Presenter Index

The following index lists all presenters. The title of each presenter$rsquo;s paper is also listed. Click the session number after the paper title to see a full listing of information about the session in which the presenter appears.

Keith Kumasen Abbott, Naropa University: “Nothing Is Forever: Philip Zenshin Whalen’s Poem ‘Kozanji’ and The Kyoto Years 1966-1971” 14.19
Julien Abed, Université Paris IV-Sorbonne: “Animal Symbolism in the Prophecies of the Sibyl: two short texts concerning the Hundred Years War” 13.17
Elizabeth Abele, SUNY Nassau Community College: “The Trickster Author: Resisting Absorption in Sherman Alexie's Indian Killer and Flight” 10.24
Joseph Abraham Levi, University of Hong Kong: “Rising Like a Phoenix from the Ashes: Idea(l)s of Nation and Nation-Building in the Works of Abdulai” 6.03
Julia Abramson, University of Oklahoma: “Advocating for the Self in Diderot’s Religieuse (1784)” 2.14
Amar Acheraïou, Independent Scholar: “Ethical Encounters in Imperial Contexts” 16.02
Amanda Adams, Temple University: “Review or Revision? Henry James, George Eliot and the Moment of Daniel Deronda” 4.24
Jose María Aguilera Manzano, University of Cantabria: “La literatura cubana del siglo XIX y el proceso de construcción de la identidad nacional hispánica” 4.11
Christiane Albert, Université de Pau et des pays d’Adour: “‘Dire l’ailleurs autrement’: un enjeu pour l’écrivain migrant” 4.16
Arcana Albright, Albright College: “Barely There: Jean-Philippe Toussaint’s Minimalist Autobiographical Writing” 8.18
Tiffany Aldrich MacBain, University of Puget Sound: “Bad Blood: The Problem with Children in The Portrait of a Lady” 7.12
Barbara Alfano, Bennington College: “Unlocking Italian Culture for Students of Italian 1” 13.07
Jean Marie Alger, University of Central Oklahoma: “The Middle Way of Middle-earth: Living With the Environment in the Works of J.R.R. Tolkien” 14.20
Madera Allan, Lawrence University: “Shared History: Lope deVega’s Radical Proposition” 4.19
Paul Almonte, St. Peter’s College: “‘Let the Blood Be Seen’: Reading War and Genocide Through History and Literature” 9.11
Leann Davis Alspaugh, Independent Scholar: “‘Howgarth’s Witty Chissel’: Hogarth’s Frontispieces For Tristam Shandy” 6.05
Russell Alt, Washington University in St. Louis: “Of Marches and Fugues: Teaching Celan’s ‘Deathfugue’ through ‘Lili Marleen’” 14.05
Josefa Alvarez, LeMoyne College: “Monólogo interior y reflexión metapoética en la poesía de Aurora Luque” 6.11
María Gabriela Álvarez, Stony Brook University: “Masculinity (and Mexican National Identity) is a Joke: Carlos Cuarón’s Rudo y Cursi Take a Jab” 12.11
Benoni Amsden, Center for Rural Partnerships: “Nostalgia, Tourism, and the Cultural Logic of Late Capitalism” 17.04
Wiebke Amthor, Freie Universität Berlin: “The Architecture of Waiting in W.G. Sebald’s Novel Austerlitz” 1.12
Nilgun Anadolu-Okur, Temple University: “Youth, Race and Alienation in Ralph Ellison and James Baldwin” 4.20
Elizabeth Anderman, University of Colorado-Boulder: “Serialization, Illustration and Sensation: The Woman in White and Lady Audley’s Secret"” 5.22; “Service: A Way to Keep Your Sanity” 7.25
Mary Jane Androne, Albright College: “Infidel: Ayaan Hirsi Ali’s Long Journey” 17.02
Adrienne Angelo, Auburn University: “Textual Transgressions in Calixthe Belaya’s Femme nue femme noire” 13.16
Sallie Anglin, University of Mississippi: “Generative Motion: Queer Ecology as a Process of Becoming” 8.01
Antonella Ansani, Queensborough Community College-CUNY: “Teaching with Technology: The Integration of Culture and Language in the Italian Classroom” 13.08
Roberta Antognini, Vassar College: “‘Lectura Petrarce’: ‘Intertextual Connections’ between RVF 40 and the first letter of the Familiares” 1.09
Michael A. Antonucci, Keene State College: “‘Sittin’ On Top of the World’: A Cosideration of Blues Space &Time in Black Poetry” 1.18
Elizabeth Twitchell Antrim, Bard College: “Post-9/11 Pastoral in Colum McCann’s Let the Great World Spin and Joseph O’Neill’s Netherland” 9.24
Marcia Arbex, Université Fédérale de Minas Gerais: “Jeux spéculaires dans les récits contemporains” 9.17
Charles Archer, University of York: “Chaucer’s ‘Alocen’: Ibn al-Haytham and The Squire’s Tale” 12.04
María Arias-Zelidón, Temple University: “Don Luis de Góngora como visión de la libertad en la obra de Rubén Darío” 13.03
Juanita Aristizábal, Yale University: “Decadencia e individualismo en Fernando Vallejo” 12.11
Christiane Arndt, Queen’s University: “(De-)Mystification: Wilhelm Raabe’s Zum Wilden Mann” 1.13
Heidi Arsenault, Cornell University: “Atwood and the Language Question” 5.18
Brittany Asaro, University of California-Los Angeles: “Personification in Dante Alighieri’s Vita Nuova: Experimenting by Embracing Tradition” 1.09
Jennifer Askey, Kansas State University: “Maxim Biller: Location, Location, Location” 14.13
Belén Atienza, Clark University: “Vergüenza y silencio: Lo que calló Preciosa y lo que Cervantes no escribió” 16.11
Kate Attkisson, University of North Carolina-Chapel Hill: “Seeing ‘thro... not with the eye’: How William Blake Taught Samuel Palmer’s ‘Artful Brain’” 13.09
Kjerstin Aukrust, University of Oslo: “Que charongnes, que morts, ou visages affreux – The Huguenot Wars in Agrippa d’Aubigné” 13.17
Tiffany Austin, Saint Louis University: “‘What is she, a gypsy?’ The Portuguese Body in Gayl Jones’s Corregidora” 4.03
Elaine Auyoung, Harvard University: “‘An Eye for Such Mysteries’: Thomas Hardy and the Art of Inference” 14.03
Jennifer Backman, Purdue University: “‘A Traditionally Shaped Woman’: Alimentary Imagery in Morality for Beautiful Girls” 12.05
Carlos Badessich, University of St. Thomas: “La narrativa visual en novelas gráficas de Paco Roca” 13.04
Ariane Baer-Harper, SUNY Geneseo: “Creating a Space where Tradition and Modern Meet: So Long a Letter by Mariama Bâ” 16.07
Laura Baffoni Licata, Tufts University: “Impegno storico e civile nella lirica luziana” 11.12
Poonam Bajwa, University of Ottawa: “Margaret Atwood’s The Edible Woman and the Rise of the Canadian Academic Novel” 5.18
Courtney Baker, Connecticut College: “DuBois’s Eye: Romantic and Radical Vision of Modern Art in W.E.B. DuBois’s Dark Princess” 4.06
Lisette Balabarca, Colby College: “Realidad y ciencia ficción en la historieta sudamericana: El caso de El eternauta y Rupay” 13.04
Rommy Balabarca-Fataccioli, Boston University: “Ciudad representante, ciudad representada: Lima en Adiós Ayacucho, novela de la violencia políti” 16.10
Franco Baldasso, New York University: “Angelica Farfalla and the Gorgon. Petrification of the world and metaphors of flight in Levi” 2.12
Stacey Balkan, Bergen Community College: “‘Metropolitan Migrants’ after the Apocalypse: Urban Indiós in the Postmodern City” 4.17
Andrew Ball, Purdue University: “Elegiac Testimony: Sacrifice, Redemption and Responsibility in Virginia Woolf’s Ethics of Mourning” 16.02
Emily Ballantyne, Trent University: “‘Til Green Became the Total Spectrum’: Identities, Landscape and P.K. Page’s Brazilian Poetry” 12.20
Elisabeth Balss-Brehm, Johannes Gutenberg-Universität Mainz: “Inherited Patterns and Innovative Structures: The Case of Forensic Crime Narration” 1.08
Lindsey Michael Banco, University of Saskatchewan: “Porterhouse Steaks and Blood-Drenched Frisbees: Imagining Animal Minds in Snow Crash” 16.03
Ria Banerjee, CUNY Graduate Center: “Mad Language, Convention, and Myth-making in the works of Rachilde and George Egerton” 7.19
Andrei Barashkov, Middlebury College: “Giannettino Learns Italian: The Linguistic Norm and Variations in the School Texts by Carlo Collodi” 16.14
Chris Baratta, Binghamton University: “Philosophy of the Natural World in Film: An Eco-Existential Look at Baraka” 4.18
John Levi Barnard, Boston University: “The End(s) of The Road: Literature at the Outer Banks of Humanity” 5.25
Dara Barnat, Tel Aviv University: “Exploring Muriel Rukeyser’s Liturgical Poetics” 13.05
Leslie Barnes, New York University: “Repurposed Forms for New Forms of Argument: Disraeli’s Adaptation of the Historical Novel in Sybil” 11.17
Sharon L. Barnes, University of Toledo: “Seboulisa and Me: Audre Lorde and Feminist Spirituality” 6.24
Regina Barnett, Florida State University: “Stay Trappin’: Gender Politics of Rapper T.I.” 4.12
Luana Barossi, Universidade de São Paulo: “Cyberliterature in Portuguese and the Canon” 4.03
Mirta Barrea-Marlys, Monmouth University: “The Social Discourse of Marriage: Disharmony of Voice in María de Zayas’s Desengaños amorosos” 16.11
Paul Barrett, Queen’s University: “Narrating the Indian-Canadian Diaspora” 1.02
Adam Barrows, Carleton University: “Immortality and International Railway Travel: A Study of Kipling’s ‘The Wandering Jew’” 16.17
Daniela Bartalesi-Graf, Tufts University: “Studenti universitari italiani e americani: i sondaggi come strumento di confronto culturale” 17.08
Kirsten Bartholomew Ortega, University of Colorado-Colorado Springs: “The Scarred Body in and of Audre Lorde’s Poetry” 9.01
Joshua Bartlett, University at Albany: “‘In the heart of the city, they lie’: The Question of Hearts in Longfellow’s Evangeline” 1.19
Anna Barton, Keele University: “By An Evolutionist: Infantile Language and Paternal Desire in In Memoriam” 13.20
Lison Baselis-Bitoun, Harvard University: “La guerre civile, hier et aujourd’hui” 13.17
Michael Basile, New Jersey City University: “Textual Variation Opens the Door to Early Modern Dramatic Texts” 5.12
Funda Basak Baskan, Middle East Technical University: “‘Bed of Roses (?)’: Beauty and the Beast and Its Post/Modern Rewritings” 13.02
Charles R. Batson, Union College: “Transgression and Liminality in/as Larry Tremblay’s Montreal” 14.07
Jes Battis, University of Regina: “Urban Gayboy: Youth and the Queer City in David Levithan’s Boy Meets Boy” 9.12
Esther Bauer, Virginia Polytechnic Institute and State University: “Destination ‘I’: Travel in Judith Hermann’s ‘Nichts als Gespenster’” 13.14
Heike Bauer, University of London: “Fascist Discipline and the Death of Sexology: The Burning at the Stake of Magnus Hirschfeld” 7.17
Karin Bauer, McGill University: “Normalizing Transgression--Narrating the RAF” 3.06
Brad Baumgartner, Indiana University of Pennsylvania: “Going ‘Gracelessly/As Things Go’: The Queer Slummings of Mina Loy” 9.12
Nicoleta Bazgan, University of Maryland-Baltimore County: “The Invisible Metropolis in Coline Serreau’s Chaos and Stephen Frears’s Dirty Pretty Things” 2.05
Jennifer Beauvais, Université de Montréal: “Men Gone Wild: Dr. Jekyll and Sister Hyde” 10.02
Gérard Beck, George Mason University: “Globalization, Multi-Culturalism and the Self in van Cauwelaert’s Novels” 8.18
Mattia Begali, University of Madison-Wisconsin / Duke University: “De Romani coeli qualitatibus: Arcadian Poetics and the Rise of Modern Climatology” 7.03
Nicola Behrmann, New York University: “The Lady Vanished: Narrative Vaults in Stifter’s Turmaline” 1.12
Sara Danièle Bélanger Michaud, Université de Montréal: “Simone Weil as Femina Sacra” 9.20
Silvia Belén-Ramos, Fairleigh Dickinson University: “Maria Elena Walsh y su aporte innovador a la literatura infantil argentina” 8.03
Maritza Bell-Corrales, Macon State College: “Cultural Aspects and Etiquette in the Spanish for Business Classroom” 14.17
Stéphanie Bellemare-Page, Université du Québec à Montréal: “Pratiques du ‘border writing’ dans l’écriture migrante au Québec” 4.16
Steven Bellomy, University of South Carolina: “The Travelling Faces and Confessional Spaces of Wieland” 2.16
Alaeddine Ben Abdallah, Université d’Ottawa: “Maghrébinité, entre binarité et éclatement: Meddeb et Khatibi” 7.16
Matteo Benassi, Rutgers - The State University of New Jersey: “Corpi e corporalita’ in alcuni poeti contemporanei” 10.14
Geoff Bender, University of Rochester: “No Home to Be Found: James Fenimore Cooper’s Failed Cosmopolitan Identity” 17.16
Melissa Bender, University of California-Davis: “Care and Discipline, Welfare and Regulation: The Dysfunctional Family Memoir and the Economic Crisis” 14.23
Lavinia Benedetti, Tsinghua University: “An Attempt to Bring Realism into Detective Fiction: A Traditional Chinese Detective Fiction Case Stu” 1.08
Elena Benelli, Concordia University: “In Search of Hospitality: The Experience of Three Migrant Writers in Italy” 17.05
Domenic A. Beneventi, CELAT – UQAM: “Montreal Underground” 14.07
Chad Bennett, Cornell University: “Camp Consolations: Frank O’Hara’s James Dean Elegies” 13.24
Christina Benson, City of New York Archives: “Closing the Distance: Primary Sources for Online Learning” 4.07
Galia Benziman, Tel Aviv University and the Open University: “The Child of Modernism: Redefining Romantic Subjectivity” 4.04
Sylvie Bérard, Trent University: “Déviances dans la maison du père: les héroїnes décalées de Martine Desjardins” 17.13
León Berdichevsky, University of Toronto: “Leyendo e imaginando la historia: La ficción gráfica de Julio Cortázar” 13.04
Maggie Berg, Queen’s University: “Nationality and Vivisection in Villette” 12.21
Jason Berger, University of South Dakota: “In Defense of Paranoid Interpretation: Žižek’s Autonomous Aesthetics” 7.06
Franziska Bergmann, University of Tuebingen: “The Dialectics of Feminism and Queerness in a Neoliberalist World. René Pollesch’s Plays” 12.01
Michael Berman, Brock University: “The Hero and the Political: Visions of the Future in Frank Miller’s Dark Knight” 12.09
Enrico Bernard, University of Zurich: “Eros mediterraneo ed etica protestante in Europa” 16.12
Jean-Francois Bernard, Université de Montréal: “‘I to the world am like a drop of water’: The Agency of Water in Shakespearean Comedy” 6.21
Karin Bernfeld, Paris VII: “Ecriture de l’anorexie: crier son mal, crier sa mort” 1.14
Iain Bernhoft, Boston University: “Martin Delany’s Transnational Archaeology” 10.23
Isabella Bertoletti, Fashion Institute of Technology-SUNY: “Let it bleed: Petrarch’s Lyrics Pouring out of a Wounded Body” 10.01
Andrea Beverly, Université de Montréal: “Monsters of Canadian Multiculturalism: Suzette Mayr’s Venous Hum” 12.02
Giada Biasetti, Iowa State University: “El diálogo entre Historia y Ficcion en La casa de la laguna: subversión y reescritura del pasado” 13.19
Sara Biggs Chaney, Dartmouth Institute for Writing and Rhetoric: “Global Autobiography: Writing Class, Consumerism, Whiteness” 11.11; “Revising in(to) New Media: Expanded Strategies for New Audiences” 12.07
Chempakathinal Scaria Biju, St. Thomas’ College: “Performance and the Discourse of Race: Interrogating the Performing Body” 17.15
Rachel Billigheimer: “Blake and Yeats: Influence and Deviation” 8.07
Hilary Binda, Tufts University School of the Museum of Fine Arts: “The Romance of Science and Time” 8.10
Daniela Bisello Antonucci, Princeton University: “‘La giusta distanza’: lo sguardo di Mazzacurati sulla nuova realtà italiana” 14.02
Karen Elizabeth Bishop, Harvard University: “Spatial Ontologies of Disappearance in Tomas Eloy Martinez’s ‘La novela de Perón’” 5.10
Debarati Biswas, The Graduate Center-CUNY: “Constructions of Black Masculinity Within the Walled Spaces” 8.25
Carlotta Bizzarri, University of Florence: “Italian Cities and children’s perspectives” 13.06
Jonathan Black, Kingston University: “The Hallucination of the Machine? Futurism and Combat in the Imagery of CRW Nevinson and G Severini” 11.05
Lorelei Blackburn, Michigan State University: “The Challenges and Opportunities of Responding to Representations of Trauma in Ugandan Classrooms” 6.12
Marie Blackman, University of Massachusetts: “Languages and Nations in Shakespeare’s Plays” 2.06
Jill Blackstone, Boston University: “The visual representation of the New World in Naufragios by Álvar Núñez Cabeza de Vaca” 17.06
David Bleich, University of Rochester: “University Inhibition of Political Teaching of Literature” 10.13
Françoise Bleys, Université de Sherbrooke: “TICe et développement de la compétence scripturale en FLE: perceptions d’étudiants” 9.06
Marcelline Block, Princeton University: “Demystifying the Process of Edited Collections: Sharing Publishing Experiences Through Mentoring” 12.13
Rita Bode, Trent University: “Romola in the Cornhill: Pictures and Text” 2.17; “Forever Cross-Listed: Teaching Women’s Studies in other Departments” 8.08
Magdalena Bogacka, CUNY Graduate Center: “Closeted Exchange: Epistolary Lesbian Discourse in Cleland’s Fanny Hill” 17.09
Riccardo Boglione, Società Dante Alighieri di Montevideo: “Coazione a sperimentare: il neoavanguardismo di Gian Pio Torricelli” 1.10
Arnd Bohm, Carleton University: “Myths as Myths of Resistance: Gertrud Leutenegger” 13.13
Laura Bohn, Yale University: “Narrative Perspective and Promises of Transnationalism in Terézia Mora’s Alle Tage” 16.15
Jasmina Bolfek-Radovani, University of Westminster: “Space and Memory in Assia Djebar’s L’Amour, la Fantasia and Jacques Poulin’s Volkwagen Blues” 16.07
Vincenzo Bollettino, Montclair State University: “Narrative Devices in Fellini’s ‘Amarcord’” 13.18
Heidi Bollinger, University of Rochester: “The Silence of Rodney King in Anna Deavere Smith’s Twilight: Los Angeles, 1992” 10.25
Alessio Bologna, Università Cattolica del Sacro Cuore of Milano: “Esempi di riscrittura nelle Collettanee in morte dell’Aquilano” 1.11
Cornel Bonca, California State University-Fullerton: “Surviving the Perfect Storm: Book Reviewing in the Twenty-Teens” 2.09
Simona Bondavalli, Vassar College: “Garbage Displacement and the Globalization of Crime in Garrone’s Gomorra” 1.06
Florence Dee Boodakian, SUNY-Nassau Community College: “Translating Silence: The Multilingual Position of the Witness” 14.18
Erick Bordeleau, McGill University: “Surviving to Oneself after Tiananmen: Wang Xiaoshuai’s Frozen (1996)” 1.01
Todd Borlik, Bloomsburg University: “Timon of Walden” 6.21
Evelyne M. Bornier, Southeastern Louisiana University: “Boosting Enrollment in the College French Program: The Benefits of Service Learning” 9.16
Antonello Borra, University of Vermont: “Camillo Pennati: il paesaggio in parole” 11.12
Matthew C. Borushko, Stonehill College: “Figures of Disintegration: Theodor Adorno’s Aesthetics of Nonviolence” 12.10
Nicole Boudreau, University of Kansas: “J’ai deux cultures de trop: la langue acadienne comme outil de revendication identitaire” 1.17
Karen Bouwer, University of San Francisco: “Werewere Liking: Memory, Interrupted” 11.13
Betsy Bowen, Fairfield University: “Intimate Enemies, Competing Cultures, or Partners?” 10.20
Deborah Bowen, Redeemer University College: “Narrative imagination, poetic story, and ethical engagement: Alice Major, Don McKay” 17.03; “Five Things I Wish I had Known Before Starting on that Collection” 12.13
Aubrey Bowser, Independent Scholar: “Engraving Taste: Hogarth’s Early Satires on Theatre and Their Rhetorical Parallelism to Pantomime” 6.05
Ian Boyd, University of Delaware: “Spare the Revolver, Spoil the Child: Didacticism in the Novels of Max Brand” 3.20
Joy Bracewell, University of Georgia: “The Paradox of Race after Transatlantic Emancipation: Illustrated Versions of Pudd’nhead Wilson” 5.22
Claire Bracken, Union College: “Disintegration, Damage and Desire: Kirsten Sheridan’s Disco Pigs” 10.08
Tyler Bradway, Rutgers University: “Jeanette Winterson, Ethics, and Literature as ‘Energetic Space’” 12.10
