Saturday Morning Sessions (17 March)

Session 10: 8:30am - 10:00am

10.01 Old and New Trends in Contemporary Italian Cinema
Chair: Fulvio Orsitto, California State University-Chico
“Salvatores’ Nirvana: Between Spaghetti-Sci-Fi and Auteurism”
Fulvio Orsitto, California State University-Chico
“Gender Roles and Masculinity in Ozpetek’s Le fate ignoranti”
Renato Ventura, University of Dayton
“Italian Cinema: The Dawn of a Renaissance”
Paola Lorenzi, Pepperdine University
Highland Room A
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10.02 The Idea of Revolution in French and Francophone Literature
Chair: Peter Vantine, Saint Michael’s College
“If They Had Understood L’Education Sentimentale: Print Culture and Revolutionary Failures”
Dominica Chang, Lawrence University
“Le Théâtre de la Révolution de Romain Rolland: une lecture fataliste du concept de révolution”
Marion Denizot, Université Rennes 2
“La révolution, de la réalité au mythe littéraire? Trois oeuvres maghrébines post-révolutionnaires”
Jihane Tbini, Université de Kairouan
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room B
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10.03 L’encre et l’écran à l’oeuvre - Paper and Screen: the Inter-Art Work II
Chairs: Catherine Chartrand-Laporte, Université de Montréal; Karine Abadie, Université de Montréal
“From Epic to Erratic: a Comparative Essay on Frank Miller’s Sin City and 300
Luiz Guilherme Couto-Pereira, Universidade de São Paulo
“L’adaptation: échanges syntaxiques entre cinéma, bande dessinée, roman”
Alexandre Widendaële, Université de Paris-Est Marne-la-Vallée
“Sacha Guitry: Le film d’un tricheur. Pour une typologie des voix narratives au cinéma”
Jean-Marc Limoges, Université Laval
“Polyphonie textuelle et visuelle: la trilogie marseillaise de Marcel Pagnol”
Karine Abadie, Université de Montréal
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room C
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10.04 A voce alta: i ‘migranti’ descrivono gli ‘italiani’ II
Chair: Piera Carroli, Australian National University
“La valigia dello straniero”
Anna Cafaro, Bard College NY
“‘Porto il velo adoro Queen’: Escaping existential conditioning beyond national and cultural borders”
Piera Carroli, Australian National University
“Threshold poetics: paradox and parallax in immigrant writing”
Peter Carravetta, SUNY Stony Brook
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room D
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10.05 Childless Women in French Literature and Film I
Chair: Natalie Edwards, Wagner College
“‘Une femme qui n’a pas d’enfants, c’est un monstre’: Childless Women in Place Vendôme (1998)”
Marcelline Block, Princeton University
“The Rejection of Motherhood in François Ozon’s Le Refuge”
Natalie Edwards, Wagner College
“Le refus de la maternité dans les romans de Jacqueline Harpman”
Sylvie Vanbaelen, Butler University
“Childfree: une autre forme d’accomplissement”
Edith Vallée, Independent Scholar
Multimedia Session: TV/VCR-DVD
Highland Room E
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10.06 Italian Language, Literature, and Culture via Creative Projects (Roundtable)
Chair: Chiara De Santi, SUNY Fredonia
“Teaching Italian Language and Culture through the Arts”
Diane Biunno, Villanova University
“Content-Based Instruction and Creative Communicative Activities”
Lorraine Denman, University of Pittsburgh
“Paratextuality and Music in Italian Language Classes”
Chiara De Santi, SUNY Fredonia
“Creatività, lingua e cultura: Le interviste impossibili”
Anthony Mollica, University of Toronto-Mississauga
“Creative and Collaborative Strategies for the Large Format Class”
Federico Pacchioni, University of Connecticut
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room F
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10.07 Cultural Capital or Capitalist Culture? An Economic Turn in American Studies
Chairs: John Havard, University of Rochester; Russell Sbriglia, University of Rochester
“The Panic of 1837 and the Birth of Domestic Economy”
Christopher Cowley, SUNY Buffalo
“On (Not) Reading Money in Antebellum Fiction”
Joseph Conway, University of Alabama-Huntsville
“‘Inside Doesn’t Matter’: American Psycho, Mary Gaitskill, and American Neoliberalism”
Ryan Brooks, University of Illinois-Chicago
“Dialectic and Days of Awe: Charting a Course Beyond Neoliberalism and Globalization”
Maureen Curtin, SUNY Oswego
Highland Room G
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10.08 Speculative Literature from the African Diaspora: Creating Heroes and Heroines
Chair: Dierdre Powell, Anne Arundel Community College
“Rewritten: Politics of Resistance in Nnedi Okorafor’s Who Fears Death
Joshua Burnett, Florida State University
“Octavia Butler’s Parable of the Sower: Queer ‘New Stories’ of the Fourth Dimension of Citizenship”
Kirin Wachter-Grene, University of Washington
“Contemporary African American Women’s Vampire Fiction: Constructing ‘Plots of Power’”
Marie Loeffler, University of Leipzig
“The Unreliable Heroine: Fledgling’s Shori as Octavia Butler’s Most Problematic Protagonist”
Florian Bast, University of Leipzig
Highland Room H
