Presenter Index

The following index lists all presenters. The title of each presenter’s paper is also listed. Click the session number after the paper title to see a full listing of information about the session in which the presenter appears.

All Presenters

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Waiel Abdelwahed, Temple University: “What Went Wrong? Authenticity, the Discourse of Failure, and the Contemporary Arabic Novel” 11.25
Anthony Abiragi, University of Colorado-Boulder: “Canguilhem as Modernist” 15.26
Amar Acheraiou, Independent Scholar: “Rethinking Hybridity Theory: A Materialist Perspective” 17.13
Kelly Adams, University of Wisconsin-Madison: “‘The Storyteller’: Dave Eggers and the Literature of Human Rights” 11.03
Janelle Adsit, SUNY Albany: “Researching Reading Communities Beyond the Creative Writing Workshop” 17.15
Txetxu Aguado, Dartmouth College: “Local and global Identities: Vicente Ameztoy and Suso de Toro” 11.02
Bryan Aja, University of Washington: “Rafik Schami’s Catastrophic Entwicklungsroman” 10.13
Myriam Alami, Rutgers University: “Moving Toward Standards-Based Instruction in Higher Education” 12.02
Diana Aldrete, SUNY Albany: “The Bodies of the Women of Juarez” 6.26
Anthony C. Alessandrini, Kingsborough Community College-CUNY: “Midnight’s Children after Rushdie” 14.17
Patrick Alexander, Duke University: “‘Unspeakable Thoughts, Unspoken’: Morrison’s Beloved and the Narration of Women Prisoners’ Abuse” 5.19
Simone Alexander, Seton Hall University: “Revolutionary Women: Motherhood Revisited and Reconceptualized by Three Francophone Women Writers” 12.24
Ousseina Alidou, Rutgers University: “Teaching Grammatical Content through the Study of Culture” 8.09
Leslie Allison, Temple University: “‘Living Things’: Ecological Spaces and the Discourse of the Body in The Coffin Tree” 5.05
Nuria Alonso Garcia, Providence College: “Unlocking Meaning: The Comprehensive Digital Glossary of Golden Age Spanish Literature” 15.04
Elizabeth Alsop, CUNY Graduate Center: “Wanda’s Wandering” 10.04
Gina M. Altavilla, California State University-San Marcos: “Kinship: House M.D. as a Descendant of Richard III?” 7.18
Natasha Alvandi Hunt, University of Southern California: “‘Narrowed to These Dimensions’: The Expansion and Contraction of Mid-Victorian London” 8.15
Li Yun Alvarado, Fordham University: “Full Act of Naming: Neologisms and Fractured Identities in AmeRcan & A Nuyo-Futurist Manifestiny” 8.12
Gabriela Alvarez, Stony Brook University: “Writing Home: Gender, Language, Hybridity and the Construction of Identity in Julia Alvarez’s Yo!” 13.18
Roseanne Alvarez, Brookdale Community College-CUNY: “Relocating the Revolution: Newark, NJ as Radical erformative Praxis” 17.08
Steven Alvarez, Queens College-CUNY: “Language Brokering in Practice: Translation Events in Nicholasa Mohr’s Nilda” 14.14
Susan Amatangelo, College of the Holy Cross: “Finding Her Place in Tradition: Ada Negri’s Stella mattutina” 13.12
Martina Ambrosini, University of Pisa: “Pope Benedict XVI’s Regensburg Lecture: Islam and the ‘Clash of Civilizations’ in the Italian Media” 8.20
Anoumou Amekudji, Central Michigan University: “Relecture de Le docker noir et Ô pays mon beau peuple, un demi-siècle après” 2.09
Ofra Amihay, Hebrew University of Jerusalem: “Of Mice and Walls: Representations of the Holocaust and the Berlin Wall in ‘Comix’” 2.14
Silvia Ammary Ammary, John Cabot University-Rome: “Disintegrating Language and Transgressing Linguistic Boundaries in Toni Morrison’s Metafiction” 12.19
Wiebke Amthor, Freie University Berlin: “Spatialities in/of Narration in Boccacio’s The Decameron” 18.08
Nilgun Anadolu-Okur, Temple University: “Journeys and Journals of the Migrating Self from Northern Africa” 17.07
Pepa Anastasio, Hofstra University: “Teaching LGBTQ Outside LGBTQ-specific Courses” 6.19
Kara Lynn Andersen, Brooklyn College-CUNY: “This Is a Total Clustercuss for Everybody: Fantastic Mr Fox & the American Dream of Home Ownership” 14.12
Lisa Anderson, Hunter College-CUNY: “Language Acquisition in Upper-division Literature Courses. Strategies for Success” 12.14
Lisa Angelella, University of Houston: “The Medicalization of Childbirth and the Empowerment of Pain in Mina Loy’s ‘Parturition’” 15.26
Adrienne Angelo, Auburn University: “Camille Laurens: Private Eye/I” 11.20
Federica Anichini, College of New Jersey: “Cavalcantian Traces in Giacomo Leopardi’s Zibaldone” 8.19
Ruth Bienstock Anolik, Villanova University: “Displacement Anxiety: Poe’s Red Death and Native American Removal” 2.06
Antonella Antonelli, University of Oregon: “Contemporary Italian female sleuths in the novels of Bucciarelli, Venezia and Verasani” 4.24
Michael Antonucci, Keene State College: “By Way of Introduction/ By Way of Response” 2.05
Alba F. Aragón, Harvard University: “Reprise of a Dress: Ethnic Fashions and National Identity in Frida Kahlo and Rosario Castellanos” 9.06
Diana C. Archibald, University of Massachusetts-Lowell: “Dickens and Massachusetts: Untold Stories” 9.04
Beatrice Arduini, Tulane University: “The Italian Translations of Dante’s Monarchia in Florentine Fifteenth-century Manuscripts” 10.25
Jerónimo Arellano, Brandeis University: “The Remediation of Cartography in Hybrid Narrative and Hypermedia Fiction from Latin America” 3.03
Anna Aresi, Brown University: “Amelia Rosselli’s Translations from Sylvia Plath” 3.04
Talia Argondezzi, CUNY Graduate Center: “Pitcairn Island as American Democratic Utopia: Charles Lenox Sargent’s The Life of Alexander Smith” 9.13
James Arnett, Graduate Center-CUNY: “How to Hear a Squirrel’s Heartbeat: Spinoza, Sympathy and Nature” 18.06
Erin Aspenlieder, McMaster University: “(Un)Settling the Past and Present: Parallel Narratives in The Holding and A Map of Glass” 3.08
Christopher Atwood, University of California-Berkeley: “‘Meglio fascista che frocio’: Orienting the National Family, Disorienting Relations” 14.02
David Austin, John Abbott College: “Fear of a Black Planet: Race, Nation, and Subversion and the Practice of Diaspora” 2.03
Susan Austin, Landmark College: “Steinbeck’s To a God Unknown and the Puritan Tradition” 12.11
Sand Avidar-Walzer, Princeton University: “Must We Burn Freud?” 7.19
Natasha Azank, University of Massachusetts-Amherst: “‘A Poetry like Ammunition’: Resistance and Subversion in the Work of Martín Espada” 9.14
Ana Baez, University of Illinois-Chicago: “Nation and the Other in Junot Díaz’s The Brief Wondrous Life of Oscar Wao” 10.17
Laura Baffoni Licata, Tufts University: “A. Pozzi: una intensa voce poetica femminile nel quadro della cultura italiana degli Anni ‘30” 15.21
Christa Baiada, Borough of Manhattan Community College-CUNY: “Loving the Unloveable Body in Yamanaka’s Saturday Night at the Pahala Theatre and Name Me Nobody” 7.12
Deborah Bailin, University of Maryland: “‘Not White nor Black nor Red but Men’: Emotion, Ethics, and Equality in Darwin and Faulkner” 9.18
Jonathan Baillehache, Rutgers University: “Ilia Zdanevich’s Poetic of the Letter and the Parisian Avant-Garde.” 7.22
Andrea Baldi, Rutgers University: “L’esperienza della metropoli nei ‘reportage’ di Anna Maria Ortese” 12.15
Emily Baldys, Pennsylvania State University: “Hareton Earnshaw and the Shadow of Idiocy: Disability and Domestic Disorder in Wuthering Heights” 5.16
Marina Balina, Illinois Wesleyan University: “Resurrecting Young Soldiers: Contemporary Use (and Abuse) of Soviet Children’s Literature on WWII” 2.02
Stacey Balkan, Bergen Community College: “Abject Spaces: The Hinterland in Roberto Bolaño’s 2666 and Amulet” 18.01
Sarah Balkin, Rutgers University: “Vampiric Narration in Strindberg’s Black Banners and The Ghost Sonata” 13.23
Mary McAleer Balkun, Seton Hall University: “‘carnivorous animals of a superior rank’: Crèvecoeur, Identity, and the American Grotesque” 8.14
David M. Ball, Dickinson College: “The Inscription of Failure: The Fate of Documents in Ralph Ellison’s Invisible Man” 4.02
Kim Ballerini, SUNY Nassau Community College: “Online Photography, Composition, and the Creation of a Shared Narrative” 7.09
Ria Banerjee, City University of New York: “A Candle in the Night: Thingness in Rilke’s The Notebook of Malte Laurids Brigge” 14.18
Pia Banzhaf, Queen’s University: “Voyageur or Voyeur? Juli Zeh’s Die Stille ist ein Geraeusch” 7.20
Cristina Baptista, Fordham University: “‘Pseudo-Luso’ Space: Joyce Carol Oates and the Portuguese Pretense” 8.06
Alice Bardan, University of Southern California: “‘Through Hardships to the Stars:’ Women Protagonists in Nicolae Margineanu’s Schimb Valutar (2008)” 3.02
Jodie Barker, Rutgers University: “Pratique Mouvement: Cosmopolitan Ethics and Visceral Epistemology in Senghor and Mnouchkine” 7.19
Greg Barnhisel, Duquesne University: “Learning Communities and Process Pedagogy” 10.21
Nelson Barre, Villanova University: “American Family in Contemporary Drama” 12.21
Mirta Barrea-Marlys, Monmouth University: “Preparation for the Oral Proficiency Interview” 10.07
Chris Barrett, Harvard University: “Raleigh’s History of the World: Prison Writing as the Making of Space and Author” 3.07
Eileen Barrett, California State University-East Bay: “War Stories: Andrea Levy’s Small Island” 13.19
Adam Barrows, Carleton University: “Time Without Partitions: Resetting the Clocks of Midnight’s Children” 14.17
Sean Patrick Barry, Rutgers University: “Lyric Mindedness and the Romantic Pedant” 10.20
Susanna Barsella, Fordham University: “Descensus in humano. Il viaggio di Dante tra ascesi al divino e discesa del divino.” 12.16
Polina Barskova, Hampshire College: “The Screened Siege: The Lesser Known Cinematic Representations of the Battle of Leningrad (1941-44)” 2.02
Kaveh Bassiri, University of Arkansas: “Iranian Writers’ Responses to the Iran-Iraq War” 14.23
Subhankar Battacharya, Jadavpur University: “‘What strength I have’s mine own’: The Tempest and Renaissance Discourses on Labour” 18.13
Gregory Baum, University of Chicago: “Clavileño and Drake’s Ship: Intertextuality and Piratical Translation in Calderón and Dryden” 2.13
Leah Bayens, University of Kentucky: “(Re) Claiming the Dirt: Frederick Douglass’ Democratic Agrarian Vision” 8.13
Anna Beck, Justus-Liebig University of Giessen: “Relational and Dynamic Concepts of Space in (Literary) Theory and Contemporary Literature” 18.08
Gerard A. Beck, George Mason University: “François Rabelais: la langue au service de la nation” 14.20
Nicola Behrmann, Rutgers University: “Displacement: Ophelia’s Double-Grave” 18.08
Konstantina Bekiou, Montclair State University: “Reinterpretaciones aspectuales en Español L2: pretérito vs impefecto. Aportaciones helénicas.” 7.11
Sara Danièle Bélanger-Michaud, Université de Montréal: “Translation of the Self as Dramatization in Literary Soulworks” 5.25
Silvia Belen-Ramos, Fairleigh Dickinson University: “La Revolucion Sexual en los Cuentos Infantiles de Laura Devetach, Ema Wolf y Graciela Cabal” 15.13
Rachid Belghiti, Univesité de Montréal: “Choreographing a Queer Counter Narrative of Collective History in Highway’s Kiss of the Fur Queen” 11.08
Maria Bellamy, College of Staten Island-CUNY: “Silence and Speech in Edwidge Danticat’s The Dew Breaker” 11.11
Letizia Bellocchio, Rutgers University: “Le Famiglie Amorali di Visconti” 14.02
Valeria Belmonti, College of Staten Island-CUNY: “The Film Trailer Project” 6.24
Geoff Bender, University of Rochester: “Cooper, Cole, and the Composite Order of Elite Nationality” 14.04
Michael Y. Bennett, University of Wisconsin-Whitewater: “Camus’ Unknown Legacy: Or, ‘I’m having an existential crisis!’ Don’t you mean a Camusian crisis?” 3.10
Megan Bergeron, University of Louisiana-Lafayette: “Dangers in the Wilderness and in Women in Catherine Maria Sedgwick’s Hope Leslie” 10.10
Ina Bergmann, University of Wuerzburg: “Primary Secondary Literature: Reanimated Classics” 15.16; “The New Historical Fiction: Between Tradition and Innovation” 9.22
Anna Bernard, University of York: “Transnational Israel/Palestine: The Case of David Grossman” 10.23
Craig Bernardini, Hostos Community College-CUNY: “Frontier Revisions: Mongrels, Off-casts, and ‘the perfidy of beginnings’” 8.14
Marie Berne, City University-Hong Kong: “Deux langues pour en faire une, irrémédiablement idiote” 6.04
Diego Bertelli, Yale University: “Per finire: Guido Morselli tra scrittura e vita” 8.21
Benjamin Bertram, University of Southern Maine: “The Division of Labor in Christopher Marlowe’s Tamburlaine the Great” 18.13
Christine Berzsenyi, Pennsylvania State University-Wilkes-Barre: “Dark Humor, Gender, and Constructions of the Villain in Detective Fiction” 18.04
Anna Beskin, Fordham University: “‘Written with the dying hand’: Tower of London in Early Modern England” 3.07
Susan Best, University of New South Wales: “Participation, Affect and the Body: Lygia Clark” 18.01
Kumar Sankar Bhattacharya, Drew University: “Nostalgia and British Women: Reading Hari Kunzru’s The Impressionist” 10.16
Ian Bickford, Bard High School Early College: “Seventh-Day Adventism, Milton’s Satan, and Jamaica Kincaid’s Flat World” 4.23
Diane Bielicki, Brock University: “Finding Oneself in the Lives of Others: W. Kempowski’s Collection as Atonement and Rectification” 7.03
Matthew Birkhold, Princeton University: “Legal Fictions & Corporate Culpability in Kafka’s The Castle” 18.09
Daniela Bisello Antonucci, Princeton University: “Nino Palumbo e il mondo dei non protagonisti” 11.22
Karen Elizabeth Bishop, Rutgers University: “Heideggerian Placeholder: The Aporetic Uncanny in Kazuo Ishiguro’s A Pale View of Hills” 18.08
Susann Bishop, Independent Scholar: “Pictorializing the Allure of Authors’ Homes: Surveying 19th and 20th-Century Literary Guides” 9.01
Florence Bistagne, Université d’Avignon: “Guido Cavalcanti and the Neapolitan Humanism” 8.19
Suzanne Black, SUNY Oneonta: “Cameras, Fragments, Cosmopolitans: Modernist Legacies in Early Isherwood” 15.25; “An Unfashionable Manifesto: A Case for Philosophy of Science in Literary Studies” 8.23
Sarah Blackwood, Pace University: “The Claims of the Negro Aesthetically Considered” 7.04
Lyn Blanchfield, SUNY Oswego: “Teaching Medieval and Early Modern Women: an Open Content Project” 3.01
Robert Blaskiewicz, Georgia Institute of Technology: “‘The Topography of Ignorance’: Science and Theory” 8.23
Marcelline Block, Princeton University: “Kathryn Bigelow and Semiotext(e)” 6.07
Michael Blouin, Michigan State University: “The Gizmo Effect: ‘Japan Inc.’ and the American Nightmare” 9.10
Ami Blue, Michigan State University: “Constructing Singleness in Dorothy Allison’s The Women Who Hate Me” 9.21
Susan Redington Bobby, Wesley College: “‘A man [or woman] must have a code’: Heroes and Anti-Heroes in ‘The Wire’” 18.10
María Laura Bocaz, University of Mary Washington: “The Writer-Intellectual in the Battlefield of the Boom” 2.12
Rita Bode, Trent University: “From Rejection to Acceptance: The Nebulous State of Revision” 13.15
Magdalena Bogacka, CUNY Graduate Center: “Under the Southern Gaze: Eudora Welty’s photographs of African American Women” 9.07
Riccardo Boglione, Società Dante Alighieri-Montevideo: “Poesia 3D! Parole e Materia in Ugo Carrega.” 13.07
Vincenzo Bollettino, Montclair State University: “La presencia de Leopardi en la poesía pre-modernista latino-americana” 17.11
Ben Bolling, University of North Carolina-Chapel Hill: “Serial Historiography: Toward an Ethics of Irreducible Elements in Narrative Histories” 11.07
Giulio Mario Bonacucina, University Of Oregon: “Commissario Montalbano’s contemporaneity in light of Agamben’s theory on the ‘Contemporaneo’” 4.24
Lucy Bond, University of London: “Transcendent Trauma: The Conflation of the Personal and the Political in Representations of 9/11” 11.01
Lynne Bongiovanni, College of Mount Saint Vincent: “‘Essay #1’ Is Not a Title: Using Image to Enhance Argument in First-Year Writing Classes” 9.09
Cecilia Bonnor, Fordham University: “Crime and Justice in Gregory of Tours’s Life of the Fathers” 10.18
Andrew Borneman, Independent Scholar: “Postmodern Androgyny, Gender Equality and the Heroine: Angela Carter’s Literary Freedom” 6.21
Stefano Boselli, Gettysburg College: “Le didascalie tradotte alla prova: G.B. Shaw e le versioni italiane dei Plays Pleasant e Unpleasant” 3.04
Matthew Boswell, University of Salford: “Holocaust Impiety” 2.15
Marshall Botvinick, Harvard University: “Bloodied Light: The Cinema of Martin McDonagh” 12.21
Nabil Boudraa, Oregon State University: “Nedjma de Kateb Yacine: un classique algérien et universel” 2.09
Jimia Boutouba, Santa Clara University: “The Stranger at Home: Re-imagining the Nation” 14.11
Matthew Bowker, Medaille College: “Camus’ Absurd Protest: Resistance to Loss and Change” 3.10
Sarah Lynne Bowman, University of Texas-Dallas: “Jungian Theory and Immersive Role-Playing Games” 14.07
T. J. Boynton, University of Illinois-Urbana Champaign: “Natural Magic and the Irish Origins of Conradian Impressionism in The Nigger of the Narcissus” 5.17
Marco Bracci, Florence University: “Online Music Listening and Consumption and the Re-definition of Personal Identities in our Modernity” 10.09
Amanda Bracco, Independent scholar: “Street feste and the Formation of Italian-American Identity in Little Italy, New York” 6.10
Joy Bracewell, University of Georgia: “‘White Silence’: The Greek Slave and Transatlantic Discourses of Nationalism” 7.04
M. Virginia Brackett, Park University: “Extending Enthusiastic Rhetoric: Containment Poetry in Christopher Smart’s ‘My Cat Jeffrey’” 3.07
Danielle Bradley, Rutgers University: “Symbolic Deserts: The Cistercians in Yorkshire” 14.01
Trisha Brady, Pennsylvania State University-Hazleton: “Hegel and Terror” 8.16
Mathilde Branthomme, University of Western Ontario: “Acedia or the Impossible Ecstasy” 5.25
Katie Bray, University of Virginia: “The Specter of Haiti and Other Caribbean Ghosts” 2.06
Bryan Brazeau, New York University: “The Death of the Nightingale: The Gerusalemme Conquistata and the Overcoming of the Tragic” 15.22
Eloïse Brézault, New York University: “Identité réelle et fantasmée dans Loin de mon père de Véronique Tadjo” 13.22
Briana Brickley, CUNY Graduate Center: “‘In future we will not read backwards’: Hermeneutics in Arundhati Roy’s God of Small Things” 17.17
Holly Brining, University of Texas-Austin: “Under the Influence: Men and their Female Mentors in the Works of Rafik Schami” 10.13
Angela Brintlinger, Ohio State University: “War Fiction, War Heroes, ‘Embedded Writers’ and Eyewitness Accounts” 2.02
Simone Brioni, University of Warwick: “The ‘Clash of Ignorance’ in post 9/11: Strategic Essentialism in Igiaba Scego’s Salsicce” 8.20
Silke Brodersen, Tufts University: “(Scientific) Objectivity in E.T.A. Hoffmann’s Des Vetters Eckfenster und Meister Floh” 8.03
Evelyn Brown, Miami University: “‘Out of Measure’: A Study of the Tradition and Evolution of Guinevere” 8.02
Kaila Brown, Duke University: “Religious Exit Narratives and Reservoirs of Mysticism in de Beauvoir’s Memoirs of a Dutiful Daughter” 5.17
Zac Brown, East Carolina University: “On the road to villainy or The Villainous Journey” 13.16
Miriam Brown Spiers, University of Georgia: “‘What living things have to come up with to survive’: Vapnyar’s Construction of Competing Realities” 5.11
Sharon Brubaker, Drexel University: “Using the Graphic Novel Version of Hamlet in the English Composition Classroom” 14.10
La Marr Jurelle Bruce, Yale University: “Clay’s Revenge: On Black Neurosis, Art, and Murder” 17.08
Andrew Bruso, SUNY New Paltz: “Magically Real Midnight’s Children” 14.17
Michelle Buchberger, Franklin University: “The Boundary between Fiction and History” 9.22
Russell Bucher, University of California-Berkeley: “The Consequences of Delayed Reception: On Montesquieu’s Persian Letters in Germany” 10.01
Clint Buhler, Ohio State University: “Life Between Two Panels The Nomadic Lifestyle of Soviet Dissident Artists” 6.05
Elda Buonanno, Iona College: “Strategies for Using Authentic Audio and Audiovisual Materials to Teach Interpretative Communication” 11.05
Michael Buonanno, State College of Florida-Manatee/Sarasota: “Ethnicity, Nostalgia, Affirmation: The Rhetoric of Italian-American Identity” 6.10
Joost Burgers, CUNY Graduate Center: “Changing perceptions of Jewish Degeneracy” 14.18; “Composition in the Cloud: Switching from Linear to Modular Composition Techniques” 17.16
Nicole Burgoyne, Harvard University: “West Meets East in Sebald’s Austerlitz” 11.21
Daniel Burke, Marquette University: “Williams and Local Ecology: An Ecopoetics for the Modern Period” 6.01
Krishni Burns, SUNY Buffalo: “Helen, Warrior Princess: Reimagining Helen as a Feminist Role Model in Young Adult Literature” 14.05
Vernita Burrell, Fordham University: “Does Africa Need a New ‘Negritude?’ African Identity, Negritude, and New Formations” 13.22
Emmanuel Buzay, University of Connecticut: “The Longing to be Written in Michel Houellebecq’s Futuristic Novels” 5.09
Merry Byrd, Virginia State University: “Reviewing the Roles of Women’s Studies at HBCU Campuses” 11.13
Linda Byrd-Cook, Sam Houston State University: “Bringing Down the Mountains: Appalachian Writers Expose Environmental Catastrophe” 11.12
Stephanie Byttebier, Boston University: “Ironic Sentimentalism/Sentimental Irony: The Aesthetic Ambiguity of Willa Cather’s A Lost Lady” 4.09
Andrea Cabajsky, Universite de Moncton: “Laure Conan and the Psychological Novel in Quebec” 3.08
Claudia Cabello Hutt, University of North Carolina-Greensboro: “Gabriela Mistral y la intelectualidad norteamericana: sus orígenes y su trascendencia” 2.12