Owen E. Brady, Clarkson University: “Walter Mosley’s Easy Rawlins: The Domesticated Detective” 8.25
Trisha Brady, SUNY Buffalo: “Catastrophe, Collective Memory, and Belonging in Palestinian Personal Account Literature” 1.02
Svea Braeunert, Humboldt-Universität zu Berlin: “Transforming Identities: Tracing the (Post-) Socialist Spaces of Berlin-Hellersdorf” 11.06
Jean Xavier Brager, Louisiana State University: “Displacement, Dislocation, Distribution: The Pieds-Noirs in French Cinema” 2.05
Mathilde Branthomme, Université de Montréal: “Virgins and Praying Mantis: Sacred, Feminity” 9.20
Daniel Brayton, Middlebury College: “Not Penshurst: Distributio, Enclosure, and Negative Cartography” 4.19
Bryan Brazeau, New York University: “Found in Translation: Cervantes, Language and Textual Transformation” 10.10
Matteo Brera, University of Edinburgh: “‘Non istà bene, in buona teologia’: Due traduzioni (auto)censurate del Paradiso perduto” 12.03
Eloise Brière, University at Albany-SUNY: “Ventriloquizing the Enslaved: The Silence of Violence in Caribbean Literature?” 17.13
Susan Briziarelli, Adelphi University: “The Detective’s Moral Dilemma in Contemporary Italian Detective Fiction” 1.08
Katherine Broad, CUNY Graduate Center: “The Death of the Race: White Masculinity and White Noise” 5.24
Philip Broadbent, University of Texas: “Josef Winkler’s Rome-novel Natura Morta” 9.08
Lesley Broder, Kingsborough Community College: “Rachel Crothers and the ‘charm of a woman at the height of her development’” 1.03
Joe Brooker, Brikbeck College, University of London: “Reflections on the Smith—Wood Debate” 12.22
Tarah Brookfield, Wilfrid Laurier University: “No Woman is an Island: Heroes, Heroines, and Power in the Gendered World of LOST” 13.12
Kate Brown, SUNY Buffalo: “Loss and the Loveliness of Jane Eyre” 10.22
John Brown Spiers, University of Georgia: “Reconsidering and Restructuring Genre Conventions in No Country for Old Men” 1.08
Maria Brucato: “Translation and Identity: The Text and Beyond” 11.18
Patrick Brugh, Washington University in St. Louis: “‘Es sey eitel Arabisch’: Translation in 16th-Century ‘German’ War Treaties” 4.14
Victoria Bryan, University of Tennessee-Chattanooga: “‘The Only Truthful Way to Tell a Sad Story’: Humor in the ‘Life Writing’ of Foer and Eggers” 4.23
Bradley W. Buchanan, California State University Sacramento: “Zadie Smith and Oedipal humanism / Smith’s relationship to posthumanism” 12.22
Paul Buchholz, Cornell University: “Room for Monologue: Improvised Speech in the Prose of Franz Kafka and Robert Walser” 2.13
Beth Buhot Runquist, Duquesne: “Good Fences, Charming Gates: Ethnicity, Family, and the Suburbs in a Novel by Alicia Erian” 13.26
Elda Buonanno Foley, Iona College: “La Frantumaglia: Elena Ferrante’s Fragmented Self” 5.13
Johannes Burgers, The Graduate School CUNY: “Ecology as Maternity: The Landscapes as a Child in Unca Eliza Winfield’s The Female America” 4.02
Sarah B. Burghauser, California Institute of the Arts: “The Nin Lover: A Critical Phenomenon” 12.24
Karen K. Burrows, University of Sussex: “Who Will You Become?: Renee Montoya and the Apparitional Lesbian in Superhero Comics” 11.09
Carmen Burton, Palm Beach Community College: “R. M. Morris’s The Gentle Ax: Dostoyevsky’s Pyotr Petrovich a Century Later” 1.08
Gretchen Busl, University of Notre Dame: “Re-writing the Fiaba: Italo Calvino and the Short Story Form” 9.13
Andrew Buzny, McMaster University: “Effeminate Melancholia and 20th Century Canadian Literature” 12.19
Lauren Byler, Tufts University: “Why Austen, Why the 1990s?” 13.22
Lynn Byrd, Virginia State University: “Floods and Re-collection” 10.09
Chris Byrne, McGill University: “Using a Thorn to Dig Out a Thorn: Tao Shan’s Buddhist Perspectives on Gender” 11.02
Andrea Cabajsky, Universite de Moncton: “History and Community in Les portes tournantes and Fall On Your Knees” 1.17
Andrea Cabus, Temple University: “Meeting Jane Austen” 13.22
Alberto Cacicedo, Albright College: “Educating the Prince of Denmark Then and Now: A Freshman Seminar” 4.21
Marc Cadd, Drake University: “The Electronic Portfolio as Assessment Tool and More: The Drake University Model” 8.04
Charmaine Cadeau, SUNY Albany: “‘Undo misunderstanding from inside’: Concordance as Spatial Narrative” 17.03
Morgane Cadieu, Cornell University: “La fièvre textuelle chez H. Guibert” 1.14
Michael Cadwallader, University of North Carolina-Chapel Hill: “Selfless Self-interest: Jane Addams’s Rejection of Charity” 5.21; “Classroom as Corporation: A Concrete Approach to Teaching Professional Writing” 8.23
Anna G. Cafaro, Bard College: “La stranierità nascosta” 2.11
Len Cagle, Lycoming College: “Leihbibliothek and Palmenbibliothek: Private Libraries in Hoffmann and Tieck” 5.03
Antonella Calarota, Kean University: “La sátira antimodernista en las revistas literarias en España e Hispano América” 9.02
Melissa Caldwell, Eastern Illinois University: “No Response Necessary?: The Ethics of Traumatic Narrative in the Composition Classroom” 6.12; “Afraid of the Dark: The Visionary Mind in Thomas Nashe’s Terrors of the Night” 8.06
Jamie Calhoun, Pennsylvania State University: “Re-telling the Story of Identity in Thomas King’s Green Grass, Running Water” 4.26
Laura Call, Pennsylvania State University: “True Life: Jean Rolin on Globalization, Immigration, Multiculturalism, and Diasporic Identities” 8.18
Andrea Caluori-Ramos, University of Massachusetts-Amherst: “Mapping the Feminist Travels of an Authentic Self in Sobrero’s Espatriata:da Torino ad Honolulu” 14.12
Bryan Cameron, University of Pennsylvania: “(Dis)Assembling the Nation: Public Art and Political Memory in the Films of Pere Portabella” 9.04
Jennifer Cameron, Columbia University: “The Gender of Political Agency in Post-Wende Family Narratives” 10.15
Lauren Cameron, University of North Carolina-Chapel Hill: “‘A Child’s Cry Caught His Ear’: Children Witnessing to the Unspeakable in Mary Barton” 13.20
Joan Cammarata, Manhattan College: “Los paradigmas intelectuales y las formaciones ideológicas del Quijote” 10.10
Carmen Campanario, Simmons College: “Violencia política y memoria colectiva en el cine y la literatura del Cono Sur” 16.10
Jennifer Campbell, Erie Community College North-SUNY: “New Freedom in Form” 10.19
María Cristina Campos Fuentes, DeSales University: “Pascal et ses affaires de cœur” 5.15
Eoin Francis Cannon, Harvard University: “Ecocriticism and the Tradition of Social Mapping in Urban Literature” 1.19
Nancy Cantwell, Daemen College: “Pictures of Perfection Make Me Sick and Wicked: Jane Austen as Unwilling Paragon” 13.22
Antonio F. Cao, Hofstra University: “Luis de Góngora y Federico García Lorca” 13.03
Maria Elsy Cardona, St. Louis University: “Toc-toc, ¿Quién es? Blancanieves, al revés” 6.11
Jessica Carey, McMaster University: “Wild Ethics: How to Know Others in Helen Humphreys’ Wild Dogs” 6.26
Ralph Carlson, Azusa Pacific University: “From Personal Experience and Observation to Poem” 10.19
Andrea Carosso, University of Genova: “Videogames for Language Learning” 13.08
Amanda Carr, University of Massachusetts-Amherst: “Beyond a National Elegy: Ingrid de Kok and the Borders of Bodies” 13.21
Cristina Carrasco, Nazareth College: “Representaciones negativas de mujeres del caribe hispano en el cine español reciente” 1.07
Marie Carrière, University of Alberta: “Une étrange violence commune: Médée dans la littérature féminine actuelle” 17.13
Piera Carroli, Australian National University: “Alterità dell’alterità: La rappresentazione lesbica nei romanzi di Igiaba Scego” 6.04
Paul Carson, Hofstra University: “Teaching Composition in a Web 2.0 World with Blogs, Wikis, and Google Docs” 12.07
Edward J. Carvalho, Indiana University of Pennsylvania: “Star Wars and ‘Star Wars’: Teaching Pre-9/11 Literature as Post-9/11 Reality” 16.05
Arianna Casali, Sapienza-Universita di Roma: “Images of Inhumanity, Crime and Dystopia in Frank Miller’s Sin City” 12.09
Zoe Casino, Roving Party Machine: “Radical Slush: Complicating Queer Identity and Space Signification Through Performative Intervention” 12.01
Ignaz Cassar, University of Leeds: “Casting Inversion: Freud’s Psychoanalysis and the Photographic Negative” 7.06
Richard Cassidy, Université de Montréal: “Montréalittéraires: Learning to Read (in) Montreal” 14.07
Simone Castaldi, Hofstra University: “Raccontare e fabbricare il ‘68 e il ‘77 nel cinema italiano” 1.06
Mauricio A. Castillo, Columbia University: “Mass Media, Technik and Authors/Readers: Amauta and the Creation of an Avant-Garde Intelligentsia” 4.08
Carolina Castillo Larrea, Boston University: “García Lorca y Manuel Machado. Visiones del Cante H(J)ondo” 12.12
Percio Castro, Dayton University: “Acuarela del Brasil: matices de una sociedad—de la pigmentrocracia hacia la democracia” 1.05
Andre Cavalcante, University of Michigan: “TransAmerica and the Imagining of American Transgender” 11.01
Alessandro Cavalieri, Università di Genova: “Il caso Gomorra nella didattica dell’insegnamento della lingua e della cultura italiana” 13.07
Beppe Cavatorta, University of Arizona: “Il Delfini furioso: per la ricostituzione di un canone novecentesco sperimentale” 1.10
Marie-Maude Cayouette, Université de Sherbrooke: “Interaction socioculturelle: TICE, intégration sociale, adhésion linguistique” 9.06
Fabiana Cecchini, Texas A&M University: “L’altra faccia della storia in Buongiorno, notte di Marco Bellocchio” 1.06; “L’utilizzo del portfolio come strategia e riflessione sull’apprendimento” 3.03
Laurie Cellar, Shippensburg University: “Demeter on Strike: Fierce Motherhood on the Picket Line and the Playground” 7.05
Marco Cerocchi, La Salle University: “Funzioni semantiche e metatestuali della musica nelle novelle del Decameron” 8.05
Enrico Cesaretti, Univerity of Virginia: “Milk and Blood: Nursing Capitalism in Pirandello’s ‘La Balia’” 9.14
Hilda Chacón, Nazareth College: “Cyber Citizen Organization via The Internet: Contestatory Experiences in Latin America” 5.04
Paul Chafe, Ryerson University: “‘What a Bastard Country You Live in, Sir’: People and Place in Newfoundland Literature” 12.20
Rick Chamberlin, Lebanon Valley College: “Silence=Death in Venice: Klaus Mann’s Der fromme Tanz and the Assembly of a Real Queer Canon” 7.14
Chadia Chambers Samadi, CUNY: “Isabelle Eberhardt et les émancipations de l’espace-nouvelle chez Leïla Sebbar” 7.16
Michael Chaney, Dartmouth College: “Wheatley’s Pictorial Eulogy” 13.23
Jennifer Chang, University of Virginia: “Pastoralizing Manhattan: The Ecological Imagination of Harlem Shadows” 1.19
Brian Chapell, Catholic University of America: “‘We’re Going to Need to Watch that Again’: LOST as Metafiction” 13.12
Ruth Charnock, University of Sussex: “‘He delivered me of my opium’: Anaïs Nin, Otto Rank and the Journal” 12.24
Arka Chattopadhyay, Jadavpur University Kolkata: “Murphy in the Letters: Character, Text and End” 1.16
Vitaly Chernetsky, Miami University: “Transforming the Cognitive Map of Europe: Yuri Andrukhovych between Sisyphus and Sacher-Masoch” 7.11
Frédérique Chevillot, University of Denver: “Je t’aime, je te tue: les criminelles nothombiennes” 13.16
James Chiampi, University of California-Irvine: “Primo Levi Mourns Auschwitz: ‘Lilít’” 2.12
Anna Maria Chierici, University of Toronto: “‘La transitorietà di tutto il disponibile quotidiano’:Gianni Celati lettore di Antonio Delfini” 16.01
Laura Chiesa, Buffalo University: “Futurist and Surrealist Contested Cityscapes in the 1920s” 11.05
Barbara Ching, The University of Memphis: “How to Ensure that Edited Collections are Properly Valued by Tenure and Promotion Committees” 12.13
Mary Christensen, State University of New York-New Paltz: “Representing Her Self: Memoir as Testimony in the Case of Marie-Sidonie de Courcelles” 2.14
Nephie J. Christodoulides, University of Cyprus: “The Apparitional Lesbian or Apparitions to Lesbians” 11.09
Yen-Chen Chuang, Soochow University: “‘A Gordian Shape of Dazzling Hue’: Assemblages of Color as Chromatic Symptoms in Bacon and Antonioni” 7.06
Francesco Ciabattoni, Dalhousie University: “Primo Levi’s Caged Narrative” 2.12
Lidia Ciccone, University of Alabama: “Ntoni come figura del vagabondo ne I Malavoglia” 16.01
James Cisneros, Université de Montréal: “On the Rise of Television in Recent Argentine Film” 2.01
Marlene Clark, City College of New York-CUNY: “Gertrude’s Troublesome ‘Pounce’” 7.20
Ainsworth Clarke, University of Illinois-Chicago: “Cosmopolitan Blackness: Delany, Kant, and the Strange Unmaking of Identity” 10.23
Jason T. Clemence, Tufts University: “‘There’s Nothing In It’: Blake, Ekphrasis, and the Modern Music Video” 8.07
Federica K. Clementi, University of South Carolina: “Make Yourself a Graven Image: How Graphic Memoirs Visualize the Jewish Experience” 16.04
Glenn Clifton, University of Toronto: “Straighteners and Seeing: Perception and Self-Cultivation in What Maisie Knew” 7.12
Robbie Clipper Sethi, Rider University: “Writing and Technology: Attitudes and Applications from Andhra Pradesh, India” 8.23
Philippe Codde, Ghent University: “When Words Do Not Avail: Judy Budnitz’s Posttraumatic Fairy Tale” 9.18
Christopher Coffman, Boston University: “Postmodern Sacrality and Thomas Pynchon’s Recent Fiction” 8.11
Robert Cohen, University of California-Irvine: “Beckett’s ‘Mistake’ in Waiting for Godot” 1.16
Laurel Cohen-Pfister, Gettysburg College: “Remembering Stasi Victimization: Jeder schweigt von etwas anderem” 11.06
Elisha Cohn, Johns Hopkins University: “Aesthetic Absorption in the Social Problem Novel” 11.17
Lennie Coleman, University of Miami: “Masculinities in Construction: Intimate Foreignness in El traje and Flores de otro mundo” 1.07
David Collins, SUNY Buffalo: “How Do You Spell ‘Modernity?’: Oppen and the Enchantment of Ideology” 6.25
Michelle Collins-Sibley, Mount Union College: “Finding Our Fathers: Masculinity, Ambivalence & the Way of the ‘Two-Head’ in Alice Walker” 14.09
Magali Compan, College of William and Mary: “Memories and Constructions of Brotherhood in Le dernier frère by Natacha Appanah” 17.12
Loredana Comparone, Cornell University: “Putting the ‘Popular’ into the ‘People’: Staging the Community in Four Modernist Plays” 12.12
Deborah Compte, The College of New Jersey: “Cultural Synergies in Cervantes’s La gran sultana” 16.11
Jennifer Conary, DePaul University: “Embattled Idealism and the Failure of Charity in Gissing’s Slum Novels” 5.21
Christopher Concolino, San Francisco State University: “Pirandello’s Natural World: Its Interpretation and Re-interpretation in Paolo and Vittorio Taviani” 10.06
Annabelle Cone, Dartmouth College: “Une famille formidable” 7.01
Andrew Connoly, Carleton University: “Coming of Age and the Inefficacy of Conversion in Baldwin’s Go Tell It on the Mountain” 4.20
Catherine Connor, University of Vermont: “Embodying Rape: Mirror Neurons and Performing Honor” 14.04
Sam Coombes, University of Edinburgh: “Créolité: the Reaffirmation of Repressed Cultural Identity or Fabricated Nostalgia?” 17.12
Karol Cooper, SUNY Oswego: “Olaudah Equiano’s Emotional Entertainment Value” 9.21
Ana Corbalán, University of Alabama: “Mitificación de las víctimas de la dictadura: Las 13 Rosas y Las hermanas Mirabal” 13.01
Laureano Corces, Fairleigh Dickinson University: “Staging Trauma: The Allegory of Individual (Re)Telling” 1.04
Sheila Cordner, Boston University: “Reading Mary Oliver into the ‘schoolhouse / of little words / thousands of words’” 7.26
Alessandro Corio, University of Bologna and University of Strasbourg: “Tactiques de représentation du silence dans les romans postcoloniaux des Antilles francophones” 12.15
Penelope Cormier, McGill University: “Les contraintes creatrices dans l’oeuvre de France Daigle: deplacement, depassement” 1.17
Matthew Cornish, Yale University: “Intercontinental Play: Rimini Protokoll and Performing the Master-Slave Dialectic” 3.01
Sarah Cornish, Fordham University: “‘This happened and that happened...’: Spatial Narratives and Urban Thresholds in Jean Rhys’ Paris” 4.17
Morena Corradi, Queens College-CUNY: “From the Gothic to Realism: Uncanny Developments of the Scapigliati’s Fantastic Narrative” 16.14
Boris Corredor, Regis College: “Mimesis y Performance en Retrato de la Lozana andaluza” 14.04
Lily Corwin, Kutztown University: “I-I: Creating a Third Dialogic Category in Jewish American Literature” 8.11
Christine Cosentino, Rutgers University: “Ich bin es, der sein Leben wagt, der scheiternd schreibt” 12.14
Samantha Costanzo, Rutgers University: “A Spiritual Approach: Theosophy, Spiritualism and Parapsychology in Pirandello’s Short Stories” 16.01
Virginia Costello, Stonybrook-SUNY: “Anarchy as Personal Philosophy: Emma Goldman’s Optimism” 1.03
David Coury, University of Wisconsin-Green Bay: “Violence and Mourning in Fadia Faqir’s The Cry of the Dove” 7.02
Julia Cozzarelli, Ithaca College: “Obsession, Deception and Corruption in Machiavelli’s Mandragola” 3.12
Thomas Cragin, Muhlenberg College: “Imagining the Fascist Occupation of Greece: Cinematic Constructions from 1965 to 1991” 7.17
Allison Craig, SUNY Albany: “‘It’s systems we always end up fighting’: Gender, Capitalism, and Wounding” 2.18
Allison Crawford, University of Toronto: “Language That Goes ‘BOOM’: The Rhetoric of War and Human Rights in Early Comics” 14.21
Eme Crawford, University of South Carolina: “A Book is Not Book is Not Born, But Rather Becomes: The Second Sex As A Problem of Language” 3.15
Paul Creamer, East Stroudsburg University: “Fun and Games in the Conte du Graal” 6.17
Jonathan Cristol, Bard College: “The Dystopian Pastorals of Philip K. Dick” 9.24
estheR Cuesta, University of Massachusetts-Amherst: “Subalternized Interventions in ‘Multicultural’ Italy: Narratives of Diasporic Ecuadorians” 17.05
Elena Cueto Asín, Bowdoin College: “Los Desastres de la Guerra, de la analogía histórica a la efeméride.” 7.04
Charles Cullum, Kutztown University of Pennsylvania: “Encountering Being: Donald Barthelme’s Snow White and the Thought of Martin Heidegger” 9.18
Linda Cullum, Kutztown University of Pennsylvania: “‘In a Misty Land’: Fairy Tales, Alienation, and Reconcilation in A. S. Byatt’s Possession” 9.18
Allison Cummings, Southern New Hampshire University: “Zeitgeist: the Reader’s Digest version” 7.22
Jane Curran, Dalhousie University: “Drama in the Parlour: C.M Wieland’s Shakespeare” 10.05
Roxanna Curto, Illinois State University: “Undermining Negritude in Maryse Condé’s En attendant le bonheur” 12.15
Garin Cycholl, University of Chicago: “Bent to the Map: Epic and Locality in Contemporary Poetries of the Americas” 1.18
Heather Cyr, Queen’s University: “Rethinking Vampire Technology: Octavia E. Butler’s Fledgling and Monster Theory” 8.02
Esther A. Daganzo-Cantens, East Stroudsburg University of Pennsylvania: “Mujeres inmigrantes en el cine del siglo XXI: Reconstrucción de la identidad nacional en España” 1.07
Elizabeth Dahab, California State University-Long Beach: “Hédi Bouraoui and His Legacy in Francophone Ontario” 1.17
Melissa Dalgleish, York University: “How(e) to do Things with Names: The Violence of Naming and Mapping in Susan Howe’s ‘Thorow’” 1.18