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10.09 ‘Sifting the April sunlight for clues’: The Poetry of John Ashbery
Chair: Barbara Fischer, The Hudson Valley Writers’ Center
“Square Doctrines, Queer Uncles: Looking Back from Ashbery’s Tennis Court Oath to Auden’s Orators”
Rachel Galvin, Princeton University
“‘Ghosts which have run mad in the subways’: Ashbery, George Oppen, and ‘A Language of New York’”
Tom Jesse, Texas Christian University
“‘Everything has a schedule, if you can find out what it is’: A Reading of Ashbery’s Some Trees
Zac Schnier, University of Ottawa
“‘Borne on shoulders, at last’: Sympathy in Ashbery’s Early Poetry”
Timothy A. DeJong, University of Western Ontario
Highland Room J
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10.10 Technologies of Memory in Twentieth Century British Fiction
Chair: Alexander Moffett, Providence College
“The Materiality and Textuality of Memory in Ian McEwan’s Saturday
Michele Braun, Mount Royal University
“Feminist Subjectivity and Objective Recording: Film Memory in Dorothy Richardson and Doris Lessing”
Laurel Harris, Queensborough Community College
“Proleptic Prosthetic: The Subversion of Touristic Memory in British Fiction”
Alexander Moffett, Providence College
“Mapping Intimacy through Narrative Memory in Mrs Dalloway
Rebecca Thorndike-Breeze, Northeastern University
Highland Room K
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10.11 Masculinity and Consumerism
Chair: Mary Hartson, Oakland University
“‘All the Virgin Eyes in the World’: Mina Loy, Consumer Spectacle and the Dis-empowered Flaneur”
Dancy Mason, Dalhousie University
“The End(s) of Comedy: Bachelors, Banquets and Bellies in Shakespeare’s Much Ado About Nothing
Jordan Windholz, Fordham University
“A Masculine Mystique: Jay Gatsby, Don Draper, and the Illusion of the American Dream”
Molly McCourt, University of Wisconsin-Milwaukee
“Voracious Vampires and Other Monsters: The Terror Genre in Spanish Cinema of the ‘Transición’”
Mary Hartson, Oakland University
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Aqueduct Room AB
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10.12 Australian and New Zealand Bildungsromans
Chair: Lisa Vandenbossche, University of Rochester
“‘Transformative Theriomorphism’: Indigenous Ecocriticism in Doris Pilkington’s Rabbit-Proof Fence
Madison Bettle, University of Western Ontario
“Symbolic Systems and Individuation in Witi Ihimaera’s The Matriarch and The Dream Swimmer
Yanwei Tan, University of Otago
“Australian Memoir as Bildungsroman: Coming of Age in Romulus, My Father and After Romulus
Eva Rueschmann, Hampshire College
“Matilda’s Pip”
Rita Bode, Trent University
Aqueduct Room CD
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10.13 Memory, Received Wisdom, and Religion in Early Modern and 18th-Century Europe
Chair: Jason Gulya, Rutgers University
“Redeeming the Ordinary, Redeeming the Past: Providence Gone Amok in Wordsworth’s Michael
Bea Sanford Russell, Princeton University
“The Power of Man and the Absent or Ineffectual God in Tamburlaine
Sarah Maitland, University of Rhode Island
“Animal Dreams: Psychosis and Symbiosis in Arden of Faversham
Elizabeth Gruber, Lock Haven University
Cascade Room A
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10.14 Apocalyptic Projections in Sci-Fi and Fantasy Literature for 2012 and Beyond II
Chair: Julian Cornell, New York University
“Doctor Who, I Presume?: Hearts of Darkness and Postcolonial Paradoxes in Doctor Who
Diana Adesola Mafe, Denison University
“God and Machine: What it means to be Human in Deus Ex: Human Revolution
Phillip Trad, California State University Fullerton
“Apocalyptic Fictions and Invasive Metaphors: Them!, Machete and the End of the World”
Santiago Quintero, Vanderbilt University
“Modern Myths and the Commercialization of the Apocalypse: Jack Kirby’s New Gods”
Phillip G. Payne, St. Bonaventure University
Paul J. Spaeth, St. Bonaventure University
Cascade Room B
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10.15 Re-presenting (dis)Ability II
Chair: Evan Chaloupka, University of Akron
“Erasing Endometriosis: Disability and Invisibility in Endometriosis Self-Help Literature”
Cara Jones, Louisiana State University
“The Adipose Complex: Fat and Gossip”
Christine Yao, Cornell University
“A ‘Marriage in Miniature’: Tom Thumb’s America at War”
Jean Franzino, University of Virginia
“Identity and Sexual Politics in Francophone Sub-Saharan Cinema: A Focus on Female Genital Mutilation”
Meryem Fati, Kansas University
Cascade Room C
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10.16 City Mouse, Country Mouse: Shifting Pedagogies in the Composition Classroom (Roundtable)
Chair: Christine Atkins, Corning Community College-SUNY
“Composition Borderlands: Teaching Developmental Writing in the Urban Community College Margins”
Ravyn Wilson-Bernard, Community College of Philadelphia
“Borough Mouse: Pedagogies of Teaching Urban Community College Students”
Beth Counihan, Queensborough Community College-CUNY
“‘What Are We Doing When Devastation Becomes A ‘Text’?’: First Year Writing and Post-Katrina”
