Literature between the Norman Conquest and Reformation
Chair: Pamela Longo, University of Connecticut
“The Use of ‘Harpour’ and ‘Menstrel’ in Sir Orfeo
Patrick Butler, University of Connecticut
“Insurgent Paganism in the Body Revenant”
Jerry Denno, Nazareth College
“Ecocriticism, Grendel, and the Green Knight: Monstrosity and Ecocriticism across the Norman Divide”
Heide Estes, Monmouth University
“Pagan and Christian Continuities: Ritual, Ascendancy and Decadence from Bede to The Gawain-Poet”
David Pecan, SUNY Nassau Community College
Highland Room J
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13.10 Re-Assessing the ‘Crisis of Masculinity’ in American Culture and in the Academy (Roundtable)
Chair: Andrew Schopp, SUNY Nassau Community College
“Still Feeling Stiffed?: Some Introductory Remarks On the ‘Crisis of Masculinity’”
Andrew Schopp, SUNY Nassau Community College
“From Crisis of Masculinity to Gender Legitimation Crisis”
Harry Brod, University of Northern Iowa
“Bromance and Man Caves: Preserving Masculinity in a Room of His Own”
Emily Churilla, Stony Brook University
“Hollywood Masculine Crises 20 Years after ‘The Year of Living Sensitively’”
Elizabeth Abele, SUNY Nassau Community College
Pause, Black Masculinity in Crisis”
Donavan L. Ramon, Rutgers University
“Reaffirming Hegemonic Masculinity through Death of a Salesman
Grant Williams, University of Pittsburgh
Highland Room K
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13.11 Incorporating Civic Education in the Classroom and Beyond (Roundtable)
Chair: Dorsia Smith Silva, University of Puerto Rico-Rio Piedras
“Beginning Civic Engagement: Classroom Conversations in an Interdisciplinary Environment”
Paul Almonte, St. Peter’s College
“Writing for Civic Engagement—Case Study Boston”
Elizabeth Parfitt, Emerson College
“Stories of Work: Class, Community and Culture in Contemporary Literature”
Michele Fazio, University of North Carolina-Pembroke
“Calling for Social Activism at the University of Puerto Rico-Río Piedras”
Dorsía Smith Silva, University of Puerto Rico-Río Piedras
“Civic Engagement Using Non-Fiction in a Human Communication Graduate Program”
Godfrey Steele, University of the West Indies-St. Augustine
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Aqueduct Room AB
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13.12 Virgin Envy
Chair: Cristina Santos, Brock University
“The Impossibility of Virginity”
Elizabeth Law, Independent Scholar
“‘Will the Real Virgin Please Stand Up?’ Locating Agency in Virginity in Postcolonial India”
Aswini Sivaraman, New York University
“A Feast of the Virginal Signified: Alejandra Pizarnik’s ‘Bloody Countess’”
Jeannine Pitas, University of Toronto
“Lady of Perpetual Virginity: Jessica’s Presence in True Blood
Janice Zehentbauer, University of Western Ontario
Aqueduct Room CD
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13.13 Translating Resistance Literature
Chair: Riham Alhossary, Binghamton University
“Translating Palestinian Resistance Literature”
Riham Alhossary, Binghamton University
“Symbols of Resistance: Ancient Greek Myth in Albanian Lyric Poetry”
Adam Goldwyn, Uppsala University
“The Merits of Translating Resistance Literature”
Anne Saunders, College of Charleston
“The Case of Czechoslovakia in August 1968: Translation on the Barricades”
Julia Friday, SUNY New Paltz
Cascade Room A
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13.14 Word Made Flesh, Flesh Made Word: Narratives of Pain, Pained Narratives
Chair: Tali Zechory, Harvard University
“Picturing Pain and Pleasure in Annie Ernaux’s L’Usage de la photo
Lisa Connell, University of West Georgia
“A Linguistic Plethora of Words in the Pained Universe of Love”
Rafika Merini, SUNY Buffalo State
“Writing Gobseck
Sasha Santee, Yale University
Cascade Room B
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13.15 Postmodern Mythology II: Rewriting Myth in 20th and 21st cent. French Literature
Chair: Antoine Philippe, University of Puerto Rico
“Maurice Blanchot, Orphée démystificateur”
Antoine Philippe, University of Puerto Rico
“Le road novel québécois contemporain: entre les archétypes du nomade et du sédentaire”
Pierre-Paul Ferland, Université Laval
“Mythologie et théorie littéraire dans l’œuvre de J. R. Léveillé et d’Andrée Christensen”
Julia Hains, Université Laval
Cascade Room C
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13.16 Can I Still Touch You? Contemporary Italian Poetry and Poets (Roundtable)
Chair: Matteo Benassi, Rutgers University
“The Concealment of the Sick Body in Milo De Angelis’ Poetry”
Patrizio Ceccagnoli, University of Massachusetts-Amherst
“Paradosso Terrestre”
Francesco Ciabattoni, Georgetown University
“Tre Poetesse”
Mimmo Cangiano, Duke University
“The Full Bodied Verses of Contemporary Poets”
Marco Gargiulo, University of Bergen
“A Touchy Subject: the Body in Contemporary Poetry”
Matteo Benassi, Rutgers University
Cascade Room D
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13.17 Emergent Theories of Life Writing
Chair: Kathryn L. Kleypas, American University of Kuwait
“Reading the Other/Reading Ourselves: Empathy, Alterity, and the (Post)modern Criminal Memoir”
Kate Birdsall, Michigan State University
“Triumph without an Ending: Reading HIV Memoir through Disability Studies and Black Feminist Thought”
Allyson Day, Ohio State University
“I the People: Toward a Political Theory of Autobiography”