Michael Cadwallader, University of North Carolina-Chapel Hill: “The Bible as Doorstop: Elizabeth Stuart Phelps’s Rewriting of Spiritualism” 5.14
Anna Cafaro, Bard College: “La donna nel teatro di Saverio La Ruina” 3.12
Antonella Calarota, Kean University: “Polémicas y controversias sobre el Modernismo en Ecuador” 17.11
Bryan Cameron, University of Pennsylvania: “Stillborn Texts: Competing Pregnancies in Leopoldo Alas’ Su único hijo” 11.18
John Cameron, Dalhousie University: “Machiavel or Machiavelli? Niccolo Machiavelli on the Early Modern Stage” 13.16
Lauren Cameron, University of North Carolina-Chapel Hill: “Ethical Interventions in Mary Shelley’s The Last Man” 9.18
Joan Cammarata, Manhattan College: “The Trajectory of Authorship of a Lost Play: Cervantes, Shakespeare, and ....” 2.13
María Cristina Campos Fuentes, DeSales University: “Erotismo en ‘Ninfomanía’ y ‘En el filo del gozo’ de Rosario Castellanos” 12.18
Steven Canaday, Anne Arundel Community College: “PBL in the Humanities” 10.14
Mimmo Cangiano, Duke University: “Umorismo vs Buffo: Il Codice di Perela`” 8.05
Eoin Cannon, Harvard University: “Evangelical Socialism in Upton Sinclair’s The Jungle” 12.11
Antonio F. Cao, Hofstra University: “‘La identidad nacional en La isla rota de Iraida Iturralde’.” 17.12
Alison Caplan, Providence College: “Unlocking Meaning: The Comprehensive Digital Glossary of Golden Age Spanish Literature” 15.04
Rosetta Caponetto, Auburn University: “Exoticism in the age of terrorism, Italy, 1970-1976” 13.13
Mirian Carballo, National University of Córdoba: “Failings of the Social Mythology of Capitalism: From ‘The Age of Lead’ to The Year of the Flood” 6.15
Robert Carballo, Millersville University: “Macbeth as Dramatization of an Anti-Machiavellian Polity and Sensibility” 13.16
Rossella Carbotti, University of California-Berkeley: “Under the Phantom Sky: Longing for Ghosts, Surviving Disaster in Bambini Bonsai” 9.17
Mary Paniccia Carden, Edinboro University: “Alternative Spaces in Toni Morrison’s Paradise” 12.19
Agnes Cardoni, Marywood University: “The Uniqueness of August Wilson’s Fences” 7.13
Karen Cardozo, Mount Holyoke College: “Academic Capitalism and Generic Engineering” 10.24
Mary Ann Carolan, Fairfield University: “Love and Technology in the Third Year Italian Class” 10.05
Maria Giulia Carone, University of Wisconsin-Madison: “The Reversal of Gender Relations in Lenz’s Hofmeister” 14.03; “Natural and Urban Order in Calvino’s Invisible Cities” 17.01
Maite Carranza: “Response and Reading” 13.21
Cristina Carrasco, Nazareth College: “Redefiniciones de la identidad nacional española en el cine de inmigración reciente” 15.14
Sean Carswell, Indiana University of Pennsylvania: “Mary Conant’s Counternarrative in Lydia Maria Child’s Hobomok” 10.10
Amy Cartal-Falk, Lycoming College: “« Rien d’autre que la liberté » : Oppression, Revolt and Hope in the Œuvre of J.M.G. Le Clézio” 4.16
Cristina Casado, Washington College: “Maite Carranza: ‘La guerra de las brujas’” 13.21
Andrea Casals Hill, Universidad Católica de Chile: “An Ecosophical Reading of ‘Las palmeras detrás’ by Ronaldo Menéndez” 9.03
Sam Casper, University of Pennsylvania: “Soviet War Correspondents Confront the Nazi Genocide, 1941-1945” 2.02
Julie Cassidy, Borough of Manhattan Community College-CUNY: “Being Branded, Being One’s Self: Katniss Everdeen” 8.04
Jeffrey Cassvan, Queens College-CUNY: “Annihilatory Poetics: Literary Theory, Literary History and Marvell’s ‘The Garden’” 5.18
Carolina Castellanos, Dickinson College: “A luta contra o esquecimento do artista:R Coração dos Outros em O triste fim de Policarpo Quaremsa” 8.06
Massimo Castellozzi, Florida State University: “Le rime disperse di Torquato Tasso fra tradizione e leggenda” 15.22
Mauricio Castillo Díaz, Columbia University: “The Emergence of a New Intelligentsia: Politics of Socialism and Indigenismo in 1920s Latin America” 2.12
Melissa Castillo-Garsow, Fordham University: “A Brazilian Community: Brazilians in Astoria, Queens” 11.06
Alessandro Cavalieri, Univeristà di Genova: “Gomorra senza il caso Gomorra” 14.26
Roxana L. Cazan, Indiana University-Bloomington: “Nationalism and Women’s Dissidence in Dubravka Ugresic’s novel, The Ministry of Pain” 7.17
Fabiana Cecchini, Texas A&M University: “Il portfolio nel curriculum d’italiano: e’ uno strumento efficace?” 11.05
Michael Cerliano, University of Notre Dame: “Planning Deaths is Not Natural to Me: Myth, Ritual, and Violence in Hammett, Kurosawa, and Leone” 18.04
Eva Cermanova, University of Aberdeen: “The Biopolitics of Cristian Mungiu’s 4 Months, 3 Weeks, and 2 Days” 3.02
Marco Cerocchi, La Salle University: “Monteverdi’s Madrigal ‘Zephyr Returns’, an Exemplar of Musical Petrarchism” 13.07
Lisa Cesarani, New York University-Florence: “Lost in Translation: Why Gian Burrasca Outlived Geordie Hackett” 3.04
Nicole Cesare, Temple University: “Irony and Irreverence: Bernard Dadie and the Postcolonial Travel Narrative” 13.11
Enrico Cesaretti, University of Virginia: “On Voraciousness: Aldo Palazzeschi’s Interrogatorio della Contessa Maria” 5.10
Sumita Chakraborty, Independent Scholar: “‘Ambiguous and all but improbable’: Marianne Moore, Blake, and Observations” 11.09
Dannie Chalk, Pennsylvania State University: “Establishing Comparative Gender in Maria Edgeworth’s Belinda” 9.15
Patrick Chappell, Rutgers University: “Paper Waste: Bleak House’s Rubbish Theory” 5.16
Tuli Chatterji, St. John’s University: “Re-Thinking Discourse: How are we to Break the Binaries?” 12.23
Tuli Chatterji, St. John’s University: “Revisting the ‘World’ and ‘Literature’” 15.09
Arka Chattopadhyay, Jadavpur University: “‘Profounds of Mind’: Thinking the Thought in Thought and Beckett’s Locus of Stirrings” 2.08
Yu-Min (Claire) Chen, Indiana Universty-Bloomington: “The Fall of the Pagoda: the Shadow of the Haunting Past” 7.17
Emily Cheng, Montclair State University: “Gender, Sexuality, and U.S. Empire in Cultural Productions of the Vietnam War” 5.05
Elizabeth Cherniak, Brock University: “Selling Yourself Outside Academia - Without Selling Yourself Short” 13.20; “Men (Self) Interpreting Disability in Jimenez’s The Waterdance and Lodge’s Deaf Sentence” 4.07
Tiziano Cherubini, Rutgers University: “Narciso allo specchio. :riflessi e il suicidio palazzeschiano” 8.21
Frédérique Chevillot, University of Denver: “Transnationalités nothombiennes ou l’écriture métèque d’Amélie” 11.23
Francesco Chillemi, Rutgers University: “I segreti reconditi di Menzogna e sortilegio. Il paradosso del mentitore e la malia della finzione” 13.12
Ja Yun Choi, Rutgers University: “Charles Brockden Brown’s Ormond and the Haitian Revolution” 2.06
Isabelle Choquet, Denison University: “Babel à Montréal : ces nomades qui « tropicalisent » la planète” 10.12
Laura Christie, University for the Creative Arts: “New Frontiers/New Women: Finding Freedom in Travel and Writing” 2.04
Seo-Young Chu, Queens College-CUNY: “The Detention of Ethnic Stereotypes in the Uncanny Valley” 5.09
Hillary Chute, University of Chicago: “Hiroshima and Auschwitz: The Postwar Period and Nonfiction Comics” 8.10
Francesco Ciabattoni, Georgetown University: “The Impenetrable Song” 12.16
Lidia Ciccone, University of Alabama: “Voci Migranti: Nostalgia del paese natale: Per un’analisi del romanzo La Straniera di Y. Tawfik” 15.03
Fabrizio Cilento, Messiah College: “Saviano, Garrone, Gomorra” 14.26
Christi Clancy, University of Wisconsin-Milwaukee: “1940’s Apartment-Dwelling Anxiety in ‘Rear Window’ and ‘The Enormous Radio’” 2.05
Marlene Clark, City College of New York-CUNY: “Labor’s Love Lost: William Carlos Williams’ ‘Paterson--The Strike’” 5.12
Colin Clarke, Suffolk County Community College: “Bloodlands: Environmental Violence in the Fiction of Cormac McCarthy” 11.12
Loretta Clayton, Macon State College: “The Importance of Being Related: The Writings of Lady Jane, Constance, and Oscar Wilde” 14.06
Osvaldo Cleger, Lafayette College: “Hernán Casciari’s Weblog de una mujer gorda: the Feuilleton Meets the Web” 3.03
Lesley Clement, Lakehead University: “Overcoming the Fear of the Unknown: Empathy in Contemporary Picturebooks” 11.03
Federica K. Clementi, University of South Carolina: “The Yente, The Mame and the JAP in Aline Kominsky-Crumb’s Graphic Imagination” 5.11
Clare Emily Clifford, Birmingham Southern College: “Tibetan Medicine and Buddhist Doctoring in Richard Selzer’s ‘The Surgeon as Priest’” 14.15
Jim Cody, Brookdale Community College-CUNY: “Iago and Anton Chigurh as Machiavellian Villains” 13.16
Jaclyn Cohen, Johns Hopkins University: “Shame in Ana Caro’s Valor, agravio y mujer: Subverting the Dominant Discourse” 18.05
Noam Cohen, Independent Scholar: “In the Trap Streets: Mapping Ideologies of Information in the Novels of China Miéville” 15.10
Federica Colleoni, James Madison University: “Il motivo dell’unificazione nel cinema dei fratelli Taviani” 10.22; “Sacco e Vanzetti e Giordano Bruno di Montaldo come displacements cinematografici” 7.07
Cornelius Collins, Rutgers University: “What Must Soon Take Place?: Literary and Non-Literary Apocalyptic Prophecy in the Globalization Era” 8.10
Rachel Collins, Arcadia University: “Spatial Authenticity and Edith Wharton’s ‘derelict mountain villages of New England’” 14.13
Alyssa Colton, The College of St. Rose: “Multiple Literacies, Multiple Communities: The Hybrid Composition Course” 17.15
Deborah Compte, The College of New Jersey: “Female Royals in Jerónimo de Barrionuevo’s Avisos” 14.22
Bryan Conn, Case Western Reserve University: “On the subject of Guilt: Roger Zelazney’s ‘Home is the Hangman’ & Melanie Klein” 11.19
Lisa Connell, University of West Georgia: “Movement and Emancipation in Assia Djebar’s Nulle part dans la maison de mon père” 8.17
Peter Conolly-Smith, Queens College-CUNY: “‘Mysterious things well examined’: Dr. Jekyll and Mr. Hyde as a Gothic Supernatural Detective” 18.04
Patrick Cook, George Washington University: “Trauma and Tragicomedy in The Tempest” 9.11
Rod Cooke, Columbia University: “Barrès from ‘Degenerate’ to anti-Dreyfusard” 15.18
Arthur Cools, University of Antwerp: “The narrative voice and the spatial turn in Maurice Blanchot’s fictional work” 15.07
David Sweeney Coombs, Cornell University: “National Unconsciousness in Daniel Deronda” 18.06
Ana Corbalán, University of Alabama: “Maite Carranza y su literatura de compromiso social” 13.21
Laureano Corces, Fairleigh Dickinson University: “The Geography of the Hero: Creating the Border in Order to Erase It” 15.23
Gisela Cordero-Cinko, Monmouth University: “Preparation for the Oral Proficiency Interview” 10.07
Antonio Cordoba, Harvard University: “‘Sorda hija del mar’: Song and Silence in Luis de Góngora’s Fábula de Polifemo y Galatea” 6.17
Sarah Cornish, Fordham University: “Vertical Terror: Architectural Innovation and Masculine Anxiety in Nathanael West and Faith Baldwin” 15.10
Morena Corradi, Queens College-CUNY: “L’oriente nella pubblicistica democratica post-unitaria” 6.18
Luis Correa-Díaz, University of Georgia: “Poesía digital/electrónica/cibernética en América Latina: de su tematización a la cibertextualidad” 3.03
Christine Cosentino-Dougherty, Rutgers University: “The Demands of Freedom as Reflected in Narratives of Ingo Schulze, Julia Schoch and Monika Maron” 3.11
Jesse Costantino, University of California-Berkeley: “The Absence of Absence: Detroit Ruin Photography and the ‘Tragedy’ of White Flight” 13.04
Brendan Costello, CIty College of New York-CUNY: “Striking the Sun: Defending Ahab’s Megalomania from a Disability Perspective” 7.18
Emanuela Cotroneo, Università degli Studi di Genova: “Socialnetworking e didattica: Facebook & C. per apprendere e insegnare l’italiano L2” 2.01
Joseph Coulombe, Rowan University: “Teaching Native American Literature” 12.22
Victoria Cox, Appalachian State University: “La violencia fantástica en Alicia Kozameh y Nora Strejilevish” 18.14
Julia Cozzarelli, Ithaca College: “‘Parliamo!’ Technology for the Italian Conversation Class” 10.05
Joy Cranshaw, University of North Carolina-Chapel Hill: “‘We pair off!’: Sexual Reification and Human Extinction in Octavia Butler’s Xenogenesis Trilogy” 5.09
Chiyo Crawford, Tufts University: “Gallant Gardens: Japanese American Internment, EJ and Karen Tei Yamashita’s Tropic of Orange” 7.08
Paul Creamer, East Stroudsburg University: “Frenchness and Foreignness in Les Lais de Marie de France” 14.20
Orlaith Creedon, Middlebury College: “Painting Paris: Louis-Sébastien Mercier and the Tableau de Paris” 7.05
Rebecca Crisafulli, University of Chicago: “Art Nouveau, Fantastic Stories, and the Preservation of an Ideal Feminine” 15.18
Davide Crosada, Sapienza-University of Rome: “Towards a Language of Paradise: Comparing Beckett’s Vision Of Language With Dante’s and Joyce’s” 6.04
Kathleen Crosby, University of North Carolina-Chapel Hill: “Scripting the Single Woman: The Early American Woman, Textuality, and Performance” 9.21
Esther Cuesta, University of Massachusetts-Amherst: “‘From the Academy to Citizenship Diplomacy in Ecuador’” 13.20
Mabel Cuesta, CUNY Graduate Center: “‘Cinco Poetas Cubanas de Nueva York’” 17.12
Hugh Culik, Macomb Community College: “Literary Dis-ease: Beckett, Medicine, and Modernity” 15.26
Eileen Curley, Marist College: “The Economics of Widowhood in Nineteenth-Century Amateur Drama” 2.07
Jesse Curran, Stony Brook University: “Dickinson is Poetry is Ecology is Love: Practicing the Ecopoetic Project” 6.23
Garin Cycholl, Univeristy of Chicago: “By Way of Introduction/ By Way of Response” 2.05
Eufrida da Silva, University of Massachusetts-Dartmouth: “The Representation of Brazil-Ness in Its Foundation and throughout Its History” 15.06
Esther Daganzo-Cantens, East Stroudsburg University: “¿España o África? Inmigrantes africanos y su búsqueda de integración” 11.02
Jameela Dallis, University of North Carolina-Chapel Hill: “The Monstrous, the Rational, and the Arcane: Re-reading Angela Carter’s ‘Lady of the House of Love’” 9.10
Nicholas Daly, University College-Dublin: “Locked Rooms: Sensation and the Poetics of Space” 8.01
Maria Elena D’Amelio, SUNY Stony Brook: “Recycling Nostalgia: the Peplum and the Mimicry of Hollywood on the Tiber’s Films” 9.24
Catherine Daniélou, University of Alabama-Birmingham: “La Pensée de Montaigne chez Madame de Sévigné” 5.21
Jason D’Aoust, University of Western Ontario: “His Master’s Voice: Musical Ecstasy” 5.25
Kristina Darling, University of Missouri-St. Louis: “Original Poetry and Commentary” 3.09
Jessica Datema, Bergen Community College: “Hard-Boiled Work in Haruki Murakami” 11.19
Nadia Davids, University of London: “Memory, Performance and/as Restitution in District Six, Cape Town” 13.08
Harriet Davidson, Rutgers University: “Best Practices in Women & Gender Studies at Rutgers University” 11.13
Josep Dávila-Montes, University of Texas-Brownsville: “Online Delivery of Translation Studies” 7.26
Michael F. Davis, Le Moyne College: “The Abduction of Aestheticism and the Queering of Masculinity in Middlemarch” 17.10
Lisa Day-Lindsey, Eastern Kentucky University: “E Unum Pluribus: The State of Gender in the American Short Story Cycle” 7.25
Raffaele De Benedictis, Wayne State University: “Il cimitero di Praga: Epistemic Implications Between Lies and Realities” 6.18
Karen de Bruin, University of Rhode Island: “Corinne is dead, long live Corinne : G. de Staël’s Improvisatrice and the ‘Corinne novel’” 3.13
Mark De Cicco, George Washington University: “Weird Science: The Queer Gothic Scientist of the Fin-de-Siècle” 14.18
Alejandro De La Pava, University of South Florida: “Re-Examinando el Referente Histórico–Narrativo del Siglo de Oro en la obra de Arturo Perez-Reverte” 4.20
Chiara De Santi, SUNY Fredonia: “Il concetto di patria nelle Confessioni di un Italiano di Ippolito Nievo” 10.22; “Sguardi opachi di Calvino viaggiatore in Unione Sovietica” 2.10
Pascale De Souza, George Mason University: “Gendered Parisian scapes in Rebelle by Fatou Keita and Les Pieds Sales by Edem Awumey” 10.12
Ben De Witte, Rutgers University: “Djuna Barnes’s Queer Tactics: Style and Resistance in Nightwood” 7.21
David Del Principe, Montclair State University: “A Model for the EcoGothic” 9.17
David Delamatta, Lord Fairfax Community College: “Bilingual Theater: Determining Authenticity and Significance of Language Levels and Changes” 8.07
Cristina Della Coletta, University of Virginia: “The City-Stage and the Web of History: Bertolucci’s La strategia del ragno” 18.02
Jennifer Dellner, Ocean County College: “The Big End: William Gibson and the Ecology of Cool” 11.12
Anne DeLong, Kutztown University: “Love Lies Bleeding: The Politics of the Vampire Romance” 7.16
Vuslat Demirkoparan, University of Irvine: “The ‘Dead Spaces’ of Fatih Akin’s Diasporic Cinema” 13.06
Irene Depetris Chauvin, Cornell University: “Esa distancia que afecta: Representaciones de la comunidad boliviana en el Nuevo Cine Argentino” 18.01
Theresa Desmond, Stony Brook University: “The Demonization of the Spinster in Modernity” 6.20
Mark DeStephano, Saint Peter’s College: “Ditches, Dumps, and Dungeons: Reinaldo Arenas, Before Night Falls, and Queer Cuba” 18.01
Rebecca Devers, New York City College of Technology-CUNY: “Homes within Homes: Private Fallout Shelters and the Mythology of Ideal Domesticity in 1950s America” 14.12
Lauren Devitt, Rutgers University: “Wayfaring and the Material Text” 6.03
S. Pascale Dewey, Kutztown University: “Amitié, amour et amitié amoureuse chez Mme de Graffigny” 7.10
Giusy Di Filippo, University of Wisconsin-Madison: “Hi(story) and Female Bodies in Oltre Babilonia by Igiaba Scego” 15.03
Martina Di Florio Gula, University of Connecticut: “Machiavelli historico, comico et tragico” 8.05
Boubakary Diakité, Franklin and Marshall College: “Le roman africain ou la marche des enfants terribles” 2.09
Rala Diakité, Fitchburg State University: “Teaching Medieval and Early Modern Women: an Open Content Project” 3.01
Sara Diaz, New York University: “Dante’s Forese: Constructing Masculinity in and beyond the Commedia” 14.21
Carolina Díaz Zapata, Rutgers University: “Diamela Eltit’s Lumpérica: L. Iluminada as the Angel of the Perhaps” 6.26
Lourdes Díaz-Rodríguez, Universitat Pompeu Fabra: “Vacilaciones y repeticiones en E/LE ¿Indicadores de dificultad en procesar los pasados aspectuales?” 7.11
Stephanie R. Dickerson, University of Buffalo: “Black Feminist Thought: Finding One’s Voice and Home Within Male Dominated Pan-Africanism” 6.06
María DiFrancesco, Ithaca College: “Working-Through Arrested Moments in Escudé i Gallès’s Memoria fotográfica and Pascual’s Varadas” 15.14
Mark DiGiacomo, Rutgers University: “Cassava and Cassavetes: Kojo Laing’s Transnational Vision” 7.15
Chris Dilworth, Universite de Montreal: “Wake Up! Watch It! Yaa!: Competing Cognivist Metaphors in Cameron’s Avatar” 14.19
Marianne Peracchio DiQuattro, University of Notre Dame: “Translating In-Yer-Face to 2010: Martin McDonagh’s A Behanding in Spokane” 12.21
Stephen Dobranski, Georgia State University: “An Author out of Control?: Milton in the Early Modern Book Trade” 6.03
Jason Doerre, University of Massachusetts-Amherst: “Through the Liberal Looking Glass: 19th-Century German History in Hermann Sudermann’s Katzensteg” 4.17
Rob Doggett, SUNY Geneseo: “Possibilities and Pitfalls of Using Digital Technologies in the English Classroom” 6.25
Tom Dolack, Wheaton College: “Catabasis as Cultural Renaissance in Mandelstam” 5.02
Ellen Dolgin, Dominican College: “All the Colors of the Rainbow Could Not Save Helga Crane: Dislocation in Nella Larsen’s Quicksand” 17.17
Eileen J Doll, Loyola University-New Orleans: “El trauma del Otro: Once voces contra la barbarie del 11-M” 8.22
Christine Dombrowski, Southern Connecticut State University: “Evidencing the Soul: The Fusion of Romantic Medicine and Spirituality” 8.03
Christopher Donahue, Bloomsburg University: “La muralla verde: When Green Means Don’t Go” 10.02
James Donahue, SUNY Potsdam: “Cooper, Doctorow, and American Exceptionalism; or, Why We Love Historical Fiction” 9.22
Emily Donaldson Field, Boston University: “A Necessary Evil: ‘The Indian’ in Post-Revolutionary Children’s Literature” 7.02
Kellie Donovan-Condron, Babson College: “Building Community Through Course Blogs” 17.16
Christopher Doody, Trent University: “Are We Reading the Same Text?: Paratextual Differences between the Codex and E-Book Readers” 5.01
Michael Dowdy, Hunter College-CUNY: “‘The black braid of names’: Martín Espada’s Lyric Monuments to Resistance . . .” 9.14
Margaret Downs-Gamble, United States Military Academy: “Merlin’s Prophecies Realized: King James I as Avatar of King Arthur” 8.02
Helga Druxes, Williams College: “Internet Marriage and the Postcolonial Female Subject in Ducat’s Film ‘Nordsud’” 12.03
Helga Druxes, Williams College: “The Body as Palimpsest in Herta Müller, Dieter Schlesak and Irina Liebmann” 14.25
Simone Dubrovic, Kenyon College: “Il viaggio in Italia di Bernardo Bertolucci: Io ballo da sola” 12.06
Will Duffy, SUNY Buffalo: “Aging at the Speed of Plot: The X-Men and Chronology” 11.07
Anita Duneer, Rhode Island College: “Narrative and Postcolonial Instabilities in Aravind Adiga’s The White Tiger” 13.11
Paloma Duong, Columbia University: “Porno Para Ricardo: the Rhetoric of Obscenity in Music and Literature in Contemporary Cuba” 17.02
Mary Helen Dupree, Georgetown University: “Ottilie’s Echo: Hierarchies of Seeing and Hearing in Goethe’s Wahlverwandtschaften” 14.03
Liamar Durán-Almarza, University of Oviedo: “‘Tired of Not Having a Home’: Transnational Queerness on Stage” 7.21
Bronwen Durocher, Fordham University: “Motherhood and Alien: A Look at the Post-Feminist Action Hero as Essentially Female” 18.10