Judith Kemerait Livingston, Columbus State University
“From Pavement to Pastures: A Place for Composition”
Megan Burke Witzleben, Fordham University
“From DC to Tennessee to Boston: Cities, Soybean Festivals, Situated Students and the ‘Spatial Turn’”
Kathleen Vandenberg, Boston University
“Farmers, Gardeners, and Consumers: Teaching about Food in Rural Pennsylania”
Andrea Harris, Mansfield University
Cascade Room D
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10.17 Oriental Fantasies in Nineteenth-Century German Literature and Culture
Chair: Daniela Richter, Central Michigan University
“Peripheral Visions: Contrasting Approaches to the Exotic East in Fontane and Hofmannsthal”
Robert Lemon, University of Oklahoma
“Imagined Masculinities in Ida von Hahn-Hahn’s ‘Orientalischen Briefen’”
Stefanie Ohnesorg, University of Tennessee-Knoxville
“Spiegelungen des Fremden in der deutschen ‘National’-Literatur”
Hamid Tafazoli, University of Washington
“Writing the West by Dreaming the East: Representation of the Orient by German Women Travel Writers”
Ulrike Brisson, Worcester Polytechnic Institute
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom B
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10.18 The Writing of This Work is This Work (Creative)
Chair: Tim Wood, SUNY Nassau Community College
“Waxing Poetic: Using Collaboration to Fuse 21st-Century Identities and Experiences”
Elizabeth Cantwell, University of Southern California
Fox Henry Frazier, University of Southern California
“Apostrophes, Odes, Ekphrasis, Oh My!”
Amy King, SUNY Nassau Community College
Ana Bozicevic, CUNY Graduate Center
“Landscape/Landscrape: A Postcard Project”
Stacy Cartledge, Delaware County Community College
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom C
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10.19 América Latina escondida: descubriendo a autores y países olvidados I
Chair: Antonella Calarota, Kean University
“Memoria y trauma en Asalto al paraíso y Cuentos de muerte y resurrección.”
Raquel Castro, University of Arkansas
“Ocultismo y judaísmo en la poesía de Elías David Curiel.”
Pedro Vizoso, Hastings College
“Entre pongos y metáforas. Estética y subjetividad en Surumi de Jesús Lara”
Diego Mattos Vazualdo, Saint Michael’s College
“Escritores ecuatorianos del siglo XX: ¿quijotescos y heróicos?”
Antonella Calarota, Kean University
Hyatt Grand Ballroom A
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10.20 Representing Identity and Power in Medieval and Early Modern Spain
Chair: Ryan Prendergast, University of Rochester
“Identifying Power and the Perfect Caballero in Fifteenth-Century Spain”
Amy Austin, University of Texas-Arlington
Shekhinah, Lilith and Kabbalah in La Celestina: The Goodness of Evil”
Anjela María Mescall, Hamilton College
“Who Are You and Why Are You Here? Representing the Moriscos in Sixteenth-Century Catechism”
Jason Busic, St. Michael’s College
“Celestina’s Spawn: The Demonization of the Exotic Other in La hija de Celestina
Electra G. Fielding, Weber State University
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Regency A
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10.21 ‘Labyrinths of Passion’: Eroticism in Spanish Golden Age Comedia
Chair: Esther Fernández, Cornell University
“Erotic Adaptation in Guillén de Castro’s El curioso impertinente
Greg Baum, University of Chicago
“King, Conscience, and the Monstrous Other in Calderon’s Amor, honor, y poder
Ali Shehzad Zaidi, SUNY Canton
“Lope de Vega’s Garden of Love”
Ronna Feit, SUNY Nassau Community College
“Placeres prohibidos: el erotismo en La gran sultana de Miguel de Cervantes”
Melissa Figueroa, Cornell University
Hyatt Regency B
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10.22 Contemporary Black-British Writing
Chair: Dorothea Smartt, Sable LitMag
“Provincial Interludes: Exploring Regional Black British Women’s Poetry”
Sheree Mack, Open University
“The 21st Century African Migration Novel”
Koye Oyedeji, SOAS University of London
“The Saga Prize: Developing the Genre of Black British Literature”
Kadija George, Sable Litmag
“She do...in Different Voices: Accents, Dialects & Poly-vocal English in Andrea Levy’s Small Island
Modhumita Roy, Tufts University
Cascade Room F
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10.23 Into and Out of Italian: Translation and Literature
Chair: Marella Feltrin-Morris, Ithaca College
“‘Poscia, più che ‘l dolor, poté ‘l digiuno’: Translation and Interpretation in Inferno XXXIII”
Julia Cozzarelli, Ithaca College
“Jonathan Galassi’s Translation of Giacomo Leopardi’s Canti: Lost and Found in Translation”
Corrado Federici, Brock University
“Italian Translation Trends in the Early 1900s: Conrad’s Almayer’s Folly in Lorenzo Gigli’s Version”
Valeria Petrocchi, Istituto Universitario ‘Carlo Bo’
Cascade Room E
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Session 11: 10:15am - 11:30am

11.01 Navigating Department Politics (Roundtable)
Chair: Bryan Brazeau, New York University
“Sound Counsel: The Rewards of a Good Adviser/Advisee Relationship in Graduate School”
Jessica Tooker, Indiana University
“Navigating the Rocky Road to the Ph.D.”