Nolan Bennett, Cornell University
“Affect and the Displacement of the Autobiographical Subject”
Susan Muchshima Moynihan, SUNY Buffalo
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom B
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13.18 (Con)Figurations of Citizenship in Caribbean Literature
Chair: Rachel L. Mordecai, University of Massachusetts-Amherst
“Performing Space: The Lived-Imagined Borders of Caribbean Literature”
Marika Preziuso, Virginia Foundation for the Humanities
“Articulating Haitian Citizenship: Ethnography and the U.S. Occupation in the Work of Jean Price-Mars”
Imani D. Owens, Columbia University
“Imagining a Royal We: Black Loyalism as Critique of Nationalism in the Watchman of Jamaica”
Alpen Razi, University of Toronto
“Does ‘Black British’ Actually Exist? Caribbean Citizenship in Caryl Phillips’ In the Falling Snow
Malachi McIntosh, University of Warwick
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom C
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13.19 Assigning and Responding to the Personal in Composition Classes (Roundtable)
Chair: Georgia Kreiger, Allegany College of Maryland
“The Essentiality of Personal Writing and Its Connection to Academic Discourse in Composition Classes”
Patricia Pytleski, Kutztown University
Waiting for Superman: Validating the Personal and the Pedagogical”
Kathleen Crosby, University of North Carolina-Chapel Hill
“Digital Pedagogy for Composition and ‘Signature Style’ in Electracy”
Gary Hink, University of Florida
“Using Trauma-Informed Principles to Reduce Risk When Assigning and Responding to the Personal”
Janice Carello, University at Buffalo
“Invisible ‘I’: The Co-production of Student Experience and Writing on Violence”
Hannah Dickinson, Hobart and William Smith Colleges
Hyatt Grand Ballroom A
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13.20 Between the Beats: Listening to the Soundscapes of the Black Diaspora
Chair: John Hyland, SUNY Buffalo
“Mecca Flats: Making Sound and Space in Jeremy Love’s Bayou, Vol.1”
Hershini Bhana Young, SUNY Buffalo
“The Blues as Atlantic Practice in Una Marson’s The Moth and the Star
John Hyland, SUNY Buffalo
“‘We Have Come B(l)ack’: Free Jazz Aesthetics, Africa, and Postcoloniality”
Robert MaClean, Hobart and William Smith Colleges
“The Sonic Rememory of Sampling and Black Women’s Eroticism/Eroticization”
Janessa Daniels, Rutgers University
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Regency A
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13.21 The Antipoetry of Nicanor Parra and Its Legacy
Chair: Marlene Gottlieb, Manhattan College
“Parra Held for Questioning”
Patricio Lerzundi, Lehman College-CUNY
“Nicanor Parra ¿Antipoeta?”
David Barreto, University of Pennsylvania
“Against Misogyny? Erica Jong Answers Back to Nicanor Parra”
Oscar Sarmiento, SUNY Potsdam
“La aportación de Nicanor Parra a la poesía hispanoamericana contemporánea”
Marlene Gottlieb, Manhattan College
Hyatt Regency B
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13.22 Re-Thinking German Romanticism II
Chair: Susan Gustafson, University of Rochester
“Is Obesity Noumenal? The Fat Footnote in Schiller’s ‘Ueber Anmut und Wuerde’”
Gail Hart, University of California-Irvine
“Die Liebe des Künstlers - eine genderorientierte Lektüre der Figur Kreislers in Hoffmanns Kater Murr”
Giulia Ferro Milone, University of Verona
“Journaling the Mystic, the Hysteric and Frankenstein: A New Genre of Late German Romanticism”
Christine Dombrowski, Southern Connecticut State University
Hyatt Regency C
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13.23 Writing Queerly
Chair: Jessica Lewis-Turner, Temple University
“‘…the gap never closes’: Parataxis and Affect in a Selection of Jeanette Winterson’s Novels”
Rachel A. Kaufman, Binghamton University
“Is the Rectum a Mirror? Palindromes of Queer Utopian Time in Works by John Greyson and Miranda July”
Stephanie Clare, Rutgers University
“Guts: On Jack Spicer, Robin Blaser and a Poetics of Masochism”
Trisha Low, New York University
“‘Reader, I won’t marry him’: Jamaica Kincaid’s Annie John and the Meta-critique of Romance Plots”
Modhumita Roy, Tufts University
Cascade Room E
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13.24 ‘Of Queen’s Gardens’: Victorian Ecofeminism
Chair: Margaret S. Kennedy, Stony Brook University
“Thomas Hardy’s Jude the Obscure and the (un)Natural Woman”
Rebekah Taylor, Kent State University
“‘The Ache of Modernism’: Victorian Women and Industrialized Farmlands”
Jonah Mitropoulos, City University of New York
“Eliot’s Animal-Girls”
Danielle Coriale, University of North Carolina-Chapel Hill
“Dirt, Darkness & Displacement: Elizabeth Gaskell and the Ecological Thought”
Elise Mitchell, University of Quebec-Chicoutimi
Cascade Room F
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Session 14: 3:15pm - 4:30pm

14.01 Transformations of Fairy Tales on Film
Chair: Rebecca Crisafulli, University of Chicago
“When Women Look: Re-vision and the Gaze in The Company of Wolves
Wernmei Yong Ade, Nanyang Technological University
“Snarled: ‘Rapunzel’ and the Monstrous Return in Disney’s Tangled (2010)”
Abigail Heiniger, Wayne State University
“Re-viewing Race and Gender: ‘The Red Shoes’ (1845), The Red Shoes (1948), Center Stage (2000)”
Rebecca Crisafulli, University of Chicago
Highland Room A