Justine Dymond, Springfield College: “‘Why Are You Taking This Course?’: Teaching Native American Literature in a Gen Ed Curriculum” 12.22
Emily Eaton, Cornell University: “Love and Lunacy in Juan Goytisolo’s Duelo en El Paraiso” 7.23
Rachel Edford, University of Oregon: “‘The Step of Iron Feet’: The Power of Form in Gwendolyn Brooks’s World War II Poetry” 5.15
Sterling Edward, Independent Scholar: “Bridging the Gap Between Expectations and Reality in Same-Sex Equality” 6.19
Naomi Edwards, Stony Brook University: “Madwoman in the Diaspora: War, Displacement, and Female Subjectivity in Asian-American Fiction” 13.18
Natalie Edwards, Wagner College: “Motherless Women in 21st Century French Literature” 12.24; “The Female Francophone African Intellectual” 13.22
Sema Ege, University of Ankara: “William Golding and Doris Lessing: Victims of Pre-Destination” 6.13
Gabriele Eichmanns, Carnegie Mellon University: “Deutsch-türkische Hybriditätsformen in den Romanen von Hatice Akyün” 9.02
Brahim el Guabli, Swarthmore College: “Curriculum and Pedagogy” 12.25
Walid El Khachab, University of Ottawa: “Post-National Cinemas: Knitting The Masses and Photographing Desire” 9.05
Nevine El Nossery, University of Wisconsin-Madison: “Suffocated Voices, Buried Bodies in the Works of Leila Marouane” 17.17
Cristina Elgue de Martini, National University of Córdoba: “Biblical Myth in Atwood’s Dystopian Fiction: From The Handmaid’s Tale to The Year of the Flood” 6.15
Yasser Elhariry, New York University: “Un nouveau seuil ? Edmond Jabès, Georges Henein and the Arabic Poetic Tradition” 15.20
Greg Ellerman, Rutgers University: “Prophecy and Materiality in Shelley’s Queen Mab” 11.16
Matthew Elliott, Emmanuel College: “The First-Year Seminar: A Recession-Proof Program?” 6.25
Zetta Elliott, Independent Scholar: “‘Ain’t they black!’: Negotiating Blackness and Borders in Canadian Young Adult Literature” 2.03
Hanan Elsayed, Occidental College: “Recueillement terrestre et pré-révélation divine dans L’Homme du Livre de Driss Chraïbi” 15.20
Chris Eng, The Graduate Center-CUNY: “Revisiting ‘Suspect Places’: Queer Residents of I Hotel, Queer Paternities of Asian America” 6.12
Alexander Engebretson, City University of New York: “The Affirmation of Inwardness and the Limits of Autonomy in Marilynne Robinson’s Gilead” 12.19
Maria Enrico, Borough of Manhattan Community College-CUNY: “Dario D’Ambrosi and the Teatro del Patologico” 3.12
Betina Entzminger, Bloomsburg University: “A Wider River: Narrative Reconfiguration in Nancy Rawles’s My Jim” 15.16
Mark Epstein, Princeton University: “Utopia and Risorgimento” 6.18
Jamee Indigo Eriksen, Mills College: “Bending the Rules: Literature and National Identity in Haiti and the Dominican Republic” 4.14
Mohamed Esa, McDaniel College: “The Healing Powers of Storytelling in Rafik Schami’s ‘Erzähler der Nacht’” 10.13
Marie Escalante, University of Pennsylvania: “Juana Manuela Gorriti o los límites imprecisos de Historia y Fantasía” 18.14
Marisa Escolar, University of California-Berkeley: “Out of One Skin and into Another: Censorship, Canonization, and La Pelle” 11.22
Lise Esdaile, Graduate Center-CUNY: “Surfing Fourth Wave Feminism on the Internet” 8.08
Beverly Evans, SUNY Geneseo: “Simone de Beauvoir and Friendship: ‘une raison d’agir, une raison de parler’” 7.10
Christine Evans, Lesley University: “Foundational Event or Historical Aberration? The French Debate on the Revolution 1940-1945” 8.16
Jane Evans, University of Texas-El Paso: “Florence Delay’s Trois Désobéissances: a Mother’s Insights?” 11.20
Karina Everett, Fordham University: “Secrets Above Stairs: The Upper Servant in Jane Eyre” 4.12
Petra Fachinger, Queen’s University: “Love after the Wars” 7.20
Fayçal Falaky, Tulane University: “Mythical Historiographies and Fictional Identities in Boudjedra’s La prise de Gibraltar” 15.20
Annie Falk, Columbia University: “Fantasies of Jewish De- and Regeneration in Thomas Mann and Theodor Herzl” 14.18
Kristen Fallica, University of Pittsburgh: “A Case Study of Feminism and Filmmaking in the 1970s: Women Make Movies as a Production Collective” 14.09
Lai-Tze Fan: “Meta-Linking: Self-Reflexivity of Reader, Writer, and Digital Medium in Geoff Ryman’s 253” 12.01
Jonathan Farina, Seton Hall University: “Mr. Barkis’s Novel” 7.01
Benoît Faucher, Université de Montréal: “The Ecstasy of Impossible Knowledge: Conveyed Transcendence in Hinton’s New Era of Thought” 5.25
Jimmy Fazzino, University of California-Santa Cruz: “The Avant-Garde Origins of Amiri Baraka’s Revolutionary Theatre” 17.08
Corrado Federici, Brock University: “Modern Science, Metaphysics,and the Quotidian in the Poetry of Luciano Erba and Eugenio Montale” 15.21
Cecilia Feilla, Marymount Manhattan College: “Bodies of Knowledge, Bodies of Desire: The Tutor in Eighteenth-Century Fiction” 10.20
Jonathan Feinberg, University of Pittsburgh: “Belatedness and Beginnings: J.M. Coetzee and the Modernist Historical Consciousness” 7.15
Leslie Feldballe, University of Buffalo: “Brauron and the Cult of Artemis: Women, Sacred Space and the Athenian Polis” 13.17
Julia Feldhaus, Saint Anselm College: “Girlhood as a Construct of Confined Space and Defined Medium” 6.08
Alvaro Fernández, Queens College-CUNY: “El tiempo que no muere El pasado de Alans Pauls, una narrativa del trauma” 12.08
Esther Fernandez, Sarah Lawrence College: “La dama boba y La fierecilla domada: ¿Horror o humor?” 2.13
Chiara Ferrari, California State University-Chico: “Christ Stopped at Eboli... Did Cinema Go Further? Southerness in Contemporary Italian Cinema” 12.06
Karen Ferreira-Meyers, University of Swaziland: “Contemporary African Detective Fiction: James Bond Look-Alikes” 18.04
Simonetta Ferrini, Palazzi, Florence Association For International Education: “Calvino, the City, a Project for Students of Contemporary Italian Literature: The Word” 17.01
Melissa Feuerstein, Independent Scholar: “Moving Stepwise through Poems and Photographs” 14.04
Rossana Fialdini Zambrano, McGill University: “De héroes y víctimas: Caídos del cielo de Paloma Pedrero” 15.23
Robin Field, King’s College: “‘I could not know what I was doing’: Reflexive Trauma in Chang-rae Lee’s A Gesture Life” 15.17
Kenneth Fifer, Pennsylvania State University-Berks: “My Poetry, My Academy” 3.09
Ana Figueroa, Pennsylvania State University-Lehigh Valley: “Masculinidad y performance identitario en El Encuentro de Escritores de la Universidad de Concepción” 2.12
Sergio Figueroa, Universidad de Guadalajara: “Lo monstruoso cotidiano en cuentos de Amparo Dávila” 18.14
Rhonda Filipan, Kent State University: “From Separation to Integration: Part-Time and Full-Time Faculty and Higher Education Institutions” 15.12
Marty Fink, Concordia University: “Latex Legacies: Narrating Histories of Safe(r) Sex” 11.08
Margaret Finn, Temple University: “Ecofeminism and Convergent Colonial/Native American Subjectivity in Sedgwick’s Hope Leslie” 4.01
Jim Finnegan, Anne Arundel Community College: “Cold War Structures of Feeling in Nelson Algren’s The Man With the Golden Arm and Chicago” 3.06
Teresa Fiore, Montclair State University: “Laila Wadia’s Immigrant Novel Amiche per la pelle and Trieste’s Multilingual Environment” 12.09
Annemarie Fischer, Binghamton University: “Bonjour Ostesse: ‘Left-Overs’ and ‘Easthetics’ in Michael Schorr’s Schröders wunderbare Welt” 4.10
Barbara Fischer, Hudson Valley Writers’ Center: “‘Partial Inventory of Airborne Debris’: Timothy Donnelly’s The Cloud Corporation” 11.01
Susan Alice Fischer, Medgar Evers College-CUNY: “Black, British and Female: Shifting Identities in Postwar Fiction” 13.19
Laura Fisher, New York University: “Writing Immigrant Aid: Sentimental Rhetoric and Progressive Reform Literature” 5.14
Paul Fisher, Wellesley College: “Can’t Exist 100 Years Hence: New Transatlantic Ecocriticism in the Literature of The Great Eastern” 4.01
Jacki Fitzpatrick, Texas Tech University: “International Adoption in Children’s Picture Books” 6.11
Sean Flannery, Immaculata University: “The End of Nostalgia in Contemporary American Drama: Tracey Letts and David Mamet” 7.13
Patrick C. Fleming, University of Virginia: “Forgetting the ‘Instructive Monomaniac’: Dickens and the Moral Tale” 7.01
Cristina Florea, Princeton University: “Renunciations and Dismantlings: Eastern German Visions of Spatiality and Selfhood After 1989” 3.11
Kelliann Flores, SUNY Stony Brook: “Women as Contingent Faculty: Realites and Myth of Part-time Work” 10.24; “Margarita Esta Linda la Mar” 12.17
Tara Foley, Fordham University: “Fifth Avenue Sensibilities: Henry James, Class Anxiety and the Aesthetics of Zoning” 15.10
Jonathan Foltz, Princeton University: “Technological Malaise” 17.03
Katherine Foret, Stony Brook University: “The Doomed Idealism of Arthurian Legend” 8.02
Sibelan Forrester, Swarthmore College: “Folklore Sources and ‘Folk’ Creativity in Marina Tsvetaeva’s Poèma ‘Tsar’-Devitsa’.” 7.22
J. Ashley Foster, CUNY Graduate Center: “Weeping Woman with a Camera: the Feminist Documentary Project of Guernica” 9.07
Sherri Foster, University of Sussex: “A Part of the World, Not Apart from it: Representations of Conjoined Twins in Contemporary Fiction” 7.18
Angela Francis, CUNY Graduate Center: “Our President, the Monster: Graphic Political Arguments in the Composition Classroom” 9.09
Yvonne Franke, University of Pittsburgh: “W(h)ines and Spirits – Flânerie in German Film” 13.10
Gordon Fraser, University of Connecticut: “God Will Give You a Hannibal: Mob Action in David Walker’s Appeal and Martin Delany’s Blake” 7.14
Brad Freeman, Ohio State University: “Space in the American Imaginary: Maintaining the ‘Good Order’ in Cecil B. DeMille’s The Cheat” 6.12
Meghan A. Freeman, Tulane University: “‘A Difficult Kind of Shorthand’: Artful Sympathy in George Eliot’s Middlemarch” 18.06
Julia Friday, SUNY New Paltz: “Imaging the Invasion: Czechoslovak and Soviet Photojournalism during the 1968 Invasion” 4.04
Keith Friedlander, University of Ottawa: “When Eleven Year-Olds Kick-Ass: Hit-Girl As Role Model Or Victim?” 18.10
Mareen Fuchs, Rutgers University: “Vergangenheitskonservierung in Wolfgang Becker’s ‘Good Bye Lenin’” 5.08
Thomas Fulton, Rutgers University: “Milton and the Cultures of Print:” 3.17
Jana Funke, University of Exeter: “Navigating Sexology: Bryher, Havelock Ellis, and the Adventure of Sex” 15.02
Cristiana Furlan, Bishop’s University: “Quando l’altra vive in un harem: l’orientalismo di Cristina Belgioioso Trivulzio” 2.10
Nicole Furlonge, Stuart Country Day School: “What is for others nature/is for us culture: Constructions of Adoption on Heroes” 6.11
C. Wakaba Futumura, Susquehanna University: “Cultural Markers in the Dusk of Tradition: Hélé Béji’s Metaphoric Landscaping of Tunisia’s Heritage” 17.06
Jane S. Gabin, Frisch School: “Art by Heart: Public Recitation in the Long Nineteenth Century” 2.07
Olivia Gabor-Peirce, Western Michigan University: “‘Schlimmstmögliche Wendung:’ Dürrenmatt’s Paradox” 5.22
John P Gabriele, College of Wooster: “Terror as Postmodern Performative Topos in Juan Mayorga’s Himmelweg” 8.22
Michelle B. Gaffey, Duquesne University: “Looking at Student Sketches and Campus Rooms to Encourage Critical Thinking” 9.09
Paul Gagliardi, University of Wisconsin-Milwaukee: “Working Heartbreakingly Hard: Edna Ferber’s Writing Work Ethic” 13.01
Donald Gagnon, Western Connecticut State University: “The Enemy Among Us: Queering Public Spaces in Richard Greenberg’s Take Me Out” 5.13
Susana Galan, Universitat Oberta de Catalunya: “Pan-Arab Feminism 2.0? From Transnational Advocacy Campaigns to Leila’s Collective Blogging” 8.08
Beth Gale, Clarke University: “Bad Mothers: Justine Lévy’s Le Rendez-vous and Calixthe Beyala’s Le Roman de Pauline” 12.24
Wendy Galgan, St. Francis College: “Brooklyn Poetics” 9.12
John Gallagher, Quinsigamond Community College: “The Newness of Social Networking” 7.09
Kristen Gallagher, LaGuardia Community College-CUNY: “Collective Translation at LaGuardia” 7.26
Mary Beth Gallagher, Morgan State University: “Ernest Hemingway’s Use of Luck in For Whom the Bell Tolls” 5.17
Matthew J. Gallagher, Independent Scholar: “Pushing the Witch into the Oven: A Marxist-Feminist Review of the Perennial Revision of Fairytales” 6.21
Maureen Gallagher, University of Massachussetts-Amherst: “The Transnational Tauchnitz: Detteritolizing British Literature” 10.23
Patrick W. Gallagher, New York University: “The Myth of the Organic and the Right to the City in Fictions of the Postindustrial United States” 13.04
Laura Gandolfi, Princeton University: “Redefinition of the Subject-Object Relation in Juan José Saer” 9.06
Margherita Ganeri, Università della Calabria: “Saviano scrittore” 14.26; “Elsa Morante, la donna e la guerra” 18.12
Christiane Gannon, Johns Hopkins University: “Education and the Imagination at the Fin De Siècle” 14.24; “Marie Corelli’s The Sorrows of Satan: The Christian Bestseller and Modern Decay” 17.05
Mara García, Brigham Young University: “El despertar femenino y el encuentro con lo inadmisible en la cuentística de Elena Garro” 18.14
Wilton Garcia, Universidade Bras Cubas: “Homoculture as Strategy of Desire: Contemporary Studies” 12.17
Alejandro Garcia-Reidy, Duke University: “Gazing into the Poets’ Corner: Playwrights and their Clients in Early Modern Spain and England” 2.13
Cara Gargano, Long Island University-C.W. Post: “Mirroring a Life: Cathartic Space and The Space Inside” 18.03
Elizabeth Gargano, University of North Carolina-Charlotte: “Louis Moore’s Diary: The Private Spaces of Masculinity in Charlotte Brontë’s Shirley” 11.17
Piero Garofalo, University of New Hampshire: “History, Identity and Responsibility in Elio Vittorini’s Literary Projects” 18.12
Nicole Garret, Stony Brook University: “Models for Female Behavior in Sheridan’s The Memoirs of Miss Sidney Bidulph and Its Conclusions” 9.15
Valeria Garrote, Rutgers University: “La estrategia de la alegria y los multi espacios performativos en España y Argentina de la post-dic” 18.01
Diana Garvin, Cornell University: “From Fascist Ideals to Consumer Appeals: Negotiating the Significance of Food Stuffs in Mass Media” 5.10
Sciltian Gastaldi, University of Toronto: “The Centrality of Body and the Re-negotiated Masculinity in Marco Mancassola’s Narrative” 14.21
Katherine Gaudet, University of Chicago: “Novel Inoculations: Reading and Medicine in Eighteenth-Century America” 7.19
Louise Geddes, Dominican College: “Bieber and the Bard: Representations of Shakespeare in Tween Culture” 14.10
Walter Geerts, University of Antwerp: “Mapping Rome all’islamica. On Lakhous, Stereotype and the Hybrid Novel” 8.20
Marissa Gemma, Stanford University: “Against Eloquence: Elizabeth Stoddard’s Anti-Social Style” 5.14
Sonja Georgi, Johannes Gutenberg-Universität Mainz: “Digitalizing Pocahontas?: The Aesthetics of Cyberspace in Hollywood Film and Postcolonial Fiction” 12.01
Monica Germana, University of Westminster: “Mastering the Others: Muriel Spark’s Scottish Demons” 14.16
Vivian Gerrand, University of Melbourne: “Igiaba Scego’s Bodies: Oltre Babilonia” 4.18
Karen Gevirtz, Seton Hall University: “‘It’s Alive!’: Women, Science, and the Creation of the Novel” 9.15
Alina Gharabegian, New Jersey City University: “Sick Flowers of Secrecy and Shade: New Dimensions of the Elegy” 15.24
Samuel Ghelli, York College-CUNY: “Perché Saviano?” 14.26
Flora Ghezzo, Columbia University: “La scrittura celeste: Anna Maria Ortese tra modernismo e (post)modernità” 12.15
Amrita Ghosh, Drew University: “Reconstructing the National Imaginary: Nostalgia in Attia Hosain’s Sunlight on a Broken Column” 10.16
Genie Giaimo, Northeastern University: “Within and Without: Visual Destabilization in The Great Gatsby and The Professor’s House” 11.26; “The Collapse of the Reunion Fantasy in Daniel Clowes’ Wilson: An Adoption Counter Narrative” 6.11
Anna Giannetti, University of Oregon: “Queer Identity under Mussolini’s Regime: Historical Testimony of Discrimination” 14.21
Alessandro Giardino, McGill University: “Italianness and the 1980’s” 9.23
Claudio Gigante, Université Libre de Bruxelles: “Strategie di scrittura e percorsi di invenzione nel manoscritto della Gerusalemme conquistata” 15.22
Alessandra Giglio, Università degli Studi di Genova: “‘Racconto L2.0’: esercitare la produzione scritta in Rete” 2.01
Jennifer Gilchrist, Hunter College: “‘Howling, Shrieking, Laughing the Wild Wind Passes:’ The Tempest in Wide Sargasso Sea” 15.16
Catie Gill, Loughborough University: “Spatial Containment and Questions of Faith: Seventeenth-Century Quaker Women in Prison” 3.07
Susan Gilmore, Central Connecticut State University: “‘Everybody likes me better dead’: Restaging Anne Frank through Rinne Groff’s Compulsion” 18.03
Julia Gingerich, Queen’s University: “‘I’d make such a pet of him, if he were mine’: the Domestication of Men in Wuthering Heights” 11.17
John Giordano, Union Institute and University: “The PhD in Interdisciplinary Studies: Opportunities and Challenges Along the Career Path” 13.20
John Giordano, Union Institute and University: “Genetic Genealogy at the Borders of Italian American Identity” 6.10
Stacy Giufre, Harvard University: “Death as a Performance: From Myth to Modernity” 8.21
Paul Gleed, Dickinson College: “The Wandering Female Eye: Uncertainty and the Gaze in Andrea Arnold’s Red Road” 10.04
Caroline Godart, Rutgers University: “Cinema and the Curious Body: Lucrecia Martel’s La Niña santa” 7.19
Ruth Goldberg, SUNY Empire State College: “Radical Experimentation in Cuban Independent Cinema: The Molina Effect.” 10.02
Audrey Golden, University of Virginia: “Revitalizing Memory through Natural Destruction: W.G. Sebald’s City Sites and Spaces” 13.10
Sarah Goldfarb, Rutgers University: “Violence as Generic Revolution: The Civil War and Reconstruction-Era Local Color Literature” 3.05
Lynda Goldstein, Pennsylvania State University-Wilkes-Barre: “Working the Private/Public Spaces of Theatrical Performance and Experience” 10.03
Seema Golestaneh, Columbia University: “The Jester’s Walk: Explorations of Absurdity, Amnesia, and Apolitics in Sufi Texts” 15.24
Sally Gomaa, Salve Regina University: “Teaching Arab Women Novelists: Traps and Tributes” 11.25
Carolina Gómez-Montoya, University of Maryland: “The Argentinian Literary Tradition” 10.23
Carolina Gómez-Montoya, University of Maryland: “Writing as Dispossession: Enrique Vila-Matas and the Exercise of Writing” 17.14
Luis Goncalves, Princeton University: “Suleiman Cassamo: the Power of Enunciation of the Dead in Mozambique” 10.26
Haomin Gong, St. Mary’s College of Maryland: “The Ec(h)o between Iron and Litchi Trees: Geo-Identity, Zheng Xiaoqiong’s Migrant Poetry” 11.24
Debra Goodman, SUNY Buffalo: “Cultural Memory and the Amateur Stage” 2.07
Marlene Gottlieb, Manhattan College: “El autorretrato en la poesía de Pablo Neruda” 3.14
Ellen Grabiner, Simmons College: “Did You See That? James Cameron’s Avatar and the Practices of Looking” 14.19
Rachel Graf, University of Washington: “Coming-of-Age and Cultural Revolution in Persepolis” 15.08; “Cult(ure) in Margaret Atwood’s Dystopian Fiction” 6.15
Elyse Graham, Yale University: “Dorothy Parker & the Women’s Satirical Tradition” 13.01
Lea Graham, Marist College: “Ghost of Madame Rhubarb (Performing Identity in America’s Second Tier Cities)” 2.05
Mark Graham, Lehigh University: “The Machine in the Western: Avatar as the New Frontier Myth” 17.03
Laura Grappo, Dickinson College: “Hemingway’s Prototransgender Longings” 7.21
Daniel Grassian, Nevada State College: “From Inside the Walls of Evin Prison: Contemporary Iranian Prison Narratives” 14.23
Maria Luisa Graziano, Saint Peter’s College: “L’inspiegabile ‘qualche cosa’ che rende la vita insopportabile in Una vita di Svevo” 8.21
Rachel Greenberg, Canisius College: “Crossing the Threshold: Aemilia Lanyer and the Labor/Leisure of Writing” 18.13
Rebekah Greene, University of Rhode Island: “Monuments and Memory” 3.15
Rebekah Greene, University of Rhode Island: “‘[L]ooking into things’: Secrets and Secret Keepers in Anthony Trollope’s He Knew He Was Right” 4.12
Maria Grewe, John Jay College of Criminal Justice-CUNY: “Realism in Fiction and the Fabrication of Truth” 14.25
Elena Grianti-Schechter, College of New Jersey: “The Private and Public Life of Women in the Renaissance” 5.23
Elena Grianti-Schechter, College of New Jersey: “Dress in the late Medieval Period and Early Renassaince” 9.23
Kristi Grimes, Saint Joseph’s University: “Sappho’s Circle: Intertextuality and Eroticism in Lyrics by Patrizia Cavalli” 11.04; “Fashioning la Serenissima: Costume and the Geographical Contours of Renassaince Venice” 9.23
Deborah Gruber, Graduate Center-CUNY: “Memories of El Andaluz: The Impact of the Poetry of Arab Spain upon the Medieval French Alba” 15.20
Emily Gruber, Boston University: “William Shakspeare: Proud American” 14.10; “‘Famine and no other hath slain me’: Grappling with Early Modern Labor and Food Relationships” 18.13
Yuri Guaiana, Università degli Studi di Milano: “Cinema, National Identity, and Gender Roles a Hundred Years from National Unification” 10.22; “Italia ‘61: The Public Use of History in Movies and TV Shows” 7.07
María Luisa Guardiola, Swarthmore College: “Locas de deseo: identidad y subversión femenina en el diecinueve” 7.23
Giulia Guarnieri, Bronx Community College-CUNY: “Teaching Italian Using the Eportfolio Platform” 10.05
Karen Guendel, Boston University: “The Body: The Universal Local in the Poetry of Williams” 6.01
Cristina Guijarro-Cazorla, Oberlin College: “Transnational Women Subjects in Two Spanish Films: Princesas and Agua con sal” 15.14