Elizabeth Foley O’Connor, Marist College
“Innovative Methods for Improving Departmental Culture and Intellectual Community”
Bryan Brazeau, New York University
Highland Room A
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11.02 Feminist Revisions of the Sacred
Chair: Jill Neziri, Fordham University
“‘Bitches. More like Witches’: Masculinity and the Sacred Feminine in Mama Day and Paradise
Rebecca Albright, Independent scholar
“The Goddess and her Owl: The Feminist Power of Sacred Names in H.D.’s Letters and Tribute to Freud
Allison Snelgrove, University of Montreal
“‘A Terrible Beauty:’ Caitlin R. Kiernan’s Feminist Re-Visioning/Re- Envisioning of the Sacred”
Jaime Weida, Borough of Manhattan Community College
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room B
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11.03 Riding Beyond the Purple Sage: the 21st Century American Western
Chair: James Donahue, SUNY Potsdam
“Steam Meets West: Film, Genre, and Hybrid Frontiers”
Kara Andersen, Brooklyn College-CUNY
“Masculinities and/at the Frontier: A Critical Reading of the Film Adaptations of True Grit
Ahu Tanrisever, Free University Berlin
“‘If the law fails to do so’: True Grit and the Post-9/11 Western”
Duncan Clegg, York University
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room C
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11.04 Beyond the Descriptive: Empirical Study of Methods in Writing Instruction
Chairs: Kristen Nielsen, University of Massachusetts-Lowell; Terri Suico, Boston University
“Peer Evaluation and Self Assessment: A Comparative Study of Effectiveness in Composition Instruction”
Kristen Nielsen, University of Massachusetts-Lowell
Terri Suico, Boston University
“Using Stasis as a Reading and Writing Problem-solving Strategy with College Freshmen”
Wayne Slater, University of Maryland
“The Hypermediated Fractures in the Contact Zone”
Jessie Blackburn, University of Pittsburgh-Bradford
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room D
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11.05 Levinas and Criticism
Chair: Scott DeShong, Quinebaug Valley Community College
“What’s the time, Mr. Wolf?: Time, Child and Traces in Mark Herman’s The Boy in the Striped Pyjamas
Wee Kiat Goh, Nanyang Technological University
“Revealing ‘Apocalypse’: Emmanuel Levinas and the Rhetoric of ‘The End’”
Amanda Wicks, Louisiana State University
“Writing: Ethics of the Impossible Irresponsibility (Escape)”
Rossitsa Borkowski, Sofia University-St. Kliment Okhridski
A Society for Critical Exchange Session
Multimedia Session: TV/VCR-DVD
Highland Room E
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11.06 Dalle Brigate Rosse a Bin Laden: Terrorism in Italian (Film) History
Chair: Chiara Ferrari, California State University-Chico
“Depiction of Terrorism in Marco Tullio Giordana”
Shirley Smith, Skidmore College
“Fra Erinni ed Estia: rappresentazioni della donna terrorista nei film italiani sugli Anni di Piombo”
Sciltian Gastaldi, University of Toronto
“AnotherCorleone.com: (New) Media Activism against the Mafia”
Anthony Fragola, University of North Carolina-Greensboro
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room F
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11.07 The Literary Response to War – What Is It Worth?
Chair: Jeffery Blanchard, Drew University
“Can A Simple Act of Imagination End War?: Perspectives of Hope in Kamila Shamsie’s Burnt Shadows
Justine Dymond, Springfield College
“Weapon of Choice: Joseph Heller and the Business of War in Catch-22
Jennifer Chancellor, CUNY Graduate Center
“Sunder the Body to Heal the Spirit”
Judith Britt-McNeely, Indiana University of Pennsylvania
Highland Room G
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11.08 Contemporary Fiction and the Digital Age
Chair: Amanda Lang, University of Rochester
“Fiction in an Age of Artifice: Jennifer Egan’s New Sincerity”
Adam Kelly, Harvard University
“Fans and Lovers: Taste and Digital Intimacies in Nick Hornby’s Juliet, Naked
Eden Osucha, Bates College
“Too Much Information: Privacy and the Self in the Digital Age”
Stephen Brauer, St. John Fisher College
Highland Room H
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11.09 What Ever Happened to Irish Modernism?