Gérard Danou, Paris VII Diderot et Cergy-Pontoise: “Réflexions sur la transformation progressive d’un être aimé par la maladie d’Alzheimer” 1.14
Matt Darling, Gannon University: “‘That Most Excellent Invention, America’ (Geography & Identity in Wartime Poetry by Muriel Rukey” 1.18
Jessica Datema, Bergen Community College: “God in Dogville: Hospitality as ‘Irreconcilable and Indissociable’” 2.02
Ravit H. David, University of Haifa: “Western Seekers of a Decadent Age: Mary Butts’ Practice of Esoteric Disciplines” 7.17
Lindsay Davies, New York University: “Almost Originary: Tales of Adoption from China” 3.08
Michele Dávila Gonçalves, Salem State College: “When the Spirits Dance Mambo: African Tradition in the Puerto Rican Diaspora” 8.12
Meghan Davis, University of Southern California: “Two Bodies: The Molding and Moldering of Grief in Tennyson’s In Memoriam.” 9.22
Brent Dawson, Emory University: “Nothing But Apprehension: Margaret Cavendish and the Fantasy of History” 12.18
Lisa Day-Lindsey, Eastern Kentucky University: “‘Forces at Work Beyond Our Understanding’: M. Night Shyamalan’s Forgotten Happening” 6.01
Raffaele de Benedictis, Wayne State University: “‘Il trionfo dell’ipocrisia’: Literary Notes on a 19th Century Unknown Novel.” 16.14
Jeremy De Chavez, Queen’s University-Kingston: “Love/Die Neighbor: The Political Uses of Queer Love in the Age of Late Capitalism” 6.13
Sarah de Jong, University of Toronto: “The Ethics and Aesthetics of Life Writing in The Good Soldier and The Professor’s House” 16.02
Elena de la Cuadra Colmenares, Universidad Complutense de Madrid: “A Gleam of History in a Fictional TV Series: Remember When” 7.04
Rudy de Mattos, Louisiana Tech University: “Walter Mehring, Witness to his Age” 17.07
Chiara De Santi, University of Wisconsin-Madison: “Language and Culture through Cinema and Literature in an Advanced Italian Class” 3.03; “Tra romanzo, biografia e autobiografia: il rapporto padre-figlia in Artemisia di Anna Banti” 5.13
Pascale De Souza, George Mason University: “Here and elsewhere in Alain Mabanckou’s Black Bazar” 16.07
Michael Deere, Salem State College: “Translation and the Loss of Identity” 11.18
Uta Degner, Universität Salzburg: “Literature between Space and Place: Bourdieu’s Rules of Art and Jelinek’s Raum” 1.12
David Delamatta, Université Paris IV Sorbonne: “Modernité et résistance: aperçu des tendances et des thèmes dans le théâtre tunisien” 14.15
Page Delano, Borough of Manhattan Community College - CUNY: “Respondent” 10.09
Olivier Delers, University of Richmond: “Des ‘hommes amphibies’? Molière, Furetière, Racine and Anti-bourgeois Writing” 5.15
Jaime Denike, Queen’s University: “What it Means to Have Sex With a Bear: Animal Representation in Marian Engel’s Bear” 6.26
Robin DeRosa, Plymouth State University: “No Man of the Mountain: Absence and Nostalgia in New Hampshire’s White Mountains” 17.04
Yasser Derwiche Djazaerly, Sam Houston State University: “Rousseau: The Eighteenth-Century Abélard” 12.16
Sharon Desmond Paradiso, Endicott College: “No Sanctuary: Sexuality and the Limits of Feminine Hospitality” 9.03
Rick DesRochers, Long Island University-CW Post: “’Who Are You Going to Believe? Me or Your Own Eyes?’ The Marx Brothers and Rancière” 12.25
Pascale Deway, Kutztown University of Pennsylvania: “Mathésis ‘littérature putride’ et/ou scopophilie dans Nana d” 1.14
Giusy Di Filippo, University of Wisconsin-Madison: “Realta’ e metafora nella rappresentazione del cibo in Sentieri dei nidi di ragno” 9.14
Martina Di Florio Gula, University of Connecticut: “Sotto il segno del riso: aspetti comici e surreali ne ‘La tregua’ di Primo Levi” 2.12
Moira Di Mauro-Jackson, Texas State University: “Linking Pirandellian Modernism and Wildean Decadence as Portals of Transitory Migrations” 16.13
Matt Dickerson, Middlebury College: “Eating Locally and Being Thankful in Tolkien’s Mythopoeic Agrarianism” 14.20
Jon Dietrick, Babson College: “Circulating Black Bodies and ‘New Money’ in August Wilson’s Joe Turner’s Come and Gone” 9.01
Melissa L. Dinsman, University of Notre Dame: “Cooperative or Co-opted Communication?: Understanding Bertolt Brecht’s Radio Plays” 4.08
Joshua Dittrich, University of Toronto-Mississauga: “Gottfried Benn: from ‘Inner Emigration’ to Absolute Prose” 4.13
Jane Doering, University of Notre Dame: “Simone Weil: Suffering in Exile” 17.07
Jason Doerre, University of Massachusetts-Amherst: “It’s a Cruel World: Representations of the Marginalized in the Works of Hermann Sudermann” 1.13
Rob Doggett, SUNY Geneseo: “Yeats and the Marketplace: Cultural Patronage, the Lane Gallery, and Responsibilities” 4.22
Emily Dolan, University of Connecticut: “Visions of the ‘New Man’ in Elizabeth Stuart Phelps’s Doctor Zay” 3.21
Ellen Dolgin, Dominican College of Blauvelt: “‘not covered in the residue of others’: Resilience in Lynn Nottage’s Ruined” 1.03
John Dolis, Pennsylvania State University-Scranton: “Irving’s Sketch Book: Bachelorhood, Family Life, and National Identity” 8.21
Eileen Doll, Loyola University of New Orleans: “Banderitas americanas: la mirada global de J. López Mozo en Bajo los rascacielos” 10.11
Kristine Doll, Salem State College: “Translation as Transformative Experience” 11.18
David Dollenmayer, Worcester Polytechnic Institute: “The Translator’s Silence” 6.16
Christopher Donahue, Bloomsburg University: “Not-So-Minimal Stories: Carlos Sorin’s Argentina, 2002” 10.07
James J. Donahue, SUNY Potsdam: “Narrating Across the Medicine Line” 10.24
Olivia Donaldson, University of Wisconsin-Madison: “Rewriting the Rhizome: A Geo-Textual Exploration of Diasporic Identity in Condé’s Traversée” 12.15
Cinzia Donatelli Noble, Brigham Young University: “Una poetessa abruzzese: Nicoletta Di Gregorio” 11.12
Joseph L.V. Donica, Southern Illinois University-Carbondale: “‘As the weird world rolls on’: The Ethics of Form in the Post-9/11 Novel” 16.02
Catalina Donoso, Boston University: “Violencia política y memoria colectiva en el cine y la literatura del Cono Sur” 16.10
Frédérique Donovan, Boston University: “La lettre ou la reprise dans l’oeuvre de Pascale Roze à l’aube de ce nouveau millénaire.” 10.17
Annik Doquire Kerszberg, Lock Haven University: “Dany Laferrière: de la théorie à la pratique” 11.14
Veronique Dorais, University of Calgary: “No Relations: Dispossessed and Deformed Bodies in D.Y. Bechard’s Vandal Love” 1.02
Christine M. Doran, SUNY-Potsdam: “Bryan in Wonderland: Talbot’s Alice in Sunderland and Masculinity Through the Looking Glass” 11.15
Michael Dowdy, Hunter College-CUNY: “‘Poetry is braver than anyone’: Roberto Bolaño’s Mock-Heroic Code” 17.03
Daniel Drennan, American University of Beirut: “The Adoptee’s Voice: From Passive Dispossession to Active Resistance” 3.08
Georg Drennig, University of Vienna: “Eating Vancouver: The Natural Urban” 12.20
Helga Druxes, Williams College: “Translated Women: Systems Clashes in Andrea Staka’s Fräulein and Yugo Divas” 4.01
Roseanna Dufault, Ohio Northern University: “Women’s Stories of History and Madness in Marie-Célie Agnant’s Le Livre d’Emma” 5.14
Susan Dulaney, Georgia State University: “Alchemy and Astrology in Anaïs Nin’s Unexpurgated Journals” 12.24
Kevin Dunn, Tufts University: “Secretary to the Dead: Samuel Daniel and Antiquarian Poetics” 12.18
Mary Helen Dupree, Georgetown University: “From Stage to Page: Salon Performance and Print Culture Around 1800” 10.05
Rebecca Dyer, Rose-Hulman Institute of Technology: “Satirical Reversals in Sam Selvon’s Representation of Master and Servant in Moses Ascending” 3.01
Elisabetta D’Amanda, Rochester Institute of Technology: “Teaching Italian Language and Culture through Film Language” 17.08
Maria Elena D’Amelio, State University of New York-Stony Brook: “Belle e dannate” 6.15
Maura D’Amore, St. Michael’s College: “‘A True Home Relish’: Masculine Domesticity as Self-Nurture” 10.04
Maria D’Annibale, University of Pittsburgh: “Fictionalizing the City of Romeo and Juliet: Hollywood Movie Industry and the Refashioning of Verona” 6.15
Lee Easton, Mount Royal College: “What a Surprise!: Understanding Resistance and Resilience in the Reading of Film Texts” 9.05
Natalie Edwards, Wagner College: “Gender and Generation in Aminata Sow Fall’s Work” 14.14
Jo Edwins, Francis Marion University: “‘A Pristine Space Apart’: The Inescapable Consolatory Impulse in Contemporary American Poetry” 13.24; “The Best of Both Worlds: Using Literature Effectively in the Composition Classroom” 10.20
Maeve Egan, National University of Ireland: “Luigi Chiarelli: The Wavering Fascist” 6.15
Sema E. Ege, University of Ankara: “Souls, Secrets, and Stars: Oscar Wilde and H. G. Wells, the Fin de Siėcle Observers” 4.09
Sarah Ehlers, University of Michigan: “Jorie Graham’s Passion for the Reel: The Lyric Subject as Symptom” 7.06
Gabriele Eichmanns, Carnegie Mellon University: “Heimatlose Grenzgänger? Von Multikultigelaber’ in Yadé Karas Cafe Cyprus und Selam Berlin” 8.16
Nevine El Nossery, Universtiy of Wisconsin-Madison: “La réécriture de l’Histoire au féminin: entre le témoignage et la fiction” 8.17
Charles Elkabas, Université de Toronto-Mississauga: “Approche Cybernautique et exploitation de ressources langagières en ligne” 9.06
Matthew Elliott, Emmanuel College: “Stealing Milk: Race and the Marketplace in John Fante’s Ask the Dust” 4.22
Cristin Ellis, Johns Hopkins University: “Constitutional Law: Conscience as Embodied Moral Perception in Thoreau’s Antislavery Essays” 9.25
Scott Ellis, Southern Connecticut State University: “Microscopic Space in the Nineteenth Century” 16.17
Jamal En-Nehas, Sultan Qaboos University: “Demythologizing Shakespeare in the Age of ‘senseless speaking’ Or the Clash of Clichés” 4.21
Linda Ennis, York University: “Contract Faculty Mothers on the Track to Nowhere” 7.05
Natalie Eppelsheimer, Middlebury College: “Comic books and the Holocaust: Die Suche vs. Maus” 14.05
Mark Epstein, Princeton University: “Fabricating Words and Freezing History: The Case of Iginio Ugo Tarchetti” 16.14
Emek Ergun, University of Maryland-Baltimore County: “Building Bridges Across Feminist Translation and Feminist Sociolinguistics” 11.18
Lars Erickson, University of Rhode Island: “Partnering with Professions: The French International Engineering Program at the U of Rhode Island.” 9.16
Mohamed Esa, McDaniel College: “Masters Reinterpreted: Goethe, the Grimms and Rammstein” 3.13
Maria Adelaida Escobar Trujillo, McGill University: “La construcción maniqueísta de identidad española bajo la óptica cinematográfica de Raza” 2.01
Claudia Esposito, University of Massachusetts: “Narratives of Emigration: Deferral and Disillusion” 16.07
Cathy Esterman, Univeristy of Massachusetts: “Proud Corrupters: Sodomy and Regicide in Christopher Marlowe’s Edward II” 5.26
Minette Estevez, Nassau Community College-SUNY: “Distance Learning and the Digital Commons” 4.07
Amber Estlund, Georgia State University: “Recalling Nellie: Communal Mothering in Ansa’s Baby of the Family” 4.02
Gabrielle Etcheverry, Carleton University: “Multilingualism in Latino-Canadian Writing: Lettres de Nootka by Alejandro Saravia” 3.04
Heather Evans, Royal Military College of Canada: “Cultivating Wildean Ethics Among Engineering Students at Military College” 4.09
Shari Evans, University of Massachusetts-Dartmouth: “Restor(y)ing the Self: Memory and Performance in Louise Erdrich’s The Last Report” 8.22
Kathryn Everly, Syracuse University: “Memory and Violence in Mercè Rodoreda’s La mort i la primavera” 1.04
Jason Eversman, University of Virginia: “Forms of Narration and the Ethics of Interpretation: The Challenge of The Good Soldier” 12.10
Daniel Facchinetti, University of Rhode Island: “Low Down and Dirty: Junk Fiction in the Cultural Mind” 1.08
Petra Fachinger, Queen’s University: “Moscow, that’s all I know, Moscow: The Elusive City in Recent German Literature” 9.08
Joel Faflak, University of Western Ontario: “‘Let’s put on a show!’: The Politics of Collaboration in the American Film Musical” 11.16
Cathy Fagan, Nassau Community College: “Lying With the Truth: Manipulations in Blackbird and Doubt” 11.07
Giovanna Faleschini-Lerner, Franklin & Marshall College: “Landscapes of Alienation in Italian Literature and Film” 10.06
Heidi E. Faletti, Buffalo State College: “Compulsive Patterns of Materialistic Pursuit in Stroheim’s Greed” 6.02
Samira Farhoud, St. Thomas University: “H/histoire(s) racontées par un « je/nous » féminin postcolonial” 8.17
Elaine Farrugia, Ithaca College: “‘Can we use ‘I’ in our papers?’: The Role of First Person in First-Year Composition” 1.15
Lydia Fash, Brandeis University: “Detective Time and the American Tale: Poe’s Serialization of Mary Roger’s Death” 2.17
MicKenzie Fasteland, University of Michigan: “Fighting the Fairy Tale: Jane Eyre and the American YAL Novel” 2.03
Debra Faszer-McMahon, Seton Hill University: “Encounters with Simbad: Poetic Visions of African Others in Jurado’s ‘La muchacha del mar rojo’” 6.10
Zakaria Fatih, University of Maryland-Baltimore County: “East and West meet here: Maghrebi literature at the crossroads” 7.16; “The Maghreb between the imperative of tradition and the challenge of modernity.” 14.15
Annette Federico, James Madison University: “The Violent Deaths of Oliver Twist.” 9.22
Jonathan Fedors, University of Pennsylvania: “Edwin Arlington Robinson, the Sonnet, and Christian Modernity” 12.26
Florence Feiereisen, Middlebury College: “Teaching Updates of the Old Masters: Between Plagiarism and Intertextuality” 3.13
Jonathan S. Feinberg, University of Pittsburgh: “Samuel Beckett’s Essayistic Fiction as a Practice Of Ethical Self-Testing” 14.08
Selma Feliciano Arroyo, University of Pennsylvania: “A Queer, Anti-Colonial Historiography: Manuel Ramos Otero’s ‘La otra isla de Puerto Rico’” 13.19
William Daniel Fenton, Fordham University: “Jurgis, Carrie, and the Myth of the Small Town” 1.19
Jesse Patrick Ferguson, University of New Brunswick: “Rocking Cosmopolitanism: Don McKay, Strike/Slip, and the Implications of Geology” 6.20
Claudia Fernández, DePaul University: “Improving Oral Language Development Through Constructive Repetition Tasks in the Classroom” 7.13
Esther Fernández, Sarah Lawrence College: “Las bizarrías de Belisa entre el enredo barroco y el minimalismo escénico” 14.04
José Ramón Fernández: “Respondent” 11.10
Mark Ferrara, SUNY Oneonta: “Teaching Philosophy in The Story of the Stone” 12.06
Chiara Ferrari, New York University: “Still Life: Chronotopic self-portraits in Rosetta Loy’s La parola ebreo” 5.13
Chiara Ferrari, California State University-Chico: “Partisans and Terrorists: Metaphors of Violence in Recent Italian Cinema” 14.02
Isabel Ferreira, Universidade Federal do Tocantins: “Violence in Brazilian soap operas” 3.16
Carolina Ferrer, Université du Québec à Montréal: “Poesía y tortura: Estrella distante y Nocturno de Chile de Roberto Bolaño” 16.10
Audrey Fessler, University of Wisconsin-Eau Claire: “Fantastic Traces of the Unsaid: The Apparitional Caveman in Radclyffe Hall’s Miss Ogilvy Finds H” 5.01
Rossana Fialdini Zambrano, McGill University: “Memoria, trauma y voces contra la barbarie en el teatro de Laila Ripoll” 9.09
Elizabeth Fifer, Lehigh University: “Jeffrey Sweet’s The Value of Names: Blacklisting on Trial” 12.25
Ken Fifer, Pennsylvania State University-Berks: “Taking Words Seriously” 10.19
Sergio Guillermo Figueroa Buenrostro, Universidad de Guadalajara: “Amparo Dávila: la flor maldita de la literatura fantástica mexicana” 13.11
Rhonda S. Filipan, Kent State University: “Faculty Development Programs: A Key to Part-time Faculty Satisfaction?” 7.25
Marty Fink, The Graduate Center-CUNY: “Invisible Gifts: Reclaiming Queerness in Rebecca Brown’s AIDS Narrative” 11.09
Margaret Finn, Temple University: “Jewett’s Timeless Space: Challenging Masculine Hegemonic World Travel” 16.17
Daniele Fioretti, University of Wisconsin-Madison: “Da Perela´a Stefanino: metafore del l’omosessualita’ nei personaggi di Aldo Palazzeschi” 16.01
Barbara Fischer, The Hudson Valley Writers’ Center: “Presenter 1” 11.03
Erica Fischer, University of South Carolina: “Silence as Salvation: Hearing the Ineffable in The Heart is a Lonely Hunter” 10.25
Susan Alice Fischer, Medgar Evers College-CUNY: “History and National Identity in Zadie Smith’s White Teeth and On Beauty” 17.14
Paul Fisher, Wellesley College: “‘Challenging the Witnesses’: Leon Edel’s Paradoxical Relation to the ‘New’ Biography” 3.02
Jason Fitzgerald, Yale School of Drama: “The Whole World if I Can: Meta-TextualPolitical Discourse in David Greenspan’s Old Comedy” 12.25
Kim Flugmacher Ballerini, SUNY Nassau Community College: “‘He Not Busy Being Born is Busy Dying’: Flickr and the Creation of the Shared Personal Narrative” 12.07
Jacqueline Foertsch, University of North Texas: “Another Look at Sex in Public Spaces: Daring Queerness in Lynn Shelton’s Humpday” 9.12
Danel Mark Fogel, University of Vermont: “The Figure in Edel’s Carpet: Personal Myth in The Life of Henry James” 3.02
Elizabeth Foley O’Connor, Fordham University: “‘Packages’ or People: The Conflicted Representation of Women in Kate O’Brien’s Early Fiction” 7.19
Mary Catherine Foltz, Lehigh University: “Literary Representations of Environmental Racism in Contemporary American Literature” 16.03
Jutta Fortin, University of Saint-Etienne: “The ‘dead mother’” 11.13
Paul L. Fortunato, University of Houston-Downtown: “Consumer-Modernism: Mrs. Erlynne and Lord Goring as Well-Dressed Philosophers of Art” 4.09
Nathalie Fouyer, City University of New York: “A Phenomenological Approach to Dada Films: Where Two Lies Make One Truth” 4.18; “Legacy of Futurism in Surrealism: Fragmentation toward Unity” 11.05
Kyle Frackman, University of Massachusetts-Amherst: “Old Faces, New Places: Canonical Rejuvenation in German Studies” 3.13
Allison Fraiberg, University of Redlands: “2nd Participant” 10.12
Corinne François-Denève, University of Versailles Saint Quentin en Yvelines: “Nostalgies de comptoir? India and Nostalgia in French Literature” 17.12
Kimberly Freeman, Northeastern University: “A New Sincerity: Have We Moved Beyond the Postmodern?” 7.22
Lindsey Freer, CUNY Graduate Center: “‘Exploring’ ‘form’: Alice Notley’s Collage Artwork as Background for The Descent of Alette” 8.20
Chiara Frenquellucci, Harvard University: “Imitation, Scandal and Censorship in 18th-century Tuscan Comedies” 16.13
Keith Friedlander, University of Ottawa: “Carlyle, Gaskell and the Captives of Industry” 5.21
Robert Friedman, New Jersey Institute of Technology: “Hawthorne as Urban Ecologist” 1.19
Marcella Frydman, Harvard University: “The Railroad and the Kitchen” 16.17
John Gabriele, The College of Wooster: “Patología de una renovación teatral: Para quemar la memoria de J.R. Fernández” 11.10
Marilyn Gaddis-Rose, Binghamton University-SUNY: “Respondent” 14.18
Deborah Gaensbauer, Regis University: “‘Nous n’avons pas le même pays’: Race and Identity in Recent Works by Marie Ndiaye” 8.18
Michelle B. Gaffey, Duquesne University: “Communal Poetics, Sorrow Songs, and Lola Ridge’s ‘The Ghetto’ and Other Poems” 4.08
Jon Gagas, Temple University: “The Structure of Prophetic Vision in Blake's Songs of Innocence and of Experience” 13.09