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14.02 Intellectual Spars and Rival Texts in 20th Century African-American Literature
Chair: Timothy Griffiths, Brooklyn College-CUNY
“Of Necessity Peculiar? George Schuyler’s Rejection of the New Negro’s Black Aesthetic”
Annie Anderson, Peirce College
“Dilapidated Façades of a Progressive Nature: August Wilson’s Rejection of Double-Consciousness”
Chanae Bazemore, Hunter College-CUNY
“Invisible Women: Race, Gender, and Sociology in Postwar African American Fiction”
Mollie Godfrey, Bates College
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room B
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14.03 The Work of Nancy Huston (Roundtable)
Chair: Natalie Edwards, Wagner College
“Motherhood and Creation in Nancy Huston’s Non-fiction”
Ann-Sofie Persson, University of Linkoping
“Replication and/of the Artist, or ‘un artiste peut en cacher un autre’”
David Powell, Hofstra University
“L’ethos intellectuel dans les essais de Nancy Huston”
Claudia Almeida, State University of Rio de Janeiro
“The Questioning of Nostalgia in Nancy Huston’s L’empreinte de l’ange”
Natalie Edwards, Wagner College
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room C
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14.04 Encyclopedic Breath and Modernity in the Sixteenth and Seventeenth Centuries (Roundtable)
Chair: Erika Papagni, University of Toronto
“Il rapporto tra ‘La Querelle des Femmes’ e ‘La Querelle des Anciens et des Modernes’ nel primo 600”
Filippo Salvatore, Concordia University
“Eustache de Refuge: a Polymath in All Matters Concerning Human Behavior”
Chris Cooper, McGill University
“The Roots of Modernity and Movable Types or McLuhan and the Fallacy of Postmodernism”
Francesco Guardiani, University of Toronto
“‘Paragone de gli’ingegni antichi e moderni’ Tassoni’s Contribution to the Birth of Modernity”
Erika Papagni, University of Toronto
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room D
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14.05 The Female Body, Gender, and Identity in 21st Century Latin America
Chair: Mia Romano, Rutgers University
“When Exports and Diasporas Collide: La Reina del Sur and the Melodrama of Mexican Nationalism”
Laura M. Herbert, University of Michigan
“Unlikely Mirror: The Cyborgization of Yzur and the Female Body(ies) in Pubis angelical
J. Indigo Eriksen, San Francisco State University
“Bodies in Excess: Alternative Femininity in Vapor by Julieta García González”
Mia Romano, Rutgers University
Multimedia Session: TV/VCR-DVD
Highland Room E
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14.06 Italian Narratives on the Net: Between Private, Public and Social Communication (Roundtable)
Chair: Sonia Massari, Siena University
“We Are What We Don’t Eat: Social Networks and Web Narratives about Food”
Sonia Massari, University of Siena
“Call Centeredness: Narratives of the Cognitariat”
Sabrina Ovan, Scripps College
“‘Zappata Romana’ e l’Urbanistica Spontanea”
Stan Mathews, Hobart and William Smith Colleges
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room F
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14.07 Translating the Margins
Chairs: Annette Levine, Ithaca College; James McCutcheon, Niagara University
“Establishing Quebec Culture in an Anglophone Continent”
Steffani Scheer, University of Massachusetts-Amherst
“An Unheard Voice in the English-Speaking World: Translating ‘L’hora violeta’ by Montserrat Roig”
James McCutcheon, Niagara University
“Challenging Censorship in Aída Bortnik’s Short Stories”
Annette Levine, Ithaca College
Highland Room G
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14.08 Gender, Literary Tourism, and Autobiography: Dialectics and Discrepancies
Chair: Jane Wood, Park University
“‘World War I, Travel and the American Landscape: Hemingway, Cather, and Modern Art’”
Jane Wood, Park University
“Tradition, Gender and Experiment: Imagining Self and Home in Brooks’s Report from Part One
Samira Abdur-Rahman, Rutgers University
“Urban Prisms and Walkaway Women: Interdimensional Memoirs of Mid-Century New Yorkers”
Maureen Kentoff, George Washington University
Highland Room H
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14.09 Framing the Black Arts Movement
Chair: Bill Waddell, St. John Fisher College
“Before the Black Arts Movement: The Umbra Workshops and the Formulation of the Black Aesthetic”
Jean-Philippe Marcoux, Universite Laval
“Between Protest and Revolution: Ambiguity as Meaning in Amiri Baraka’s The Slave
Karl Hartshorn, Clark University
“Revolutionary Artistry: Post-Integration Black Women Remake the Bildungsroman”
Regina Hamilton, Georgetown University
Highland Room J
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14.10 Reading Love and Violence in Victorian Literature
Chair: Robert Lougy, Pennsylvania State University-University Park
“From Romance to Reform: Love as Social Mover in the Victorian Novel”
Raluca Musat, William Paterson University
“‘Is not this a strange, a brutal thing?’: Love and Violence in The Odd Women
Cara Weber, John Hopkins University
“Bursts of Violence and the Loss of Self-Control in George Eliot”
Patrick Fessenbecker, Johns Hopkins University
Highland Room K
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14.11 Conductive Wire: The Experience of Emotion in Cinema and Literature
Chair: Nathalie Fouyer, CUNY Graduate Center