Chair: Robert Reginio, Alfred University
“‘Carrying cloth’: Fabric, Language and the Domestic in Eavan Boland’s Poetry”
Caleb Caldwell, University of Virginia
“Textual Voices of Irish History in Trevor Joyce’s Trem Neul
Marthine Satris, University of California-Santa Barbara
“How East Meets West: The Outcry and Capital Accounts of Trevor Joyce”
G.E. Schwartz, Independent Scholar
Highland Room J
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11.10 New Victorian Biogenres: Writing Nineteenth-Century Lives in the Twenty-First
Chair: Paul Fisher, Wellesley College
“Ruined Women: Rereading Biographical Interpretations of George Eliot and Hetty Sorrel”
Kathryn M. Harrison, Georgia State University
“Inventing a Contemporary Meaning of a Lived Life: Edith Wharton Biography for the Young Reader”
Maria Strääf, Linköping University
“‘Boston’s Precinema Star’: Isabella Stewart Gardner as Biographical and Biofictional Subject”
Paul Fisher, Wellesley College
Highland Room K
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11.11 ‘You’ve got She-Mail!’: Drag and Discursive Limits in ‘RuPaul’s Drag Race’
Chairs: Diana Aldrete, University at Albany; Melissa McCarron, University at Albany
“Discursive Identity Construction of Drag Queens on ‘RuPaul’s Drag Race’”
Christopher Perrello, Syracuse University
“‘RuPaul’s Drag Race’ as Meta-Reality Television”
Nicholas de Villiers, University of North Florida
“Politics of the Performative in ‘RuPaul’s Drag Race’: Operatic Strategies and Dragging Reality TV”
Melissa McCarron, University at Albany
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Aqueduct Room AB
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11.12 Early Modern History Wars I: Remembering and Forgetting the Past in Shakespeare
Chair: Jonathan Baldo, University of Rochester
“The Romance of Time in Cymbeline
Hilary Binda, Tufts University
“‘Great Caesar’s Ghost’: History Dis-membered and Re-membered in Julius Caesar
Joshua Cohen, Massachusetts College of Art and Design
“Political Histories and Family Trees: (Re)collecting the Past in Cymbeline
Julia Gingerich, Queen’s University
Aqueduct Room CD
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11.13 The Seafarers -- Victims or Heroes?
Chair: Nicole Zeftel, City University of New York
“Conrad’s Sea and Ship as Paradigms of Paradoxical Unities”
Malgorzata Stanek, University of Surrey
“The Changing Psychology at Sea: Melville’s Moby Dick and Conrad’s ‘Typhoon’”
Rabia Nesrin Er, Nigde University
“‘Crusoes’ in Shakespeare, Swift, Melville, Darwin, Twain, Conrad and Wells- ‘Crusoe’ or Not?”
Sema Ege, Ankara University
Cascade Room A
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11.14 Novel as Threat, Novel as Therapy
Chair: Jessica Tanner, Harvard University
“Patho(s)genesis and the Problem of the Novel”
Tali Zechory, Harvard University
Le dernier jour d’un condamné: ‘Un livre qui rend malade’”
Briana Lewis, Allegheny College
“Gide’s Writing A(n)esthetics”
Jessica Tanner, Harvard University
Cascade Room B
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11.15 L’écriture du corps dans le roman francophone
Chair: Moussa Sow, The College of New Jersey
“L’écriture du corps dans l’oeuvre de Fatou Diome”
Moussa Sow, The College of New Jersey
“Le corps du peul: ses usages et ses habiletés dans les romans de Cheikh Hamidou Kane”
El Hadji Malick Ndiaye, Columbia University
“Vers une sécularisation et une défétichisation du corps féminin dans le roman francophone”
Mouhamedoul Niang, Colby College
“Expressions Corporelles et Frontières culturelles dans l’oeuvre de Fatou Diome”
Samantha Zimbler, The College of New Jersey
Cascade Room C
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11.17 Changing Narratives: Film and Literature in Contemporary Germany II
Chair: Jill Twark, East Carolina University
“The Wessi as Picaro in Uwe Timm’s Post-Wall Novel Johannisnacht
Deborah Janson, West Virginia University
“The Past [Re-]mastered? New European Visions and Evil Old Songs in Fatih Akin’s Berlin Republic”
David Wildermuth, Shippensburg University
“Heimatsehnsucht: Rammstein and the Search for Cultural Identity”
Juliane Schicker, Pennsylvania State University
Nicholas Henry, Pennsylvania State University
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom B
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11.18 Developing and Improving Spanish Oral Proficiency at the College Level
Chair: Graziela Rondon-Pari, SUNY College-Brockport
“El recurso al enfoque por tareas para una mejora de la competencia oral”
Cynthia Potvin, Université de Moncton
“The Role of Contextualized Grammar in Proficiency-Based Instruction and OPI Assessment”