Luiz Guilherme, Universidade de São Paulo: “Heroes and Amazons in Y: the last man” 14.05
Virginia Gutierrez Berner, Hamilton College: “Teresa de Ávila: The Politics of Communion” 18.05
María Constanza Guzmán, Glendon College-York University: “Between Canada and Cuba: Teaching Translation as Engagement” 7.26
Juliet F. Guzzetta, University of Michigan: “Revolutionary Stages: Narrative Theater and Social Change” 3.12
Chi Thuc Ha, University of California-Berkeley: “Remembering the War, Rewriting the Past: Vu Ngoc Phan’s Nhung Nam Thang Ay (1987)” 2.04
Gundela Hachmann, Louisiana State University: “Extending Surveillance Into The Body” 9.16
Lisa Hager, University of Wisconsin-Waukesha: “Which Powerpuff Girl Are You?: Unsettling Identity Types and Redefining Conventional Girlhood” 8.04
Ambreen Hai, Smith College: “Female Domestics and Employers in Transnational Women’s Fiction: Mona Simpson and Thrity Umrigar” 5.04
Kai Hainer, University of Toronto: “Drawing ‘Imaginary Lines’: Elizabeth Gaskell’s Cranford and England’s Imagined Geographies” 8.24
Zeina Hakim, Tufts University: “Brouillage énonciatif et dispersion narrative : l’avant-texte au XVIIIe siècle” 11.10
Dewey W. Hall, California State Polytechnic University: “From Emerson to Muir: The ‘Over-Soul’ in Our National Parks” 4.01
Emily Hall, University of North Carolina-Greensboro: “One Man’s Trash: Cultural Obliteration in Too Loud a Solitude” 12.12
Susan Hall, Cameron University: “Laughter and Writing: Atwood’s and Levine’s Approaches to Sex Trafficking Narratives” 12.03
Katherine Hallemeier, Queen’s University: “The Critical Mourning of Prince Hamlet and John Donne” 9.11
Keira Hambrick, University of Nevada-Reno: “Imagining Sustainability: Speculative Environmentalism in The Windup Girl” 5.20
Njelle Hamilton, Brandeis University: “Records and Recuerdos: Music as Memorial in Oscar Hijuelos’ The Mambo Kings Play Songs of Love” 17.02
Christine Hamm, Drew University: “The Difference Between Women and Meat: How the Female and the Animal Intersect in Poetry” 3.09
Richard Hancuff, Misericordia University: “‘The Real Will of the People’: Baldwin, the Individual, and Society” 8.13
Mayte G. Harbison, University of Illinois-Chicago: “To Paint and Write in Abstract: Severo Sarduy’s Visual and Verbal Imaginary” 4.04
Marja Härmänmaa, University of Helsinki: “The Vegetative Metamorphosis: Gabriele D’Annunzio and the Metaphorical Representation of the City” 18.02
Mihaela Harper, University of Rhode Island: “Movements of Anomie: ‘Naturally Novel’ with Georgi Gospodinov” 4.10
Suzanne Harper, Pennsylvania State University-Worthington Scranton: “When Writers Are Friends: Harriet Beecher Stowe and the Semi-Colon Writing Group” 12.26
Katharine Harrington, Plymouth State University: “Approaches to teaching issues in French health care through two contemporary French films” 6.24
Andrea Harris, Mansfield University: “Borowski’s ‘World of Stone’: The Concentration Camp in the World” 17.14
Laurel Harris, CUNY Graduate Center: “The Virtual and the Real: Sound Cinema and the Women Writers of Close Up” 15.02
Mary T. Hartson, Oakland University: “The Bourne Refusal: Changing the Rules of the Game” 18.10
David Hartwig, University of New Mexico: “Frozen Memories: Annett Groeschner’s Moskauer Eis” 11.21
Deborah Hauser, Independent Scholar: “A Reading From Disenchanted: A Grrrl’s Guide To Surviving Happily Ever After” 18.07
Brandon W. Hawk, University of Connecticut: “Learned Texts/Texts for Learning: Paratexts in St. Gall Stiftsbibliothek 1395” 5.01
Joshua R. Hawkins, University of Michigan: “A Room for those of the Third Sex: Gender, Sexuality, and Community in Aimée Duc’s Sind es Frauen” 13.14
Katja Hawlitschka, Ocean County College: “Hardly Homemakers, Not Always Wives: The Housewives of Reality Television” 12.10
John Hay, Columbia University: “Ruins in the Wilderness and the Historizing Sense” 14.13
Shelley Hay, Susquehanna University: “Hermann Hesse’s Recapitulation: Reflecting on Musical Ekphrasis in 19th-century German Literature” 7.05
John Heath, Universität Wien: “‘And now for something completely different’: sanfte Plötzlichkeit in literarischen Wende-Diskursen” 5.22
Regine Heberlein, Princeton University: “‘Und wo sind denn eure Dichter’: Archival Appraisal and Cultural Memory” 7.03
Lyse Hébert, Glendon College-York University: “Between Canada and Cuba: Teaching Translation as Engagement” 7.26
Paul C. Hébert, University of Michigan: “A Lack of Real Facts: Sir George, The Great White Computer, and Canada’s Black History” 2.03
Ryan Hediger, La Salle University: “Dogs of War: Loving and Leaving the Canine Forces in Vietnam” 9.08
Emily Hegarty, SUNY Nassau Community College: “Social Networking with the Antisocial: Teaching with Twitter at a Community College” 7.09
Nathaniel Heggins Bryant, University of Pittsburgh: “Big House Birdman and Jailhouse Lawyer: Stroud and Chessman, Productive Prison Writers and Laborers” 5.19
Elishia Heiden, University of North Texas: “Discovering Ancient Rhetoric Through Frank Warren’s PostSecret” 9.09
Jean-Michel Heimonet, Catholic University of America: “Derrida et le 11 septembre: mysticisme postmoderne et terrorisme intellectuel” 8.18
Thomas Heise, McGill University: “The Slums of New York: Poverty Tourism and ‘South Bronx Surreal’ in DeLillo’s Underworld” 13.04
Cynthia Henderson, College of Lake County: “Women Enjoy a Silver Lining in Contingent-Faculty Opportunities” 10.24
Charles Henebry, Boston University: “ScholarBook: Creating a Community of Student-Scholars on Facebook” 7.09
Scott Henkle, CUNY Graduate Center: “On It Just Being Research, Really, And Endless Hours Of Work: Originality and Influence” 15.19
Kajsa Henry, University of Massachusetts-Amherst: “Postmemory and the Black Body in Ralph Lemon’s ‘Come Home Charley Patton’” 18.03
Katherine Henry, Temple University: “Sheppard Lee and the Nightmare of Incorporation” 2.06
Jamie Henthorn, Northern Virginia Community College: “The Politics of Memory: Collective Memory in Waltz With Bashir” 9.08
Lisa M. Hermsen, Rochester Institute of Technology: “A. J. Duganne’s Knights of the Seal: The Maniac as Figure of Reform Horrors” 2.06
Thomas Herold, Harvard University: “The Narratology of Suddenness in Kleist and Musil” 5.22
Alexis Herr, Clark University: “Fossoli di Carpi: from Deportation Camp to Catholic Orphanage” 18.12
Curt Herr, Kutztown University: “Disseminating the Vampire: Penny Dreadful Publishing in the 1840’s” 7.16
Regine Hess, Kunsthalle Karlsruhe: “A Spatial Re-turn – Peter Eisenman´s Theory of Affects and the Concept of Textual Architecture” 15.07
Alani Hicks-Bartlett, Berkeley University: “Temporal Conflation & Artistic Representations of Reading and Death in the 19th Century Imaginary” 4.03
Axel Hildebrandt, Moravian College: “East Germany Before and After 1989: Christoph Hein’s and Ingo Schulze’s Critique of Unification” 5.08
C. Austin HIll, Ohio State University: “Theatre as an Artifact of Change: A Cluster Analysis of Conor McPherson’s Shining City” 13.03
Cynthia Hillman, University of Chicago: “Ennio Flaiano: Observations of the Traveler and Outsider” 2.10
Gary Hink, University of Florida: “Assemblage Writing & 2.0 Pedagogy” 17.16; “Acker’s Empire as Deleuzian Assemblage” 18.11
Emily Hinnov, Southern New Hampshire University: “Just Visiting” 13.20; “Teaching Modernism through the Phantasmic Mother: Virginia Woolf and Gertrude Käsebier” 15.02
Jean-Louis Hippolyte, Rutgers University-Camden: “Post-Paranoia: On the nature of Paranoia in Postmodern Works” 8.18
Kimiko Hiranuma, University of Tsukuba: “Something Similar to Utopia: Desire and Hope in James Baldwin’s Another Country” 9.13
Stuart Hirschberg, Rutgers University: “The New ‘Rough Beast’ of Modernism in W.B. Yeats’s ‘The Second Coming’” 5.17
Francis R. Hittinger, Columbia University: “Medusan Petrarch: Poetics, Commentary, and the questione della lingua” 6.17
Valerie Hoagland, New York University: “Iacopo Filippo Foresti and the Fifteenth Century Debate on Female Oratory” 5.23
Stephen Hock, Virginia Wesleyan College: “‘Make It Repeatable’: Postmodern Seriality and the Repetition of What Is Yet to Come” 11.07
Jon Hodge, Babson College: “Presenter” 1.01
Christopher Hogarth, Wagner College: “Souleymane Bachir Diagne: the Cheikh and the State(s)” 17.06
Anca L. Holden, University of Georgia: “The Fragmentation and Hybridization of Deutschtum in Herta Müller’s ‘Dorfchronik’” 14.25
Marianne Holohan, Duquesne University: “Antebellum Black Readers, Self-Representation, and Transatlantic Reprinting” 7.04
Caroline Kyungah Hong, Queens College-CUNY: “Coming Out and Saving Face: Queering Asian American Romantic Comedy” 5.05
Suzanne Hopcroft, Yale University: “Rewriting Literature, Revising History: Arthur Miller and Maryse Condé on Tituba of Salem” 15.16
Jason Hoppe, Johns Hopkins University: “Sweetness, Shame, and Sheen: Subjectivity and the Syllable in Gwendolyn Brooks’s Annie Allen” 5.15
Sara Hosey, SUNY Nassau Community College: “I’m Not a Feminist, But’: Building on Non-Traditional Students’ Awareness of Injustice” 11.13
Jeffrey Hotz, East Stroudsburg University: “Longfellow’s Native American Prescriptions in the 1850s: Engagement and Elision” 7.02
Yibing Huang, Connecticut College: “The Universe of ‘Without’: Duo Duo and a New Poetics of Post-Nature” 11.24
Elizabeth Huergo, Montgomery College: “Writing from The Back Room: Martin Gaite and the Shaping of a Writer’s Identity” 8.26
Winifred Hughes, Princeton Research Forum: “How to Write a Sensation Novel in 2011” 8.01
Rebecca Hügler, Queen’s University: “Die Tokyoter Theorie des Glücks - promises of happiness” 13.10
Christina Rosemeier Humphrey, University of North Carolina-Chapel Hill: “When I feel like crying...: letters by Eugenie John Marlitt” 9.07
David Humphries, Queensborough Community College-CUNY: “Sherwood Anderson’s ‘Adventures’ in Gender in Winesburg, Ohio” 7.25
Kerri E. Hunt, University of Chicago: “‘A Study of Provincial Life’: Irony, Picturesque, and the View from Dorothea’s Window” 18.06
Jessica Hurley, University of Pennsylvania: “The Prairie and the Prayer: Nation Building and Prophetic Time in Marilynne Robinson’s Gilead” 12.11
Louetta Hurst, Rutgers University: “‘And Now We Will Listen to What They Are Talking About’: Eliot’s Narrators and Community Chatter” 18.06
Tamkin Hussain, Binghamton University: “Poet as Embryo: Narcisstic Iconoclasm in the Later Poetry of Sylvia Plath” 10.19
Heidi Hutner, SUNY Stony Brook: “Anti-Nuclear Activism, Ecofeminism and Nuclear Films” 7.08
Valerie Hyatt, Stony Brook University: “Blindness: Holding Saramago Accountable” 7.18
Mary Ellen Iatropoulos, SUNY New Paltz: “The Con in Convention: Gender Performance and Female Agency in Alcott’s Behind a Mask” 5.14
Darren Ilett, Michigan State University: “‘The physical space … blossoms’: Locating Queer Subjectivity in the Quays’ Institute Benjamenta” 13.14
Anna Ioanes, University of Virginia: “Hateful Violent Bitches: Valerie Solanas in the Third Wave” 4.21
Casiana Ionita, Columbia University: “What Should Cinema Be? Film and Pedagogy in 1920s France” 9.05
Yasufumi Iwasaki, Carnegie Mellon University: “Culture Instruction through Three Communicative Modes in a JFL Curriculum” 8.09
Alexander Jabbari, University of California-Irvine: “Imagining ‘Iranianness’ Across a Millennium: National Idenitity and the Abuse of Persian Literature” 14.23
Rebecca Jackson, Georgia State University: “The Gaming Detective: Sherlock Holmes and the Implementation of GUI in BBC One’s Sherlock” 18.04
Samuel Jaffee, University of California-Irvine: “Negative Insurrection: The Presence and Politics of the Displaced in Arguedas’ Los ríos profundos” 11.06
Shakti Jaising, Rutgers University: “Belonging and Dispossession: Ecocriticism in Amitav Ghosh’s The Hungry Tide” 7.08
Kathryn James, Yale University: “‘Annotations (Provenance)--17th Century’: Cataloguing the History of the Book” 6.03
Michael Jan, Temple University: “Work & Play: Minimalism and Excess in Paul Auster’s The New York Trilogy” 11.19
Kamila Janiszewska, Cornell University: “‘Spinsterly Realism’: Mary E. Wilkins Freeman’s The Whole Family” 7.25
David Jarraway, University of Ottawa: “Looking Homeward: Jersey-Bound in Philip Roth’s Zuckerman Unbound” 5.12
Nimmi Agnes Jayathurai, University of Houston: “Returning to Memories, Memories of Return: Geography and Place in K.S. Maniam’s The Return” 2.04
Kristine Jennings, Binghamton University: “Moonlit Mirrors: Signification and Subjectivity in Angela Carter’s ‘Wolf-Alice’” 18.07
Seung-hoon Jeong, NYU Abu Dhabi: “Embodying Posthuman Network” 17.03; “Human-Animal vs. Human-Machine in Avatar” 9.08
Kara Jesella, New York University: “Feminism in the Time of Tumblr” 8.08
Megan Jewell, Case Western Reserve University: “Rubrics and Reflection: Portfolio Evaluation and Program Assessment” 10.21
Miguel A. Jiménez-Crespo, Rutgers University: “Developing Technological and Instrumental Competences for Translation: A Wired Translation Classroom” 7.26
Tulia Jimenez-Vergara, College of New Jersey: “Student-Led Conversation Hours at the College of New Jersey: Meeting New Challenges” 6.25
Erica Johnson, Wagner College: “The Creolized Chronotope of the Americas” 3.16
Jerelyn Johnson, Fairfield University: “From Terrorism to Security: Juan Mayorga’s La paz perpetua as Universal Dilemma” 8.22
Sherry Johnson, Grand Valley State University: “Uprooting National Family Trees in Lawrence Hill’s Any Known Blood” 2.03
Sasha Johnson-Coleman, Norfolk State University: “Developing an Oral Language Competency Examination (OLCE) at Norfolk State University” 10.07
Japhet Johnstone, University of Washington: “(De)Criminal(ized) Identities: Schnitzler’s Der grüne Kakadu and Queer Revolutionary Space” 13.14
Cynthia Jones, SUNY Buffalo: “Demonic Representations of Women in the Works of the French Aoman Author Rachilde” 4.23
Dan Jones, Independent Scholar: “The Absurd and Unbearable Lightness: Intertexuality in the Philosophies of Camus and Kundera” 12.12
Rita M. Jones, Lehigh University: “Not Even Just a Housewife: Mad Men and the Decentralizing of Post War Housewives” 12.10
Sara Jones, University of Bristol: “Spectres of Surveillance: State Security Files in Works by Hilbig and Banciu” 9.16
Jens Jørgensen, University of Copenhagen: “Bacteriology and Degeneration” 15.18
Caroline Jumel, Oakland University: “‘Aux armes rhétoriques, citoyens!’ ou Les ‘Mémoires de Suzon, Sœur du portier des Chartreux’” 11.10
Ekaterina Kagan, Russell Sage College: “The Importance of Video in the Process of Teaching the Spanish Language and Literature” 15.04
Maria Kager, Rutgers University: “Modernist Multilingualism: Babel Revisited” 12.09
Theodore Kaouk, University of Maryland: “Crafting the State: Homo Faber and the Antipolitical in Coriolanus” 18.13
Ceciila Kapoor, Johns Hopkins University: “Tasso’s ‘Il messaggiero’ Within the Context of Marsilio Ficino’s Neoplatonism” 15.22
Yasuko Kase, University of Buffalo: “The Strategy of ‘Sincerity’: Asian American YouTube Celebrities and Youth Culture” 12.04
Anne Keefe, Rutgers University: “Lyric ‘I’/Eye: Seeing the Subject in Contemporary Ekphrasis” 5.03
Andrew Keener, North Carolina State University: “Father God, Devil God: Disorganizing Religion in Shelley’s The Cenci” 11.16
Donald Kehne, Brandman University: “Eyes Across the Seas: American Political Plays of the 21st Century” 10.03
Tina Kelleher, Towson University: “The Real & Ideal: 19th-Century Neo-Medievalism & Victorian Steampunk” 11.15
Michelle McSwiggan Kelly, Fordham University: “Joyce, Beckett, and the Politics of Multilingualism” 4.25
Sean Kelly, Wilkes University: “The Return of Rip: (Native) American Mythos, Historical Identity and Irving’s ‘Rip Van Winkle’” 7.02
Siobhan Kelly, Rutgers Preparatory School: “Hardly Homemakers, Not Always Wives: The Housewives of Reality Television” 12.10
Christopher Kempf, Rutgers University: “With Usurper’s Name: Sovereignty, Subversion, and Gender in Elizabeth Cary’s The Tragedy of Mariam” 4.11
James Kennaway, University of Durham: “Degenerate Music in Nineteenth-Century Literature” 17.05
Colleen Kennedy-Karpat, Bilkent University: “Beyond the Colonial: Exoticist Fiction Cinema in 1930s France” 5.06
Kate Kennon, Independent Scholar: “The State of Post-Celtic Tiger Irish Theatre: Victoria Beckham Jackets and Empty Bank Accounts” 13.03
Jeremy Kessler, Yale University: “Conscientious Separation: The Geography of Draft Resistance in WWI” 2.14
Renana Keydar, Stanford University: “Dogs of Distanced Villages: Israeli-Palestinian Separation and Human Agency in Gertz’s Al daat atzmo” 2.14
Catherine Keyser, University of South Carolina: “Staging An Escape With Parker & Benchley: Middlebrow Theatricality & the Rejection of Domesticity” 13.01
Ranjana Khanna, Duke University: “Duke Women’s Studies: What We Do and How We Do It” 11.13
Maria Khotimsky, Harvard University: “A View from the Borderline: Post-Memories of World War II in Yurii Buida’s Prussian Bride” 2.02
Annabel L. Kim, Yale University: “Sly Intertextuality in Ô Pays, mon beau peuple:Turning French on itself” 2.09
Jaecheol Kim, University at Buffalo: “The North-South Divide and Chorographical Representations in the Elizabethan History Plays” 4.11
Jane Kim, Cornell University: “Biblical Apocalypse in Shelley’s Prometheus Unbound” 11.16
Ji Nang Kim, Texas A&M University: “Testifying Diasporic Bodies: Trauma, Narrative, and History in Nora Okja Keller’s Comfort Woman” 15.17
Jun Kim, Graduate Theological Union: “Inara, Pughat, and Jael: The Deceptive Female Warrior Motif in the Ancient Near Eastern Literature” 13.17
Swan Kim, University of Virginia: “Politics of Discreetness in Online Korean Diasporic Women Communities” 12.04
Keumsil Kim Yoon, William Paterson University: “Understanding Korean Culture through its Key Conceptual Words” 8.09
Kate Kirwan, University College-Cork: “Contemporary responses to the Traditional American Historical Novel” 9.22
Severin Kitanov, Salem State University: “Ex-Choriating the Self: Julia Kristeva on Sensation and Proprioception Through Abjection” 8.17
Svetlana Kitto, Columbia University: “Collecting Queer Histories: AIDS, Oral History and Intergenerationality” 11.08; “Was This about People Dying? Intergenerational Reflection on Lesbians and the AIDS Crisis” 6.23
Eric Klaus, Hobart and William Smith Colleges: “Cultural Collections: Yoko Tawada and the Challenges of Communication” 7.03
Becca Klaver, Rutgers University: “I Watch You Face to Face: Whitman’s ‘Crossing Brooklyn Ferry’ and Crane’s ‘To Brooklyn Bridge’” 9.12
Kathryn Klein, SUNY Stony Brook: “Paris and London: Where Sapphic Love Goes to Die” 8.27
Kathryn Kleypas, American University of Kuwait: “Mother Ireland, Edna O’Brien’s Eccentric Memoir” 2.04
Geoff Klock, Borough of Manhattan Community College-CUNY: “William Blake’s Milton, Grant Morrison’s Final Crisis, and the End of the Epic Narrative” 11.09
Neal Klomp, Michigan State University: “Legal Labor in the Laborers Law: Assistant’s Court Justice in Bartholomew Fair” 18.13
Lucie Knight, Franklin and Marshall College: “Writing the Nation to Come: Representations of the Algerian Family in Civil War Narratives” 14.11
AJ Knox, Tufts University: “The Extinction of the Contemporary American Family in Nicky Silver’s Pterodactyls” 7.13
Anna Koch, New York University: “Italian Jews and the ‘Good Italian’” 18.12
Marie Kokubo, University of Bologna: “Between Literature & Cinema, Italy & the United States: Representations of Class in Pavese’s Work” 13.07
Eva Kormann, Karlsruher Institut für Technologie: “Wie viel Sprachkunst verträgt die Darstellung des Schreckens? Überlegungen zu Müllers Atemschaukel” 14.25
Morani Kornberg-Weiss, SUNY Buffalo: “Writing the Body: The Emerging ‘Voice’ in Sylvia Plath’s Ekphrastic Poetry” 5.03
Erin Kostina-Ritchey, Texas Tech University: “International Adoption in Children’s Picture Books” 6.11
Vassiliki Kotini, American University in Cairo: “Penelope’s tears: metamythological compositions in Margaret Atwood’s The Penelopiad” 14.05
Michael Kramp, Lehigh University: “Young Men, Old Masculinity: Levy’s Romance of the Shop, New Woman, and the Atrophy of Men” 17.10
Georgia Kreiger, Allegany College of Maryland: “Presenter” 1.01; “First-Person Omniscient: The Necessity of the Fictive in Lauren Slater’s Welcome to My Country” 4.22
Kelley Kreitz, Brown University: “Utopian Media: Bellamy, Howells, and Nineteenth-Century News” 9.13
Diane Krumrey, University of Bridgeport: “The Borders of Memory and Identity in ‘Crabwalk’” 3.11
Sarah Kruse, University of Rhode Island: “Decreation: The Reality of Language” 5.03
Suha Kudsieh, College of Staten Island-CUNY: “Writing in the Shadow of Orientalism: Ahdaf Soueif’s In the Eye of the Sun” 17.07
Eckhard Kuhn-Osius, Hunter College-CUNY: “Language Teaching as a Higher-Order-Thinking Activity” 12.14
Stefanie Kullick, Queen’s University: “Learning Disabilities in Andreas Steinhöfel’s Rico und Oskar-novels” 15.11
Sunil Kumar Bhatt, National University of Singapore: “Honorific Forms in Hindi” 8.09
Jessica Kuskey, Syracuse University: “‘That Tyrant Power’: Steam Engines and Mechanized Labor in the Factory Question” 6.02
Alice Kuzniar, University of Waterloo: “Novalis and Hahnemann: Approaching Homeopathy through German Romanticism” 8.03
Sandro La Barbera, Scuola Normale Superiore di Pisa: “Autori che correggono (a mano) e citano (a memoria) altri autori. Le glosse di Boccaccio al Culex” 2.11
Kevin La Grandeur, New York Institute of Technology: “An Early Supporter of Online Interaction in the Classroom Turns Skeptical” 7.09