“Forsyth’s Light Touch: Intensified Empathy and Diffused Conflict at the Climax of Local Hero
Mary E. McDermott, West Chester University
“Media and Melancholia: Notes on David Foster Wallace’s Infinite Jest
Alex Blazer, Georgia College & State University
“The Overflow of Emotions in Lars Von Trier’s Cinema”
Natalia Laranjinha, University of Algarve-CIAC
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Aqueduct Room AB
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14.12 Aldous Huxley: Fifty Years After
Chair: Bill Harrison, SUNY Geneseo
“Huxley and British Disenchantment in After Many A Summer (1939)”
Megan Faragher, University at Buffalo
“Unfastening the Malthusian belt: Biopolitical Chronotropes in Aldous Huxley and Alexander Laing”
Rachel Ann Walsh, St. Bonaventure University
“Aldous Huxley and Michel de Certeau: Intellectuals, Scientists, Mystics”
Owen Coggins, Independent Scholar
Aqueduct Room CD
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14.13 Early Modern History Wars II
Chair: Daniel Franke, University of Rochester
“The Conscience of Subjects and Kings: On Forgetfulness as Political Necessity in Henry V
Ian Maness, Queen’s University
“Gossip and Historical Narrative in Henry VIII
Jennifer Holl, CUNY Graduate Center
“‘That Bloody Strain’: Refashioning the Plantagenet Past in Edward III
Daniel Franke, University of Rochester
Cascade Room A
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14.14 Postcolonial and Animal Studies
Chair: Carine Mardorossian, University at Buffalo
“‘Those Mysterious Things That Are Called Men’: Rudyard Kipling’s Colonialism in The Jungle Book
Chamutal Noimann, Borough of Manhattan Community College-CUNY
“Going to the Dogs: Human and Dog Relationships in Marlene van Niekerk’s Triomf
Heather Dodge, Manhattan College
“Property Rights, Self-Possession and Animality in J. M. Coetzee’s Disgrace
Rebecca Saunders, Illinois State University
Cascade Room B
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14.15 The Cinematic Risorgimento: Hagiographies and Revisions (Roundtable)
Chair: Fulvio Orsitto, California State University-Chico
“Risorgimento e questione meridionale nel cinema di Germi”
Simone Castaldi, Hofstra University
“Qui si fa l’Italia o si muore!’ 1860 di Alessandro Blasetti tra storia e propaganda”
Daniele Fioretti, Miami University
“Garibaldi’s Invisibility as Authoritarian Presence in Alessandro Blasetti 1860”
Andrea Righi, Colorado College
“Reflections upon the Cinematic Risorgimento”
Fulvio Orsitto, California State University-Chico
Cascade Room C
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14.16 New Perspectives on French Modernism
Chair: Mark Andrew Hall, Ithaca College
“The Butterfly Effect: Reverdy and the Poetic Imagination”
Mark Andrew Hall, Ithaca College
“The Death of Marcel: (Re)thinking the (Post)modern in Barthes through Proust”
Sarah E. Kruse, University of Rhode Island
“Death in Abeyance: Maurice Blanchot, Modernist Novelist”
Jacob Schott, University of Rochester
“The Accidental Avant-Guardist: Raymond Roussel and the Politics of Canonization”
Ryan Ruby, York College-CUNY
Cascade Room D
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14.17 Feminism and the New German Cinema
Chair: Jennifer L Creech, University of Rochester
“On Drawing the Gaze: Showgirls in Fassbinder’s Lola and Sternberg’s Der blaue Engel
Jaclyn R. Kurash, Allegheny College
“Repetition as Structure in Rainer Werner Fassbinder’s Lili Marleen
Joshua Bonilla, University of Chicago
“The Divided Subject: Helke Sander’s The All-Round Reduced Personality (ReDuPers)”
Jennifer Creech, University of Rochester
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom B
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14.18 An Exploration of Puppet Power (Creative)
Chair: Pia Banzhaf, Queen’s University at Kingston
“Italian Puppeteering: A Tradition Living across Media”
Federico Pacchioni, University of Connecticut
“Retellings of Pinocchio: Cutting the Strings”
Georgia Panteli, University College of London
“Pinochio’s Power: The Puzzle of Perception in Puppet Performances”
Pia Banzhaf, Queen’s University at Kingston
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom C
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14.19 Caribbean Now: Nation, Transnation, Postcolony? (Roundtable)
Chair: Elaine Savory, New School University
“The Concept and Practice of a Transnational Cuban Literature”
Christopher Winks, Queen’s College-CUNY
“From the Growing Distance’: Citizenship, Nostalgia, and Jamaica’s Postcolonial Moment”
Rachel Mordecai, University of Massachusetts-Amherst
“The Transnational and Cultural Creolization in Glissant, Walcott and Diaz”
Anita Duneer, Rhode Island College
Hyatt Grand Ballroom A
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14.20 Women’s & Gender Studies Film Screening (Special Event)
Chair: Sophie Lavin
White Scripts and Black Supermen
Derek McGrath, SUNY Stony Brook
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Regency A
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14.21 Pre-20th Century German Women Writers as Agents of Cultural Transfer
Chairs: Astrid Weigert, Georgetown University; Claudia Winkler, Georgetown University
“Adele Schopenhauer’s Travel Guide to Florence as a Means of German-Italian Cultural Transfer”
Anja Peters, Royal Holloway-University of London
“Reporting on Race: Journalist Ottilie Assing on Frederick Douglass and Slavery in the U.S.”