Angelo Rodríguez, Kutztown University of Pennsylvania
“Correlación entre el dominio gramatical del idioma inglés y competencia oral en español”
Graziela Rondón-Pari, SUNY College-Brockport
Roberto Camps, SUNY College-Brockport
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom C
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11.19 Beyond Ugly: Poetics of Repugnance and Eschatology since Romanticism
Chair: Brais Outes-Leon, Yale University
“‘Towards an Aesthetics of Repugnance: Ugliness and Blasphemy in Pablo de Rokha’s Los gemidos’”
Brais Outes-Leon, Yale University
“¡Aquí yace la esperanza!: Redefinition and Renovation of National Identity”
Susana Liso, Missouri Southern State University
“Fears of Fluidity: Maupassant’s Abject Landscapes”
Nicky Agate, New York University
Hyatt Grand Ballroom A
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11.20 The Making of the Child Murderess in German Literature, Film, and Culture
Chairs: Ina Sammler, University of Maryland; Alexandra Hagen, Grinnell College
“Murderous Child’s Play or a Mother’s Easy Targets”
Sylvia Schmitz-Burgard, College of the Holy Cross
“The Forced Disappearance of Child Murderesses in GDR Literature and their Resurrection after 1990”
Ina Sammler, University of Maryland-College Park
“(En-)Gendered Crime in Contemporary German Television”
Alexandra Hagen, Grinnell College
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Regency A
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11.21 Literature of the Arab World in North Africa
Chair: Blessing Diala-Ogamba, Coppin State University
“Renegotiating Cultural and Patriachal Laws According to Farah’s Ebla and El Saadawi’s Firdaus”
Blessing Diala-Ogamba, Coppin State University
“Romance, Politics, and Women’s Roles in the 19th Century British Imperialism in Egypt”
Eunita Ochola, Coppin State University
“The Woman Lives by the Nile: Women Scarification as Salvific Force in Saadawi’s God Dies by the Nile
Paul Mukundi, Morgan State University
Hyatt Regency B
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11.22 Representations of Femininities and Masculinities in Translation
Chair: Marko Miletich, Hunter College-CUNY
“Gender Matters: Translating Cristina Peri Rossi’s El museo de los esfuerzos inútiles
Gorica Majstorovich, Richard Stockton College of New Jersey
“Masculinity, Homosexuality and Post-Soviet Identity: Translating ‘Gay’ Literature in Russia”
Brian James Baer, Kent State University
“Intersection Between History of Ideas and Translation Historiography: Feminism in Telugu Context”
Rajkumar Eligedi, English and Foreign Languages University-Hyderabad
Hyatt Regency C
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11.23 ‘Si Sta Alzando la Canzone Popolare!’: Popular Music in Contemporary Italy
Chair: Sabrina Ovan, Scripps College
“Intertextual Cantautori: the Case of Francesco de Gregori”
Francesco Ciabattoni, Georgetown University
“Area Liquida: musica in movimento”
Nicholas Ciuferri, Galway University
“La bella che è prigioniera: l’invenzione della tradizione nelle colonne sonore.”
Alessandro Ravera, Università di Genova
Cascade Room E
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11.24 Arabic Theatre: The Voice of Social Issues and Performing Politics
Chairs: David Delamatta, Université Sorbonne Paris IV; Mahmoud M Shalaby, University of Edinburgh
“Tunisian Theater: the Ethos, Pathos and Logos of the ‘Arab Spring’”
David Delamatta, Université Sorbonne Paris IV
“The Intellectual Dilemma in Ṣalāḥ Abd al-Ṣabūr’s Drama”
Mahmoud Shalaby, University of Edinburgh
“The Role of Dramatic Dialogue in Saad Allāh Wannūs’ Political Drama”
Amany Mohamed Fahim Hafez, Helwan University
Cascade Room F
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11.25 Women’s & Gender Studies Caucus Board Meeting (Special Event)
Chair: Kirsten Bartholomew-Ortega, University of Colorado-Colorado Springs
Hyatt Carson Room
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Session 12: 11:45am - 1:15pm

12.01 Publishing the First Monograph (Roundtable)
Chair: Suha Kudsieh, College of Staten Island-CUNY
“When Publication Delays Serve a Higher Order”
Angelica Fenner, University of Toronto
“Turning the Dissertation into a Book”
Carine Mardorossian, SUNY Buffalo
“Full Court Press”
Arthur Redding, York University
“Making Luck Happen”
Tim Scheie, University of Rochester
“Persist and Publish: The Perils and Rewards of Publishing the First Book”
Eleanor ter Horst, Clarion University
Highland Room A
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12.02 Writing Canadian Cities I
Chair: Petra Fachinger, Queen’s University