Germán Labrador Méndez, Princeton University: “La nación o sus heterónimos. Ciudadanía, imaginación nacional y nuevas poetas gallegas (circa 2002)” 11.02
Elizabeth Lagresa, Harvard University: “Shattered Voices: The Limits of the Self in the Tragicomedy of Lope de Vega and Shakespeare” 2.13
Elena Lahr-Vivaz, Swarthmore College: “Stars in Heaven: México and Méconnaissance in Carlos Reygada’s Batalla en el cielo” 6.06
Danielle Lamb, University of Alberta: “New Peoples and their Literatures: The Development of Chicano/a and Métis Literature” 17.13
Laurie Lambert, New York University: “North/Left: Canada and the Black Radical Tradition” 2.03
Joseph Lamperez, University of Rochester: “‘The Resplendent Face of Death’: Skeletal Substitution in Dia de Muertos and the Calavera Tradition” 17.13
Christopher Langlois, University of Western Ontario: “‘Cease to Exist in Order to Be’: Worstward Ho between Badiou and Deleuze” 2.08
Katie Lanning, University of Wisconsin-Madison: “‘A Nutshell in an Iliad’: Inversions of Learning in Jonathan Swift’s A Tale of a Tub” 13.23
Mary Lannon, SUNY Nassau Community College: “An Unexpected Journey: Landing and Loving the Community College Teaching Job” 13.20
Rina Lapidus, Bar-Ilan University: “Soviet Jewish Women Writers on Russia, and Jewish Identity: Hanna Levina, Olga Ziv, Yulia Neiman” 5.02
Maude Lapierre, University of Montréal: “Colonization, Alienation, and Counter-Histories: Louise Bernice Halfe’s ‘Blue Marrow’” 8.07
Ioana Raluca Larco, University of Kentucky: “(Anti)feminism in Neera’s Una giovinezza del secolo XIX” 13.12
Jeremy Larochelle, University of Mary Washington: “From the Inner-City to the Cotton Fields: Living and Working Conditions in Martín Espada’s Poetry” 9.14
Sharon Larson, Brown University: “Malevolent Female Sexuality and Masculine Literary Creativity in Catulle Mendès” 11.18
Marlene Laruelle, Johns Hopkins University: “Memorial Practices of WWII in Russia: the Poiskoviki Movement” 2.02
Charlotte Latham, CUNY Graduate Center: “The Initial Border of Knowledge: Leonora Carrington’s Journey to and from Down Below” 2.04; “Gender-Based Arguments, Hitchens and Feminist Pedagogy” 4.15
Emily Lauer, Hunter College: “Text and Image in Partnership: Narrative Intersections in Jeff Smith’s Bone” 4.04
MaryAnne Laurico, Queen’s University: “Chaotic, Precarious, and Delicate Balancing Acts: How to Do it All, and Your Dissertation!” 8.11
Claire Laville, Emory University: “Using Nightwood’s Objects” 3.15
Sophie Lavin, SUNY Stony Brook: “Irish Redemption in John Sayles’ The Secret of Roan Inish” 15.08; “The Sensational New Woman” 8.01
Elizabeth Law, Rutgers University-Newark: “The Fairest of All: Snow White and Gendered Power” 18.07
Kate Lawson, University of Waterloo: “‘Men are made of the queerest dregs’: The Male Sickroom in Charlotte Brontë’s Shirley” 11.17
Olivier Le Blond, University at Buffalo: “(Re)penser l’identité nationale: l’écriture Queer dans le roman francophone marocain” 14.11
Bénédicte Lebéhot, Rutgers University: “‘Singing Talkies’ of the 1930s: From Stage to Screens” 5.06
Eduardo Ledesma, Harvard University: “Ideological Effects of the Digital Apparatus; How Latin American Digital Poetry Controls my Mind” 3.03
Danielle K. Lee, St. John’s University: “Activism, Democracy and Social Reform in Douglass, Wright, Ellison and Baldwin” 8.13
Jina Lee, SUNY Orange Community College: “Silence and Trauma in Korean American Literature: The Limits of Western Literary Theory” 15.17
Natasha Lee, Princeton University: “The Property of Persons in Enlightenment Thought” 3.15
Tessa Lee, Wheaton College: “Migrating Identities in Fatih Akin’s Gegen die Wand and Auf der anderen Seite” 13.06
Agi Legutko, Columbia University: “Feminist Dybbuks: Spirit Possession in Jewish Women’s Writing” 5.11
David Leight, Reading Area Community College: “Chandler: Before and After Hollywood” 18.04
Joe Lemrow, Southwestern Michigan College: “Practical Writing and the Needs of Two Neglected Student Populations” 12.23
Michael Leong, Rutgers University: “from The Philosophy of Decomposition / Re-composition as Explanation: A Poe and Stein Mash-Up” 15.19; “‘All roads are turning into prison roads’: Genre in C.D. Wright’s One Big Self” 5.19
Alessio Lerro, Rutgers University: “Petrarch, Tansillo, and Bruno: a History of Poetic Frenzies” 6.17
Carolyn Lesjak, Simon Fraser University: “More is Better: Eighteenth-Century Character Books and Dickens” 7.01
Adam Levin, University of Witwatersrand: “Searching for the South African Musical in Jock of the Bushveld” 13.08
François Lévy, UMR-LIRE: “Portrait de la cantatrice en jeune homme : d’Achille travesti à Consuelo” 3.13
Nigel Lezama, University of Toronto: “The Dandy’s Subversive Practices in Mid-19th-Century France: Eugène Sue’s Vicomte de Saint-Remy” 13.02
Angelo Liberta, Independent Scholar: “Before the Law: Higher Education Under Question” 15.12
Saundra Liggins, SUNY Fredonia: “Linda Brent as a Radcliffean Heroine in Incidents in the Life of a Slave Girl” 2.06
Ylva Lindberg, University of Jönköping: “De l’actrice fictionnelle à l’acteur réel : la féminité politique dans la littérature” 3.13
Kerri Linden, City University of New York: “Mind and Metaphor: Kay Redfield Jamison’s An Unquiet Mind and Figurative Expressions of Disorder” 4.22
Melissa Lingle-Martin, Indiana University of Pennsylvania: “‘cujus est solum...’: The Power, Peril, and Promise of Story in Sedgwick’s A New-England Tale” 18.09
Sarah Linwick, University of Michigan: “The Matter of Milton’s Early Dialectics: The Division of Labor in L’Allegro and Il Penseroso” 18.13
Rebecca Linz, Sarah Lawrence College: “Cruel Mothers in La Belle Bête by Marie-Claire Blais and Le Torrent by Anne Hébert” 12.24
Joanne Lipson Freed, University of Michigan: “‘[A]n Empty Space where America Used to Be’: The Utopian Pessimism of Don DeLillo’s Falling Man” 9.13
Susana Liso, Kean University: “Historias presentes en la España canovista” 4.20
Michael Litwack, Brown University: “Fashioning Failure: Neoliberal Economies of Masculinity in ‘Miami Vice,’ 1986/2006” 18.10
Diane Liu, Brown University: “Imperial Vision and the Battle over the Borderlands in Gustav Freytag’s Soll und Haben” 4.17
Jared Lobdell, Harrisburg Area Community College: “Being Friendly With Our Friends: Pastor and Physician in the Literature of Alcoholics Anonymous” 14.15
Sandra Logan, Michigan State University: “Hand and Head: Manual Labor as Rational Proficiency” 18.13
Jens Lohfert Jørgensen, University of Copenhagen: “The Creative Knowledge of Literature - Four Approaches to Literature and Medicine” 8.23
Maria Grazia Lolla, Harvard University: “Picturesque Travel and its Discontents in Post-Unification Italy” 2.10
Khalid Y. Long, Miami University: “Hip-hop as the New/Old Form of Drama:Amiri Baraka and the One-Man Show” 17.08
Pamela Longo, University of Connecticut: “Saints and the City: Landscape and Renewal in the South English Legendary” 14.01
Christopher Loots, Mercy College: “Some Alien Sea: Deep Time and Dissipative Structures in McCarthy’s The Road” 17.14
Drew Lopenzina, Sam Houston State University: “In Search of our Cherokee Grandmothers’ Gardens: Anglo Appropriations of Native Roots” 12.22
Marta López-Luaces, Montclair State University: “Las autorepresentaciones del poeta moderno en la poesía de Raúl Zurita” 3.14
Eric Lorentzen, University of Mary Washington: “Althusserian Readings: Political Portraits in Villette and Middlemarch” 5.16
José Antonio Losada Montero, Graduate Center-CUNY: “Geografía y simbología fascista: procesos de naturalización y segregación en la sociedad madrileña” 12.07
Nadia Louar, University of Wisconsin-Oshkosh: “Poetics of Bilingualism in Beckett’s Œuvre” 4.25
Colin D. Loughran, University of Toronto: “The Invisible President: Ralph Ellison and Democratic Practice” 11.14
Esteban Loustaunau, Assumption College: “‘Siempre vamos a ser ecuatorianos:’ Testimonios of Displacement and the Limits of Integration” 11.06
Hilary Iris Lowe, Drexel University: “Mark Twain’s Birthplace Cabins: ‘Authentic’ Literary Shrines and Shams” 9.01
Dejan Lukic, Reed College: “The Writing of Delirium: The Works of Reinaldo Arenas” 15.24
Ula Lukszo, SUNY Stony Brook: “The Female Cross-Dresser Domesticated?: Hannah Snell, Charlotte Charke and Moll Flanders Revisited” 10.11
Lora Lunt, SUNY Potsdam: “Challenges and Successes: Curriculum,Committees, and Texts” 12.25
Junjie Luo, Dickinson College: “When They Do Not Remember: Desire and Memory in Jin Ping Mei” 7.17
Alfredo Luzi, Universita’ di Macerata: “Esperienza vissuta e scrittura nella poesia di Giorgio Bassani” 15.21
Alfredo Luzi, Università di Macerata: “Il poeta e la città. Milano nella poesia italiana del Novecento” 18.02
Caroline Lynch, University of Bristol: “Testimony and the Representation of Women and War in Laudomia Bonanni’s La rappresaglia” 17.04
Cynthia Lytle, Universitat de Barcelona: “Truth and Desire from an Unreliable Narrator in David’s Story” 13.11
Barbara Mabee, Oakland University: “Writer’s Block, Midlife-Crisis, and Imaginary Travel: Steffen Mensching’s ‘Lustig’s Flucht’” 3.11
James Macdonald, Yale University: “The Weird Sisters’ Nature, from Holinshed’s History to Macbeth’s Mystery” 6.14
Emma Mackie, Clark University: “La Malinche Nueva: Rewriting the Archetype in Chicano Literature” 8.12
Lewis MacLeod, Trent University: “Have you Considered the Possibility of Mass Hysteria?: Absent Mortality in Memento Mori” 14.16
Kelly MacPhail, Université de Montréal: “H.D., Freud, and the Dream Lexicon of Trilogy” 10.19
Caolan Madden, Rutgers University: “‘I Have Painted Little Hearts on Everything’: Sylvia Plath and the Creation of Domestic Space” 14.12
John W Maerhofer: “Postcoloniality, Class Struggle and the Politics of ‘World Literature’” 15.09
Annette Magid, SUNY Erie Community College: “Native American Influence on Oral Interpretation of Literature” 12.22; “Wily William: A Study of William Robert Wills Wilde” 14.06
Nathan Magnusson, University of Washington: “Revisiting the Past: History, Hospitality, and Nationalism in Fontane’s Der Stechlin” 4.17
Sarah Mahurin, Yale University: “‘Up Over the Downstairs Kitchen’: Toni Morrison’s Domestics” 14.14
Adrienne Major, Landmark College: “Women, the Veil and Islam: Teaching Ahdaf Soueif’s The Map of Love” 11.25
Magdalen Stanley Majors, Washington University in St. Louis: “Young Domestic Cosmopolitans: Girls and Travel in Brigitte Augusti’s An fremdem Herd Series” 6.08
Clifford Mak, University of Pennsylvania: “Joyce and Chinese: ‘above giddiness’?” 4.13
Ben Maki, New York University: “‘I Love Everything That Flows’: Henry Miller’s Ecstatic Aesthetic” 18.11
Shadee Malaklou, University of California-Irvine: “Queer Oppositional Politics: ‘Coming Out’ as Narrative Failure” 10.06
Meredith M. Malburne-Wade, University of North Carolina-Chapel Hill: “Seeing Double to See Clearly: Rereading Lorraine Hansberry through Clifford Odets” 17.09
Carolyn Malcom, Rutgers University: “Globalization, Performance, and Affect in Lovelace’s The Dragon Can’t Dance” 3.16
Raymond Malewitz, Yale University: “‘We’re hunting for fat’: Fight Club, Thing Theory and the Mythological West” 9.06
Patrick Maley, College of New Jersey: “Topdog/Underdog and the Subversion of Family Values” 7.13
Ian Maloney, St. Francis College: “Whitman’s Divine Original Concrete: Brooklyn’s Bard as the Beautiful Minister of Mass Motion” 9.12
Rosaria Mangiavillano, University of Georgia: “Juan Rodolfo Wilcock: autoemarginazione e coraggio di trattare ‘ciò di cui in Italia non si parla’” 11.22
Valerie Mannix, Waterford Institute of Technology: “Sustaining and Enhancing Part-Time Faculty Motivation” 15.12
Marta Manrique Gómez, Middlebury College: “Hacia un análisis del amor y la locura en Tristana y La Regenta” 7.23
Martin Marafioti, Pace University: “A Conversation with Medical ‘Auctores’ in Savonarola’s De Regimine Pregnantium” 2.11
Mary V. Marchand, Goucher College: “Bodies of Evidence: Wharton and the Science of Connoisseurship” 14.04
Jorge Marcone, Rutgers University: “Ecologies of the 21st Century: Filming Environmental Justice in Latin America” 9.03
Carine Mardorossian, SUNY Buffalo: “Doubling, Healing and Gender in Caribbean Women’s Writings” 12.20
Umberto Mariani, Rutgers University: “Representations of Women and War in R. Rossellini’s Paisa’, and the Problem of Neorealism” 17.04
Trinyan Mariano, Rutgers University: “Imperium and Dominium: A Jurisprudential Approach to the Segregation Narrative” 18.09
Patricia Marín Cepeda, University of Cincinnati: “Las cartas familiares de mujeres nobles en el Siglo de Oro. Estudio de un corpus textual inédito” 18.05
Philipp Marquardt, University Tuebingen: “Weil sich Leute das reinziehn:German Rap Music’s Dialogue as Social Involvement” 15.01
Patricia Ana Marquez, Brooklyn College-CUNY: “The Copyright and Trademark: Piracy, Artist Rights, and the New Semiological Culture” 12.01
Gaetana Marrone-Puglia, Princeton University: “Eros in kimono: Ceremonial Sequences in ‘Interno Berlinese’” 9.23
Leonard Marsh, La Salle University: “‘Se faire v(al)oir’: The Rhetoric of Being Seen” 5.21
Courtney Marshall, University of New Hampshire: “Darky Damsels and Cheeky Wenches: Black Ladyhood as a Legal Fiction” 18.09
Richard Marshall, London University: “The Illusory Nothing of Endon’s Affence” 2.08
James Martell, University of Notre Dame: “Derrida Beckettian specter” 2.08
Jessica Martell, University of North Carolina-Chapel Hill: “Imperial Agriculture, Land Use, and Thomas Hardy’s Tess of the d’Urbervilles” 8.15
Corinne Martin, Ohio State University: “Benjamin’s Allegorical Types and the ‘Odd Woman’ in Turn-of-the-Century American Literature” 9.21
Marina Martin, St. John’s University: “Parodia y fantasía en la narrativa de Myriam Bustos Arratia” 18.14
Paula Martin, University of Cordoba: “Immunized Against the Language of Self: Individual, Community and Crowd in Don DeLillo’s Fiction” 7.14
Travis Martin, Eastern Kentucky University: “Reality/Anti-Reality and Morality/Anti-Morality in WWI and WWII Memoirs” 2.04
Antonio Martin-Ledesma, University of Pennsylvania: “Papá está loco: histeria y política en ‘El padre de Blancanieves’ de Belen Gopegui” 15.13
Anthony Martire, University of California-Berkeley: “The Flesh Made Word: Futurist Poetics and the Cybernetic Subject” 4.18
Andreea Mascan, Cornell University: “Modes of the Past in Zsuzsa Bank’s Der Schwimmer” 11.21
Kiran Mascarenhas, CUNY Graduate Center: “Midnight’s Children: A History of Unpopular Ideas” 14.17
Sonia Massari, Siena University: “Cibo e cultura in Italia: vecchie abitudini e nuove tradizioni.” 5.10
Laurie A. Massery, St. Ambrose University: “CVs: Standing out and Tailoring in a Competitive Job Market” 13.20; “The Role of L1 Transfer and Functional Categories in L2 Subjunctive Acquisition” 7.11
Linda Materna, Rider University: “Women in War: Memory, Truth and Compassion in Babilonia by José Ramón Fernández” 8.22
Laci Mattison, Florida State University: “Theorizing De/territorialized,Transnational Subjectivity: Tawada’s Transparent, Indiscernible Coffin” 17.14
Diego Mattos Vazualdo, Saint Michael’s College: “La irrupción del cuerpo indígena en el espacio hegemónico latinoamericano” 6.26
Maria R. Matz, University of Massachusetts-Lowell: “¿Qué se cocina en la filmografía almodovariana?” 5.07
Lauryn Mayer, Washington and Jefferson College: “‘Neither Fish Nor Flesh’; The Multiple Instabilities of Donna Andrews’ Turing Hopper” 11.19
Liz Maynes-Aminzade, Harvard University: “Network Consciousness in the Multi-Plot Novel” 11.03
Maria Mayr, Memorial University: “Re-Imagining the Balkans: Former Yugoslavia in Recent German-Language Literature” 7.20
Ann Mazur, University of Virginia: “Fairy Tale Home Theatricals: Manipulating Space, Bodies, and Morals” 2.07
Elizabeth McAdams, University of Michigan: “Your Lying Eyes: Deceit and the Face in Darwin and Detective Fiction” 9.18
Emily McCann, University of Florida: “Queer Spaces in The First Verse” 13.03
Melissa McCarron, SUNY Albany: “BarcelDones: Barcelona According to Maria-Mercè Marçal and Montserrat Roig” 12.07
Judith McCarthy, DeVry University: “PBL and Student Narratives” 10.14
Lizzie McCormick, LaGuardia Community College-CUNY: “The Malady of Reverie: Onanism and Imagination” 14.24
Jen McDaneld, University of North Carolina-Chapel Hill: “The Seduction of Generations: Feminist Critical Desire and the Stakes of Generational Feminism” 4.21
Rose McEwen, SUNY Geneseo: “Staging Latina Boricua-ness: Crossing Invisible Borders, Intersecting the Imaginary Homeland” 5.24
Tony McGowan, United States Military Academy: “From Warrior Days to Specimen Daze” 7.02
Derek McGrath, SUNY Stony Brook: “Ante- and Post-Bellum Sarcasm as Indicator for Men’s Emotional Orientation in Poe and Twain” 3.05
Derek S. McGrath, SUNY Stony Brook: “‘I Won’t Feel a Thing’: Ironic Masculinity in Joss Whedon’s ‘Dr. Horrible’s Sing-Along Blog’” 18.10
Jonathan McKay, Queen’s University: “‘It was my curse to look unruined in my ruins’: Unreality and Dispossession in Chronic City” 11.01
Laurie McMillan, Marywood University: “Walking the Assessment Report Tightrope” 10.21
Megan McMullan, University of California-Davis: “Dévot/Faux Dévot: The Politics and Aesthetics of Religion in the Affaire du Tartuffe (1664-69)” 5.21
Lucy McNair, Medgar Evers College-CUNY: “I Sleep Close to Her Body: Reading the Senses in North African Women’s Autobiography” 8.17
Ellen McWhorter, Merrimack College: “‘With all its agony and rare delights’: Lesbian Erotics in the Poetry of Angelina Weld Grimké” 4.19
James MdAdams, Villanova University: “Agony’s Contest” 4.22
Gabrielle Mearns, Warwick University: “Clara Collet and the Factory Girl: Degeneration in ‘Women’s Work’ and ‘Undercurrents’” 17.05
Binita Mehta, Manhattanville College: “Complicated Space: Reading the Transnational Text” 10.23
Jörg Meindl, Lebanon Valley College: “Loss of Code-Switching as Sign of Social Change in Works by Theodor Fontane and Thomas Mann” 8.07
Carlos Mejía Suárez, University of Iowa: “Convergencia cultural en el papel del escritor: el caso de Miguel Ángel Asturias” 2.12
Nick Melczarek, Salisbury University: “Fatal Mimicry: Vampires Were (Always Already) Postmodern” 7.16
Giorgio Melloni, University of Delaware: “On the Fringes of the Modern City: Rome in Monicelli, Pasolini and Fellini” 18.02
Bernabé Mendoza, San Francisco State University: “Readers in Search of an Author: Discerning Angst and Identity in Bolaño’s Detectives” 4.14
Liansu Meng, University of Connecticut: “Looking through the Dust: Chen Jingrong’s Poetic Dystopia in 1940s Shanghai” 11.24
Rajiv Menon, New York University: “Romancing the ‘Desi Girl’: Masculinity and Performance in South Asian Diasporic Film and Culture” 5.05
Alicia Mercado-Harvey, University of Florida: “La nueva literatura fantástica de Samanta Schweblin” 18.14
Audra Merfeld-Langston, Missouri University of Science & Technology: “Teaching Culture, History, and Language with Yamina Benguigui’s Inch’Allah Dimanche” 6.24
Rafika Merini, Buffalo State College: “Laclos’ Liaisons Dangereuses as a Cultural Icon” 11.10
Doug Metzger, University of California-Davis: “I’ll Never Eat My Honey: Mortgages, Healthcare, and Female Camaraderie in Mary E. Wilkins Freeman” 12.26
E. Nicole Meyer, University of Wisconsin-Madison: “Best Practices in Teaching Literature Online: Innovative Strategies That Work” 4.08
Jenny Meyer, University of Wisconsin-Madison: “Geography and Narrative: The Nouvelle and Nation Building in Early Modern France” 14.20
Neil Meyer, CUNY Graduate Center: “A New Chronology? How Affect Reshapes Literary Periodization” 3.05
Julie Meyers, University of Chicago: “Fear of Division, Terror of Unity: Danton and the Revolutionary Collectivity” 8.16
Giovanna Miceli-Jeffries, University of Wisconsin: “Parallel Journeys into Identity Updating: Italians and Italian Americans Meeting Halfway” 6.10
Krystyna Michael, City University of New York: “The Meaning of Martyrdom in T.S. Eliot’s Murder in the Cathedral” 11.15
Giovanni Migliara, U.N.E.D. University of Madrid: “Giorgio Faletti: mysteries and secrets behind a true success.” 13.13; “Figure femminili nei B-movies italiani” 9.24
Alexandar Mihailovic, Hofstra University: “‘BOMZH’ of the Leningrad Underground: The Legacy of Oleg Grigoriev” 4.10; “The Legacy of Koz’ma Prutkov in the Leningrad Avant-Garde” 5.02
Jana Mikota, University of Siegen: “Gender and Space Constructions in the Literary World of Isabel Abedi” 15.11
Marko Miletich, Hunter College-CUNY: “Translation Studies: Vital for the Humanities” 9.20
Megan Milks, University of Illinois-Chicago: “Anorexia in Temporal Drag” 4.07
Caroline Miller, University of Michigan: “The Ecstatic Ekphrasis of Anne Carson’s Decreation” 5.03
Chloe Yelena Miller, George Mason University: “Forming Three Communities for Composition Writing Classes: Class, School, and Professional” 17.15
Jennifer Miller, Valparaiso University: “Jake Sully and Judith Butler: The Disorienting Avatar as a Model for Understanding Self and Other” 17.03
Karen Li Miller, University of Connecticut: “‘So you want to be a Trans-fo-ma?’: Myths and the Monkey King in Asian American Young Adult Texts” 7.24
Amanda Minervini, Brown University: “Sister War: Mapping Representations of Saint Francis of Assisi in the Aftermath of WWII” 18.12
Philip Mirabelli, Lehman College-CUNY: “Impaled by ‘this tyrannic Soul’: Marvell, Sexual Re-Formation and Reading Backwards” 5.18
Valerie Mirshak, Duke University: “Invisible Resistance: Alba de Céspedes, Dalla parte di lei, and the Second World War” 17.04