Traci O’Brien, Auburn University
“The Theatre of Education: German Women Writers Respond to Madame de Genlis, 1794-1800”
Mary Helen Dupree, Georgetown University
“Friederike Brun’s Literary Mediating Efforts between German and Danish Culture”
Anne Wallen, University of Minnesota
Hyatt Regency B
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14.22 Latin American Theatrical Works: A Voice for Social Change?
Chair: Maria R. Matz, University of Massachusetts-Lowell
“Theater and Politics.”
Maria Matz, University of Massachusetts-Lowell
“Mirada reconstructora de la historia argentina en ‘Esa extraña forma de pasión’ de Torres Molina”
Eduardo Cabrera, Millikin University
“Cuerpo, espacio y lenguaje en Los siameses de Griselda Gambaro”
Clara Mengolini, Vanderbilt University
Hyatt Regency C
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14.23 Slow Down or Download?: Fostering Engagement in the Age of Instant Everything
Chair: Laura Collins, Binghamton University
“Accommodation to the Everyday or Critical Engagement?: Challenging New Media Advocacy”
John Charles Goshert, Utah Valley University
“Thinking Outside the (Techno-)Box: Yeah, There’s an App for That”
Karen Schramm, Delaware Valley College
“Approaching Equilibrium: New Media and the Tried and True”
Anthony T. Sovak, Farmingdale State College
Cascade Room E
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14.24 Keeping Poetry Relevant for the 21st Century Community College Student (Roundtable)
Chair: Jennifer Campbell, Erie Community College
“Performance Poetry in the Writing or Literature Classroom: Opening Space for Experimentation”
Melissa Tombro, Fashion Institute of Technology-SUNY
“Creatively Engaging the Non-English Major with ‘Poem Tricks’”
Mary Lannon, SUNY Nassau Community College
“Getting Community College Writers Into the Community”
Perry Nicholas, Erie Community College
“Who Is That Masked Writer?: Bringing Literature Alive”
Joyce Kessel, Villa Maria College
Cascade Room F
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Session 15: 4:45pm - 6:15pm

15.01 Teaching French Popular Culture (Roundtable)
Chair: Skye Paine, SUNY Brockport
“Choose Your (French) President”
David Powell, Hofstra University
“Allier l’apprentissage linguistique et culturel”
Aurelie Van de Wiele, Hamilton College
“Teaching French Rap and Popular Music”
Skye Paine, SUNY Brockport
Highland Room A
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15.02 Translation Theory
Chair: Anna Strowe, University of Massachusetts-Amherst
“The Case for Intralingual-Intertemporal Translation”
Hilla Karas, Tel Aviv University
“Radical Invisibility”
Letitia Henville, University of Toronto
“Parallel Approaches in Diaspora and Translation Studies: Rethinking Authenticity and Fidelity”
Erin Riddle, Binghamton University
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room B
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15.03 Middlebrow and Alternative Modernisms
Chair: Kathryn Klein, SUNY Stony Brook
“From the Boxing Ring to the Catwalk: Djuna Barnes’s Performative Journalism”
Kathryn Smorul, West Virginia University
“Marginal and Middlebrow: Lesbians and Intertextuality in Barnes and Hall”
Meghan Fox, SUNY Stony Brook
“‘One Could Become Accustomed to Murdering’: Stein, Hammett, and the Making of Hard-Boiled Modernism”
Matthew Vaughn, University of Tulsa
“Rory’s Mononcle: Inventing the Lesbian in Compton Mackenzie’s Extraordinary Women
Kathryn Klein, SUNY Stony Brook
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room C
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15.04 Shakespeare at the Opera
Chair: Joshua Cohen, Massachusetts College of Art and Design
“Opera Without Words: Linguistic Music in Prokofiev’s Romeo and Juliet
Seth Herbst, Harvard University
“Gender and Property in Operatic Restoration Tempests”
Amanda Weldy Boyd, University of Southern California
The Okavango Macbeth: The Nature of ‘The Natural’ in a Baboon Opera”
Jamie Neal, Wake Forest University
“A Document in Madness: Writing Insanity in Hamlet
Nicholas Rego, University of Virginia
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room D
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15.05 Italy: Identity and Nation-State. Risorgimento Origins and Current Debates.