Ann Gagné, University of Western Ontario: “Ghosting Touch, Queering Tactility, and Renegotiating Sexuality in Teleny” 4.25
Maureen Gallagher, University of Massachusetts-Amherst: “Land of Fantasy, Land of Fiction: Klara May’s America” 8.09
Lucía Galleno, Queen’s University: “Traveling in Times of War: Terrorism in the Peruvian Andes” 16.10
Raul Galoppe, Montclair State University: “Victor/Victoria Revisited: Gender Crossings in Dave Dalton’s Adaptation of Don Gil” 14.11
Margaret Galvan, CUNY Graduate Center: “Bordered and Undone: The Instability of Bodies Reframed in Graphic Memoir” 16.04
Enrique Garcia, Middlebury College: “Humberto Sola’s Cecilia: Abolitionist Propaganda and its Role in Cuban and Spanish Nationalism” 2.01
Mara Lucy García, Brigham Young University: “El despertar femenino y la búsqueda de espacios inadmisibles en María Soledad Quiroga y Elena G” 13.11
Alejandro García-Reidy, Duke University: “Los embustes de Fabia y las trazas del deseo femenino en las primeras comedias de Lope de Vega” 16.11
Roberta Garziano, McGill University: “Storia e ideologia in Vincere di Marco Bellocchio” 1.06
Christopher Gascón, SUNY Cortland: “Ángela de Azevedo’s Recuperation of Saint Irene’s Voice” 16.11
Sciltian Gastaldi, University of Toronto: “Filippo Betto: sommerso tra i sommersi” 1.10; “Tondelli, nel trentesimo anno di Altri libertini” 6.14
Timothy Gaster, University of Chicago: “Japan as a Model for Socialist Revolution in Two Texts in Early 20th-Century Spain and Portugal” 16.08
Jill Gatlin, New England Conservatory of Music: “Urban Literary Ecology and the Limits of Interactivity in Gary Snyder” 1.19
Melissa Gazo, University of Massachusetts-Amherst: “Whose Gallery is the Street? Graffiti and Invitations to Visual Dissonance” 16.06
Mélissa Gélinas, York University-Glendon: “Falsifying the World of Detective Fiction: Reading Padura’s Las cuatro estaciones as a Palimpsest” 1.08
Caroline Gelmi, Tufts University: “‘Now this is the strange part’: Stephen Crane’s Figures of Address” 12.26
Derrick Gentry, Graduate Center-CUNY: “The Melancholy Science and the Science of Melancholy” 8.10
David George, Bates College: “Reaching Extremo Oriente: Post-Imperial Malaise and Spanish Round-the-World-Narratives, 1898-1931.” 16.08
Sheldon George, Simmons College: “Performative Identities and the Embellished Text: From Personal Narratives to Argumentative Essays” 1.15
Sara Gerend, Aurora University: “‘Caught between Warring Factions’: Female Adolescence in The Last September” 7.19
Christian Gerzso, New York University: “A Letter from Prison and in Chains: Oscar Wilde and the Importance of Intellectual Labor” 4.09
Jen Ghastin, San Jose State University: “Nabokov’s Lolita: Unreliable Narration/Multiple Perceptions of Plot” 11.07
Samuel Ghelli, York College-The City University of New Yok: “Italian Language: A Mirror of a Country Identity” 13.07
Nandita Ghosh, Farleigh Dickinson: “Hawaiian Tourism and Indian Water Parks: Understanding Postcolonial Ecocriticism” 7.18
Monika Giacoppe, Ramapo College of New Jersey: “Moi, Jeanne Castille de Louisiane, and the Other Within” 17.12
Alessandro Giardino, McGill University: “‘La Pelle’ di Malaparte.Applicazioni dello schema socio-semiotico del fattore babele a Napoli” 16.01
Jeff Gibbons, U.S. Army Command and General Staff College: “‘Legends from Camp’: Lawson Inada and the Memory of Japanese American Internment” 8.22
Megan Gibbons, Boston University: “Dueling Dialogues: Exposing ‘Valor’ in Caro’s Valor, agravio y mujer” 14.04
Peter Gibian, McGill University: “Revising the Role of the Cosmopolitan Woman Traveler: Daisy Miller to Ellen Olenska” 4.24
Lisette Gibson, Capital University: “Medieval Girl Heroes in the Speculative Fiction of Tamora Pierce” 2.03
Alessandra Giglio, University of Genova: “L’italiano al computer: analisi dei corsi di lingua italiana per stranieri” 13.08
Matthew Gilbert, Stony Brook University: “Lyrics vs. Lyric: A Confrontation of Music, Performance and Poetry in Sterling Brown’s ‘Ma Rainey’” 12.26
Meghan Gilbert-Hickey, Texas A&M University: “Fallen Angels: Mourning the Victorian Hostess in Forster and Woolf” 9.03
Susan Gilmore, Central Connecticut State University: “‘Who Should I Hate for This?’: Answering Crisis, Teaching Community through ‘Towers of Words’” 16.05
José Antonio Giménez Mico, Concordia University: “La hora azul: ¿superación de la ‘voluntad del olvido’ o naturalización de la violencia?” 16.10
Bernadette Ginestet-Levine/Malke, Independent Scholar: “Presenter 2” 11.03
Enrico Giorgio, University of Pisa: “Konstellation: Walter Benjamin on memory, violence and history” 17.10
Stacey Giufre, Harvard University: “The Secret Language of Food in Clara Sereni’s Casalinghitudine” 9.14
Ada Giusti, Montana State University-Bozeman: “Une saison africaine de Fatoumata Fathy Sidibé L’émancipation à travers le prisme de l’immi” 10.16
Danielle Glassmeyer, Bradley University: “Tough Mothers” 12.19
Jeanne Glesener, Université du Luxembourg: “Poétique de l’ ‘effaçonnement’ de l’écrivain italo-luxembourgeois Jean Portante” 4.16
Alberto Godioli, Scuola Normale Superiore of Pisa: “San Giorgio in Casa Bronchi di C.E.Gadda” 9.13
Julia Goesser, Trinity College: “Life as Art: Rahel Varnhagen’s Radicalization of the Romantic Tradition” 4.13
Joyce Goggin, University of Amsterdam: “Writing the Self for Money: Edith Wharton and Gendering the Market” 4.22
Laura Goldblatt, University of Virginia: “The Wound that Cries Out: Performance and Trauma in Kara Walkers’s Black Silhouetes” 12.01
Sally Gomaa, Salve Regina University: “The Economy of Translation in Naguib Mahfouz’s Children of the Alley” 7.02
Irene Gómez Castellano, University of North Carolina-Chapel Hill: “Hunger and the Repression of the National Body in Chile and Catalonia” 13.01
S. E. Gontarski, Florida State University: “Letters to his American Publisher: The Business of Being Beckett” 1.16
Luis Gonçalves, Columbia University: “From Eça to Agualusa: The end of Lusotropicalism” 6.03
Lesley Goodman, Harvard University: “Poetic Injustice” 10.22
Mary Goodwin, National Taiwan Normal University: “Borders of Memory, Memory of Borders: Autobiographical Revision in Marguerite Duras and Isak Dinesen” 17.02
Brandon Gordon, University of California-Irvine: “The Erotics of Passivity in Another Country” 12.19
Svetlana Gordon, Ohio State University: “‘Clash of Cultures’ in Zaimoglu’s Work ‘Rom intensiv’” 13.14
Nora Gortcheva, Yale University: “Wilhelmine Cityscapes - Berlin and its Cinema(s)” 16.06
Marlene Gottlieb, Manhattan College: “El monólogo dramático en la antipoesía de NIcanor Parra” 6.11
Sonja Graeber-Magocsi, Harvard University: “The Stereometry of Emotions: The Construction of the Inside in Musil’s ‘Die Vollendung der Liebe’” 2.13
Leslie Graff, University of Memphis: “The Geography of Doing Good: The Conflict Between the Civilizing Mission and Domestic Charity” 5.21
Lea Graham, Marist College: “Here Is Where…: Delays, (Re)Plays & Smartalecky Geographies of the Long Canadian Prairie Poem” 1.18
Mariana Grajales, Binghamton University: “Rosario Castellanos and the Translator as Insider/Foreigner” 14.11
Omar Granados, Emory University: “La otra Cuba secreta: Las grietas virtuales del socialismo” 5.04
Tracy Graves, Washington University in St. Louis: “Living by the Book: Libraries, Exile & Community in the 20th Century” 5.03
Sarah Gray, University of Illinois-Urbana-Champaign: “‘consumption has no pity’: O’Brien’s The Country Girls and Gender” 12.02
Robyn Green, Carleton University: “Talking is the Best Medicine?:Trauma, Testimony & Healing in Robinson, Highway and Van Camp” 4.26
Diana Greene, Bobst Library, New York University: “Contested Endings: Karolina Pavlova’s Tale ‘Razdel’ and the Alternative Literary Tradition” 8.13
Rebekah Greene, University of Rhode Island: “‘What would John Wayne do?’: Ethnocriticism, Stereotype, and the West” 4.26
Maria S. Grewe, John Jay College-CUNY: “On Binaries and Oppositions: An ‘interkulturelle Germanistik’ Approach to ‘Fremd’ and ‘Heimat’” 8.16
Nicole Grewling, Shippensburg University: “Missed Opportunities for Discovery in Daniel Kehlmann’s ‘Die Vermessung der Welt’” 13.14
George Griffin, University of Toronto: “Repositioning the Holocaust: Edgar Hilsenrath’s Treatment of the Armenian Genocide” 14.13
Kristen Grimes, Saint Joseph’s University: “Lyric Expressions of Female Homosexuality in Patrizia Cavalli’s ‘Sempre aperto teatro’” 2.04
Julie Grossman, Le Moyne College: “‘Hideous Progeny’: Frankenstein, Gods and Monsters, Film Adaptation, and Portraits of Exile” 8.02
Ute Cathrin Gröbel, Ludwig Maximilian University: “‘Art is an excuse to have a dialogue’ - Interviews in Literatur und performativen Künsten” 5.06
Gianfilippo Guadagno, Independent Scholar: “At home in Italy: Identities in the Italian houses” 13.06
María Luisa Guardiola, Swarthmore College: “Recuperación de la memoria histórica en la transición a la democracia. El caso de los maquis” 9.04
Giulia Guarnieri, Bronx Community College-CUNY: “The Impact of Podcasting for Language Learners” 13.08
Karen Guendel, Boston University: “Ellen Craft and P. T. Barnum: Re-presenting the Deceptive Black Female Body” 9.01
Siham Guettafi, Université Med Kheider Biskra: “Discours romanesque et historicité signifiante : Aventure individuelle et destin collectif” 8.17
Krystell Guevara Barrales, Ottawa University: “‘¡Vámonos con Pancho Villa!’ y ‘La ley de Herodes’: representaciones del fracaso revolucionario” 7.09
Alexandra Gueydan-Turek, Swarthmore College: “Narrating a Plural Self: Collective Autobiography in Leila Sebbar’s Journal” 8.17
Medoune Guèye, Virginia Tech: “The Sociological Subtext of African Tales in Aminata Sow Fall’s L’Ex-père de la nation” 10.16
Giovanna Guidicini, University of Edinburgh: “The Unifying Power of Medieval Narrative: Using le Roman de Melusine to Describe James V’s Scott” 12.04
Thaddeus Guldbrandsen, Center for Rural Partnerships: “Nostalgia, Tourism, and the Cultural Logic of Late Capitalism” 17.04
Ivett Guntersdorfer, University of California-Los Angeles: “Denial and Ambivalence of the Self in Julia Schorch’s ‘Mit der Geschwidigkeit des Sommers’” 17.11
Jennifer Gurley, Le Moyne College: “Religious Perception from Edwards to Dickinson” 9.25
Agnieszka Gutthy, Southeastern Louisiana University: “A Tale of Two Cities in the Poetry of Adam Zagajewski” 4.17
María Constanza Guzmán, York University: “Translation as Apprenticeship: The Translator’s Archive” 8.15
Ihsen Hachaichi, Université de Montréal: “Highsmith and Minghella: When Adaptation Turns into an Aesthetic Disputation” 10.02
Gundela Hachmann, Louisiana State University: “When Consensus is the Goal” 7.13
Ashley Hall, Sonoma State University: “Native Worldview and the Poetry of Gary Snyder” 14.22
Chris G. Hall, Humboldt State University: “Crossing the Line: Pushing the Limits of Historicity in the Prose Works of James Welch” 10.24
Crystal Hall, University of Kansas: “Galileo’s Short Stories” 9.13
Kyle M. Hall, Harvard University: “Words on the Screen: Sorrentino’s Il Divo and the Evocation of History” 1.06
Mirko M. Hall, Converse College-Spartanburg: “‘Deutscher Kulturträger’: The Self-Portraiture of Blixa Bargeld” 5.06
Katherine Hallemeier, Queen’s University: “Affect Theory and Imagining the Cosmopolitan Subject” 13.10
Lynn O'Brien Hallstein, Boston University: “Maternity and Intersectionality: Being and Thinking Between as a Feminist Maternal Scholar” 3.15
Sarah Hamblin, Michigan State University: “Developmentalism, Negritude and the Postcolonial Human in La Vie sur Terre” 12.05
Djaouida Hamdani Kadri, Université du Québec à Montréal: “Technologies et acquisition du français au niveau universitaire: réflexion épistémologique” 9.06
Mustapha Hamil, University of Windsor: “Teaching Arab Literature in Translation” 7.02; “Can the Subaltern (North African) Woman be Represented by Male Writers?” 14.15
Geoff Hamilton, Universty of Toronto-Mississauga: “Inscrutable Violence: Susan Choi’s A Person of Interest and Deviant Asian Masculinity” 8.14
Louis I. Hamilton, Drew University: “Mapping Dante, Using GIS to Teach and Read Medieval Texts” 14.06
Richard Hancuff, Misericordia University: “Compensating for Lost Freedom in My Antonia: Jim Burden’s Lark down by the Riverside” 5.25
Mayte Harbison, University of Illinois-Chicago: “Discontinuidad y reconfiguración del oriente en Maitreya de Severo Sarduy” 16.08
Leslie Harkema, Boston University: “The Spanish Avant Garde and Popular Culture: Intersections of Ideology and Critique” 12.12
Susan Harlan, Wake Forest University: “Objects of War: The Shields in Marlowe’s Edward II” 5.26
Katherine Harloe, University of Reading: “Revolutions in Borrowed Clothes? The Invention of Winckelmann and the Ancient-Modern Divide” 5.16
Mihaela Harper, University of Rhode Island: “Naming the Visible: Progress and Egress in Georgi Gospodinov’s Natural Novel” 7.11
Katharine Harrington, University of Maine-Fort Kent: “Teaching Moments: Maximizing Opportunities for Conversational Practice in a Heritage Language Area” 7.13
Rosie Harrington, Louisiana State University: “Le carrefour du genre occidental et de l’identité orientale dans Lettre morte de Linda Lê.” 10.17
Carolyn Harris, Western Michigan University: “La importancia de la memoria en Variaciones sobre Rosa Parks de Itziar Pascual” 10.11
Jennifer Harris, Mount Allison University: “The Aftermath of Readers’ Reports: Responding, Revising, & Resubmitting” 12.13
Laurel Harris, CUNY Graduate Center: “Reading the Unreadable: Dorothy Richardson’s Pilgrimage and Feminist Modernisms” 3.18
Sarah Harris, Bennington College: “Truth and Reconciliation in Spain” 16.10
William C. Harris, Shippensburg University: “Like a Faggot from the Ashes: Allegiance, Agency, and Questions of Citizenship” 6.13
Kabi Hartman, Franklin & Marshall College: “Psychotherapy as Potential Space in Young Adult Fiction” 7.23
Rachel Hartman, SUNY Stony Brook: “Suburban Homes in Philip Roth’s American Pastoral and Michael Chabon’s Kavalier and Clay” 13.26
Mary Hartson, Oakland University: “Between Two Loves: Manolo Escobar and the Real Spanish Transition” 1.07
Jason Haslam, Dalhousie University: “Response” 11.16
Roberta Hatcher, University of Pittsburgh: “Presenter 6” 11.03; “Specters of Decolonization: Sub-Saharan Francophone Africa in a Post-Cold War Frame” 14.14
Katja Hawlitschka, Ocean County College: “Suburban Underbellies, Freak Shows, Stylized Historicism: Highs and Lows of Quality TV” 14.01
Elizabeth T. Hayes, Le Moyne College: “Maternal Absence and Black Masculinity in Gloria Naylor’s ‘Miss Maple’s Blues’” 8.25
Justin Hayes, Quinnipiac University: “Grammar and Play: Creative Writing as a Constructivist Inquiry” 1.15
Hugh Hazelton, Concordia University: “Translation as a Vector for Literary Exchange between Latin America and Canada” 3.04
John Heath, University of Vienna: “Stefan Heym im Interview” 5.06
Regine Heberlein, Princeton University: “‘Wo einen das Lesen in den Wahnsinn treiben kann’: Approaching Buchhaim” 5.03
Nadra Hebouche, SUNY Buffalo: “Identité nationale et sexualités marginales dans Partir de Tahar Ben Jelloun” 10.18
Ryan Hediger, La Salle University: “Hard and Humble Places: Wilderness and Weakness in Annie Proulx’s Regionalism” 2.18
Emily Hegarty, Nassau Community College-SUNY: “Surveillance and Privacy in Online Learning” 4.07
Stefania Heim, CUNY Graduate Center: “Muriel Rukeyser’s Scientific Imagination” 13.05
Thomas Heise, McGill University: “Subterranean Worlds: Urban Redevelopment, Queer Spaces, and John Rechy’s City of Night” 4.17
Cynthia Henderson, The College of Lake County: “Adjunct Peer Mentoring: Rewarding with Respect and Responsibility” 7.25
Sarah Henderson, University of Toronto: “‘The grunting and squeaking of pigs’: Animals, Workers and Meat in the Victorian Novel” 12.21
Charles Henebry, Boston University: “Remaking the World in His Image: The Ubermensch in the Work of Alan Moore” 12.09
Scott Henkle, City University of New York: “On Not Taking The Idea of a Man Cut Into Pieces and Just Writing It: Fiction, Memoir, Graphic Novel” 1.15
Brendan Hennessey, University of California-Los Angeles: “Allegories of Italian Communism in Visconti’s White Nights” 1.06
Iris Hennigfeld, McGill University: “Spuren einer phänomenologischen Zeitstruktur der Lyrik” 9.15
Teresa Herrera-De la Muela, Allegheny College: “La forja de un socialista: Mario Camus adapta a Arturo Barea” 7.04
Margaret Herrick, University of Toronto: “Wife, Lover, Victim, Saviour: Sati and the Religious Space of Feminine Agency in Sidney Owenson” 2.02
Erich Hertz, Siena College: “Form After Adorno” 1.20
Kelly Hewson, Mount Royal College: “What a Surprise!: Understanding Resistance and Resilience in the Reading of Film Texts” 9.05
Miriam Heywood, University College London: “Silence, Noise and Vision in A la recherche du temps perdu” 4.15
Alani Hicks-Bartlett, Berkeley University: “Proleptic Interpretive Failures:Tasso’s Re Torrismondo and Alfieri’s Saul” 16.13
Matthew Hill, Coppin State University: “Contemporary American Literature: Literature(s) of Conflict?” 7.22
Jonathan Hiller, University of California-Santa Barbara: “The Curious Case of the Italian Spoon River Anthology” 12.03
Cynthia Hillman, University of Chicago: “Ennio Flaiano, Io scrivo per non essere incluso” 16.01
Jill Hinckley, Landmark College: “Juicing the Tongue” 1.15
Donetta Hines, McGill University: “Civilización y barbarie 2.0” 5.04
Gary Hink, University of Florida: “Assemblage Writing as 2.0 Praxis” 12.07; “Literature’s Virtual Ethics” 16.02
Anne Golomb Hoffman, Fordham University: “Alice James and Margaret Ann Cleaves: Reflections on Embodied Energies, Illness, and Writing” 13.25
Christopher Hogarth, Wagner College: “Two Authors in Search of a Publisher: Fatou Diome and Sokhna Benga” 14.14
Amanda Holmes, McGill University: “Carnal Landscapes in Contemporary Latin American Film” 2.01
Christopher Holmes, Brown University: “‘A Breed of Lyrical Realism’: Form and Fakery in the Novels of Zadie Smith” 17.14
Megan Homberg, Boston College: “Seeing James through his Editors” 6.23
Renée Hoogland, Wayne State University: “The Paradoxical Power of Silence: Miss Amelia, the Production and Negation of Queer Discursive Space” 10.25
Laurence Hooper, University of Notre Dame: “Exile and the Canzone in Dante’s Eden: The Case of ‘Tre Donne’” 1.09
Jennifer Ruth Hosek, Queen’s University: “Berlin and Beyond: The Museal and the Cinematic” 16.06
Shounan Hsu, National University of Tainan: “Event and Writing: Justice, Mercy and an Ethics of Co-Existence in Joy Kogawa’s The Rain Ascends” 8.14
Jonathan Hsy, George Washington University: “Langues sans Frontières: Medieval Calais, Colonialism, and Polyglot Identities” 16.16
Amy Hubbell, Kansas State University: “Rewriting Ruins: Deconstructing the ‘Nostalgeric’ Attachment to the Homeland” 13.15
Jean-Frederic Hunnuy, Bennington College: “Italian Immigration and Diasporic European Identity” 4.01
Julie Huntington, Marymount Manhattan College: “The Rise of the Female Assassin in Ananda Devi’s Ève de ses décombres” 5.14
Sebastian Husch, University of Pau: “Entre dire et montrer: le concept kierkegaardien de communication indirecte” 4.15
June J. Hwang, University of Rochester: “Where are We? Cinematic Cities of the Weimar Republic” 16.06