Letizia Modena, Villanova University: “Designing Invisible Cities: Utopian Architecture in Calvino’s Paris” 17.01
William Moeck, SUNY Nassau Community College: “On Translating English Poetry into English” 9.20
Alex Moffett, Providence College: “Nostalgia, Parapraxis, and Novelistic Form in Virginia Woolf’s Night and Day” 7.17
Yasemin Mohammad, Pennylvania State University: “Transgressing Borders Between the Orient and Occident in Jamal Mahjoub’s Travelling with Djinns” 17.07
Pamela Monaco, Brandman University: “Curtains Rise on Regional Theatre” 10.03
Padmini Mongia, Franklin and Marshall College: “‘Geography Fabulous:’ Conrad and Ghosh” 10.16
Caterina Mongiat Farina, DePaul University: “‘Bella, ricca e infiammata’: Becoming a Woman in Sixteenth-Century Venice” 5.23
Chiara Montanari, University of Chicago: “‘Radio Clandestina’: memoria e storia nel teatro di Ascanio Celestini” 18.12
Markus Montola, University of Tampere: “First Person Audience and Social Alibi as Tools of Horror in Freeform Role-Playing Games” 14.07
Amy Montz, University of Southern Indiana: “‘Now She’s All Hats and Ideas’: Fashioning the Suffrage Movement in Ann Veronica” 13.02
Drew Moore, United States Military Academy: “Caught in the Crossfire: The New York City Prison Letters of Crèvecoeur” 8.14
Rachel Mordecai, University of Massachussetts-Amherst: “‘But it’s wolfie gives us birth’: Sex, Monsters, Hurt and Healing in Nalo Hopkinson’s Work” 12.20
Fernando Moreira, UTAD: “Palavra e identidade em Mia Couto” 10.26
Erica Moretti, Brown University: “iMovie Story Time: Collaborative Digital Research in the Second-Year Curriculum” 11.05
Nuria Morgado, College of Staten Island-CUNY: “Ética y estética en el ‘Retrato’ de Antonio Machado” 3.14
David Morrow, College of Saint Rose: “Intellectual and Manual Labor in Elizabethan Colonialist Discourse” 18.13
Heidi E. Morse, University of California-Santa Cruz: “Pat Parker and Ntozake Shange’s Shameless Hussy Chapbooks” 14.09
Mihaela Moscaliuc, Monmouth University: “Original Poetry from Father Dirt” 3.09
Amelia Moser, Bard College: “‘La mia preferenza è sempre per le Sue novelle’: Anna Maria Ortese as Reader of Massimo Bontempelli” 12.15
Keith Moser, Mississippi State University: “Le Clézio’s De-centered Humanism and Cosmic Engagement : Posing Questions in an Age of Suspicion” 4.16
Monika Moyrer, Colby College: “How Magic is Herta Müller’s Macondo? Reflections on Real and Imaginary Places” 14.25
Damjana Mraović-O’Hare, Pennsylvania State University: “The Power of Mothers and Sisters: The Brief Wondrous Life of Oscar Wao by Junot Díaz” 7.12
Sri Mukherjee, Harvard University: “Redefining Modernism and Modernity: Rabindranath Tagore’s Literary-Political Intervention” 15.25
Pia Mukherji, Independent Scholar: “Graphic Ecriture: Gender and Magic Iconography in Kari” 5.04
Erin Mullally, Le Moyne College: “The Ash and the Thorn: The Garden in the Vitae of St. Kenelm” 14.01
Jade Munslow Ong, University of Manchester: “Primitivism and Modernism in Olive Schreiner’s The Story of an African Farm” 7.15
Andrej Murašov, Ludwig-Maximilians-University: “The Political Body and Collective Imagery in Haj-to: Hip Hop and Politics in Post-War-Bosnia” 15.01
Sean Murray, St. John’s University: “Margaret Atwood’s Speculative Fiction: An Ecofeminist Critique of Corporate Capitalism” 5.20
Voichita Nachescu, Raritan Valley Community College: “The Audio Archives of the Second Wave and the Oral Culture of the Women’s Movement” 14.09
Joseph Napolitano, New York University: “‘Everybody’s Free’: Izintandane Zodlame and the ‘New South Africa’” 13.08
Marc Napolitano, United States Military Academy: “‘I am in the theatrical profession myself’: Dickensian Performance in the Literature Classroom” 9.04
Johnny Nawracaj, Concordia University: “Video Archiving and the Charm of Self Determined Histories: A Tale of the Future Anterior” 11.08
Liliana M. Naydan, Stony Brook University: “Jewish and Postmodern Impulses to Retell in Philip Roth’s American Pastoral” 17.09
El Hadji Malick Ndiaye, Columbia University: “Des Etats de Bretagne à la Révolte du ‘papier timbré’ (1675). Continuités et discontinuités...” 14.20
Janet Neary, Hunter College: “Racial Profiling: Black Silhouette Artists and the Role of Silhouette in 19th-century Visual Culture” 7.04
Vanita Neelakanta, Rider University: “The Jewes Tragedy and the Reception of Jewish History in Restoration England” 6.14
Cory Elizabeth Nelson, Brandeis University: “‘History is About to Crack Wide Open’: Revisionist Biography in Angels in America” 18.03
Ariel Nereson, University of Pittsburgh: “Staging ‘Poetic Facts’: Documenting Biography Through Embodiment in Still/Here” 18.03
Anjali Nerlekar, Rutgers University: “Preservation Through Disappearance: David Dabydeen’s Poetry of Negation” 10.17
Jennifer Nesbitt, Pennsylvania State University-York: “For Women, Pleasures of Avatar Dearly Bought” 14.19
Matt Newcomb, SUNY New Paltz: “Academic Writing as Social Networking and a Composition Fan Page” 7.09
Eric Newsom, Rensselaer Polytechnic Institute: “A Game about Killing: Role-Playing in the Liminal Spaces of Social Network Games” 14.07
Mary A. Nicholas, Lehigh University: “We were born to make fairy tales come true: Reinterpreting Political Texts in ‘Dissident’ Soviet Art” 6.05
Benjamin Nickl, Georgetown University: “Female Space as Mirror Place: Amalia as Gendered Metaphor in Schiller’s Die Räuber” 14.03
Roberto Nicosia, Rutgers University: “Un veneziano a Messina, Pietro Bembo e Costantino Lascaris” 2.11
Christopher Nielsen, University of Pittsburgh: “Capitalism and Religion...and the Brain: Mapping Affect in Contemporary Mexican Cinema” 18.01
Michael Niemczyk, SUNY Nassau Community College: “Re-Imagining the Pathetic Fallacy: Marvelous Transactions in ‘Upon Appleton House’” 5.18
Chamutal Noimann, Borough of Manhattan Community College-CUNY: “Passion, Patience, Igonorance, and Want in Bunyan and Dickens” 7.01
Brian Norman, Loyola University Maryland: “‘Esperanza is died’: Dead Women Talking in Ana Castillo’s So Far From God” 17.17
Nanette Norris, Royal Military College-St. Jean: “Life Writing in the Diaspora: Former Soldiers – Identity, Nationalism, Belief, and Belonging” 2.04
Sarah Elliott Novacich, Yale University: “Sacred Comedy and the Fabliaux” 10.18
Terry Novak, Johnson & Wales University: “Shattering Geographical Stereotypes: Harriet Ann Wilson’s New England” 14.13
Terry Novak, Johnson & Wales University: “Interdisciplinary Learning Community: Academic,Professional, and Personal Growth through Composition” 17.15
Laura Nowocin, Miami University: “Negotiating the ‘I’ in the Post-war Origin Myths of Marvell and Eliot” 5.18
Ligia Nunes, Independent Scholar: “Women’s Space in Men’s World: Architecture of Feminine Monasteries” 2.14
Ana Oancea, Columbia University: “The Inventor’s Degeneration in Robida’s Futuristic Fiction” 15.18
Tracy O’Brien, Auburn University: “Guidelines for Future Professionals. Graduate Training in Assessment for Foreign Language Faculty” 12.14
D. Lynn O’Brien Hallstein, Boston University: “Matrophobia and the Wave Metaphor: Purging Mother Blame” 4.21; “Mothering and Communicating: When Motherhood Studies Meets Communication Studies” 6.20
Rachel O’Connell, New York University: “Aestheticism and Theories of Creativity” 14.24
Elizabeth O’Connor, Fordham University: “Perambulating the Metropolis: Women, the City , and Walter Benjamin” 8.27
Cristina Oddone, Universita’ di Genova: “Recurring themes: borrowings or universal myths? The double in Italian literature.” 13.13
Kimberly O’Dell Cox, Texas A&M University: “Spaces of Seduction: Mobile Domesticity and the House in Cormac McCarthy’s The Road” 14.12
Kate Faber Oestreich, Coastal Carolina University: “Freeware’s Siren Song--Making Literary Analysis Irresistible to Students, Faculty, & Administrators” 6.25
Scott Offutt, Washington State University: “Blake’s Prophecy and the Appropriation of Vision as Madness in Lovecraft’s Horror” 11.09
Stefanie Ohnesorg, University of Tennessee-Knoxville: “Displaying the Natural World in 18th Century Travel Writing” 10.01
Kei Okajima, SUNY Buffalo: “Democratic Sensibilities in The Narrative of the Life of Frederick Douglass and Invisible Man” 11.14
Eduardo Olid Guerrero, Muhlenberg College: “Elizabeth I on the Spanish Stage: Antonio Coello’s El Conde de Sex” 2.13
Julie Olin-Ammentorp, Le Moyne College: “Untold Stories in Cather’s The Professor’s House and Wharton’s The Age of Innocence” 11.26
María Olivares-Henríquez, Catholic University of America: “Gambaro’s A Mother by Profession As a Cultural Agent of Lesbian Identity’s Recognition” 5.24
Donna Oliver, Beloit College: “A Life Lived With Artists: Assessing Value in Leonid Talochkin’s Collection of Nonconformist Gifts” 6.05
Patrick R. O’Malley, Georgetown University: “Laments for the Potato: Lady Wilde’s Fantastic Histories” 14.06
Seamus O’Malley, CUNY Graduate Center: “Flaneur in Wartime: Elizabeth Bowen’s The Heat of the Day, Ireland and the Blitz” 8.27
Yuval Orr, University of Pennsylvania: “The Social Scope of Moroccan Hip-Hop” 15.01
Marianna Orsi, Indiana University: “La viola di mare. Una storia di amore tra donne nella Sicilia di inizio Novecento” 11.04
Fulvio Orsitto, California State University-Chico: “Bronte and the Retelling of the Risorgimento” 7.07
Fulvio Orsitto, California State University-Chico: “I nipotini indesiderati. Echi pasoliniani dal decamerotico al cannibalico” 9.24
Kirsten Ortega, University of Colorado-Colorado Springs: “Naming and Identity Invention in Black Women’s Poetry for Children” 8.04
Lisa Ortiz-Vilarelle, The College of New Jersey: “I Remember Trujillo / Trujillo en Mis Memorias” 12.08
Ada Ortúzar Young, Drew University: “‘Identidad, Memoria y Erotismo en las Poetas Cubanas de la Diáspora’” 17.12
Nahir Otano, University of Massachusetts-Amherst: “The Arthurian Myth as Equalizing Strategy in Postumo Envirginiado” 8.02
Brais Outes, Yale University: “‘El poder de creación es uno solo’: creación política y estética en textos de José Carlos Mariátegui” 2.12
Sabrina Ovan, Scripps College: “The Ashes of Narrative: Italy in Blogs and Pieces” 10.09
Michelle Pacht, LaGuardia Community College-CUNY: “Spinsters and Sea Widows: Women, Wilderness and Identity in Sarah Orne Jewett’s Deephaven” 10.10
Valentina Pagliai, American University: “Constructing an Anti-Immigrant Public Opinion in the Italian Media” 14.08
Pamela Paine, Auburn University: “Looking in, Looking out, Looking around: ‘Je-Jeux’ of Rochefort and Condé” 11.20
Cristiano Palozzi, Genova Film Festival: “Il cortometraggio italiano nel terzo millennio. Stili, tendenze, prospettive” 7.06
Christelle Palpacuer, Rutgers University: “The Art of Musing: Case Studies of the Artistic Journeys of Teachers of French” 6.09
Raffaello Palumbo, University of Chicago: “Lo scrittore coinvolto: per una letteratura engagé oggi” 14.26
George Panaghi, CUNY Graduate Center: “German American Workers’ Theatre in New York’s Lower East Side in the 1890s” 2.07
Melissa Panek, Catholic University of America: “The Postmodern Mythology of Michel Tournier” 8.18
Erika Papagni, University of Toronto: “L’uovo fuori dal cavagno: a tu per tu con Margherita Giacobino” 11.04
Marc Adoux Papé, St. John Fisher College: “Idéologies et quête identitaire : Les fondements de la littérature africaine” 2.09
Toni Pape, Université de Montréal: “Temporalities on Collision Course: Time, Knowledge and Temporal Critique in Damages” 11.07
Vaclav Paris, University of Pennsylvania: “Joyce and Benjamin: Translating into the Wake” 4.13
Eva Paris-Huesca, University of Massachusetts-Amherst: “Representaciones de la mujer inmigrante latinoamericana en el cine español contemporáneo” 10.08
Nick Parker, Babson College: “William Golding’s Tortured Wartime Being” 6.13
Sandeep Parmar, New York University: “Hope Mirrlees’ Paris: Borders and Resistance in the Modern Woman’s Epic” 8.27
Petia Parpoulova, University of Washington: “The Body in the Mirror: Henri Lefebvre and George Saiko on Subjectivity and Metropolitan Space” 18.08
Maria Parrino, University of Bristol: “‘L’orrida magnificenza del luogo’: Antonio Fogazzaro’s Malombra” 9.17
Vincenzo Pascale, Rutgers University: “Narrare sulle macerie: Napoli e la narrativa della città occupata” 18.02
Francesco Pascuzzi, Rutgers University: “Starved for Love: Body Re-Shaping in Matteo Garrone’s Primo Amore” 9.17
Megan Paslawski, The Graduate Center-CUNY: “How to Have Realism in an Epidemic: The Strategic Rewriting of AIDS” 11.08
Gloria Pastorino, Fairleigh Dickinson University: “The Drawbacks of Utopias in Mayorga’s Paz Perpetua” 15.23
Fabrizio Patriarca, Universita’ di Roma Tor Vergata: “La moda nel pensiero di Giacomo Leopardi: una retorica della modernita’” 9.23
Cristina Pausini, Tufts University: “L’italiano attraverso l’uso di blogs e podcasts” 11.05
Megan Payne, University of West Georgia: “Living the Lie: Miscegenation and Lesbian Desire in Nella Larsen’s Passing” 4.19
Donald Pease, Dartmouth University: “Whitman’s Multitudes and the Question of Populism” 7.14
May Peckham, Washington University in St. Louis: “Synesthetic Vitalism in a Resonant Harlem” 18.11
Joshua Pederson, Boston University: “Blogging Freshman Writing: Expanding the Concept of Audience” 17.16
Gregory Pell, Hofstra University: “Vanzina’s 2061: Re-make, Commedia povera, o semplicemente un film terribile?...Peggio ancora” 9.24; “‘Sommerso’ as submerged and as forgotten: Parise’s I movimenti remoti” 11.22
Olimpia Pelosi, SUNY Albany: “The Hope and the Longing: Female Space as Literary Space in Gaspara Stampa’s Canzoniere” 5.23
Alina Peña Iguarán, Montclair State University: “Diálogo entre dos continentes:Estilística neobarroca, configuración del espacio en Concierto barroco” 17.11
Natalie Pendergast, University of Toronto: “One Bite from the Apple and Things Get Grimm: Generic Shifts in Stories of Eve and Snow White” 18.07
Andrea Pera, Independent Scholar: “La detective story come ricostruzione territoriale in Carlo Lucarelli” 4.24
Lisa Perdigao, Florida Institute of Technology: “‘They call me Ryter now’: Reclaiming the Space between Childhood and Adulthood” 8.04
Licínia Pereira, University of Coimbra: “Pedro Costa’s Colossal Youth: a Transcolonial Letter to the Heart of Migrant Identity” 4.07
Rolando Pérez, Hunter College-CUNY: “Severo Sarduy and the Self-Portrait of a Body in Poetry” 3.14
Alexis Peri, University of California-Berkeley: “To Write a History of the Present: Historicism in Diaries of the Leningrad Blockade” 2.02
Cristina Perissinotto, University of Ottawa: “Of Cities, Utopian and Invisible” 17.01
Cristina Perissinotto, University of Ottawa: “Dodeskaden: il viaggio nel teatro di Marco Paolini” 2.10
Shari Perkins, City University of New York: “Playing at Hamlet: The Presniakov Brothers’ Izobrazhaia Zhertvu” 14.10
Daniel Perlin, Independent Scholar: “O Morro (The Hill): Problems in Representation of the Favela in Brazilian Cinema” 15.06
Sabina Perrino, University of Michigan: “‘Extracomunitari’ in Northern Italy: Oral Narratives about Immigrants in Veneto” 14.08
Emma Perry, Boston College: “You Can’t Burn the Koran Onstage: Marlowe’s Tamburlaine Meets the 21st Century” 6.14
Olga Peters Hasty, Princeton University: “Dedication as Self-Portraiture (Akhmatova and Tsvetaeva)” 7.22
Barbara Petrosky, University of Pittsburgh-Johnstown: “Comment étudier Entre les murs : un plan de cours pour les niveaux intermédiaire et avancé” 6.24
Anthony Petruzzi, University of Massachusetts-Boston: “Inside or Outside the English Department: Political/Procedural Resistance to Performance Assessments” 10.21
Paola Pettinotti, Universita’ di Genova: “Rossana Campo. Non fidatevi del rosa.” 13.13
Laura Pfeffer, Arizona State University: “Epic Revisions: Brooks’s ‘In the Mecca’ and Our Understanding of the Civil Rights Movement” 5.15
Sara Phenix, University of Pennsylvania: “Dressed to Kill: Fashion and Femininity in Edmond de Goncourt’s Chérie” 11.18
Céline Philibert, SUNY Potsdam: “Arabic in Undergraduate Research” 12.25
Gillian Pierce, Boston University: “Re-Producing Feminine Virtue: Adapting Madame de Genlis for the Contemporary French Stage” 4.06
Heidi Pierce, University of Delaware: “A New Kind of Hero: Re-imagining Masculinity in late-Victorian Britain” 17.10
Monika Pietrzak-Franger, Universität Siegen: “New Woman Writing and Dominant Constructs of Syphilitic Males” 17.10
Judith Pike, Salisbury University: “Bronzed Masculinity in Jane Eyre, Shirley and Charlotte Brontë’s Juvenilia” 11.17
Helen Pilinovsky, California State University-San Bernardino: “Prince Charming was a Godmother: The Construction of Authority in Fairy Tales and Fantasy” 6.21
Kaitlyn Pinder, McGill University: “Narrating Analysis: H.D.’s Challenges to Freud in Tribute to Freud” 10.19
Pablo Pintado-Casas, Kean University: “Voces fantasmas en la narrativa testimonial de Javier Marias” 4.20
Jerry Piven, Case Western Reserve University: “The Seduction of Blood” 6.07
Sabine Planka, University of Siegen: “Museums in Literature for Children and Young People: Places of Cultural Memory as Narrative Settings” 15.11
Jonathan Brooks Platt, University of Pittsburgh: “Zoya Kosmodemianskaya between Sacrifice and Extermination” 2.02
M.L. Plochocki, Bronx Community College-CUNY: “Presenter” 1.01
Andrew Ploeg, University of Rhode Island: “Edmond Jabès, Gilles Deleuze, and the Textuality of Haecceity” 8.18
Patricia Ploesch, Western Governors University: “Medical Transparency as Sentimental Literature: Susanna Kaysen’s The Camera My Mother Gave Me” 4.09
Elizabeth Podnieks, Ryerson University: “At the Nexus of Modernism and Motherhood:Interpreting Literary Modernism Through a Maternal Lens” 6.20
Salvatore Poeta, Villanova University: “La ‘Marcela’ de Cervantes y la ‘Marcela’ de Lope frente a frente: dos voces feministas discrepantes” 14.22
Carissa Pokorny-Golden, Kutztown University: “Multiple Discourses and Identities: Balancing the Conflicting Roles of the Non-Trad Graduate Student” 8.11
Katharine Polak, University of Cincinnati: “Being a Dog: Deogratias, Torturers, and the Empathetic Impulse” 2.15
Diana Polley, Southern New Hampshire University: “Illusion and Disillusion in Crèvecoeur’s Letters from an American Farmer” 8.14
Meenakshi Ponnuswami, Bucknell University: “Winsome Pinnock’s Leave Taking” 13.19
Debra Popkin, Baruch College-CUNY: “Friends, Wives and Mothers in Diane Kurys’s film ‘Entre Nous’” 7.10
Gianluca Porcile, Università di Genova: “Il Danteum di Terragni” 4.03
Lili Porten, Boston University: “From the Pursuit of Perfection to ‘Personal Branding’: On Treating Oneself like a Thing” 3.15
Laurelann Porter, Arizona State University: “The Expendable Brazilian: Racial Elitism and Tropes in Tropa de Elite” 15.06
Cynthia Potvin, Université de Moncton: “Los efectos de la segunda lengua en la adquisición de una tercera lengua” 7.11
Rebecca Powers, Johns Hopkins University: “L’Education Sentimentale: Passivity and Violence” 9.22
Ryan Prendergast, University of Rochester: “Don Quixote: The Book, The Myth, and The Image in the 21st Century Classroom” 15.04; “Harpies as Heroes?: Female Representation in Las harpías en Madrid” 18.05
Matthieu Protin, Université Paris 3 Sorbonne Nouvelle: “Samuel Beckett’s Drama: a Philosophical Theatre between Denial and Philosophy in Action” 2.08
François Proulx, Harvard University: “Oscar Wilde, Paul Bourget: Citational Passions” 11.18
Sara Provenzale, Ohio State University: “Sujetos sociales como armas para la globalización: Dependencia sexual.” 10.02
Erin M. Pryor Ackerman, Indiana University: “Race, Consumption, and Affect in If He Hollers Let Him Go” 3.06
Ela Przybylo, University of Alberta: “Intermezzos: Gendered Wanderings” 10.04
Bridget Pupillo, Johns Hopkins University: “Language and Muslim identity in Scontro di civiltà per un ascensore a piazza Vittorio” 8.20
Lynn Purkey, University of Tennessee-Chattanooga: “Re-inscribing the feminine: Antonia Bueno Mingallon’s Zahra” 5.24
Patricia D. Pytleski, Kutztown University: “Gender Bias in the Composition Classroom” 4.15
Karen Quandt, Princeton University: “Imaging Music: Victor Hugo’s Orientales” 7.05
Cheri Quinlin, New Jersey Department of Education: “The Case for Standards-Based Instruction in Higher Education” 12.02
Jean-Michel Rabate, University of Pennsylvania: “Bataille and Beckett: From the Impossible to Unknowing” 2.08
Jesse Raber, Harvard University: “Willa Cather and the Aesthetics of Progressivism” 11.26
Pamela Rader, Georgian Court University: “A ‘New World’ Dictator’s Dystopia and Pagina en Blanco” 8.12
Michael Raguso, SUNY Buffalo: “Imagining Horizontality: Feminine Spatial Identity in El Cuarto de atras” 8.26
Rebecca Rainof, The Catholic University of America: “Woven Together: Silas Marner’s ‘Mechanical Relations’ and Van Gogh’s Weavers of Brabant” 6.02
Kombola Ramadhani Mussa, Reading University: “Parole sul palcoscenico: la narrativa orale di Y. Jaralla” 14.08
Jesse Ramirez, Yale University: “The Inverted Multitude: Zombies, Collectivity, and Late Capitalism” 9.10
Michelle Ramlagan, University of Miami: “(Re)Placing Family: Transnational Models of Mothering in Danticat’s Breath, Eyes, Memory” 14.14
Donavan L. Ramon, Rutgers University: “Fragmented Bodies and Fragmented Narratives: The Transnational Black Woman’s Novel” 5.04; “Striking a Balance Through Mentoring” 8.11
Juan Ramos, University of Massachusetts-Amherst: “Displaced Sexualities: Cinematic Latina American Migrants and the Politics of Consent” 12.03
David Randall, Bloomsburg University: “Biopoetics and Storytelling: Leslie Marmon Silko’s Storyteller” 9.18