Chairs: Mark Epstein, Princeton University; Morena Corradi, Queens College-CUNY
“The Southern Question Goes North: Rocco e i suoi fratelli
Gloria Monti, California State University-Fullerton
“The New Italian Nation-State in the Writing of Achille Bizzoni”
Morena Corradi, Queens College-CUNY
“Before Identitarianism: Pasolini and the Erasure of History”
Mark Epstein, Princeton University
“La quarta Italia del Terzo Millennio: il nuovo federalismo italiano”
Filippo Salvatore, Concordia University
Multimedia Session: TV/VCR-DVD
Highland Room E
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15.06 New Approaches in Teaching Foreign Languages (Roundtable)
Chair: Kate Kagan, Russell Sage College
“Seeing Language - Teaching American Sign Language and Culture”
Stefanie Lewis, SUNY Nassau Community College
“Using Technology to Teach Foreign Languages and Literature”
Kate Kagan, Russell Sage College
“Integración del Service-Learning en español en una comunidad bilingüe inglés-francés de Canadá”
Cynthia Potvin, Université de Moncton
“The Role of Contextualized Grammar in Proficiency-based Instruction and OPI Assessment”
Angelo Rodríguez, Kutztown University of Pennsylvania
“Motivation among American Students in the Foreign Language Classroom”
Cori Shea, St. John Fisher College
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room F
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15.07 Gender and Sexuality in Asian-American Fiction
Chair: Naomi Edwards, SUNY Stony Brook
“The Transnational Self and Gender in Contemporary Asian American Fiction”
Michelle Balaev, Wake Forest University
“Spies, Pilots, and Other Odd Observers: Defining the Masculine in the Novels of Chang-rae Lee”
David Humphries, Queensborough Community College
“Nurturing Post-modern Angst and the Maternal Body in Philip Kan Gotanda”
L. Bailey McDaniel, Oakland University
“Imposed Invisibilities: Racial Melancholia and Queer Diaspora in The Book of Salt
Naomi Edwards, SUNY Stony Brook
Highland Room G
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15.08 New Approaches to the Contemporary Narrative of Slavery I
Chair: Maria Rice Bellamy, College of Staten Island-CUNY
“‘These Careful Words’: Textual Remains and Reader Responsibility in Toni Morrison’s A Mercy
Maria Rice Bellamy, College of Staten Island-CUNY
“‘Difficult Forms of Knowing’: M. Nourbese Phillips’ Zong! and the Ethics of Representation”
Veronica Austen, St. Jerome’s University at the University of Waterloo
“A Long View of Mat Johnson and Poe’s Pyms”
Jonathan Hartmann, University of New Haven
“Turning Slavery on its Head: Bernadine Evaristo’s Blonde Roots and The Emperor’s Babe
Tracey L. Walters, SUNY Stony Brook
Highland Room H
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15.09 Ecospirituality in Twentieth Century Poetry
Chair: Kelly MacPhail, McGill University
“Ecospiritual Imagery and Artifice: Glittering Streams of Poetic Coping in Yeats’ ‘The Tower’”
Kate Dunning, Case Western Reserve University
“‘Wilderness of the Broken World’: Paradise and Progress in Edwin Muir’s Poetry”
Kelly MacPhail, McGill University
“Flowers Offered to the Buddha: Charting a Lineage of North American Buddhist Ecopoetics”
Clare Emily Clifford, Birmingham-Southern College
“Water Bodies, Salmon People: Bioregional Spirituality in Sherman Alexie’s Poetry”
Chad Wriglesworth, St. Jerome’s University at the University of Waterloo
Highland Room J
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15.10 The Catholic Imagination in Modern Literature I
Chair: Stephen Trainor, Salve Regina University
“Conversion and Subversion in the Catholic Imagination of Walker Percy and Colm Toibin”
Maryanne Felter, Cayuga Community College
Kristopher Willumsen, Wheeling Jesuit University
‘Is the shipwrack then a harvest?’ Ron Hansen’s Exiles and the Journey Home”
June-Ann Greeley, Sacred Heart University
“Why Is Ignatius so Hungry?”