Marja Härmänmaa, University of Helsinki: “The Bearers of Fire: Futurist Ethos of Modernity in Finland in the 1920s” 11.05
Rebecca Hügler, Queen’s University: “Subversive Instability – ‘Heimat’ and ‘Fremde’ in Shirin Kumm’s Novels” 8.16
Anna Iacovella, Yale University: “La questione sociale meridionale” 16.14
Nuria Ibáñez Quintana, University of North Florida: “El día que inventé tu nombre: construcción de una memoria nacional” 9.09
Darren Ilett, Michigan State University: “Queer Desire, Militarism, and the Fate of Siri-Normann’s Fräulein Kadett” 7.14
Susan Ingalls Lewis, SUNY New Paltz: “Before Nancy Drew: Girls to the Rescue in World War I” 5.09
Sarah Ingle, University of Virginia: “Staging the ‘Victories’ of Uncle Tom’s Cabin: The Antebellum Politics of a Happy Ending” 12.25
Pamela Ingleton, McMaster University: “Community, Rebellion and the Reinforcement of Authority in @AcimanandRensin’s Twitterature” 4.05
Susan Ingram, York University: “Berlin Subterranean: Images of the Alternative Music Scene and the Shaping of Urban Identity” 16.06
Stéphane Inkel, Queen’s University: “Déclenche: Captures photographiques de Pierre Michon” 9.17
Catherine Innes Parker, University of Prince Edward Island: “The Wooing Prayers in Nero A.xiv: Manuscript Composition and Textual Guidance” 3.07
Anna Ioanes, University of Virginia: “‘The Mirrored Continent’: Agha Shahid Ali’s Transnational Consolation” 13.24
Cristina Ionica, University of Western Ontario: “Reductio ad absurdum: Angela Carter’s Utopias” 9.19
Mark John Isola, Wentworth Institute of Technology: “3rd Participant” 10.12
Yvonne Ivory, University of South Carolina: “Of Open Secrets and Citation: The Jahrhundertwende’s Queer German Canon” 7.14
Garbiñe Iztueta, University of the Basque Country: “Satirical Signification in Texts by Thomas Brussig and Kerstin Hensel” 7.15
Kara Jacobi, University of Miami: “‘Suspended Between Lives, Suspended Between Destinations’: Mother, Nation, and Identity” 12.02
Shakti Jaising, Rutgers University: “Comparison as Method: Re-thinking the Nation in the Context of Globalization” 16.16
KiYoon Jang, Texas A&M University: “The Transformation of the Author in Charles Brockden Brown’s Wieland” 8.21
Kamila Janiszewska, Cornell University: “Elizabeth Bishop in the Confessional Mode: Writing with Robert Lowell” 11.16
Shelly Jansen, SUNY-Binghamton: “Difficult Discourse in Distance Education” 4.07
María Mercedes Jaramillo, Fitchburg State College and Asociación de Colombianistas: “Del erotismo doméstico al erotismo cósmico en la poesía de Maria de los Ángeles Popov” 1.05
Elliot Albe’rt Jarbe, Northwestern University: “On the Road of Bones in Kolyma: Gulag Tourism and the Common” 17.04
Michael Jarrett, Pennsylvania State University-York: “The Teaching That Poetry Informs: Derrida’s Writing Through Ponge” 2.10
M. Neelika Jayawardane, SUNY Oswego: “Routing Apartheid, Dodging the Laws on Terror: Teaching ‘Other’ Experiences of 9/11” 16.05
Jennifer M. Jeffers, Cleveland State University: “The Battle for the Illocutionary and the Proliferation of Meaning in The Letters of Samuel Beckett” 1.16
Kristine Jennings, Binghamton University: “Translating Lou Andreas-Salomé’s The Devil and His Grandmother” 6.16
Jaehyun Jeong, Rutgers University: “Transnational Adoptees’ Narratives in Daughter from Danang and First Person Plural” 14.10
Jae Jerkins, Florida State University: “Constructing Gender and Sexual Normativity in Tombstone” 3.20
Jacob Jewusiak, University at Buffalo: “Temporal Form in ‘The Lifted Veil’” 16.17
Eduardo Jiménez Mayo, Cornell University: “Maya USA: Stories of Resistance from Indigenous Guatemalan Immigrants” 8.12
Adam John, Albright College: “Writing from the Mind and Speaking from the Heart in Gisèle Pineau’s Fleur de Barberie” 12.15
Timothy Johns, Murray State University: “Dog Eat Dog: The Professional Turn in the New South African Novel” 13.21
Brad Johnson, Doane College: “‘Fun in a Man-of-war’: Autobiographical Tension in Melville’s ‘White-Jacket’” 4.23
Erica Johnson, Wagner College: “Colonial Shame, Postcolonial Shaming” 16.16
Jeff Johnson, Brevard Community College: “New Themes in Post-Soviet Baltic Theatre” 7.11
Jerelyn Johnson, Fairfield University: “Terror y miseria en el primer franquismo: la memoria traumatizada de José Sanchis Sinisterra” 9.09
Michael Johnson, University of Texas-Austin: “Play and Deep Play in the Fabliaux” 6.17
Sara Jones, University of Bristol: “What might have been: Remembering Complicity in the Works of Critical East German Writers” 17.11
M. Catherine Jonet, New Mexico State University: “Reimagining the Apparitional: Ghostly Temporalities and Monstrous Women” 17.09
Erin Julian, McMaster University: “‘The first voice was not his’: The Law of the Mother in Middleton’s Maiden’s Tragedy” 6.22
Pamela June-Rodgers, Indiana University of Pennsylvania: “Chaos and Loss of Women’s Collectivity in Kathy Acker’s Novels.” 8.22
Robert M. Kachur, McDaniel College: “Imagining Resistance in a Postmodern World: William Blake, Jean Baudrillard and The Matrix” 13.09
Inkoo Kang, University of California-Los Angeles: “The Hypothetical Mandarin: Humanism and Orientalism in Eça de Queirós’ O mandarim.” 16.08
Robert Kaplan, Temple University: “Moral Perceptions and the Formation of British America in Benjamin Franklin’s Autobiography” 9.25
Tim Kaposy, George Mason University: “On Grit and Grittiness: ‘Style’ and Future Implications of U.S. De-industrialization” 9.05
Carey Kasten, Fordham University: “Moving to the Margins: Azorín and the 1930 Staging of Angelita” 12.12
Adam Katz, Quinnipiac University: “Student Writing as Disciplinary Space” 6.18; “Constrained Writing in the Composition Classroom” 10.20
Paul Katz, Harvard University: “The Politics of Remembering: The ‘Rescue’ of Dirty War Memory in the Argentine Jewish Community” 16.10
Linda Kauffman, University of Maryland: “God Is the Voice that Says, ‘I am not here’: Don DeLillo’s Falling Man” 8.11
Thomas Kealy, Colby Sawyer College: “‘Anchor Works’: Teaching Gilgamesh to Teach Reading” 5.12
Emma Keane, University College Cork: “Masculinity as Illness: Demystifying Sicilian ‘gallismo’ in Vitaliano Brancati’s Paolo il Caldo” 16.12
Jennifer Keating-Miller, Carnegie Mellon University: “Community Writing Groups: The Political Potency of Literacy” 10.13
Anne Keefe, Rutgers University: “Presenter 3” 11.03; “‘Free in the White Space of Forgetting’: Narrative Ekphrasis in Tretheway’s Bellocq’s Ophelia” 17.03
George R. Keidan, Hampton University: “Misnderstanding American English: The Good, the Bad, and the Ugly” 3.17
Karinne Keithley, CUNY Graduate Center: “To Die is to Live: Assia Djebar’s Algerian White as a Living Inscription of Negation” 14.08
Tina Kelleher, Towson University: “‘Ada’s Terrible Muses’: Computational Thinking and the Humanities” 9.11
Valerie Keller, Columbia University: “Transcultural Narrative and the Problematics of Recognition in Latin American Literature” 16.09
James Kelley, Mississippi State University-Meridian: “Re-Assessing the Place of Popular American Gay Novels of the 1920s and early 1930s” 9.12
Megan Kelly, University of Illinois-Urbana/Champaign: “Wringing Life from the Dead: Rhetoric of the Nation in Eulogies of Miguel de Cervantes” 2.08
Sean Kelly, Wilkes University: “Irving and the ‘Spirit of Place’: American Mythos, History and Authorship in ‘Rip Van Winkle’” 8.21
Siobhan Kelly, Rutgers Preparatory School: “Lost in the Austen Industry; or, one teacher’s devious plan to lure students back to the texts” 13.22
Sean Kennedy, Saint Mary’s University: “Beckett’s Irish Habitus” 1.16
Donna Kessler-Eng, Bronx Community College-CUNY: “Changing Definitions of Health in the Writing of Mary Gove Nichols and Charlotte Perkins Gilman” 13.25
Elizabeth Ketner, SUNY Plattsburgh: “History and Genre in Marguerite de Navarre’s Twenty First Tale of Heptameron” 4.19
Jay Ketner, SUNY Plattsburgh: “Transcending Race and Place in Dany Laferrière’s Je suis un écrivain japonais” 11.14
Victoria L. Ketz, Iona College: “Sexual Politics and Race in Mayoral’s ‘La belleza del ébano’” 6.10
Gavin Keulks, Western Oregon University: “Critical Mass: Violence, Passion, and the Irish Political Grotesque” 10.08
Catherine Khordoc, Carleton University: “L’écriture migrante du Québec: La littérature québécoise est-elle une littérature-monde?” 11.14
Maria Khotimsky, Harvard University: “‘At the Crossroads of Two Paths’: the Legacy of Vladislav Khodasevich’s Late Poetry” 9.10
John Mac Kilgore, University of California-Davis: “The Space and Time of Racial Embodiment in Walt Whitman, Harriet Jacobs and Charles Chesnutt” 16.17
Hang-Sun Kim, Harvard University: “Landscape Confessions in Hugo von Hofmannsthal’s Prose” 2.13
Hyo Kim, Medgar Evers College-CUNY: “Race and the Corporeality of the Father in Asian American Fiction” 8.14
Jaecheol Kim, University at Buffalo-SUNY: “Cognitive Cartography in the Neocolonial World: The Cases of Jameson and Ngũgĩ” 16.16
Sun-Young Kim, Kalamazoo College: “Reframing Weimar Crisis through Apocalyptic Narrative in Hermann Broch’s The Sleepwalkers” 9.15
Michael Kindellan, University of Sussex: “Whitman, Pound, Olson and the Poetics of Candour” 14.22
Adi King, Ohio University: “Irmgard Keun’s Gilgi, eine von uns (1931) and the Pedagogy of Public Debate” 10.15
Homay King, Bryn Mawr: “The Host vs. Cloverfield” 1.01
Yvette Kisor, Ramapo College of New Jersey: “‘She Makes Hungry Where Most She Satisfies’: Cleopatra as Cougar” 7.20
Marcin Kleban, Jagiellonian University: “Web-Based Learning Environment: An Alternative to a Coursebook” 8.04
Joanne Klein, St. Mary’s College of Maryland: “Spiked: Girl 6 and the Sport of Apparatus Demolition” 9.07
Kathryn Klein, Stony Brook University-SUNY: “Haunted by a Lesbian Present? Kay Langrish in Sarah Waters’s The Night Watch” 17.09
Kathryn Kleppinger, New York University: “L’invention de l’auteur beur: Mehdi Charef, Azouz Begag et Farida Belghoul” 12.08
Kathryn L. Kleypas, American University of Kuwait: “Balancing Acts: Writing Proposals and Calls For Papers” 12.13
Kelly Klingensmith, Western New England College: “Giving Cameras to Kids: A Hesitant Turn in (Self-) Representation” 7.08
Charles Klopp, Ohio State University: “Illness Between Stigma and Stemma in Gesualo Bufalino’s ‘La diceria dell’untore’” 10.01
Andrea Knutson, Oakland University: “Ralph Waldo Emerson’s ‘New Yet Unapproachable America’: In the Vicinity of Perception” 9.25
Elizabeth Knutson, United States Naval Academy: “Course Development for the Undergraduate French Curriculum” 9.16
Katja Kohler-Golly, Universität des Saarlandes: “‘Architecture of Lost Promise and Death’: The Suburban Home in Richard Ford’s Bascombe Trilogy” 13.26
Amor Kohli, DePaul University: “Resonant Relations: Cu-bop and the Politics of ‘Speaking African’ Together” 11.16
Jason Kolkey, Loyola University: “A New Jerusalem in Spandex: Blakean Ideology and Alan Moore’s Superheroic Deconstructionism” 8.07
Delia Konzett, University of New Hampshire: “Negating the Other: Post-WWII American Cinema and Hollywood’s Global Hegemony” 1.01
Matt Konzett, University of New Hampshire: “Towards Defining Global Cinema: Genre, Casting and Spectatorship in Contemporary Global Cinema” 1.01
Nadezda Korcagina, University of Alberta: “‘When in the night, I wait for her impatient...’: The Muse in the Poetry of Anna Akhmatova” 8.13
Kathleen Korcheck, Central College: “The Politics of Amnesia in Albert Solé’s Bucarest, la memoria perdida (2008)” 3.05
Ann Kordas, Johnson and Wales University: “Dark Spirits: Race, Class, Gender and Spiritualism in Nineteenth-Century American Fiction” 4.25
Roya Kowsary, Bergen Community College: “Strange Sympathy: The Encounter of Classical Iranian Poetry's Joseph, and Kafka's Joseph K” 2.02
Sabine Kraenker, Université de Helsinki: “La lettre et ses traces dans les romans et autofictions de l’amour et de la rupture .” 10.17
Ilka Kressner, SUNY Albany: “Distorted Reflections of a Revolution: Carpentier’s and Solás’ ‘Siglos de las Luces’” 7.09
Thomas Krüger, University of Victoria: “From the Ruins of Utopia: Peter Schneider’s Lenz as Personal Archive of Transgression” 3.06
Aubrey Kubiak, SUNY Buffalo: “Suzanne Jacob’s L’Obeissance: A Testimony of Maternal Resistance to the Paternal Order” 4.02
John Kucich, Bridgewater State College: “Local Knowledge: The Pedagogy of Engagement and the Politics of Native Studies” 7.24
Adele Kudish, CUNY Graduate Center: “Fleeting Impressions: Sterne’s A Sentimental Journey as Psychological Fiction” 14.03
Stefanie Kullick, Queen’s University: “Crossing the Corporeal Boundaries of the City in Georg Klein’s Libidissi” 9.08
Colby Kullman, University of Mississippi: “Oliver Goldsmith’s Return to a Traditional Comic Formula in She Stoops to Conquer” 5.12
Numsiri Kunakemakorn, Utah Valley University: “One Track Minds: Using Issues of Power and Class to Unify Students” 11.11
William Kupinse, University of Puget Sound: “Presenter 5” 11.03; “Diving Into the Text: Submerged Historiographies of Genre in Bucking the Sun and Solar Storms” 16.03
Lynn Kutch, Kutztown University: “The Comic Book Humor of Sonnenallee” 7.15
Maria Kuwilsky, Ludwig-Maximilians-Universität München: “‘Zeit-Erzählen’ als werkkonstitutives Element bei Peter Kurzeck” 9.15
Ulrike Küchler, Eberhard-Karls Universität Tübingen: “‘Lenkt die Kunst nicht so am Draht!’ The Marionette as Motive and Narratological Figure” 1.13
Sandro La Barbera, Scuola Normale Superiore of Pisa: “Roma come un testo: Restauro testuale e restauro culturale nel De Virgilii Culice di Pietro Bembo” 1.11
Leigh Claire La Berge, University of Chicago: “Affect and Money: Regulating the Unwanted in The Sopranos” 14.23
Michel Lacroix, Université du Québec à Trois-Rivières: “Le bâtard comme métaphore du romancier dans Les Faux-Monnayeurs de Gide.” 9.17
Ling Hon Lam, Vanderbilt University: “Stone’s New Clothes: ‘Red Chamber’ Films in Modern Costume, or How to Estrange Exoticism” 12.06
Adam Langton, University of Western Ontario: “‘Let’s be Other People’: Derrida’s Autoimmunity and the Novels of Leonard Cohen” 8.11
Sylvie Lannegrand, National University of Ireland-Galway: “Ecrire ou la mort traitement romanesque et diaristique de la mort chez Yves Navarre” 1.14
Patricia Lapolla Swier, Wake Forest University: “Recovering Gendered Identities: Laforet’s Nada and Diaz’s Brief Wonderful Life of Oscar Wao” 13.01
Natalia Laranjinha, New York University: “Les échos du silence dans l’œuvre de Samuel Beckett” 4.15
Ioana Raluca Larco, University of Kentucky: “Gender roles and gender identity in Fine d’anno by Paola Drigo” 5.13
Sharon Larson, Providence College: “‘Le Rhynland va partir’: Travel, Movement and Aesthetic Creation in Marie Krysinska” 17.02
Rebecca Lartigue, Springfield College: “Modern, Secular Rites and Practices as a Bridge for Understanding Medieval Christianity” 14.06
Fran L. Lassiter, Montgomery County Community College: “Revising the Canon: Reconsidering Early Diasporic Narratives and the Diasporic Literary Tradition” 7.21
Emily Lauer, CUNY Graduate Center: “Following Alice/Following Tenniel” 13.20
MaryAnne Laurico, Queen’s University: “Biotechnology and the Humanities: Poetic DNA and Christian Bök’s ‘The Xenotext Experiment’” 6.20
Sophie Lavin, SUNY Stony Brook: “Plowing the Empty Vessel in My Antonia” 2.03
Sophie M. Lavoie, University of New Brunswick-Fredericton: “La creación del mito del combatiente revolucionario en la narrativa de escritoras sandinistas” 5.08
Cecelia Lawless, Cornell University: “Making Memories, Making Spaces: A Reading of Contemporary Cuban Film” 16.10
Robert Lazaroff, SUNY Nassau Community College: “It’s the End of the World as We Know It: Mixtapes, Rock Band, and 21st Century Composition.” 12.07
Mireille Le Breton, Nazareth College: “Une nouvelle perception de la ‘francéité’ dans l’œuvre de F. Guène et de M. Razane” 12.08
Kristin Le Veness, Nassau Community College: “Bearing Witness: Faith, Feminism, and Anne Bronte” 5.19
Cathie LeBlanc, Plymouth State University: “Playing Social: Why Some FaceBook Games Work and Others Don’t” 4.05
Melissa LeBlanc, University of Western Ontario: “Acadian Mobility and Identity: Travel in France Daigle and Hermenegilde Chiasson” 1.17
Jeannette M. E. Lee, Hampshire College: “Gay, Black, and Other-ed: ‘Erotic Autonomy’ in Gay African-American Literature” 6.24
Jess Lee, Roving Party Machine: “Radical Slush: Complicating Queer Identity and Space Signification Through Performative Intervention” 12.01
Jessica Lee, University of Arizona: “Not ‘If’ but ‘When’: Preparing for Traumatic Narrative in the First-Year College Composition” 6.12
Jonathan Lee, University of California-Riverside: “A Skeptic’s Progress from Kripke to Wittgenstein” 3.09
Merton Lee, University of Illinois-Urbana-Champaign: “Subversive Orientalism: Marianne Moore with Jose Garcia Villa” 12.02
Antonio Leiva, Universite de Bourgogne: “Zombie Apocalypse: The Rise of the Undead in Graphic Novels” 12.09
Candyde Leonard, Wake Forest University: “The Destruction of the Twin Towers in Luis Miguel González Cruz’s Playback” 10.11
Nathaniel Leonard, Univeristy of Massachusetts: “‘Whose Summum Bonum is in Belly Cheer’: Marlowe’s Doctor Faustus and the Performance of Faith” 5.26
Laura Leonardo, University of Newcastle: “Transnational Table: Food and Rituals in the Cinema of Ferzan Ozpeteck” 14.02
Elise Lepage, Collège Universitaire Saint Boniface: “Aigre douceur de Marc Prescott” 1.17
Anna Lepine, John Abbott College: “‘Me they could not see’: Invisible Witnessing in Villette” 5.19
Morgane Leray, Université Michel de Montaigne: “Scénographie d’une fin de race, thanatologie de la littérature (J. Lorrain)” 1.14
David Letzler, Graduate Center-CUNY: “A Look Back at the Scholarship-Criticism Debate” 1.20
Karen L. Levenback, Monastery at St. Sepulchre: “Marilynne Robinson and Processes of Memory” 4.10
David Lewkowich, McGill University: “Poetry and Educational Experience: Dwelling in the Tensions of Wayman’s ‘Did I Miss Anything’” 2.10
Susanna Soojung Lim, University of Oregon-Clark Honors College: “Valerii Briusov’s ‘Coming Huns’ and the Creation of a Eurasian Identity” 9.10
Shanna Lino, York University: “La novela y la piel negras: Race and Justice in Abasolo’s ‘El color de los muertos’” 6.10
Julia Lisella, Regis College: “Recovering Modernist Lineage: Genevieve Taggard and Emily Dickinson” 3.18
Lucy Littler, Florida State University: “The Double Consciousness of Barnum Kinsey: Ideological Whiteness in The Known World” 14.10
Margaret Littler, University of Manchester: “Berlin and the Fall of the Wall as Non-Event in Turkish-German Literature” 9.08
Diane Liu, University of Massachusetts-Amherst: “The Man, the Myth, the Cowboy King: The Adventures of Billy Jenkins” 8.09
Adam Lloyd, University of Maryland-College Park: “Engaging Real World Issues: A Model for Teaching Required Undergraduate Business Writing Courses” 8.23
Jonathan Loesberg, American University: “Aesthetic Formalism, the Form of Artworks and Formalist Criticism” 1.20
Astrid Lohöfer, Philipps-University of Marburg: “Ethics and Lyric Poetry: Defining Ethical Categories in French Symbolism and Canadian Modernism” 16.02