“Re-imagining Trauma: Montreal under Siege in Michel Basilieres’ Black Bird
Domenic Beneventi, University of Sherbrooke
“Transnationalism in Reverse: Toronto, Globality, and What We All Long For
Carl Watts, Queen’s University
“‘At the Heart of the Dream of the New World’: The Contemporary Urban Poetics of Windsor, Ontario”
Matthew Zantingh, McMaster University
“Homelessness, Identity, and Citizenship in Contemporary Canadian Urban Fiction”
Petra Fachinger, Queen’s University
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room B
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12.03 Fattore ‘motivazione’ (Boosting Students’ Motivation) (Roundtable)
Chair: Daniela Bartalesi-Graf, Wellesley College
“Persuading Students into Motivation: Italian Culture through Commercials”
Barbara Alfano, Bennington College
“PowerPoint with Animation: An Interactive Way of Integrating Grammar and Culture”
Daniela Bartalesi-Graf, Wellesley College
“Framing Italian Culture and Language Through the Rhetoric of Cinema”
Elisabetta D’Amanda, Rochester Institute of Technology
“Boosting Students’ Motivation With Digital Storytelling”
Cristina Pausini, Tufts University
Session in English
Multimedia Session: Media Projector and Screen (laptop not provided)
Highland Room C
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12.04 Revenge of the Queers: Ethics and the Politics of Resentment
Chair: Emily King, Tufts University
“Tongues Untied: Ethics, Narrativity, and the Butlerian Self”
Chuck Williamson, Ohio State University
“Disabled Futures of the Queer World: Islas, Moraga, Edelman, Butler”
Megan Obourn, SUNY College-Brockport
“Sloppy Seconds: Re-imagining the Temporality of Queer Revenge”
James Mulder, Tufts University
“Ethically Queer: Resolving the Vengeance of Queer Identity Construction”
Brenden O’Donnell, Brandeis University
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room D
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12.05 Image and Language: Godard and the Problem of Expression
Chair: Elif Sendur, Binghamton University
“Words as Destabilized Signifiers in Godard’s Vivre sa Vie and Made in U.S.A.
Heidi E Faletti, SUNY Buffalo
“Like an Echo of Themselves: The Act of Reading in Film”
John Cameron, Dalhousie University
“Godard and Nineteenth-century Aesthetics”
Anne-Gaëlle Saliot, Duke University
“Two or Three Things that Might Be Said about Godard”
Elif Sendur, Binghamton University
Multimedia Session: TV/VCR-DVD
Highland Room E
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12.06 Products of Imperialism? Commodities in Literature after 1945
Chair: Jennifer Nesbitt, Pennsylvania State University-York
“Consumer Culture and Migration in Michelle Cliff’s No Telephone to Heaven
Kate Caccavaio, Michigan State University
“Inside Out: Commodity Culture Across Imperial Lines in Armah and DeLillo”
Mike Piero, John Carroll University
“The Female Flâneur in 1950s Chinatown”
Melissa Phruksachart, CUNY Graduate Center
“Autobiographies as Postcolonial Commodities in the Philippines after the Second World War”
Concepcion R. Lagos, University of Asia and the Pacific
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Highland Room F
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12.07 Novel (App)lications: New Media in English and the Humanities (Special Event)
Chair: Andrew Schopp, SUNY Nassau Community College
“The Future of Reading: Blurring Boundaries between ‘Readers’ and ‘Writers’”
Rik Hunter, St. John Fisher College
“New Wine in Old Bottles: Fanfiction and Literary Traditions”
Lisa Jadwin, St. John Fisher College
“Film and Media Studies and the Digital Moment”
Sharon Willis, University of Rochester
“New Media and the Fate of Reading”
John Michael, University of Rochester
Sponsored by the American Literatures Area.
Highland Room G
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12.08 Filming Shakespeare(s) II
Chair: Brendan Aucoin, University of Vermont
“Hamlet: Director, Editor, Filmmaker”
Brendan Aucoin, University of Vermont
“Timelines: Temporal Representations in Three Film Versions of King Lear”
Phillip Zapkin, West Virginia University
“Hell-Hound, Revisited: The Richard IIIs of Richard Loncraine and William Shakespeare”
Alexis M. Butzner, Fordham University
“Reading Shakespearean Sexualities Backward: Julie Taymor’s Filmic Appropriations of Vengeful Fema”
Poonperm Paitayawat, University of London
Highland Room H
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12.09 Defining and Reshaping Francophone Africa through Literature: The Age of Updates
Chair: Kodjo Adabra, SUNY Geneseo
“Littérature et l’impasse politique en Afrique: l’écriture engagée, la voie par excellence du salut?”