Jane Bethune, Salve Regina University
“‘Evil be thou my good’: Brighton Rock’s Pinkie (and other religiously dangerous delinquents)”
Lindsay Davies, New York University
Highland Room K
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15.11 Literature, Trauma, and Healing: Refusing to Silence the Discourse I
Chair: Ami Blue, Michigan State University
“To Teach, To Write, To Heal: The Complicated Role of Educator Within and Beyond Sapphire’s Push
Cassandra D’Alessio Blandford, University of Louisville
“Sharing the Unspeakable: Transforming Trauma Through Lifewriting”
Irene E. Karpiak, University of Oklahoma
“Skills and Scars: Teaching the Personal Essay to Student Veterans”
Travis L. Martin, University of Kentucky
“Healing in Literature about Place and Home: Hurricane Katrina Survivors Write the Way Home”
Carrie Jo Coaplen, Morehead State University
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Aqueduct Room AB
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15.12 Canadian Short Stories
Chair: Karen Stein, University of Rhode Island
“The Artist as Community in Alice Munro’s Lives of Girls and Women
Ryan Porter, Algonquin College
“With the one-way wind: Childhood, Knowledge and Landscape in Canadian Women’s Short Stories’”
Veronica Barnsley, University of Manchester
“Margaret Atwood’s experiments in ’Dancing Girls, Surfacing’ and ’Bodily Harm’”
Louisa MacKay-Demerjian, Quincy College
Aqueduct Room CD
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15.13 Digital Dreaming: Reading YouTube
Chair: Randy Laist, Goodwin College
“(Not) Asking, (Not) Telling: A U.S. Military Man Comes Out on YouTube”
Gene Melton, North Carolina State University
“On the Stage: Presenting Myself, Presenting My Goods, Presenting My Girlfriend”
Alexander Schwinghammer, Bauhaus-University Weimar
“On the Implausible Traces of YouTube in Borges”
Rhona Trauvitch, University of Massachusetts-Amherst
“Dreams Come True Bitches! Anticipating an Adolescent Future ‘In the Heights’”
Dan Dinero, New York University
Cascade Room A
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15.14 Femmes et résistance pendant la pénétration coloniale: instinct cosmogonique
Chair: Karim Simpore, St. Lawrence University
“Femmes et résistance coloniale: Le Mythe de Yénnéga à travers Boukary Koutou”
Karim Simpore, St. Lawrence University
“Femmes et résistance: l’affirmation d’un moi féminin chez Sembene Ousmane”
Martine Boumtje, Southern Arkansas University
“L’entre-deux: naissance du futur chez les romancières africaines postcoloniales”
Isaac Joslin, St. Lawrence University
“Les chants populaires des femmes comme formes de résistance au pouvoir colonial en pays bamum”
Syprien Christian Zogo Tsanga, Université Laval/Canada
Cascade Room B
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15.15 Immaginario Mediterraneo. From Mare Nostrum to Liquid Border
Chair: Renato Ventura, University of Dayton
“Sicilian Cuntu: between Berber Imayazen’s Storytelling and the Heritage of Troubadour Song”
Melanie Zefferino, University of Warwick
“Mediterraneo: Teatro oltre il teatro Recitazione e struttura della personalità dell’attore”
Angelisa Marroccia, Consorzio Universitario per la Formazione Turistica Internazionale
“Cibo, sogno e specchio della ‘mediterraneità’”
Paola Pettinotti, Independent Scholar
“Southern Cinema and Southern Thinking: Cassano’s Utopian Vision in Italian Film”
Chiara Ferrari, California State University-Chico
Cascade Room C
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15.16 Approaching the Archives of Gay Liberation (Roundtable)
Chair: Megan Paslawski, CUNY Graduate Center
“What’s a Boi to Do?: Novel Forms of Sexual Alienation in the New City”
Nicholas Gamso, CUNY Graduate Center
“‘Hey World!’: The Political Rage of John Rechy’s Sexual Outlawry”
John Goshert, Utah Valley University
“Who is the Author of Gay Liberation?: Collective Organizing and Writing in the GLF”
Stephen Vider, Harvard University
“Institutionalization: Michael Rumaker from His Black Mountain Days to Now”
Megan Paslawski, CUNY Graduate Center
“Claiming the Archive, Taking the Future”
Gardenia Flores, Independent Scholar
Cascade Room D
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15.17 Narrating Europe’s (Dis)integration in Literature, Cinema, and Speech
Chair: Sabina Perrino, University of Michigan-Ann Arbor
“Searching for (Dis)harmony”
Gregory Kohler, University of Michigan-Ann Arbor
“Italian (Dis)integration: Dialect, Revitalization, and Citizenship in Veneto”
Sabina Perrino, University of Michigan-Ann Arbor
“‘Real Democracy’: Attempting a Radically Moderate Identity in Syntagma Square”
Stacey Krueger, Northeastern Illinois University
Nicholas Georgopoulos, Northeastern Illinois University
“Refugees of the Upper West Side: Oral Narratives of German Jews after 1938”
Abby Orenstein, Temple University
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom B
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15.18 New Approaches to Genre Studies in DEFA Film
Chair: Reinhild Steingrover, University of Rochester
“Betting on Genre: the Cold War Scandal of Spielbank Affaire (Arthur Pohl, 1956)”
Stefan Soldovieri, University of Toronto
“Adventures in Stagnation: Gottfried Kolditz’s Unfilmed Project Zimtpiraten (1983)”
Evan Torner, University of Massachusetts-Amherst
“Gender, Power, Building(s): Die Architekten, Sommer vom Balkon, and Eine flexible Frau
Jennifer Ruth Hosek, Queen’s University
“Panel Commentator”
Angelica Fenner, University of Toronto
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom C
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15.19 Best Practices for Professional Development and Support of Contingent Faculty (Roundtable)
Chair: Rhonda Filipan, Kent State University
“Creating Choices: Looking at the Long-term Effects of Professional Development”
Laura Davies, Le Moyne College
“Report from MLA’s Committee on Contingent Labor in the Profession + TT Faculty and NTT Rights”
Janet Casey, Skidmore College
“Mentoring Programs and Resources for Adjunct Faculty”
Maria Plochocki, Medgar Evers College-CUNY
“Workplace Environment for Part-time Faculty”
Jeanette Jeneault, Syracuse University
“Effective Practices to Welcome, Inform and Support Contingent Faculty”
Beverly Evans, SUNY Geneseo
Hyatt Grand Ballroom A
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15.20 Masculinity in Superhero Comic Books and Films I
Chair: Derek McGrath, SUNY Stony Brook
“A Real Leap: Luke Cage and the Post-Civil Rights Evolution of Black Masculinity”
Jonathan Gray, John Jay College-CUNY
“Adonis as a Superhero: How Comic Books and Movies Affect Male Body Image”
William Tunningley, Sam Houston State University
“Blasphemous Masculinities: Postmodern Parodic Relationships in The Venture Brothers
Nathaniel Doherty, SUNY Stony Brook
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Regency A
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15.21 Federico García Lorca after 75 Years: His Unfinished and Unedited Works
Chair: Salvatore Poeta, Villanova University
“La interrelación entre El público y Comedia sin título de Federico García Lorca”
Antonio F. Cao, Hofstra University
“Federico García Lorca y su teatro de juventud: en búsqueda de la expresión poética perfecta”
Tatiana Ripoll-Paez, Rosemont College
“El diwan: agua, cuerpo y voz de Granada: la muerte como presagio estético”
Alana Álvarez, Vanderbilt University
“Federico García Lorca: ¿novelista-cuentista frustrado?”