Giancarlo Lombardi, College of Staten Island-CUNY: “All About Jacob: Reframing Reference in Lost” 14.01
Greg Londe, Princeton University: “Irish Poets, Learn Your Trade: Thomas Kinsella between First Programme and Second Coming” 4.22
Drew Lopenzina, Sam Houston State University: “Thresholds of Change: Reconsidering Caleb Cheeshateaumauk’s ‘Honoratissimi Benefactores’” 7.24
Francisca López, Bates College: “RTVE como actor histórico: El día más difícil del Rey” 7.04
Gisèle Loriot-Raymer, Northern Kentucky University: “Gisèle Pineau dans la ‘geôle noire’ de la mémoire” 11.13
Thomas Lornsen, The University of New Brunswick: “Alternative Archives: Heinrich von Kleist’s Library of Deviance” 5.03
Paula Loscocco, Lehman College-CUNY: “On Bringing Oneself from America to Britain: Phillis Wheatley’s ‘A Farewell to America’” 5.25
Nadia Louar, University of Wisconsin Oshkosh: “Femme[s] au pluriel et criminelles: Baise-moi de Virginie Despentes” 13.16
Esteban Loustaunau, Assumption College: “Always Becoming: Immigrants Rethinking Place and Ethnicity through Storytelling” 8.12
Adam Seth Lowenstein, University of California-Los Angeles: “‘Such variety and yet such harmony’: The Serial Aesthetic of The Ambassadors” 5.22
Carolyn Lukens-Olson, St. Michael’s College: “No Art of Worldly Wisdom: Positivists and Con Men in Cervantes” 10.10
Daniel Lukes, New York University: “‘A Minority of One’: Glen Duncan’s Loser Lit” 11.15
Elizabeth Lundberg, University of Iowa: “A Screen Too Small: Intertextual Bisexuality on (and off) Television” 5.01
Sara Lundquist, University of Toledo: “‘There Are A Lot of Mockingbirds In This Book’: Mary Oliver and the Academic’s Dilemma” 7.26
Ana Luszczynska, Florida International University: “Home Interrupted: Memory in Ana Menendez’s ‘Her Mother’s House’” 8.22
Rosemary Luttrell, University of Georgia: “The Figure in Edel’s Carpet: Personal Myth in The Life of Henry James” 3.02
Justine Lutzel, Bowling Green State University: “‘a deranged house is a pretty conceit’: Hallucinating Madness in The Haunting of Hill House” 8.06
Alfredo Luzi, Unversità di Macerata: “L’Altro mondo di Levi. Scienza e fantascienza nelle Storie Naturali” 2.12
Leah Tolbert Lyons, Middle Tennessee State University: “Madness and Maternity in Mariama Bâ’s Un Chant écarlate” 5.14
Barbara Mabee, Oakland University: “Memories, Family Betrayal, and Stasi Surveillance: Susanne Schädlich’s ‘Immer wieder Dezember’” 17.11
Colin MacCabe, University of Pittsburgh: “Certitude: An Exploration of Secularity and Fundamentalism in the American University Classroom” 10.13
Debra MacComb, University of West Georgia: “Twain’s Cave Men” 10.04
Cecilia Macheski: “The ‘Visualizing Gift’: Edith Wharton’s Cinematic Fiction” 2.07
Tim Mackin, Saint Michael’s College: “Proper Names and the Pisan Cantos; or, Notes toward a New Economics of Elegy” 3.09
Lewis MacLeod, Trent University: “Smith and Rushdie: Monologic Hybridity in Midnight’s Children and White Teeth” 17.14
Kelly C. MacPhail, Université de Montréal: “‘Beyond this present knowing’: Wallace Stevens’ Poetry of Faith” 5.23
Magdalena Maczynska, Marymount Manhattan College: “Zadie Smith and Religion” 12.22
Silja Maehl, Brown University: “Language as Travel across Foreign Nations and Cultures. Yoko Tawada’s Where Europe begins” 16.15
Annette Magid, Erie Community College-SUNY: “Envisioning Globalization in Fritz Lang’s Metropolis” 1.01
Francesca Magnoni, National University of Ireland-Galway: “Literary Text and Hypertext in Teaching Italian as a Foreign Language” 3.03
Nathan Magnusson, University of Washington: “Biedermeier Haunts: Uncanny Architecture in Jeremias Gotthelf’s Die schwarze Spinne” 1.12
Jennifer Magro Algarotti, Ohio State University: “Nature, Culture, and Art in Ransmayr’s ‘Die Schrecken des Eises und der Finsternis’” 13.14
Christa Mahalik, Quinnipiac University: “‘She’s a Man Eater’: The Character of Tamora in Shakespeare’s Titus Andronicus” 7.20
Brigid Maher, La Trobe University: “Translating Theory into Practice: Milena Agus in the Anglophone (Australian) Context” 12.03
Peter Mahoney, Boston University: “La ropa hace al hombre: la indumentaria en la problemática de la cristianización del mundo” 17.06
Phillip Mahoney, Temple University: “Looking After Children: The Turn of the Screw and the Turn-of-the-Century Discourse on the Child” 7.12
Anne Malena, University of Alberta: “Translation, Cultural Literacy and Globalization” 11.18
Kathleen Maloney, St. Mary’s University: “Multiculturalism and Diversity Defined by Local Conditions” 11.11
Marta Manrique Gómez, Middlebury College: “La construcción del proyecto identitario nacional en la prensa romántica española” 4.11
Gregoria Manzin, Swinburne University of Technology: “Il teatro di confine di Kenka Lekovich” 2.11
Faye Spencer Maor, Florida A&M University: “Why I came to College: Trauma as Motivation in the College Composition Classroom” 6.12
Anthony Louis Marasco, St. John International University, Vinovo: “Leon Edel on Cosmopolitanism in The Life of Henry James” 3.02
Nancy Marder, Chicago-Kent College of Law: “In the Absence of Law and Justice” 5.20
Carine Mardorossian, University at Buffalo: “‘Le Sexe Fendu’ in Maryse Condé’s Célanire Cou-Coupé” 5.17
Arianne Margolin, University of Colorado-Boulder: “Voltaire’s Apple: Strategy and Manipulation of Newton’s Philosophy and Vulgarization of Science” 12.16
Mena Marotta, Università di Salerno and University of Maryland: “Sur ma mère de Tahar Ben Jelloun: une expérience de la nostalgie” 13.15
Philipp Marquardt, Brown University: “The Guilty Conscience of Rap? Dialog as a Main Principle of Hip Hop” 4.12
Bill Marshall, University of Stirling: “A French Atlantic Space: Cayenne and Carnival” 16.07
Elaine Marshall, Barton College: “Renewing Myth in Three African Movies: Yeelen, Moolaade, and Max and Mona” 5.02
Myriam Martel, Ryerson University: “Scherezada desenmascarada en la obra de Isabel Allende: La inversión de roles tradicionales” 8.03
Chelsea Martin, New York University: “About Face: Ethical Imagination and the Value of Reading Film” 9.07
Christian Martin, Stonehill College: “Framing the Witch: Jean Bodin’s Démonomanie des sorciers (1580)” 2.14
Cynthia Martin, James Madison University: “Portfolios, Phase 3: Making Portfolios Work in the FYW Classroom” 7.07
Mathew Martin, Brock University: “Oedipus, Hamlet, and Marlowe’s Dido, Queen of Carthage: Beyond the Pleasure Principle” 6.22
Michelle Martin, Temple University: “Capitalism and Resistance in Pynchon’s Against the Day” 14.23
Mauricio Martinez, University of Guelph: “Beyond Proto-Psychoanalysis: Reading Romeo and Juliet through Freud and Vives” 6.22
Deepika Marya, University of Southern Maine: “Teaching in Perilous Times” 16.05
Sonia Massari, Siena University and Gustolab center for food and culture: “Food and Culture Programs in Italy” 9.14
Carmen Mata Barreiro, Universidad Autónoma de Madrid: “Hybridité linguistique et culturelle dans les écritures migrantes au Québec” 6.08
Linda Materna, Rider University: “The Sea Gull and Long Day’s Journey into Night: Intertextuality in J.R. Fernández’s Nina” 11.10
Nicole Matos, College of DuPage: “‘Fresh Names’: The African Imaginary of Turner and A Harlot’s Progress” 5.02
María Matz, University of Massachusetts-Lowell: “Ciberespacio como campo para la denuncia: los asesinatos de Juárez” 5.04
Jessica Maucione, Gonzaga University: “Karen Tei Yamashita’s The Tropic of Orange: An Ecology of L.A.” 1.19
Lauryn Mayer, Washington and Jefferson College: “ReOrienting Britain in Caxton’s Polychronicon” 3.19
Michael Mayne, University of Florida: “Race Trouble in The Last of the Mohicans of 1826, 1936, and 1992” 17.15
Cristina Mazzoni, University of Vermont: “The Myth of Rome in Contemporary She-Wolves” 7.03
Dennis McAuliffe, Bryn Mawr College: “On the description of Africa and on Remarkable Matters set down by Giovan Lioni Africano” 1.11
Holly J. McBee, Dickinson State University: “We Are Finally Talking About Class, Just Not Like We Expected” 11.11
Melissa McCarron, University at Albany-SUNY: “Toward L’esbos: Maria Mercè-Marçal, Renée Vivien and Lesbian Flânerie” 17.09
Ann McClellan, Plymouth State University: “Servants on the Screen: Work, Class, and Authority in TV and Film” 3.01
Kendall McClellan, SUNY Binghamton: “The Nationalist Ethics of Transatlantic Abolitionist Poetry” 2.16
Adrienne McCormick, SUNY Fredonia: “Not this me/not that me: Lucille Clifton’s Ten Oxherding Pictures and a Buddhist Approach to Self” 14.19
Stacie McCormick, CUNY Graduate Center: “Returning to the Wound in Robbie McCauley’s Sally’s Rape and Suzan Lori Parks’ Venus” 9.01
Jessica McCort, Duquesne University: “Big Mouths, Freaks, and Empowered Geeks: Joyce Carole Oates, The ‘New Girl,’ and the” 5.09
Christine McCrory, Washington University in St. Louis: “Collecting Violence: Power and the Archive in Marcel Beyer’s Flughunde” 3.06
Kathleen McDonald, Norwich University: “The Good Woman: Religious Resignation or Resistance?” 10.21
Tara McDonald, University of Toronto: “The Economy of Melancholy: Generic Circulation in Mary Wollstonecraft’s Short Residence in Sweden” 2.16
Maureen McDonnell, Eastern Connecticut State University: “Paying Attention to the Word and Attention to the Action: Shakespeare in the College Classroom” 5.12
James McDougall, American University of Kuwait: “In the Process: Interlanguage and Academic Writing in the First Year Composition Course” 3.17
Laura McGavin, Queen’s University: “Emily Carr’s Animals” 6.20
Jaime McGrane, Queen’s University: “Re-Imagining Historical Women in Margaret Cavendish’s Closet Drama” 12.18
Peter McIsaac, York University: “Berlin and Beyond: The Museal and the Cinematic” 16.06
Jonathan McKay, Queen’s University-Kingston: “‘A Forgotten Cemetery’: Reading the lost texts of Roberto Bolaño’s 2666 in translation” 2.15
Molly McKibbin, York University: “Transforming the Passing Novel: Danzy Senna’s Caucasia and the New Era of Mixed Race Identity” 17.15
James McLeod, University of Sydney: “Spectacle of the Dead: Situationist Vampires in True Blood” 8.02
James F. McMenamin, Dickinson College: “Petrarch’s Chain of Glory: RVF 119 and the ‘Secretum’” 1.09
Laurie McMillan, Marywood University: “Writing About Writing (WAW) Reinvigorates First-Year Composition” 7.07
Josephine McQuail, Tennessee Technological University: “Shattered Psyches: Ellison’s Flying Home as Trauma Writing” 4.20
Kara McShane, University of Rochester: “Visualizing Linguistic Difference: Presentation of Alphabets in Mandeville’s Travels” 12.04
Ellen McWhorter, Merrimack College: “‘What my heart not my mouth has uttered’: Edwin Rolfe and the Body Politic” 6.25
Shealeen Meaney, Russell Sage College: “‘Is one never to forget that it is not proper to wear gold beads with crape?’” 2.18
Ana-Maria Medina, University of Houston-Downtown: “El teatro rivarsiano: Memoria y olvido en El heroe” 9.09
Angelique Medvesky, Florida State College: “Depicting Gender: The Embodiment of the Working-Class in American Film” 6.02
Binita Mehta, Manhattanville College: “Recreating ‘Home(s)’ : Nathacha Appanah-Mouriquand’s Les Rochers de poudre d’or” 16.07
Jörg Meindl, Lebanon Valley College: “Linguistic Polygamy as a Teachable Moment” 6.07; “The ‘Virtual Alsatian’: Transnational Identity in André Weckmann’s Literature” 8.16
Giorgio Melloni, SUNY New Paltz: “History and Society through Literary Marginals in Ettore Scola” 1.06
Bernabe Mendoza, San Francisco State University: “The (Re)Construction of the Masculine in M. Butterfly and Kiss of the Spider Woman” 12.19
Nicole Merola, Rhode Island School of Design: “Superfund Gothic: Joyce Carol Oates’s The Falls” 16.03
Emily Taylor Merriman, San Francisco State University: “More or Less Nirvana in the Poetry of Charles Wright” 14.19
Michela Meschini, University of Macerata: “In the Name of the Father: The Drama of Adolescence in Salvatore’s Come dio comanda” 5.05
Joseph Metz, University of Utah: “Reification, Absolute Surplus, and the Perverse Sublime in Stifter’s Proto-Benjaminian Stadtbilder” 1.13
Jessica Metzler, Cornell University: “Killing Time: Violence, Affect, and Narrative Temporality in Richard Wright’s Native Son” 9.21
E. Nicole Meyer, University of Wisconsin-Green Bay: “Advocating for a Good Cause: Innovative Strategies for Creating a Thriving French Program” 9.16
Aude Michard, Université Paul-Valéry Montpellier III: “« Comme si cela ne cessait jamais » : visions de la guerre dans l’œuvre de Claude Simon” 13.17
Giovanni Migliara, UNED Madrid: “Carletto Mazzucchetti: un caso di ‘damnatio memoriae’” 1.10
Alexandar Mihailovic, Hofstra University: “Cinematic Border Zones of Thwarted Desire in Lichter and Sleep Dealer” 4.01
Marko Miletich, Hunter College: “Reading Gender in Translation” 14.11
Ann Miller, University of Leicester: “The Representation of Trauma in French-Language Autobiographical Comics” 16.04
Matthew Miller, Bowdoin College: “Time and Space in Literary Dialectics: Observations on Peter Weiss and Alexander Kluge” 9.15
Enrico Minardi, University of Wisconsin-Madison: “Dante and the Sources of the Exempla in Purgatorio 10-28” 1.09
Enrico Minardi, Truman State University: “Tondelli e i generi letterari” 6.14
Jasmine Mitchell, University of Minnesota: “Queering the Mixed-Race Body in Nalo Hopkinson’s The Salt Roads” 5.17
Elizabeth Mittman, Michigan State University: “A Different Kind of Emancipation: Autobiography and Gender in the Context of Unification” 12.14
Carolina Moctezuma, Kutztown University: “Introduccion a la novelistica de Ricardo Chavez Castaneda” 16.09
Jason Mohaghegh, Northeastern Illinois University: “The Exilic Imagination: The Alliance of Postcoloniality and Posthumanism” 16.16
Yasemin Mohammad, Pennsylvania State University: “The Clash between Cosmopolitan and Nationalist Outlooks in H. Al-Mozany’s novel Der Marschländer” 16.15
Pamela Monaco, Brandman University: “Translating Shakespeare Through Silence: Synetic Theater Silent Shakespeare” 2.06
Madeleine Monette: “America Is Also a Québec Novel” 15.01
Caterina Mongiat Farina, Colby College: “Sperone Speroni e la questione della lingua for dummies” 3.12
Joycelyn Moody, University of Texas-San Antonio: “Land-theft and Lawsuits: The Case of Elleanor Eldridge in Antebellum Rhode Island” 5.20
Sarah Moody, University of Alabama: “‘¿Qué tendrá la princesa?’: Agustini’s Reinvention of the Modernista Feminine” 7.10
Scott Moore, Brandeis University: “Melville’s ‘World-Frigate’: Global Ship-Space and Trasnational Roving in White Jacket” 16.17
Luis Mora, University of North Florida: “La subordinación de la identidad en La mala educación de Pedro Almodóvar” 1.07
Arik Moran, University of Oxford: “The So-Called Religion of the Gurkha: On the Creation of Others in the West Himalayas” 9.23
Charles-Louis Morand Métivier, University of Pittsburgh: “La Poésie des Goliards: Humour, Vulgarité et Didactique” 6.17
Rachel Mordecai, University of Massachusetts-Amherst: “(Queer) Sex and the Jamaican Citizen: Patricia Powell’s A Small Gathering of Bones” 5.17
Joseph W. Moser, Washington and Jefferson College: “Teaching the Holocaust in English at a Liberal Arts College” 14.05
Keith Moser, Mississippi State University: “Teaching Le Clezio and His Forest of Paradoxes” 3.14
Yasmine Motawy, American University in Cairo: “Children’s Literature in Composition Classes: From Analysis to Deconstruction to Argument” 1.15
Dana Mount, McMaster University: “Urban Decay and Environmental Justice in Robinton Mistry’s ‘Such a Long Journey’” 7.18
Hudson Moura, Simon Fraser University: “Frogs and samba-exaltação: The allegorization of violence in Brazil in Manda Bala” 3.16
Tonya Moutray McArthur, The Sage Colleges: “Finding Lost Boys: Peter Pan and Colonial Adventure Fiction” 11.15
Susan Moynihan, University at Buffalo: “History in Abeyance: The ‘Floating World’ of Post-World War II Japanese America” 9.21
Farzad Mozafarzadeh, University of Iowa: “Alternative Sexuality in Italo Calvino’s Cosmicomics” 5.01
Stefano Muneroni, University of Alberta: “Incontri interculturali nel Mediterraneo: INDA 2009” 2.11; “Journeying as Self-Knowledge in Tondelli’s Altri libertini and Camere separate” 6.14
Alicia Muñoz, Macalester College: “Killer Women in the Revolution: Nora Astorga and Gioconda Belli’s ‘La mujer habitada’” 5.08
Juan Ignacio Munoz-Zapata, University of Western Ontario: “El cyberpunk feminino latinoamericano: ¿cómo jugar entre consolas y paradigmas patriarcales?” 13.11
Isa Murdock-Hinrichs, University of California-San Diego: “Foreign Spaces and the German Imaginary” 2.13
Liz Murphy Thomas, University of Illinois-Springfield: “The Land of Sunshine: Documenting the Disappearing Tourist Culture Along Florida’s US1” 17.04
Dirk Naguschewski, Zentrum für Literatur-und Kulturforschung: “Bringing Carmen to Dakar: On the Question of Homosexuality in Africa” 10.02
Stéphane Natan, Rider University: “À la rencontre de Blaise Pascal” 5.15
Vetri Nathan, University of Denver: “Garrone, Tornatore, Tullio Giordana: The Ambivalent Realisms of Italian Immigration” 1.06
Evelyn Navarre, SUNY Buffalo: “Interweaving Voices: Teaching Captivity from a Multidisciplinary Perspective” 7.24
Lauren Navarro, Fordham University: “Biting Back: Starving Men and Working Women in McTeague and Sister Carrie” 3.21
Jeffrey Nealon, Pennsylvania State University: “The Economics of Affect” 13.10
Samantha NeCamp, University of Louisville: “LOST, Time, and Technology: Digital Video Recording as a Tool for Genre Subversion” 13.12
Alexandra Neel, Loyola Marymount University: “Virginia Woolf on Not Regarding the Pain of Others” 7.08
Lyndal Neelin, Carleton University: “A Resilience Narrative from Shawville, Québec: Adaptive Cycles and Social Change” 9.05
Elisabetta Nelsen, San Francisco State University: “I dintorni di Milano. Brevi annotazioni su un frammento verghiano passato inosservato.” 13.06
Vanessa Nelsen, Emory University: “Black Aesthetics in Villaverde’s Cecilia Valdés and Morúa Delgado’s Sofía” 17.01
Brad Nelson, Concordia University: “The Writer Who Played with Fire. A Millennial Perspective on María de Zayas” 16.11
Charmaine Nelson, McGill University: “The Incredible Disappearing Slave: Slavery and Visibility in 19th Century Jamaican Landscapes” 11.04
Elsa Nettels, College of William and Mary: “Regaining Lost Youth in Novels by James and Cather” 4.24
Dollie Newhouse, Francis Marion University: “The Best of Both Worlds: Using Literature Effectively in the Composition Classroom” 10.20
Anh Nguyen, Johns Hopkins University: “Between Interiors and Exteriors. Windows and Aspects in Goethe and Hoffmann” 1.12
Mouhamédoul A. Niang, Colby College: “Post-masculinité: femme remède, femme polyandre chez Ahmadou Kourouma et Baenga Bolya” 10.18
Caroline Nichols, College of William and Mary: “Domesticity on the Imperial Frontier” 10.04
Brantley Nicholson, Duke University: “Problems in Cosmopolitanism in the Works of William Faulkner and Alberto Fuguet” 16.09
Elke Nicolai, Hunter College-CUNY: “The Breaking of Taboos in Women’s Writing: Novels by Charlotte Roche and Claudia Schreiber” 10.15
Candice Nicolas, Bucknell University: “Boris Vian et Chloé, la dame au nénuphar” 1.14
Roberto Nicosia, Rutgers University: “Il Fasciocomunista di Antonio Pennacchi, un romanzo postmoderno” 16.01