Amevi Bocco, University of Tennessee-Knoxville
“Defining Francophone Africa through the Comic Book La Vie de Pahé”
Binita Mehta, Manhattanville College
“Effets de la tentative journalistique de Mongo Béti pour une redéfinition de l’Afrique francophone”
Kodjo Adabra, SUNY Geneseo
“War and Loss of Innocence in Redonnet’s L’accord de paix and Kourouma’s Allah n’est pas obligé”
Donna Wilkerson-Barker, SUNY Brockport
Highland Room J
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12.10 Italian Literature: From the Twentieth Century into the New Millennium
Chair: Giovanni Migliara, UNED University of Madrid
“‘La creatura più alta del regno vivente’: Natura e umanità in Acciaio di Silvia Avallone”
Caterina Mongiat Farina, DePaul University
“La verità… Rovesciata di Antonio Tabucchi”
Nicoletta Serenata, Ohio State University
“Il narratore Umberto Eco”
Giovanni Migliara, UNED Madrid
Highland Room K
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12.11 Rethinking the World: Seventeenth- and Eighteenth-century French Writers
Chair: Stephane Natan, Rider University
“Whose Discourse Is This? Revealing the Universal Embedded in the Novels of Marie-Jeanne Riccoboni”
Karen Santos Da Silva, Barnard College
“Les Femmes écrivains au Grand Siècle et l’affranchissement de la vieillesse”
Catherine Daniélou, University of Alabama-Birmingham
“Isabelle de Charrière, Rousseau, and the Question of Women’s Education”
Susanne Rossbach, Saint Anselm College
“Writer/Reader’s New Perspectives in XVIIIth-century France”
Caroline Jumel, Oakland University
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Aqueduct Room CD
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12.12 Teaching Literary Studies in the Women’s and Gender Studies Classroom (Roundtable)
Chairs: Heather Hewett, SUNY New Paltz; Deborah Uman, St. John Fisher College
“Creative Literature and the Field of Women’s and Gender Studies”
Heather Hewett, SUNY New Paltz
Little Women to Riot Grrrl: Reading Women and Gender Studies”
Barbara LeSavoy, SUNY College-Brockport
“Women’s Voices: Engaging with Notions of Difference in Indigenous Narrative Forms and Experiences”
Jebaroja Singh, St. John Fisher College
“Critical Pedagogy and Historical Representations of Violence Against Women”
Suzanne Rintoul, Kwantlen Polytechnic University
“Between Disciplines: A Literary Scholar Teaching Social Science Students in the WGS Classroom”
Clare Counihan, Nazareth College
Cascade Room A
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12.13 El mundo literario de Ana Rossetti: Homenaje a la escritora y su obra (Special Event)
Chair: Enrique Ruiz-Fornells, University of Alabama
“El cuerpo mutilado: violencia y terror en la poesía de Ana Rossetti”
Jill Robbins, University of Texas-Austin
“Ana Rossetti: una mirada retrospectiva”
Martha LaFollette Miller, University of North Carolina-Charlotte
“Respondent”
Ana Rossetti, Author
Spanish Language & Literatures Event, sponsored by the Spanish Cultural Ministry
Hyatt Regency C
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12.14 African-American Scholars Special Event (Creative)
Chair: Donavan Ramon, Rutgers University
“Reading from Sweet Solitude
Leonard Slade, SUNY Albany
Hyatt Grand Ballroom A
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12.15 Telling Tales Out of School (Special Event)
Chair: Bill Waddell, St. John Fisher College
“Reading”
M.J. Iuppa, St. John Fisher College
“Reading”
Sarah Freligh, St. John Fisher College
“Reading”
B.K. Fischer, Hudson Valley Writers Center
“Reading”
Steve Huff, Writers & Books
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom C
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12.16 Das Neuschreiben der Vergangenheit: Counterfactual History in German Literature
Chair: Kathleen Singles, Ludwig-Maximilians-Universität Munich
“Alternate Histories and Forking Paths: Multiple Napoleons in Dieter Kühn’s N
Kathleen Singles, Ludwig-Maximilians-Universität Munich
“Fact and Fiction in Brussig’s Helden wie wir and Am kürzeren Ende der Sonnenallee
Maaike Van Liefde, Ghent University
“Counter-Histories in Alexander Kluge‘s Recent Literary Works”
Katrin Polak-Springer, Rutgers University
“Remembering Benno: Literary Commemoration in Uwe Timm’s Der Freund und der Fremde
Pete Schweppe, McGill University
Multimedia Session: Media Projector and Screen (laptop not provided) w/speakers
Hyatt Grand Ballroom B
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12.17 New Approaches to Old Texts: Studying Medieval and Early Modern Women and Gender
Chairs: Lyn Blanchfield, SUNY Oswego; Rala Diakite, Fitchburg State University
“Written and Spoken Authority in the Paston Women’s Letters”
Alexandra Verini, Fordham University
“Countess and Wife: The Changing Perception of Female Power and Office in 11th-c. Norman Charters”
Charlotte Cartwright, SUNY Oswego
“Sprung from God’s Womb: A Feminine Metaphor for Angels’ and Humans’ Heavenly Origin”
Alessandra Molinari, Università degli Studi ‘Carlo Bo’
“Julian of Norwich: How a Female Voice Can Create an Embodied Text”
Elizabeth Cantwell, University of Southern California
Cascade Room B
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