Sarah Rangaratnam, Brock University: “Fairy Tale Dualities: Representations of the Widow as Good Mother or Evil Mother-in-Law” 18.07
Lucinda Rasmussen, University of Alberta: “Consumptive Desire & Bella Swan’s Transition to Vampire Mother in Stephanie Meyer’s Breaking Dawn” 7.16
Jennifer Raterman, Rutgers University: “Translation, Authorship, and the Movement of Minds in Daniel Deronda” 18.06
Iuliu Ratiu, SUNY Albany: “Thoreau’s Concord: Land Surveying and the Formation of Landscape” 8.24
Alessandro Ravera, Università di Genova: “Raccontare l’indicibile: echi della Commedia nelle architetture commemorative della Shoah” 4.03
Chelsea Ray, University of Maine-Augusta: “In the Classroom, Blended, or Online? Teaching Languages in the 21st Century” 4.08
Katsuri Ray, San Francisco State University: “Domestic Workers Falling:’ Bangladeshi Maids, Feminist Blogs, and Transnational Feminism” 12.04
Sophie Raynard, SUNY Stony Brook: “The Poetics of Early Contes de fées or The Conteuses’ Marketing Strategies in their Paratexts” 11.10
Elena Rebollo-Cortés, University of Extremadura: “A Kaleidoscope of the Female Poet: Visual and Paratextual Approaches to Sylvia Plath’s Editions” 8.10
Thomas Recchio, University of Connecticut: “Cooperation, Parody, and Subversion in Minstrel Shows by Women in the 1890s” 2.07
Jennifer Redmann, Franklin and Marshall College: “The ‘Woman Question’ in German Girls’ Literature of the First World War” 6.08
Laura Redruello, Manhattan College: “Violencia y animalización en la narrativa cubana contemporánea” 6.26
Ashley Reed, University of North Carolina-Chapel Hill: “Doctoring Body and Soul in the Work of Augusta Jane Evans” 14.15
Eugenio Refini, University of Warwick: “Aristotele (in) volgare tra Umanesimo e Rinascimento” 2.11
Robert Reginio, Alfred University: “Hybrids Absorbed in Hybrid Literature: Wallace Stevens between Reality and Conceptual Art” 10.15
Marc Olivier Reid, St. Lawrence University: “Martín Adán y Ángel Guido en la genealogía del Barroco” 17.11
Megan Elizabeth Reid, Ohio State University: “‘Rent...to its centre’: The Railrway as Bataillean Monument in Middlemarch and Dombey and Son” 5.16
Liz Reilly, Rutgers University: “‘The Things of This World’: Balancing Caregiving and Academic Life” 8.11
Rebecca Rey, University of Western Australia: “Objects as Belonging to Ontological Systems in Don DeLillo’s White Noise and Love-Lies-Bleeding” 9.06
Cathleen Rhodes, Old Dominion University: “Under the Radar: Using Feminist Pedagogical Methods to Facilitate Peer Workshops” 4.15
Orquidea Ribeiro, UTAD: “Colonial and Post-Colonial Identities in Lusophone African Culture” 10.26
Roberta Ricci, Bryn Mawr College: “Umanesimo moderno oltre i confini: trasmissione manoscritta e Poggio Bracciolini” 2.11
Jennifer A. Rich, Hofstra University: “Memorializing Discourse: Examining the Rhetoric of Memorials in First Year Composition Classes” 9.09
Kelly Rich, University of Pennsylvania: “Injury, Responsibility and Reparation in Eichmann in Jerusalem and Waiting for the Barbarians” 11.03
Kevin Richards, Ohio State University: “The Federal Ministry of Defense White Papers (1985-1994): The German Soldier in Transition” 5.08
Patricia Richards, Kenyon College: “Two (Precious) Women” 14.02
Bill Richardson, National University of Ireland-Galway: “Locating the Aleph: Spatiality in the House on Garay Street” 15.07
Elsa Richardson, University of London: “Hysterical Performers and Pathologised Spectators” 14.24
Jill Richardson, Borough of Manhattan Community College-CUNY: “Re-imagining Return: Revisiting Sites of Trauma in the Work of Edwidge Danticat and Junot Diaz” 11.11
Kathy Richman, University of the Pacific: “The Word that Dare Not Speak Its Name: Love in Persons and Things” 3.15
Jan Rigaud, Villanova University: “Le bien et le mal d’écrire d’Albert Camus” 3.10
Michael Rio, University at Buffalo: “Kamau Brathwaite Zea Mexican Diary: The Intercovery of Form and the Emergent/Re-Invented X/Self” 3.16
Julia Riordan-Goncalves, Monmouth University: “Recovering Carmen Martin Gaite from the Margins of the Spanish Post-War Novel” 8.26
Jessica Riviere, Vanderbilt University: “If Lessing’s the father, is there a mother? Essayistic Writing and Women Authors in the 18th Cent.” 14.03
Nicole Rizzuto, Oklahoma State University: “Terraqueous Aesthetics and Limited Mobilities” 8.25
Dylon Robbins, Boston University: “Some Problems of Popular Music and Political Subjectivity in Brazil and Cuba” 17.02
Lily Robert-Foley, Université of Paris VIII-St. Denis: “L’intraduisible et l’intraduit dans la trilogie de Samuel Beckett” 6.04
Jessica Roberts, Queen’s University: “Precious Commodities and (In)Human Capital: Representations of Child Soldiers in Blood Diamond” 15.08
Suin Roberts, Indiana University: “Humor as Response to Everyday Racism in Martin Hyun’s ‘Lautlos – ja. Sprachlos – nein’” 9.02
Eric Robertson, University of London: “Violent Electric Moons: Futurism, Orphism and the Cosmographic Imagination” 12.05
B. J. Robinson, North Georgia College & State University: “The Other’s Other: Contemporary Depictions of Constance Holland” 14.06
Patrick Robinson, University of Toronto: “Vitalism in the French Symbolist Theatre” 18.11
Anna Rocca, Salem State University: “Senses, Sensibilities and Sensuality: the World of Nina Bouraoui” 8.17
Erin Rodino, Independent Scholar: “The Dissemination of Family Values: Three Italian-American Generations in The Sopranos” 14.02
Cecília Rodrigues, University of Massachusetts-Amherst: “Design Choices for Online Language: Online Portuguese at UMass Amherst” 4.08
Angelo Rodriguez, Kutztown University: “Testing Proficiency-Based instruction: the Greatest Challenge for the Foreign Language Curriculum” 10.07
Lara Rodriguez, CUNY Graduate Center: “‘Into the pure present’: Immersion and Escape in Cortázar’s Hopscotch” 18.11
Amaryllis Rodriguez-Mojica, University of Michigan: “Scrittrici latino-americane in un’Italia moderna” 14.08
Anna Rodzevich, University of Toronto: “Nostalgia or Resentment? Russian Jews, Russian Germans, and the Soviet Past” 11.21
Charlotte Rogers, Hamilton College: “Baqueanos y rastreadores: An Ecological Interpretation of the Guide in the novela de la selva” 9.03
Justin Rogers-Cooper, CUNY Graduate Center: “Silver Euphoria, Sanity Fair Crowds, and the State of War in Mark Twains Roughing It” 7.14
Mia Romano, Rutgers University: “Performative Femininity of Bleeding Bodies in Mexican Literature” 6.06
Rebecca Fine Romanow, University of Rhode Island: “The End of the Bush Years and the Films of 2007: Powerlessness, Plague, and Politics” 9.05
Eugenia Romero, Ohio State University: “The Double Discourse of Identity in Cuestión de amor propio by Carmé Riera” 11.02
Tristana Rorandelli, Sarah Lawrence College: “Enif Robert as ‘Womb Speaker’ in Un ventre di donna (1919): the Female Subject within Futurism” 4.18
Jorge Rosario-Velez, Long Island University-C.W. Post: “Entre Foucault y Sartre: La poesía erótica-existencial de Aurora Arias” 12.18
Lauren Rosenblum, SUNY Stony Brook: “The Work of Art in the Age of Gertrude Stein” 15.02
David Ross Gerlinbg, Sam Houston State University: “El triunfo del amor sobre la tiranía clerical en Pepita Jiménez” 7.23
Laurence Roth, Susquehanna University: “Modern Language Studies” 1.03; “Thirteen Ways of Looking at an Article” 13.15
Joshua Rothman, Harvard University: “The Prime of Miss Jean Brodie and the Problem of Being a Mere Person” 14.16
Noelle Rouxel-Cubberly, College of Staten Island-CUNY: “Des titres ‘parlants’: étude lexicométrique des titres de films des années 1930” 5.06; “The Film Trailer Project” 6.24
Antony Rowland, University of Salford: “The Future of Testimony” 2.15
Dibyadyuti Roy, West Virginia University: “Exploiting Unreliability: The Decolonizing Child in Indian Fiction” 13.11
Karen Roy, University of British Columbia: “Layers of Silence in Surveillance Society” 9.16
Sohinee Roy, West Virginia University: “Making Friends with Ghosts: Andre Brink and Magic Realism in Imaginings of Sand” 7.24
Lois Rubin, Pennsylvania State University-New Kensington: “Ancestors, History, Social Justice: The Jewish Poems of Maxine Kumin and Linda Pastan” 5.11
Jennifer Rudolph, Connecticut College: “Writing the Transnational Scholarship Boy: Gender, Education, and Intellect in Diaz and Aguilera” 11.11
Alexander Ruggeri, New York University: “Bergsonian Vitalism in Nikos Kazantzaki’s The Odyssey: A Modern Sequel” 18.11
Maria-Luisa Ruiz, Medgar Evers College: “Le couteau dans la plaie: Théâtre témoignage, théâtre thérapie dans Trames de Gerty Dambury” 4.06
Guadalupe Ruiz Fajardo, Columbia University: “Competencia comunicativa en el nivel inicial: una actividad con ‘La Cabina’ de Antonio Mercero” 6.09
Richard R. Ruppel, University of Wisconsin-Stevens Point: “Hybrid Identity in the Works of the Austrian Author Dimitre Dinev” 9.02
Sandra Joy Russel, Central Michigan University: “The Voice of the Land in Onwueme’s What Mama Said and Maponya’s The Hungry Earth’” 13.08
Florence Russo, St. John’s University: “From Medusa to Matelda: Cavalcantian Poetics Redeemed” 8.19
Grace Russo Bullaro, Lehman College-CUNY: “Is Amedeo Italian? Defining National Identity in the Wake of the Migrant Presence in Amara Lhakous” 15.03
Sara Rutkowski, Hunter College-CUNY: “Marginalized Modernisms East and West: Comparing the May Fourth Movement and the Harlem Renaissance” 15.25
Marilyn Rye, Fairleigh Dickinson University: “The Iconic Landscape of Seasonal Cycles: Thoreau, Beston, Hubbell, Klinkenborg” 8.24
Antonio Saccoccio, Independent Scholar: “Futurism: Beyond the Concept of Modernolatria” 12.05
María del Carmen Saen de Casas, Lehman College-CUNY: “La ficcionalización de Juana de Austria en La hija de Carlos V” 14.22
Christopher Salerno, William Paterson University: “Techno-literacy: Benefits of Low and High-Stakes Media Environments in the Composition Classroom” 17.16
Dawn Saliba, SUNY Binghamton: “Kassandra: Heroine, Not Victim” 13.17
Carole Salmon, University of Massachusetts-Lowell: “I am every woman: Roles and Representations of Family Dynamics” 5.07
Joy Sanchez, University of South Florida: “Science Fiction and Fantasy as Meta-Narrative in Junot Diaz’s The Brief Wondrous Life of Oscar Wao” 11.11
Karen Sanchez, Rutgers University: “Connecting Language and Literature: Standards-Based Instruction in Higher Ed.” 12.02
Margarita Sanchez, Wagner College: “Voices from the Margins: Art and Society in the Spanish Composition Classroom” 6.09
Oneida Sanchez, Borough of Manhattan Community College-CUNY: “‘Pluralidades espaciales en la diaspora cubana: Poemas recientes de Lourdes Gil’” 17.12
Giulia Santi, Universita` del Salento-Lecce: “La disperazione ha sempre nella bocca un sorriso. Tragico e risibile in Giacomo Leopardi” 8.05
Federica Santini, Kennesaw State University: “La voce assente:Alfredo Giuliani e l’accrescimento della vitalita’ attraverso la poesia sperimentale” 15.21
Miléna Santoro, Georgetown University: “Americano, or, A (Self-) Portrait of Migration & Exile in the Americas” 15.08
Cristina Santos, Brock University: “Myth and Fairy Tale in Luisa Valenzuela’s ‘Proceso a la virgen’” 15.13
Rick J. Santos, SUNY Nassau Community College: “Using the Canon to teach Gay and Lesbian Literature” 12.17
Karen Santos Da Silva, Barnard College: “Misogyny or Feminism? Cartesianism in Mme de Pringy’s Les Différents Caractères de l’amour” 5.21
Mayra Santos-Febres, Universidad de Puerto Rico-Rio Piedras: “Caribbean Transvestism: Accompanied by Readings from Sirena Selena vestida de pena” 16.04
Lisa Sarti, City University of New York: “Adapting Pirandello’s Short Stories: The Cinematic Allure of Melodrama” 13.07
Sailaja Sastry, Columbia University: “Unnatural Families, Unnatural Citizens: Illegitimacy and National Belonging in Bharati Mukherjee” 14.14
Brandi Saturley, Stony Brook University: “It Ain’t Trickin’ if You Got It: Artifacts of Originality and Authenticity in Rap Music” 15.01
Verónica Saunero-Ward, New Mexico Highlands University: “El lenguaje fantástico y Tukzón de Giovanna Rivero” 18.14
Jessica Savage, Princeton University: “Pilgrims, Poetry and the Passion of Christ: M.147 in the Pierpont Morgan Library” 14.01
John L. Savarese, Rutgers University: “Lyric Mindedness and the Romantic Pedant” 10.20
Elaine Savory, New School University: “‘The Way Between: Healing, Community and Performance in Anglophone Caribbean Literature” 12.20
Massimo Scalabrini, Indiana University-Bloomington: “Foreignness and Hybridity in the Macaronic Works of Teofilo Folengo” 12.09
Mara Scanlon, University of Mary Washington: “‘Afoot with my vision’: Presence, Accessibility, and Tourism in the Digital Age” 9.01
Mauro Scarabelli, Scuola Normale Superiore: “Paolo Del Rosso and His Fisica in Terza Rima” 8.19
Evelyn Scaramella, Manhattan College: “Transnational Vanguards: Race, Revolution, and Rebellion in the Work of Nancy Cunard, 1920-1939” 11.23
Elizabeth Scarlett, SUNY Buffalo: “Reading the Religious in Almodóvar” 5.07
Melissa Schaub, University of North Carolina-Pembroke: “Sensation and the Female Gentleman: From The Moonstone to Dorothy L. Sayers” 8.01
Noam Scheindlin, LaGuardia Community College-CUNY: “Memory, Experience, and the Place of Fiction: Georges Perec’s Writings about His Childhood” 2.15
Lisette Schillig, Lock Haven University: “Failure and Defiance: Jack Kerouac and American Hobo Culture” 4.02
Christopher Schmidt, City University of New York: “Urban Waste Lands and the Commons” 2.05
Christa Schneider, CUNY Graduate Center: “Gothic Stages in Lesbian Love Letters” 6.22
Andrew Schopp, SUNY Nassau Community College: “Interrogating Criminal Minds: Post-9/11 Popular Culture” 15.05
Sara D. Schotland, University of Maryland: “From Laura Wingfield to Joy-Hulga Hopewell: Stigmatyping the Disabled Single Woman” 9.21
Anne Schuchman, City University of New York: “Textual Reinterpretations of Medieval Lay Piety After the Council of Trent” 10.25
Kyla Schuller, Rutgers University: “Uncle Tom’s Tenement and the Evolution of Affect in the Age of Darwin” 3.05
Richard Schumaker, University of Maryland-University College: “Technology and Textuality in Contemporary Representations of Hamlet” 14.10
Emily Schusterbauer, Indiana University-Bloomington: “Reconfiguring the Religious Confessional in Alfred Kinsey’s Correspondence” 14.15
Jesse Schwartz, CUNY Graduate Center: “‘Dynamite Talk’: William Dean Howells, Literary Realism and the Legal Theory of Constructive Crime” 18.09
Daniel Scott, Rhode Island College: “Changing Wor(l)ds: Edouard Glissant’s Caribbean Discourse and Junot Diaz’s Oscar Wao” 7.24
Ramsey Scott, Brooklyn College-CUNY: “Guarded Speech: Language Poets, the Black Panthers, and the Remaking of American Literary History” 5.19
Roger Sedarat, Queens College-CUNY: “Beyond the Persian Letter: Translating the Literary Spirit of Iran” 14.23
Roger Sedarat, Queens College-CUNY: “Translation for the Graduate and Undergraduate Creative Writer” 7.26
Robert Seguin, Hartwick College: “The Ends of Revolution: Technology and Gender in Revolutionary Road” 3.06
Louis Segura, Rutgers University: “‘Este país es el paraíso’: Negotiating Costa Rica in Rovinski’s Cuento judíos de mi tierra” 2.15
Nereida Segura-Rico, The College of New Rochelle: “La memoria como prisión en El secreto de sus ojos” 12.08
Beth Seltzer, Temple University: “The Shakespeare Industry in Slings and Arrows” 14.10
Lorelle Semley, Wesleyan University: “Marc Kojo Tovalou Houenou, Black Internationalism and the Threat of ‘Evolution Revolution’” 17.06
Elif Sendur, Binghamton University: “Bending Ideologies, Educating the Masses: Cinema/Ideology/Criticism Revisited” 9.05
Nicoletta Serenata, Ohio State University: “Tomato Revolution in Italy” 5.10
Jorge Serrano, Montclair State University: “The African American Civilizationist Posture as Contentious Democratic Identity” 11.14
Greg Sevik, Binghamton University: “Trakl and the City: Benjamin, Trauma, and the Aesthetics of Corporeality” 13.10
Cyrus Shahan, Colby College: “Post-Punk, Subversive Consumerism, and Anti-Racism: Thomas Meinecke and Freiwillige Selbstkontrolle” 8.07
Lynn Shakinovsky, Wilfrid Laurier University: “Business and Terror in Charles Dickens’ A Tale of Two Cities” 8.16
Mahmoud Shalaby, University of Edinburgh: “Wole Soyinka and Modern Criticism” 7.15
Yasmine Shamma, Oxford University: “’Bring Me Red Demented Rooms’: Poetry in Urban Spaces” 2.05
Ines Shaw, SUNY Nassau Community College: “Capitu: Agency, Bisexuality, and Gender (In)Equality” 6.22
Lauren Shaw, Elmira College: “Habana Abierta and Madrid as Middle Ground” 11.06
Daniel Shea, Mount Saint Mary College: “History, Myth and the Aesthetics of Fascism in Modernist Fiction” 15.25
Guy Shebat, Youngstown State University: “What Happens to ‘Community’ When Composition Goes Online?” 17.15
Rebekah Sheldon, CUNY Graduate Center: “Affect, Phenomenology and Science Studies” 8.23
Devon Sherman, Rutgers University: “Righting the Rightless in Mary Wollstonecraft’s Maria: or, The Wrongs of Woman” 9.15
Alison Shonkwiler, University of Pennsylvania: “Comparing Realisms: Upton Sinclair’s The Jungle and Ruth Ozeki’s My Year of Meats” 8.10
Lauren Shufran, University of California-Santa Cruz: “Disembodying the Monstrous in Patrick Süskind’s Perfume: The Story of a Murderer” 9.10
Kay Sibbald, McGill University: “Victims that Become Heroes” 15.23
Antonella Sica, Genova Film Festival: “Il cortometraggio italiano nel terzo millennio. Stili, tendenze, prospettive” 7.06
Paola Sica, Connecticut College: “Unresolved Identities: The Impact of Science on Futurist Representations” 12.05
Grace Sikorski, Anne Arundel Community College: “De/Reconstructing Gender: Technology of Transmasculinity in Loren Cameron’s Queer Counterpublic” 10.06
Hannah Sikorski, Brown University: “Wandering Histories: Mrs. Dalloway and Romance” 11.15
Daniel F. Silva, Brown University: “Espaços (des)Imaginados: Articulando o Sertão Glauberiano com a Favela Contemporânea” 15.06
Erin Silver, McGill University: “Ghosts, Nomads, and Other Useful Transients: Histories of Feeling in the Structures of Queer Art” 11.08
Barbara Simerka, Queens College-CUNY: “Cognitive Theory and Hagiography in Angela de Azevedo’s Drama” 14.22
Sunka Simon, Swarthmore College: “New German Cinema on the Edge of Europe” 13.06
Carla Simonini, Youngstown State University: “Constructing America by Writing about Italy” 2.10
Karim Simpore, St. Lawrence University: “Vie animale, vie humaine : même cause, même combat selon J-M Le Clézio dans ‘’Pawana.’’” 4.16
Catherine Simpson, University of Richmond: “Siete vírgenes and Urban Youth Culture in Seville” 12.07
Joel Simundich, Brown University: “Mapping Memory and Placing Fictions of Place in Rebecca West’s Black Lamb and Grey Falcon” 2.04
Sean Singer, Rutgers University-Newark: “Making History Bearable: Lynda Hull and Reading Newark” 5.12
Jayshree Singh, Bhupal Nobles Post-Graduate Girls’ College: “The Female Players in The Indian Classical Plays of Kalidasa” 13.17
Yvonne Singh, Theater ATL/International: “Dust Tracks to Rainbows: Performing ZORA/Performing (Auto)Biography” 18.03
Lea Sinoimeri, University of Le Havre: “Listening to the Outer Voice: Translation and ‘mise en ondes’ in Samuel Beckett” 4.25
Mary Sisler, Bryn Mawr College: “The Allure of Cellini’s Vita: ‘Prima europeo che italiano’?” 3.04
Candace Skibba, Carnegie Mellon University: “Equally Authentic: Illness and Disability in the Films of Pedro Almodóvar” 5.07
Aga Skrodzka-Bates, Clemson University: “From Communist Poland to the 70s Euro Pudding: Walerian Borowczyk’s Story of Sin” 3.02
Dawn Slack, Kutztown University: “Acting within Acting: The De(Evolution) of Gender Role-Playing” 5.24
Noel Sloboda, Pennsylvania State University-York: “Poetry and the Academy: From the Chalkboard to the Page” 3.09
Alexandra Smith, University of Edinburgh: “Painting with Words: Tsvetaeva on Goethe’s ‘Der Erlkönig’ (1782).” 7.22
Amy Smith, Lamar University: “Desiring the Siren in Ellison and Woolf” 14.05
Gayle Smith, Independent Scholar: “Female Friendship in the Works, Times and Life of Sarah Orne Jewett” 12.26
Valerie M. Smith, Quinnipiac University: “‘a mighty and noble race’: Forbidden Planet, Technology, and Moral Authority” 3.06
Snjezana Smodlaka, Independent Scholar: “L’abbigliamento nei ritratti di Sofonisba Anguissola” 9.23
Edmund Smyth, Manchester Metropolitan University: “Camus, the Nouveau Roman and the Postmodern” 3.10
Mehgan Sobel, Seton Hall University: “Creating Identities and Boundaries Within Liminal Space” 14.13
Yair Solan, CUNY Graduate Center: “The Absurdity of Modernity: The Modernist Impulse in Robert Benchley’s Humor Writing” 13.01
Weijie Song, Rutgers University: “Allergy, Eulogy, and Ecocritical Poetics: Lin Huiyin and Modern Beijing” 11.24
Francisco Soto, College of Staten Island: “Más allá de la ficción: el legado intelectual de Reinaldo Arenas” 2.12
Rosa Soto, William Paterson University: “Leaving the Latino Behind? Representations of Pan-Latino in ’Ugly Betty’ and ’Modern Family’” 8.12
Leah Souffrant, City University of New York: “Resisting the Posture of Mastery: What the Unsaid Asserts” 10.15
Moussa Sow, The College of New Jersey: “L’aventure ambiguë ou de l’anthropologie de l’Europe” 2.09
Adriana Spahr, Grant MacEwan University: “El regalo de Pandora: sexualidad y mito en’La bella durmiente’ de Rosario Ferré” 15.13
Steven Spalding, Christopher Newport University: “The Global Urban Errant: Mobility and Meaning in the Autofiction of Patrick Deville” 8.25