Ezra Nielsen, Rutgers University: “Theodore Dreiser, the Immanence of Form, and American Literary Studies” 1.20
Minna Niemi, SUNY Buffalo: “Remapping the History of the African Horn: Violent Cartographies in Nuruddin Farah’s Maps” 5.02
Shobna Nijhawan, York University: “‘A World of Difference’: Travels in the Colonial Neighborhood” 9.23
Christopher Nissen, Northern Illinois University: “Toward a Typology of the Cinquecento Novella-Romanzo” 9.13
Greta Aiyu Niu, University of Rochester: “Border Crossings in Chinese Cinema” 1.01
Daniel Nolan, Northwestern University: “Heinrich von Kleist’s ‘The Marquise von O…’ and the Exhibition of Sincerity” 6.09
Phillip Novak, Le Moyne College: “Vision and Revision in Hitchcock’s Vertigo” 9.07
Terry Novak, Johnson and Wales University: “Marriage, Race and the Law in Antebellum America: Iola Leroy’s Awakening” 5.20
Patrick Nugent, Brooklyn College-CUNY: “The Green Breast of the Five Boroughs: Ecology and Economy in Joseph O’Neill’s Netherland” 16.03
Lynda K. Nyota, Duke University: “Depiction of Male Trauma in Transnational Women’s Writing” 11.06
Ana Oancea, Columbia University: “Happy Villains in Neil Gaiman’s Fairy Tales” 13.02
Emanuele Occhipinti, Drew University: “Svevo viaggiatore” 14.12
Kate Faber Oestreich, Coastal Carolina University: “Free Union Aesthetics: How Jude the Obscure (Ad)dresses the Late-Victorian Marital Reform Movement” 11.17
Andrew Ogilvie, Loyola Marymount University: “Kairos, Tension, and First-Year Composition” 7.07
Stefanie Ohnesorg, University of Tennessee-Knoxville: “Going Native? - ‘Indians’ in/and German Fantasies of the American West” 8.09
Mark Okrant, Plymouth State University: “Nostalgia, Tourism, and the Cultural Logic of Late Capitalism” 17.04
Tahneer Oksman, CUNY Graduate Center: “Echoing the Loudest Voice: Grace Paley’s Faith in the Future” 9.21
María José Olaciregui, Universidad del País Vasco: “Las fisuras de la nación en la narrativa vasca actual” 1.04
Dana Olwan, Queen’s University: “Alice Walker, Code Pink, and the Politics of Palestinian Solidarity Movements” 14.09
Wiebke Omnus, Keimyung University: “‘Sacred Beauty’: the Aesthetic of Grace” 4.10
Andrea Opitz, Stonehill College: “The Emergence of Diasporic Subjectivity in Caryl Phillips’ Crossing the River and The Atlantic Sound” 14.10
M. Patricia Orozco, University of Mary Washington: “Maxi Rubín, the Pharmacist in Training in Fortunata y Jacinta” 2.08
Simon Orpana, McMaster University: “Infected Text: The Dissolution of the Individuated Subject in Pride and Prejudice and Zombies ” 8.02
Marianna Orsi, Università di Pisa: “Omosessualità femminile nella letteratura italiana dal XII al XVI secolo” 2.04
Fulvio Orsitto, California State University-Chico: “Male in Progress: Mimi the Metalworker and the 1970’s” 16.12
Nahir Otaño-Gracia, University of Massachusetts-Amherst: “Approaching Medieval Women: Accepting the Other throughout the Ages” 14.06
Benedict Owen, Independent Scholar: “Don’t You Ever Use That Word Again: Absent Images as Emotion in Chester Brown” 16.04
Margaret Owens, Nipissing University: “‘Things people pay to see’: The Stigmatization of Waxwork in Mystery of the Wax Museum” 4.06
Nil Ozcelik, Independent Scholar: “Recreation of an Empathetic Reading Experience Through Translation” 11.18
Lynn O'Brien Hallstein, Boston University: “I Remember Women's Studies Before There was Women's Studies: Watching Women's Studies Evolve” 8.08
Audrey O’Brien, Athabasca University: “Witnessing our Shrinking Planet: Spatial Representation in Two Novels of J.M.G. Le Clezio” 3.14
Noreen O’Connor, King’s College: “Alternative Modernist Traditions: Women Writers and Modernist Utopias” 3.18; “From Alienation to Coven: Sylvia Townsend Warner’s Utopian Modernism” 4.08
Kathleen O’Donnell, Clarion University: “Intermediate Spanish Literature Courses: Can we talk?” 7.13
Christine O’Dowd-Smyth, Waterford Institute of Technology: “Global Programs and Localized Responses: The Ordination of Women Priests in the Church of Ireland” 8.08
Sally O’Driscoll, Fairfield University: “Intimate Enemies, Competing Cultures, or Partners?” 10.20
Seamus O’Malley, CUNY Graduate Center: “Irish Civil War Orphans: Elizabeth Bowen’s The Last September” 7.19
Valentina Pagliai, CUNY Queens: “Multiculturalism and the Moral-Politics of Antiracism in Italy” 17.05
Novia Pagone, University of Chicago: “Periodical Manifestations: Women Representing Culture and Claiming Public Space through Journalism” 9.04
Rita M. Palacios, California State University-Long Beach: “Maya Cu and the Advent of a Contemporary Maya Women’s Literature in Guatemala” 7.10
William C. Pamerleau, University of Pittsburgh-Greensburg: “Rethinking Authenticity in Film Analysis” 4.18
Margherita Pampinella-Cropper, Towson University: “Myrrha: Incestuous Passion and Political Transgression (Inferno 30)” 1.09
Julia Panko, University of California-Santa Barbara: “Leopold Bloom at the Museum’s Gate: Personal and Institutional Collection Practices in Ulysses” 4.06
Erika Papagni, University of Toronto: “‘Principesse Azzurre’: a major impact on Italian consciousness” 2.04; “Il primo saggio in lingua italiana sulla letteratura lesbica: ‘Orgoglio e privilegio’” 6.04
MaryLaura Papalas, East Carolina University: “Joyce Mansour: Surrealism’s Anti-Muse” 13.16
Toni Pape, Université de Montréal: “‘After all my dear, tomorrow is another day!’ Seriality and Emancipation in Maupin’s Tales” 2.17
Andrea Parada, SUNY Brockport: “Nuevos arquetipos femeninos en la poesía de Claribel Alegría” 7.10
Lizabeth Paravisini-Gebert, Vassar College: “Deforestation and the Yearning for Lost Landscapes in Caribbean Literatures” 7.18
Beatriz Pariente-Beltrán, Mount Holyoke College and University of Massachusetts-Amherst: “Student Perceptions of Translation and Composition Assignments” 8.15
Eva Paris-Huesca, University of Massachusetts-Amherst: “El Sur un proceso de masculinización: De Adelaida García Morales a Víctor Erice” 3.05
Jason Thomas Parker, Vanderbilt University: “The Spanish Avant Garde and Popular Culture: Intersections of Ideology and Critique” 12.12
Sandeep Parmar, New York University: “Breaking Out of Modernist Constellations” 3.18
Tara Parmiter, New York University: “Navigating the Borderlands in Neil Gaiman’s Adolescent Literature” 7.23
Marta Pasqual, Universitat de Girona: “The Power of Translation and Adaptation in (Re)constructing Catalan Culture During Franco” 2.15
Laura Passin, Northwestern University: “Canons and Masks: Forgetting Muriel Rukeyser” 13.05
Gloria Pastorino, Fairleigh Dickinson University: “Allegory in Fo and Genet’s Puppets” 16.13
Shireen Patell, New York University: “Traumatic Scars: Narrativity, Resilience, Resistance, and Remains” 9.05
Ana Mercedes Patino, Bucknell University: “Lolia Pomare Myles, puente entre la palabra antigua y la nueva” 1.05
Maeve Pearson, University of Exeter: “An Aesthetic Education: Art and Childhood in ‘The Author of Beltraffio’” 7.12
Nancy Pedri, Memorial University of Newfoundland: “Effectively Intense, Impossibly Bad Photographs in Autobiography” 7.08
Ann Peeters, Vrije Universiteit Brussel: “In Search of a National Language: Theory and Practice in Alessandro Manzoni and Giovanni Rosini” 16.14
Gregory Pell, Hofstra University: “Davide Rondoni and Tommaso Lisa: Video Screens, Consumerism and Scenes of Seeing.” 10.14
Kevin Pelletier, University of Richmond: “Slave Insurrection and Sentimentalism in David Walker’s Appeal and Nat Turner’s Confession” 13.23
Louise Pelletier, Université du Québec à Montréal: “The Space of Fiction: Plotting an Architectural Program” 1.12
Andrea Pera, Independent Scholar: “Salvo Montalbano: un alter ego politico di Andrea Camilleri?” 6.06
Lisa Perdigao, Florida Institute of Technology: “She’s Research!: Examining the ‘Wound of Age’” 1.03
Pedro Pereira, Ohio State University: “An East, East of the East: Eça de Queirós, Pessoa and The Scope of Portuguese Orientalism” 16.08
Graciela Perez, Pepperdine University: “Multicultural literary images in Les Amants de Tolede of Villers de l’Isle-Adam” 2.02
Lorna Perez, Buffalo State College: “Nations in Exile: Feminism, Dislocation and the Death of the Patriarch in Rosario Ferré” 13.19
Mike Perez, Embry-Riddle Aeronautical University: “The Nature of Ecoqueerdom” 8.01
Jesús Pérez Magallón, McGill University: “Del franquismo al barroco: catolicismo e identidad” 4.11
Seth Perlow, Cornell University: “The Poetics of RANDomness” 8.20; “The Affect of Language, the Language of Affect” 13.10
Sabina Perrino, University of Michigan-Ann Arbor: “‘Extracomunitari’ in The Lega’s North: Language, Migration, and Difference in Veneto” 17.05
Emma Perry, Boston College: “Titiana, Feminine Desire, and the Early Modern Cougar” 7.20
Ann-Sofie Persson, Linköping University: “Lettres parisiennes. Pratiques épistolaires de la migrance chez Nancy Huston et Leïla Sebbar” 6.08
Martine Peters, Université du Québec en Outaouais: “Est-ce que nos activités technopédagogiques font l’unanimité chez nos étudiants?” 9.06
Pearlie Peters, Rider University: “Zora Neale Hurston and The American Courts: In Fiction and Life” 5.20
Paola Pettinotti, Independent Scholar: “La Genova di Bacci Pagano, dai caruggi alle creuze” 6.06
Sheila Petty, University of Regina: “Traveling Aesthetics and Globalization in Contemporary African Cinema” 1.01
Céline Philibert, SUNY Potsdam: “D’ ‘Un monde sans pitié’ à ‘Irrésistible’: le cinéma français contemporain” 7.01
Angela M. Phillips, Warren Wilson College: “In search of home in Yasmine Chami-Kettani’s Cérémonie” 16.07
Michelle Phillips, Rutgers University: “Innocence Loosed: The Turning of the Child in Henry James’s The Turn of the Screw” 4.04
Virginia Picchietti, University of Scranton: “‘Nel segreto delle case’: Motherhood in Elena Ferrante’s La figlia oscura” 16.01
Karsten H. Piep, Union Institute & University: “Transnational Harlem: Nella Larsen’s Quicksand and Claude McKay’s ‘Home to Harlem’” 6.19
Inga Pierson, Colgate University: “A Child’s Tragedy: Matteo Garrone’s Totò” 5.05
Jamie Pietruska, American Academy of Arts and Sciences: “The Predictive Imagination in Edward Bellamy’s ‘The Medium’s Story’” 4.25
Deidre Pike, University of Nevada-Reno: “Beyond Big Brains: From Posthumanism to Cosmic Optimism in Kurt Vonnegut’s Galápagos” 16.03
Judith Pike, Salisbury University: “Epistolary Witness: Nelly & Mrs. Heathcliff’s Letter” 5.19
Helen Pilinovsky, California State University-San Bernardino: “Cabinet des Fées, Cyber des Fées: Re-Coding the Commodified Fairy Tale” 9.18
Adela Pineda Franco, Boston University: “Exporting Pancho Villa: The Mexican Revolution and American Film” 7.09
Davida Pines, Boston University: “Negotiating Trauma: The Use of Photography in Comics” 7.08
Daniel Pinsent, Queen’s University: “e. e. cummings’ EIMI: Giving and Account of Is/Self” 14.21
Pablo Pintado Casas, Kean University: “En busca del ideal clásico o la escritura en contra de España: polémica acerca del estilo literario” 9.02
Andrew Piper, McGill University: “Transitional Figures: The Ballad and the Socialization of Intermedial Encounter” 10.05
Claudia Pisano, CUNY Graduate Center: “The Letters are Poetry, Too: Edward Dorn and Amiri Baraka” 8.20
Elizabeth Pittman, George Washington University: “‘In tones most affecting’: The Sounds of Collectivity in Martin Delany’s Blake” 10.23
Jonathan Pitts, Ohio Northern University: “Creating and Teaching the Professional Writing Program at Ohio Northern University” 8.23
Xavier Pla, Universitat de Girona: “Diarios de paz en tiempos de guerra: la representación de la violencia en textos autobiográficos” 1.04
Andrew J. Ploeg, University of Rhode Island: “Trying to Say What is True: Marilynne Robinson’s Gilead and the In/expressibility of the Numinous” 4.10
Sterling D. Plumpp, University of Illinois-Chicago: “Blues Geographies/Blues Poetics” 1.18
Elizabeth Podnieks, Ryerson University: “Basketball, Skating, and Scholarship: Or How to do Research from the Bench, the Rink, the Car” 7.05
Salvatore Poeta, Villanova University: “María de Guevara´s Education of Kings on Matters of Spain” 16.11
Diana H Polley, Southern New Hampshire University: “Henry James’s Hawthorne and American Romanticism: A Study in Literary Conflict” 17.16
Gail Pool: “Book Reviewing: An Overview” 2.09
Monica Popescu, McGill University: “Re-Inscribing the Memory of the Struggle” 13.21
Debra Popkin, Baruch College-CUNY: “Repression, Rebellion and Madness in Marie Vieux-Chauvet’s Haitian Trilogy Amour. Colère. Folie.” 5.14
Gianluca Porcile, University of Genova: “Genova e i grattacieli: un caso unico nel panorama italiano.” 13.06
Laurelann Porter, Scottsdale Community College: “Hope in the Favelas” 3.16
Hans Christian Post, University of Copenhagen: “Simple, Solid, Homogeneous -- Architectural Visions for a Reunified Berlin” 16.06
Antje Postema, University of Chicago: “Everyday Fantastic: Nina Sadur and (en)Gendered Trauma” 8.13
Jason Potts, Saint Francis Xavier University: “Overflow and the Politics of the Turn-of-the-Century American Novel” 1.20
Ellie Pourbohloul, Washington University in St. Louis: “Breaking Formal and Thematic Conventions in Forough Farrokhzad’s Late Poetry” 12.17
David A. Powell, Hofstra University: “’Was Christ Gay?’: The Role of the Church in Vallée’s C.R.A.Z.Y.” 14.16
Scott Powers, The University of Mary Washington: “Céline’s Anti-Semitism: A Case of Religious Conversion?” 14.16
Marcela Pozarkova, University of Alberta: “Schweizer Geschichte in Frauenhand” 13.13
Anjali Prabhu, Wellesley College: “‘The Idea of Africa’: Not out there but from-it-in-the-World” 5.02
Ruth Prakasam, Atlantic Union College: “A Symbol of Home: The Englishwoman’s Place in Nineteenth Century India” 9.03
Michela Prevedello, McGill University: “La novella dello scolare e della vedova (Decameron VIII, 7): identità maschile e misoginia.” 16.12
Andrew Price, Mount Union College: “Theorizing Compassion, Promoting Human Rights: Walker’s Possessing the Secret of Joy” 14.09
Kristen Proehl, College of William and Mary: “Scout as Social Critic: Sympathy, Tomboyhood and ‘the Dispossessed’ in To Kill a Mockingbird” 2.03
Matthieu Protin, Paris 3 Sorbonne Nouvelle: “Fragments of a Treaty on Aesthetics Never to be Written: Beckett’s Artistic Ideas in his Letters” 1.16
Ryan Prout, Cardiff University: “River, Rain, Pool: Adoption and Maternity in Three Contemporary Spanish Texts” 3.08
Simona Emilia Pruteanu, University of Western Ontario: “Hétérolinguisme et écriture fragmentaire: ‘pratiques signifiantes’ de l’écriture migrante” 6.08
Paolo Pucci, University of Vermont: “Il ruolo della donna nell’amicizia reale e ideale in età pre-moderna” 3.12
Stève Puig, City University of New York: “Du roman beur au roman urbain: de L’Intégration de Begag à Désintégration de Djouder” 12.08
Christopher Pullen, Bournemouth University: “Heroic Gay Characters in Popular Film: Documentary, Domesticity and Sacrifice” 11.01
Nidia Pullés-Linares, Borough of Manhattan Community College-CUNY: “Ideologia imperial y laudes ciudadanas en Canto intitulado Mercurio (1623) de Arias de Villalobos” 17.06
Medrie Purdham, University of Regina: “‘Man and His Electrifying Environment’: Atwood’s Parody of Marshall McLuhan” 5.18
Charlotte Quinney, Bowling Green State University: “Disaster Capitalism and Economic Shock Therapy in Bret Easton Ellis’s Glamorama” 5.24
Luisa María Quintero, Wayne State University: “El Parlache: The Brutal Poetics of the Disposable in Víctor Gaviria’s Cinema and Testimonio” 12.11
Wadia Rabhi, Université de Montréal: “The Tropology of Ghost Writing and Filial Inheritance in Hawthorne’s ‘The Custom House’” 17.16
Kathryn Radford, McGill University: “Reconsidering the Traditional Pedagogical Process in Teaching Translation” 8.15
Judy Raggi Moore, Emory University: “Teaching Language through Virtual Cultural Immersion” 3.03
Ben Railton, Fitchburg State College: “Postethnic America?: Narrating Multigenerational Ethnic-American Identity in the Early 21st Century” 7.22
Tristine Rainer, Center for Autobiographic Studies: “Watching Anaïs on Her Daring Trapeze” 12.24
Lamya Ramadan, Prince Sultan University-Riyadh: “Understanding Oscar Wilde’s Works in the Arab World through Adaptive Film Techniques” 13.18
Carlos Ramos, Wellesley College: “Entre el amor y la alienación: Albadas del siglo XIX” 2.08
Juan G. Ramos, University of Massachusetts-Amherst: “Controversial Aesthetics and Subversive Politics in the Music of Calle 13” 12.11
Steve Abrugar Ramos, Yale University: “The Collective in Gorodetsky’s Pre-Revolutionary Poetry: From Symbolism to Acmeism” 9.10
David Rampton, University of Ottawa: “Varieties of Response: The Controversial Text and Its Sub-Texts” 11.07
Jon Ramsey, University of California-Santa Barbara: “Creative Writing in the Business Writing Classroom” 1.15
David Randall, Bloomsburg University: “Biopoetics: The Evolution of Desire in Il Postino” 5.07
Alessandro Ravera, University of Genova: “L’evoluzione dell’idea di spazio pubblico dagli anni ‘60 a oggi” 13.06
Stéphanie Ravillon, Brown University: “The Use of Translation in Language Classes at the Advanced Level” 8.15
Aisha Ravindran, American University of Ras al Khaimah: “A Possible Kind of Imagination: Intuiting Reality through the Poetry of Muriel Rukeyser” 13.05
Peter Rawlings, University of the West of England: “Leon Edel’s Les Années dramatiques and the Pressure of Poetry on Poetics” 6.23
Chelsea Ray, University of Maine-Augusta: “Teaching French in Maine: Community Dynamics and Intergenerational Programming” 9.16
Sophie Raynard-Leroy, State University of New York-Stony Brook: “Quand la préciosité flirte avec le libertinage: l’exemple des conteuses des années 1690” 5.15
Laurel Recker, University of California-Davis: “Cubism as Relativism in the Work of Gertrude Stein” 14.08
Art Redding, York University: “Built Ford Tough: John Ford and the Persistence of the American Western” 3.20
Erin Redmond, Alfred University: “The Counter-Discourse of Luis Alberto Molina in Manuel Puig’s ‘El beso de la mujer araña’” 5.10
Laura Reeck, Allegheny College: “L’écriture et l’auteurisme dans Sur ma ligne de Rachid Djaïdani” 12.08
Don Reese, Brimmer and May: “Mary Oliver, the Tradition, and the Individual Student” 7.26
Eugenio Refini, Scuola Normale Superiore of Pisa: “Le Adnotationes in Horatium di Alessandro Piccolomini: finalità e strategie di lettura” 1.11
Elizabeth Reich, Rutgers University: “Queer Cartographies: Mapping Sexuality in Diaspora in Happy Together” 12.01
Bertrand Renaud, Université Paris-VII: “The Sacred of Time: About the ‘Return’ and the ‘Fragmentation’ of the Sacred in René Char” 9.20
Eric Rettberg, University of Virginia: “Gertrude Stein, Nonsense, and To Do: A Book of Alphabets and Birthdays” 4.04
Felisa Reynolds, Miami University: “Aimé Césaire, the Colonial Exile: Writer, Dissident, French Subject” 17.07
Orquídea Ribeiro, Universidade de Trás-os-Montes e Alto Douro: “Luandino Vieira and Uanhenga Xitu – Resistance and Cultural Identity” 6.03
Edilene Ribeiro Batista, Universidade Federal do Tocantins: “A Question of Gender in Charles Perrault’s ‘Sleeping Beauty in the Wood’” 8.03