Salvatore Poeta, Villanova University
Hyatt Regency B
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15.22 The Negotiation of Feminine Identity in the Early Modern Spanish World (Roundtable)
Chair: Joan Cammarata, Manhattan College
“The Many Faces of the Pícara: Constructing the ‘Putidoncella’ in La pícara Justina
Electra Gamón Fielding, Weber State University
“Butch Femme/Femme Butch: the Trial of Eleno/a de Céspedes and Its Postmodern Consequences”
Stephen Hessel, University of Missouri-Columbia
“María de Zayas’s Poetry within Its Poetic and Feminine Traditions”
Elena Gutiérrez, Catholic University of America
“Queen Isabel de Borbón: Reading Gender and Authority in Three Calderonian Plays”
Carmela V. Mattza, Wesleyan University
“Transnational Supremacy and the Iberian Woman”
Joan F. Cammarata, Manhattan College
Hyatt Regency C
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15.23 The Notion of Friendship in Dante and Medieval Italian Writers I
Chair: Francesco Ciabattoni, Georgetown University
“La nozione di amicizia: evoluzione e confronto tra Guittone d’Arezzo e Dante”
Beatrice Arduini, University of Massachusetts-Amherst
“‘Perché i son tal vicino’: Friendship Travestied in the Ugolino Episode (Inferno XXXIII)”
James Chiampi, University of California-Irvine
“Dante and the Mystical Concept of Friendship”
Sandra Debenedetti Stow, Bar-Ilan University
Cascade Room E
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15.24 Cognitive Approaches to Literature I
Chair: Barry Spence, University of Massachusetts
“Experiential Realism and Sterne’s Tristram Shandy
Torleif Persson, Rutgers University
“Cognitive Queer: (Re)presenting Sexuality and Narrative Structure in Hawthorne and Poe”
Joseph Connolly, Indiana University
“Complicating Established Conceptions of A Priori Knowledge: Powers, DeLillo, and Shteyngart”
Stacey Balkan, Bergen Community College
“Breaking Down Pictures, Creating New Worlds: Creativity and Cognition in Contemporary Italian Poetry”
Eloisa Morra, Scuola Normale Superiore of Pisa
Cascade Room F
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Session 16: 6:30pm - 8:00pm

16.01 British and Anglophone Special Event (Special Event)
Chair: Suha Kudsieh, College of Staten Island-CUNY
“Falling in Love with a Dead Man: WWI, Memory, and the Travels of Charles Sorley”
Bette London, University of Rochester
Following talk, there will be a co-sponsored reception with American Literature Area.
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom B
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16.02 Italian Language and Literatures Film Screening (Special Event)
Chair: Giovanni Spani, Holy Cross
Detour De Seta
Salvia Cuccia
Q&A and reception will follow screening.
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom C
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16.03 Cultural Studies & Film Special Event (Special Event)
Chair: Margarita Vargas, SUNY Buffalo
“‘Ciudad Juárez From a Mother’s Perspective: Gender and Fiction Film’”
Josefina Mata, Irregular Me: Film and Video Production Company
Co-Sponsored by Diversity Program. Reception will follow presentation.
Multimedia Session: TV/DVD
Hyatt Grand Ballroom A
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16.04 Women’s & Gender Studies Speaker (Special Event)
Chair: Kirsten Ortega, University of Colorado-Colorado Springs
“The Gospel According to Toni Morrison”
Stephanie Li, University of Rochester
Event will be followed by a reception.
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Regency A
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16.05 German Area Special Event: Poetry and Translation with Uljana Wolf (Special Event)
Chair: Astrid Weigert, Georgetown University
Hyatt Regency B
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16.06 Comparative Languages Event (Special Event)
Chair: Chris Hogarth, Wagner College
“Are There Universal Aesthetic Categories? The Case of the Sublime”
Robert Doran
The talk will be followed by the joint reception of the Comparative Languages and Francophone Areas.
Hyatt Grand Ballroom G
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16.07 CAITY Caucus Business Meeting & Reception (Special Event)
Chair: Maria Plochocki, Medgar Evers College
Hyatt Carson Room
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