Giovanni Spani, College of the Holy Cross: “Regionalismi nella commedia all’italiana di ieri e di oggi” 9.24
Andrea Speltz, Queen’s University-Kingston: “Autofictional Intertexts in Rousseau’s Émile and Wieland’s Agathon” 10.01
Barry Spence, University of Massachusetts Amherst: “Hellenic Polysemy: Joyce’s Multivalent Appropriations and Deployments” 4.13
Samia Spencer, Auburn University: “Paris et Montréal: terres d’accueil ou terres d’exil?” 10.12
Jennifer Meredith Spitzer, New York University: “Confronting Resistance: Unraveling the Freud-Lawrence Complex” 15.26
Jill Spivey, Cornell University: “‘All the Pretty Things’: Fashioned Reading in Louisa May Alcott’s Little Women” 13.02
Suzanne Spoor, Anne Arundel Community College: “PBL in English and Women’s Studies” 10.14
Christa Spreizer, Queens College-CUNY: “Nathanael the Hapless Consumer: Capitalism and Modern Medicine in ETA Hoffmann’s ‘The Sandman’” 8.03
Justin St. Clair, University of South Alabama: “Musical Notes: The Book Score as Paratext” 5.01
Tanja Stampfl, University of the Incarnate Word: “Are Literatures of the World the same as World lLterature?” 15.09
Rebecca Elaine Steele, University of Wyoming: “Containing the Queer in Stifter’s Brigitta” 13.14
Peter Steeves, DePaul University: “The Space of a Door: Mourning, Memory, Madness, Beckett” 2.08
Thomas Stephens, Rutgers University: “Translation in the Humanities: The Practical Applications” 9.20
Lindsay Steuber, The College of New Jersey: “Compulsory Masculinity in Eugene O’Neill’s Hairy Ape, Anna Christie, and The Iceman Cometh” 5.13
Suzanne Stewart-Steinberg, Brown University: “Best Practices at Pembroke Center, Brown University” 11.13
David Stillman, College of New Jersey: “Student-Led Conversation Hours at the College of New Jersey: Meeting New Challenges” 6.25
Katharyn Stober, University of North Texas: “The Pedagogical Fallacy of Hard Times” 9.04
Paula Straile-Costa, Ramapo College of New Jersey: “Violent Death and Xicana Indi′gena Healing: Cherrie Moraga’s play Digging Up the Dirt” 17.17
Dorothy Stringer, Temple University: “Assimilation and Melancholy Queerness in Junot Diaz and ZZ Packer” 7.21
Anna Strowe, University of Massachusetts-Amherst: “Translation (Studies) in the Academy: Myth, Reality, and Tenure.” 9.20
Jason Stupp, West Virginia University: “Composition and Incarceration: Redefining ‘Community’ in the Writing Classroom” 12.23
Judy Suh, Duquesne University: “Miss Brodie’s Creme de la Creme: Authoritarianism, Feminism, and Pedagogy” 14.16
Camelia Suleiman, Bryn Mawr College: “Technology in Teaching Communicative Competence” 12.25
Margaret Sullivan, Georgia Southern University: “A Door Slammed on Eden’: Djuna Barnes’ The Antiphon and Violating Religiosity” 11.23
Mathias Svalina, Metropolitan State College of Denver: “King David Redux: Louis Zukofsky’s Thanks to the Dictionary and the Instability of Intertextuality” 4.05
Michael Swacha, Georgetown University: “The Discourse of the Master as the Plane of Subversion” 4.14; “On Violence and the State: Torture, Jouissance and the Stripping of Bare Life” 9.08
Dana Symons, Buffalo State College: “‘But lat me be a felow’: Outlaw Justice in Robin Hood and the Monk” 10.18
Jeremi Szaniawski, Yale University: “Vampires and the Crisis of Masculinity in Kathryn Bigelow’s Near Dark” 6.07
Roberta Tabanelli, University of Missouri: “Mapping The Borders. An Overview Of Transnational Film Practice In Contemporary Italian Cinema” 12.06
Wan Sonya Tang, Yale University: “A Woman Possessed: How Emilia Pardo Bazán’s ’Possession’ Raised Hell in Her Day” 4.23
Claudia Tardelli, Cambridge University: “Utilizzo delle fonti classiche e rapporti con la tradizione esegetica anteriore nel Commento butiano” 2.11
Birgit Tautz, Bowdoin College: “Revise and Resubmit or How Reviewing Manuscripts Changed my Writing” 13.15
Anthea Taylor, University of Queensland: “‘New’ Single Women? Postfeminism and Enduring Cultural Fears of Singleness” 9.21
Julie Taylor, University of Oxford: “‘Grimly sentimental’: Djuna Barnes reads Little Eva” 4.09
Miles Taylor, Le Moyne College: “James IV and the Problem of Historical Romance” 4.11
Rebekah Taylor, Augusta State University: “Art, Fantasy, Madness: Reconstructing Nature in the Postmodern and Chester’s The Exquisite Corpse” 11.12
Richard Tayson, Graduate Center-CUNY: “Ghostly Language and Liminal Experience: William Blake, Patti Smith, and New York Punk of the ‘70s” 11.09
Anthony Teets, SUNY Stony Brook: “Feeling Utopic: Empathy and Vernon Lee’s Cosmopolitanism” 11.23
May Telmissany, University of Ottawa: “In and Out: Minor Literature and Nomadicism” 15.24
Anne Terrill, Rutgers University: “Spaces of Cultural Surveillance: The Museum and Library in Eliot’s Novels” 4.12
Kathrin Theumer, University of California-Santa Barbara: “Alma Rubens/José Manuel Poveda: The Mask Behind the Man” 12.18
Valérie Thiery Hastings, SUNY Buffalo: “La dédoublement du « je » dans Le mangeur de Ying Chen” 11.20
Margo Hobbs Thompson, Muhlenberg College: “Making Space for Feminist Erotica” 14.09
Robert C. Thompson, University of Maryland: “Indians in the Cabinet: Native Impersonation and Nineteenth-Century Spiritualist Performance” 2.07
Barbara E. Thornbury, Temple University: “Urban Narratives of Murderous Rage: Natsuo Kirino’s Out and Real World” 5.04
Courtney Thorsson, University of Oregon: “‘There were lives in the buildings’: Gwendolyn Brooks’s Black Aesthetic of the Domestic” 5.15
Amy Tibbitts, Beloit College: “Laying Down the Map: Tracing Memory and Maternity through the City in Lo raro es vivir” 8.26
Jana Tigchelaar, University of Kansas: “‘When friends marry, they are safe’: Rereading Marriage in Willa Cather’s O Pioneers!” 11.26
Virginia Tiger, Rutgers University-Newark: “The Once and Only William Golding” 6.13
Victoria Tillson, Elon University: “Guido, nessuno e centomila: Identity Crisis in Fellini’s 8 1/2” 8.05
Maddalena Tirabassi, Globus et Locus: “Italicity at Work” 16.06
Mary Ann Tobin, Triton College: “What Century is This? Nineteenth-Century Women in Today’s Academia” 10.24; “Hard Times in the Classroom: A Pedagogy for Student Success?” 9.04
Jelena Todorovic, University of Wisconsin-Madison: “How to Read a Medieval Text: A Case Study” 10.25
Michelle Tokarczyk, Goucher College: “Telling the Tale of the Bronx and Its People: A Working-Class Critic Writes Working Class Poetry” 3.09; “The Danger Zone: Representations of Working-Class Girls’ Sexuality by Cisneros and Allison” 7.12
Lilla Tőke, Rochester Institute of Technology: “Political Resistance and the Female Body in the Communist Comedies of Eastern Europe” 3.02
Greg Tomso, University of West Florida: “‘HIV Monsters’: Criminal HIV Transmission and Counterpublic Health” 10.06
Elizabeth Toohey, Principia College: “The Visitor: Self-Actualization, Globalization and the Ghost of 9-11” 15.05
Georgina Torello, Universidad de la República-Montevideo: “Sacrificio in vendita: Francesca Bertini e la Grande Guerra” 17.04
Minerva Ahumada Torres, LaGuardia Community College-CUNY: “The Silent Task of Building Worlds: Reader Performativity in Alvarez, Ferre, and Valenzuela” 13.18
Sergey Toymentsev, Rutgers University: “Beyond the Trial: Acting out and Working through the Soviet Trauma” 2.15
Stephen Trainor, Salve Regina University: “Responsible Citizens of the World: Teaching Orhan Pamuk’s Snow for the Core Curriculum” 11.25
Frances Tran, Graduate Center-CUNY: “Negotiating Temporality to Reclaim/Re-Imagine a Space of Resistance in Yamashita’s I Hotel” 3.16
Sharon Tran, University of California-Los Angeles: “De-Familiarizing Globalization: ‘Uncanny’ Speculative Aesthetics of Yamashita’s Tropic of Orange” 7.24
Bianca Tredennick, SUNY Oneonta: “‘What Would You Want with a Rabbit?’: Arguing Gender and Sexuality through ‘The Rabbit of Seville’” 9.09
Mario Trono, Mount Royal University: “The Housewife as Extreme Subject” 12.10
Whitney Trump, Stanford University: “Democratic Impulses, Undemocratic Conditions: Frederick Douglass and Rewriting” 8.13
Aaron Tucker, Ryerson University: “Seeing Beyond Humans in James Cameron’s Avatar: For an Audience of Machines” 14.19
Brian Tucker, Wabash College: “Enthrallment and Epiphany: Eichendorff’s Poetics of Temporal Compression” 5.22
Meriel Tulante, Philadelphia University: “‘Il volo delle quaglie’: The Transition from Fascism in Sebastiano Vassalli’s Writing” 18.12
Megan Tusler, University of Chicago: “Chicago’s Ordinary Image: The BIA archives and Indigeneity in Photographs” 13.04
Pauline Uchmanowicz, SUNY New Paltz: “Martín Espada: Resistance-Postmodern Poet” 9.14
Katica Urbanc, Wagner College: “Voices from the Margins: Art and Society in the Spanish Composition Classroom” 6.09
Cigdem Usekes, Western Connecticut State University: “(Un)Popularity of Slavery Plays: Aiken’s Uncle Tom’s Cabin and Hansberry’s The Drinking Gourd” 5.13
George Vahamikos, Duke University: “Broken Embraces: Calderón de la Barca’s La Cisma de Inglaterra and Anglo-Spanish Dynastic Politics” 2.13
Elena Valdez, Rutgers University: “Cuerpos en venta: el turismo sexual en la narrativa contemporánea del Caribe hispano” 6.26
Keja Valens, Salem State University: “Queer Persons and Things: Using Barbara Johnson for Queer Theory” 3.15
Daria Valentini, Stonehill College: “Blended and Online Models for the Teaching of Italian” 4.08
Tuire Valkeakari, Providence College: “Movement and the Formation of the African Diaspora in Lawrence Hill’s The Book of Negroes” 8.25
Lorenzo Valterza, University of Pennsylvania: “Roman Law and the Rhetoric of the Soul” 12.16
Nick Valvo, University of California-Davis: “Performing Non-knowledge: Wesley, Witnessing and the Assurance Debate” 10.20
Siuhong Van, Wilfrid Laurier University: “Girlhood, beauty, and aesthetic idealism in Jean Kwok’s Girl in Translation” 7.12
Emily Van Buskirk, Rutgers University: “Literary Character in Ginzburg and Grossman” 2.02
Tina Van Kley, Brandeis University: “‘Making Free with the Sacerdotal Habit’ in Sarah Scott’s A Journey Through Every Stage of Life” 10.11
James Van Wyck, Fordham University: “Stephen Crane’s Situation: Literary Journalism and the Creation of the ‘Jersey Shore’” 5.12
Sofia Varino, Stony Brook University: “Desire of the Other in the Theater According to Hélène Cixous” 4.06
Theresa Varney Kennedy, Baylor University: “Female Friendship in Yamina Benguigui’s Inch Allah dimanche” 7.10
Emily Vasiliauskas, Princeton University: “‘Second Hell’: Protestant Purgatories in The Spanish Tragedy” 9.11
Hunter Vaughan, Washington University in St. Louis: “6+1=7, or 6=7? - Early French Cinema at the Intersection of the Arts” 7.05
Amber Cobb Vazquez, George Washington University: “‘Mangled’ and ‘Ground through’: Consuming and Producing the Worker’s Body in Chartist Texts” 6.02
Helena Velena, Independent Scholar: “Le origini del fumetto lesbico italiano: il fumetto soft porno italiano degli anni Settanta” 11.04
Pramila Venkateswaran, SUNY Nassau Community College: “The Heart of Distance: A Meditation” 6.23
Renato Ventura, University of Dayton: “Vitaliano Brancati: Irony and Hegemonic Masculinity” 14.21; “Figure maschili nei B-movies italiani” 9.24
Javier Venturi, University of Massachusetts-Amherst: “España y Latinoamérica: el reencuentro en la era de la globalización en el filme Qué tan lejos” 10.08
Zackary Vernon, University of North Carolina-Chapel Hill: “The Social Utilities of Ecocriticism and Agrarianism” 7.08
Gabriela Alejandra Veronelli, SUNY Binghamton: “Engaging Hybrid Linguistic Legacies through a Post-colonial Theory of Communication as Echo” 17.13
Trish Verrone, Caldwell College: “Extending the Boundaries of Detective Fiction: Esau, Poe and T.C. Boyle’s Talk Talk” 18.04
Roberto Vezzani, University of Michigan: “De Chirico/De Sica: Pictorial Influences in the Urban Landscape of Bicycle Thieves” 18.02
Eduardo Viana da Silva, University of California-Santa Barbara: “The Forgotten Kids - Transgressing Social Boundaries in Los Olvidados and Capitães de Areia” 8.06
Cristina Villa, University of Southern California: “The Fight for Independence in Boito and Visconti’s Senso” 10.22; “La Shoah e l’elaborazione del lutto nel cinema italiano” 7.07
Andrés Villagrá, Pace University: “Social Learning and Scholarship in Open Education” 3.01
Anita Virga, University of Connecticut: “I luoghi di Gomorra” 14.26
Christopher Vitale, Pratt Institute: “Vilem Flusser: Neo-Medievalism and the Techno-Image” 11.15
Penny Vlagopoulos, Texas A&M International University: “A Transnational Politics of Solidarity: Mobilities of Resistance in Ethnic American Literature” 8.25
Frederick Waage, East Tennessee State University: “The Secret Life of The Death of Iron” 5.20
Bill Waddell, St. John Fisher College: “‘It frightens me, too’: Transnational Womanhood in Mukherjee’s Jasmine” 13.18
Stephanie Wade, Rowan University: “‘Standpoint of Dreams’: Utopia and Dystopia in Starhawk’s Fifth Sacred Thing” 5.20
Maya Higashi Wakana, Ritsumeikan University: “Fashioning the Self in Wharton’s The Age of Innocence” 13.02
Karen Waldron, College of the Atlantic: “Willa Cather’s Literary Ecology in O Pioneers!” 8.24
Rachel Ann Walsh, Stony Brook University: “Accounting for Necropower: Spectacularizing the Redaction in Wafaa Bilal’s Domestic Tension” 9.08
Tracey Walters, SUNY Stony Brook: “A Black Girl in Paris: Silence & Submission in Ousmane Sembene’s Black Girl” 15.08
Tracey L. Walters, SUNY Stony Brook: “Is Zadie Smith the Post-Racial Writer of her Generation?” 13.19
Steven Wandler, Harvard University: “Narrative and Epistemology: Context, Time, and Knowing” 13.23
Emily Wang, Princeton University: “Acmeist Mythopoetics: Nikolai Gumilev, Viacheslav Ivanov, and ‘Eidolology’” 5.02
Fei Wang, Borough of Manhattan Community College-CUNY: “A Dialogic View in Creating a Transparent and Visible Writing Community” 12.23
Sean Ward, Duke University: “Beckett’s Watt, Potentiality, and Allegorical Exhaustion” 2.08
Robert Wauhkonen, Lesley University: “Proceed With Caution: The Perilous Road to Success in Anderson’s ‘The Egg’” 4.02
Christy Webb, University of North Carolina-Chapel Hill: “The Asylum and the Domestic Ideal in Fanny Fern’s Ruth Hall” 2.06
Julia Weber, Freie Universitaet Berlin: “‘Come on let’s have a swing’: The Semantics of Space and (E)motion in Fontane’s Effi Briest” 15.07
Kym Weed, University of Maryland: “Encounters and the Metaphorics of Disease in Cesaire’s Notebook of a Return to the Native Land” 2.14
Jaime Weida, Borough of Manhattan Community College-CUNY: “Lisbeth Salander: The Dragon Tattoo, the Male Gaze, and the Voyeuristic Reader’” 6.22
Marc Weiland, Martin-Luther-Universitaet Halle: “Paprika, Puszta, Palinka? Das Ungarnbild in der Gegenwartsliteratur” 7.20
David Weiss, Palazzi, Florence Association For International Education: “Calvino, the City, a Project for Students of Contemporary Italian Lit.: the Visual Interpretatation” 17.01
Shayna Weiss, New York University: “A Beach of Their Own: Gender-Segregated Beaches in Israel” 2.14
Emily West, McMaster University: “The Bride Stripped Bare: Dress and Undress in Defoe’s Roxana” 10.11
Jacob White, Johnson State College: “The Days Down Here: Art and Ethics in the Basement of Fiction” 15.19
William White, Pennsylvania State University: “Role-Playing Communities, Cultures of Play, and the Discourse of Immersion” 14.07
Robin C. Whittaker, University of Toronto-Scarborough: “‘Entirely Free of Any Amateurishness’: The Women’s Dramatic Club of University College” 2.07
Anja Wieden, University of North Carolina-Chapel Hill: “Capturing a Humoristic World – the Experience of Wartime Rape in Anonyma’s Eine Frau in Berlin” 9.07
Markus Wiefarn, Ludwig-Maximilians-Universität München: “In the Crosshairs of the Berlin Republic: Dissidence and Surveillance in Peltzer’s Teil der Lösung” 9.16
Thomas Wild, Vanderbilt University: “Konjunktionen. Zu politischen und textuellen Zwischenräumen” 18.08
Andreá N. Williams, Ohio State University: “The Single Woman and Racial Stigma in Early African American Literature” 9.21
Bruce Williams, William Paterson University: “Understanding Korean Culture through its Key Conceptual Words” 8.09
Cameron Williams, University of Florida: “Collecting Charlotte von Mahlsdorf: ‘I Am My Own Wife’ and the Politics of Nostalgia” 7.03
Erika R. Williams, Emerson College: “Mythic Re-telling and Revision in the Literature of W. E. B. DuBois” 17.09
Jennifer H. Williams, Calvin College: “Saint Chic: Gertrude Stein and the Marketing of Americans” 4.05
Jessica L. Williams, St. John’s University: “The Appropriation of an Epic: Lucille Clifton and John Milton Retell Genesis” 17.09
Michael Williams, University of South Africa: “‘a sad jar of atoms’: Aspects of Religious and Political Skepticism in Byron and Some Contemporaries” 11.16
Rebecca Williams, Graduate Center-CUNY: “The Practice of Social Engagement: Facebook ‘Likes’ Feminism” 8.08
Todd O. Williams, Kutztown University: “Redemptive Nature in Rossetti’s Goblin Market and Other Poems” 8.15
Mac Wilson, Rutgers University: “Spanning the Abyss: Ecopoiesis of Landscape and Place in the Poetry of Juan L. Ortiz” 9.03
Matthew Wilson, Pennsylvania State University: “Witnessing Through the Imagination: Lillian Nattel’s The River Midnight” 3.08
Leila Wimmer, London Metropolitan University: “The Other Cinephilia: Popular Film Journals of the 1930s” 5.06
Suzanne Winkel, Arizona State University: “Maternal Discord in Edward Albee’s Who’s Afraid of Virginia Woolf?” 5.13
Christopher Winks, Queens College-CUNY: “A Labyrinth Before Dying: Lorenzo García Vega’s Neo-Baroque Poetics” 10.17
Craig Woelfel, University of Notre Dame: “Eliot’s Beliefs about Belief” 4.05
Shirley Wong, New York University: “Between the Local and the Global: The Synecdochic Imagination and Transnational Irish Identity” 13.03
Jane M. Wood, Park University: “A Good Home is Hard to Maintain: Authorial Intent and the Childhood Homes of Cather and O’Connor” 9.01
Tara Wood, Rutgers University: “Re-Bodying Democratic Identity in Baldwin’s Another Country” 11.14
Tim Wood, SUNY Nassau Community College: “Celia’s L. Z. ‘Mask’: Readerly Authority in Louis Zukofsky’s A” 10.15
Stephanie Wooler, Harvard University: “Through A Glass Darkly: The Actress and The Morgue in Zola” 3.13
Jennifer Mary Woolston, Indiana University of Pennsylvania: “‘Have You Seen My Childhood?’: Michael Jackson, J.M. Barrie, and Peter Pan” 18.07
John Woznicki, Holy Family University: “‘What Maximum has to do with Gloucester...[?]’: Comparing Williams’ and Olson’s Use of the Local” 6.01
Laura Wright, Western Carolina University: “Reading Deepa Mehta’s Water Post-Slumdog” 15.08
Margaret Wright, SUNY Stony Brook: “‘Quitting the Road to Ill-Being’: The Nature/Culture Duel in the Victorian Novel” 8.15
Simona Wright, The College of New Jersey: “Facebook, Twitter and Shakespeare: A (R)evolution” 10.09
Simona Wright, The College of New Jersey: “NeMLA Italian Studies: New Perspectives for Italian and Italian Studies in the XXI century” 13.15
Sunny Xiang, University of California-Berkeley: “Exhausting the Exhaustive List: Legalistic and Novelistic Readings of Human Rights” 5.09
Zhanna Yablokova, Borough of Manhattan Community College-CUNY: “Collaborative Analysis in a Literature Class” 3.01
Lori Yamato, Graduate Center-CUNY: “Kierkegaard’s Silent Sibyl: The Haunted Epigraph and Epilogue of Fear and Trembling” 5.01
Katie Yandrick-Mansberry, Eastern Kentucky University: “‘The rest of the time he stayed on the sofa’: Raymond Carver’s Men and PTSD in Cathedral” 7.25
Katie Yankura, Georgetown University: “Behind the Veneer of Unification: Sexism, Ageism, and Humanism as ‘Alltag’ in ‘Sommer Vorm Balkon’” 5.08
Paloma Yannakakis, Cornell University: “At the Scene of Writing: Diamela Eltit’s Lumpérica’” 18.01
Andrew Yerkes, Nanyang Technological University: “Reopening the Case of Bigger Thomas: Neurolaw and Agency in Native Son” 18.09
Hulya Yilmaz, Pennsylvania State University: “Alternative Turkish Contexts in Contemporary German Literature and Film” 13.06
JaeEun Yoo, Rutgers University: “‘A Nothingness Capable of Damage’: Trauma, Identity and Alterity in The Foreign Student” 15.17
Josephine Yu, Florida State University: “In Defense of the Bodice Ripper: How A Stint in County Lockup Sparked my Affair with Romance Novels” 6.23
Marion Yudow, Rutgers University: “Moving Toward Standards-Based Instruction in Higher Education” 12.02
Marilena Zackheos, George Washington University: “Queer Subjectivity, Ex-isle and Belonging in Shyam Selvadurai’s Funny Boy” 6.12
Luca Zamparini, Kingsborough Community College-CUNY: “La Resistenza per Alessandro Blasetti. Il neorealismo eterodosso di ‘Un giorno nella vita.’” 18.12
Phillip Zapkin, University of Vermont: “Critically Passing: How Nella Larsen’s Passing Passed Before Queer Theory” 4.19
Enea Zaramella, Princeton University: “Listening to Fernando Ortiz’ Latin American Contrapunteo” 17.02
Barbara Zecchi, University of Massachusetts-Amherst: “Inmigración en femenino: de nosotras a otras” 10.08
Susan Zieger, University of California-Riverside: “Media Intoxication, Memory, and Du Maurier” 14.24
Margrit Zinggeler, Eastern Michigan University: “Hybrid Identities in Literature by ‘Secondas’ and ‘Secondos’ in Switzerland” 9.02
Dominique Zino, CUNY Graduate Center: “Hopeful Perchings and Stressful Suspensions: Emily Dickinson and Joseph Cornell” 14.04
Silas Zobal, Susquehanna University: “‘Immature Poets Borrow: Mature Poets Steal’: The Archeology of Originality” 15.19
Joyce Zonana, Borough of Manhattan Community College-CUNY: “‘A word you could put to Brooklyn, NY’: Betty Smith’s Francie Nolan as Archetypal Brooklyn Poet” 9.12