Roberta Ricci, Bryn Mawr College: “Dalla glosula scolastica alla filologia umanistica: lectura et imitatio” 1.11
Edmund Richardson, Princeton University: “Spaces of Memory, Sites of Forgetfulness: Benjamin and the Waters of Lethe” 17.10
Daniela Richter, Central Michigan University: “Bodies torn in Two: Pregnancy and Birth Imagery in Gabriele Reuter’s Tränenhaus” 1.13
Jessica Riddell, Bishop’s University: “Dramatizing Queenship in Mulcaster’s The Queenes Maiesties Passage and Heywood's If You Know Not Me” 4.19
Sylvia Rieger, McGill University: “The Student as Blogger: Expanding the Opportunities for Teaching Conversation” 7.13
Ashley Riggs, Ecole de Traduction et d’Interprétation, Université de Genève: “Feminism(s) and Cinderellas: Contemporary Rescriptings by Carter, Sexton and Broumas” 13.02
Jeannette Riley, University of Massachusetts-Dartmouth: “Walking the Ground: Mary Oliver’s Poetics” 7.26
Michael Rio, State University of New York-Buffalo: “Empire, Manifest Destiny, and the Re-Imagined Landscape of Edward Dorn’s Gunslinger” 17.01
Julia Riordan-Goncalves, Monmouth University: “Breaking the Silence in Respiración artificial and Reivindicación del Conde don Julián” 13.01
Tatiana Ripoll-Páez, Rosemont College: “La imagen infinita: Lezama Lima y Luis de Góngora” 13.03
Roberto Risso, Università di Torino: “La Torino ‘nera’ di Fruttero e Lucentini fra poliziesco e best-seller di qualità” 6.06
Rachel Ritterbusch, Shepherd University: “The Viewer as Detective: The Quest for Truth in Memento and Mémoires affectives” 6.01; “Demystifying the Process of Edited Collections: Sharing Publishing Experiences Through Mentoring” 12.13
Aaron Ritzenberg, Yale University: “Negative Capability in the Writing Classroom” 10.20
Elizabeth Rivero, U.S. Coast Guard Academy: “La subversión de los espacios, los espacios de la subversión: El baño del Papa (2007)” 10.07
Dorothy Roberts, Independent Scholar: “Einstein’s Fabric of Spacetime: On the Edge of Coincidence in Rebecca Stott’s Ghostwalk” 1.08
Vanessa Robinson, University of Toronto: “Faith in the Object, Faith in Words: Marianne Moore’s Poetic Service” 5.23
Rhondda Robinson Thomas, Clemson University: “‘A simple story of service’?: Addressing Discrepancies between Autobiography & the Archives” 7.21
Anna Rocca, Salem State College: “Assia Djebar Between Spaces and Places: Words, Sounds and Bodies” 16.07
Harry Roddy, Jr., University of South Alabama: “The Yellow Rose of Norway: Hans Henny Jahnn’s Perrudja” 4.13
Franklin Rodriguez, William Paterson University: “La politica de la distancia en la narrativa de Alan Pauls, Jorge Volpi y Roberto Bolano” 16.09
Rodney Rodríguez, Manhattan College: “Góngora, Picasso and the Generation of 27” 13.03
Ana Rodríguez Navas, Princeton University: “Gossip as History: Cabrera Infante’s Private Public Narratives” 13.19
Diana Rodríguez Quevedo, University of Toronto: “Géneros que reivindican el Chocó: Goyo y el rap afrocolombiano” 1.05
David Rodríguez-Solás, Concordia University: “Memorias teatrales de un proceso: La torna (1977) y La torna de la torna (2005)” 9.04
Cara Rodway, King’s College London: “The Motel as Half-Way House in Marjory Hall’s Romance at Courtesy Bend” 5.09
Justin Rogers-Cooper, CUNY Graduate Center: “Connecting Schools of Affect: A Point of Intersection Between Silvan Tomkins and Post-Marxism” 13.10
Lady Rojas Benavente, Concordia University: “Prejuicios de género, actitudes machistas y discursos patriarcales en un testimonio peruano” 5.08
Eugenia R. Romero, Ohio State University: “Journey to the Underworld: Memory, Forgiveness, and Vengeance in No vuelvas by Suso de Toro” 1.04
Tristana Rorandelli, Sarah Lawrence College: “Enif Robert’s ‘Un ventre di donna’ (1919): Reclaiming the Futurist Female Voice” 1.10
Lauren Rosenblum, SUNY Stony Brook: “An Ideal Alibi: Man Ray’s Photographs and Gertrude Stein’s Autobiographies” 2.07
Alan Rosiene, Florida Institute of Technology: “Ways to Get Between: Negative Dialectics in China Mieville’s Un Lun Dun” 7.23
Adriana Rosman-Askot, The College of New Jersey: “Maternity, Massacre and Memory: Women under Dictatorship” 5.10
Francoise Rosset, Wheaton College: “Teaching Karolina Pavlova and Russian Literature” 8.13
Johanna Rossi Wagner, Rutgers University: “Respondent” 16.16
Anjali Gera Roy, Indian Institute of Technology Kharagpur: “Sikhs in South East Asia” 9.23
Mantra Roy, University of South Florida: “Poets of Protest: A Comparative Reading of Namdeo Dhasal and Amiri Baraka” 16.16
Modhumita Roy, Tufts University: “‘Is not the truth the truth?’: Reconciling Truths in the Fiction and Memoirs of Gillian Slovo” 13.21
Marisa Ruccolo, Saint Michael’s College: “(Re) defining The Psychological Novel: The Anti-Naturalist Position of the Interior Monologue” 16.14
Richard Ruppel, University of Wisconsin-Stevens Point: “Politicized Fiction or Fictionalized Politics: Verena Stefan, Laure Wyss and Margrit Schriber” 13.13
Florence Russo, St. John’s University: “Henry VII and the Dream of the Aetas Aurea” 7.03
Sara Rutkowski, The Graduate Center-CUNY: “Young, Black, and Modern: ‘Fire!’, Modernism, and the Harlem Renaissance” 6.19
Jennifer Ryan, Buffalo State College: “Understanding the New Black Poetry: Carolyn Rodgers and the Poetics of Black Arts” 14.22
Patrick Ryan, Western Connecticut State University: “Re-Imagining First-Year Composition at Western Connectictut State University” 7.07
In Sang Ryu, Sungkyunkwan University: “Philosophical Destabilization and Indeterminacy in Iris Murdoch’s The Black Prince” 3.09
Yulia Ryzhik, Harvard University: “Russian Hamlet and the Language of Subversion” 2.06
Oana Sabo, University of Southern California: “Circumventing Literary Categories in Contemporary Québécois Fiction” 11.14
Adam Sacks, Brown University: “The Holocaust in the Classroom: Bridging the Linguistic Divide” 6.07; “The State of Discontent” 14.13
Jonathan Sadow, SUNY Oneonta: “Foreheads Branded with Death Sentences: Lewis, the Gothic, and Vitalistic Representation” 9.22
Jenny Sadre-Orafai, Kennesaw State University: “Presenter 4” 11.03
Carole Salmon, University of Massachusetts-Lowell: “Paris-Metropolis: A Nurturing City for Immigrants?” 2.05
Zach Samalin, CUNY Graduate Center: “Reification and Revulsion: Affect, Language, Marxism” 13.10
Margarita Sanchez, Wagner College: “Las cartas sobre la mesa: polémicas literarias en América Latina” 9.02
Rebecca Sánchez, Rochester Institute of Technology: “The Body in the Text: Sherwood Anderson’s Experimental Language” 12.26
Colclough Sanders, Wagner College: “A Truly Interdisciplinary Approach to Teaching Italian Culture” 13.07
Judith Sanders, Shady Side Academy: “From Garret to Classroom: Bridging the Gap Between Writing and Teaching” 10.19
Susana Sandmann, Augsburg College: “Las técnicas narrativas en Fueye, una novela gráfica” 13.04
Federica Santini, Kennesaw State University: “L’inganno delle parole nella poesia di Amelia Rosselli” 11.12
Lara Santoro, Rutgers University: “Da criature a òmmini: percorsi di formazione mafiosa in Certi bambini e Gomorra” 5.05
Marlisa Santos, Nova Southeastern University: “‘I might do it again if it’s in me’: Forgetting Unremembered Criminality in Film Noir” 6.01
Myrna Santos, Nova Southeastern University: “Language Mishaps: Are we too complacent as we take misunderstanding English for granite?” 3.17
Rick J. Santos, SUNY-Nassau Community College: “Risisting Voices: Translation and Human Rights” 14.18
Katrina Sark, McGill University: “Fashioning a new brand of Germanness -- World Cup and Beyond” 16.06
Oscar Sarmiento, SUNY Potsdam: “At the Crossroads: A Seminar on Translation for Undergraduates at SUNY Potsdam” 8.15
Mauro Sassi, McGill University: “Traces of Ancient Greek Romances in the Second Day of the Decameron” 1.09
Martha Satz, Southern Methodist University: “The Baffled Mother: Maternal Puzzlement in Narrative, in Pedagogy, in Academia” 7.05
Verónica Saunero Ward, New Mexico Highlands University: “Cristina Rivera Garza y Giovanna Rivero: Dos semblantes latinoamericanos del fantástico femenino” 13.11
Caroline Sauter, LMU Munich: “Walter Benjamin’s Heinle Sonnets – Memories of a Friend(ship)” 17.10
Francesca Savoia, University of Pittsburgh: “Tradurre il parto di un cervello bilingue: The Sentimental Mother di Giuseppe Baretti” 12.03
Elaine Savory, New School University: “Kamau Brathwaite’s Ecopoetic Reading of Barbados in the Frame of Development and Overdevelopment” 7.18
Carmela Scala, St. John University: “Gender Ambiguities in Basile’s cunti: The Demystification of the Hero” 16.12
Bill Scalia, St. Mary’s Seminary and University: “Toward a Semiotics of Poetry and Film: Meaning-Making and Extra-Linguistic Signification” 5.07
Andrea Scapolo, Indiana University: “Dario Fo’s Ruzzante Between Popular Tradition and Marxist Ideology” 16.13
Evelyn Scaramella, Yale University: “From Black Internationalism to Anti-Fascism: Langston Hughes and Rafael Alberti in Mexico City” 6.19
Johannes Schade, Johns Hopkins University: “Film Poetics (with a capital P)” 5.07
Allison Schaeffer, Georgetown University: “Re-Imagining History in Shakespeare’s Henry VIII, or ‘All is True’(ish)” 12.18
Matthias Schaffrick, Westphalian Wilhelms University: “The Interview as Novel: ‘Das Wetter vor 15 Jahren’ by Wolf Haas” 5.06
Veronica Schanoes, Queens College-CUNY: “Size Changes and Self in Lewis Carroll’s Alice’s Adventures in Wonderland” 13.20
Elizabeth Scheiber, Rider University: “‘Attento, Pikolo, apri gli orecchi e la mente’: Listening to Primo Levi’s Holocaust Tale” 2.12
Josef Schmidt, McGill University: “Jeremias Gotthelf’s Die schwarze Spinne – a Tale of Biblical and Realistic Corporeal Imagery” 1.13
Tyler T. Schmidt, Lehman College-CUNY: “Ellison, Beautiful Men, and the Revolutionary Gaze” 4.20
Josh Schneiderman, Hunter College: “The Age of Lead: Kenneth Koch, Frank O’Hara, and the Making of ‘Fresh Air’” 8.20
Beverly Schneller, Millersville University of Pennsylvania: “Mark Jarman: Questioning the Divine” 12.17
Andrew Schonebaum, Bard College: “Death by Novel: Medicine and The Story of the Stone” 12.06
Andrew Schopp, SUNY Nassau Community College: “4th Participant” 10.12; “Teaching 9/11 Culture in the Wake of 9/11 Fatigue” 16.05
Sara Schotland, University of Maryland: “Hogarth and Fielding: Transcending the Limits of Genre” 6.05
Helga Schreckenberger, University of Vermont: “Writing Between Cultures: Dimitré Dinev’s Engelszungen” 16.15
Lise Schreier, Fordham University: “Philanthropic Noblewomen and ‘Rescued’ African Children in French Narratives of Dispossession” 1.02
Claire Schub, Tufts University: “Le Clezio’s ‘Mondo’: Teaching the Poetics of Nomadism” 3.14
Janelle A. Schwartz, Loyola University-New Orleans: “To Linger; or, the Positioning of Death in Shelley’s ‘Music, when soft voices die.’” 9.22
Francesco Scolastra, Università per Stranieri di Perugia: “Elledueò: A Learning Environment for Italian as a Second Language” 17.08
Matthew Scribner, Queen’s University-Kingston: “Fluid Borders: Water in Gerald of Wales’s Itinerarium Cambriae” 3.19; “Queering Medieval Natures” 8.01
Susanna Scrivo: “‘Nuvole e Arcobaleni’: il fumetto lesbico italiano” 2.04; “Curiosità sul fumetto lesbico italiano” 6.04
Shana Scudder, North Carolina State University: “Refusing Otherness: Rejecting the Colonizing Gaze in Jamaica Kincaid's Lucy and Audre Lorde's Zami” 6.24
Joanna Scutts, Columbia University: “Elegy, Commemoration and the Deferral of Consolation: Three War Poems” 13.24
Martha Searcey, New York University: “The Limitations of Bearing Witness in Toni Morrison’s Beloved” 1.02
Barbara Seeber, Brock University: “‘Doing nothing... but eat, drink, and grow fat’: Meat, Alcohol, and Patriarchy in Jane Austen.” 12.21
Arnim Seelig, McGill University: “Irony and Subtext in Novels by the ‘Founder’ of Neue Deutsche Popliteratur, Christian Kracht” 7.15
Elizabeth Seltzer, Temple University: “The Evolution of an Industry: Historical Trends in Austen Adaptation” 13.22
Elif Sendur, SUNY Binghamton: “To Quote a Film” 9.07
Greg Sevik, Binghamton University: “Detecting Ontologies: Poe’s The Purloined Letter and Heidegger’s The Age of the World Picture” 1.08
Danny Sexton, Borough of Manhattan Community College: “Telling and Retelling: Embracing James Baldwin’s Queer Prophetic Vision” 3.11
Burcu Yasemin Seyben, Istanbul Bilgi University: “In-sight of Things: Analysis of the Relation between Subjectivity and Reality in His Master’s Voice” 8.06
Nicole Seymour, University of Louisville: “‘Not One to Manacle Nature’: Ecocritical Notes on Post-Transsexual Literature” 8.01
Cyrus Shahan, Colby College: “Punk Aesthetics and Space in Rainald Goetz’ Irre” 4.13
Edward Shannon, Ramapo College of New Jersey: “Confessional Crumb: Robert Crumb’s Autobiographical Comics and the Confessional Poets” 4.23
Aaron Shapiro, Boston University: “Teaching the ‘New-Found Methods’ in Shakespeare’s Experimental Comedies” 4.21
Christina Sharpe, Tufts University: “‘...at the center of everything’: Accounting for Race in Valerie Martin’s Property” 17.15
Ines Shaw, Nassau Community College: “Media Responses and Categorization of Bisexuality in Brazilian Movies” 5.01
Michael Shaw, Fordham University: “‘Don’t tumble my dickey’: Competing Models of Masculinity in Fanny Fern’s Ruth Hall” 3.21
Daniel Shea, Mount Saint Mary College: “Violence and History in Marina Carr’s On Raftery’s Hill and By the Bog of Cats” 10.08
Karis Shearer, McGill University: “Louis Dudek’s Radical Pedagogy: A Poundian Intervention in Canadian Literature” 2.10
Caroline Sherman, Catholic University of America: “Reactionaries Abroad: Laborde, Chateaubriand, and Godefroy Flee France” 2.16
Dana Shiller, Washington and Jefferson College: “In Search of an Academic ‘Wife’: Academic Moms, Domestic Chaos and the Quest” 7.05
Maria Franca Sibau, Harvard University: “Filiality and the Female Body in Vernacular Stories from the End of the Ming” 11.02
Kathleen Sibbald, McGill University: “Memoria, trauma y voces contra la barbarie en el teatro de Laila Ripoll” 9.09
Hélène Sicard Cowan, Collège Dawson: “Lam Lê’s Intercultural and Haptic Cinema” 7.01
Gohar Siddiqui, Syracuse University: “From Othello to Bharadwaj’s Omkara: Transgressive Femininities in Cross-Cultural Translation” 17.01
Angelica Silva, DeSales University: “Luz María Martínez Montiel, embajadora del renacimiento africano en Latinoamérica y México” 1.05
Jonathan Silverman, University of Massachusetts-Lowell: “Four Kinds of Fun: Interdisciplinary Teaching and the Search for Context” 14.17
Stephanie Silvestre, Union College: “Une Approche Féminine de l’Espace Migratoire Parisien chez Thérèse Parise Bernis” 17.02
Elizabeth Simoneau, Emory University: “Big Dogs Eat the Little Dogs: Literary Archives and the Politics of Recovery and Recognition” 7.21
Allison Sinanan, Richard Stockton College of New Jersey: “The Conflict of the Tenure Clock and My Biological Clock” 7.05
Bryan Sinche, University of Hartford: “Form and Economy in A Narrative of the Life and Adventures of Venture, a Native of Africa” 13.23
Fiore Sireci, The New School: “Religious Argumentation in Mary Wollstonecraft’s A Vindication of the Rights of Woman” 10.21
Johanna Skibsrud, Université de Montréal: “‘The Thinnest Possible Surface’: Generative Opacity in George Oppen’s Politics and Poetics” 5.23
Heath Sledge, University of North Carolina: “Sartorial Sociality: Fashioning Friendships in James and Wharton” 4.24
Noel Sloboda, Pennsylvania State University-York: “Schooling Figures” 2.10
Alexandra Smith, University of Edinburgh: “Surpassing Symbolist Aesthetics: Tsvetaeva’s Image of Voloshin in the Early 1930s” 9.10
Caroline Smith, University of Greenwich: “Double lives, rebellious selves: rehearsing queer for the everyday.” 12.01
Dorsia Smith, University of Puerto Rico-Rio Piedras: “‘This Thing I Call My Mother’: (Un)Mothering in Jamaica Kincaid’s Texts” 4.02; “Camilla Salvago Raggi: Her Family Lexicon” 1.10; “1st Participant” 10.12
Snjezana Smodlaka, Independent Scholar: “Giuditta: personaggio biblico, letterario e pittorico” 8.05; “Culinary Art from Petronius and Apicius to Fellini” 9.14
Erika Snyder, New York University: “What is the What: Untranslatable Testimony” 14.18
Rebecca Soares, University of Wisconsin-Madison: “The Spirit of Labor: Mesmerism and Manufacturing Americans in Phelps’s The Silent Partner” 4.25
Yair Solan, New York University: “Nathanael West’s Miss Lonelyhearts and the Ubiquity of the Image” 2.07
Raji Singh Soni, Queen’s University-Kingston: “Queer Dissidence and the Ends of Discipline” 6.13
Adam T. Sonstegard, Cleveland State University: “Figures of Disfigurement: Harper’s Graphic Illustrations and Stephen Crane” 5.22
Leah Souffrant, Graduate Center-CUNY: “Starting with the Speculum: The Feminism of Mad Men” 14.01
Alioune Sow, University of Florida: “New Trends in Malian Francophone Literature” 10.16
Adriana Spahr, Grant MacEwan University: “Esta es la vida y Hades nos acompaña: la re-escritura de cuentos infantiles en Luisa Valenzuela” 8.03
Giovanni Spani, College of the Holy Cross: “Marco Paolini e geografia letteraria: il viaggio come momento unificante” 16.01
Francesca Spedalieri, Ohio State University: “Mitologia dell’ ‘altro’ nelle Terre del Silenzio” 2.11
Andrea Speltz, Queen’s University: “Identity Formation and the Female Body in Gabriele Reuter’s Aus guter Familie” 1.13
Barry Spence, University of Massachusetts-Amherst: “Seeing and Knowing in Pasolini’s Edipo Re and Sophocles’ Oedipus Tyrannus” 8.06; “Time and Realism in Pasolini’s Greek Tragedies” 13.18
Samia Spencer, Auburn University: “Chahdortt Djavann: un pont entre deux rives” 11.13
Alison Sperling, San Francisco State University: “Eggers’s Humor in Memoir: Destructive or Instructive?” 4.23
Randall Spinks, Nassau Community College: “Reading Hitchcock’s Vertigo against Participatory Economics: A Thought Experiment” 5.07
Cheryl Spinner, Georgetown University: “The Yellow Nightingale: Complexion Altering Diseases and the Medical Rhetoric of Mary Seacole” 13.25
Richard Spiteri, The University of Malta: “Alina Reyes dans les parages de Lourdes” 14.16
Paula Sprague, Dartmouth College: “Parody, the Press, and Oppositional Identity” 2.08
Danielle A. St. Hilaire, Quinnipiac University: “The Ethics of Pity in Shakespeare’s King Lear” 16.02
Hans Staats, Stony Brook University: “Who is the Cinematic Child/Who is the Cinematic Monster?: Gabriele Salvatore’s Io Non ho paura” 5.05
Tanja Stampfl, University of the Incarnate Word: “Theorizing Arab North Africa: Roles and Responsibilities of the Diaspora” 12.05
Nichole Stanford, CUNY-College of Staten Island: “The Dialogue Behind the Scenes: Case Studies of WAC/WID Flops” 14.17
Sandra Stanko, Indiana University of Pennsylvania: “Finding Point Balance: Personal Writing’s Role in the Academic Mother’s Work/Life Challenge” 7.05
William Chad Stanley, Wilkes University: “A Subaltern Romance: Joseph Plumb Martin’s A Narrative of a Revolutionary Soldier” 17.16
Summer J. Star, University of California-Santa Barbara: “Oneself as a Poet: The Ethics of Self-hood and the Aesthetics of Gerard Manley Hopkins” 12.10
Jason Starnes, Simon Fraser: “Terra Incognita: ‘The Outermost Reach of the World’ in Charles Olson’s Maximus” 1.18
Elizabeth Starr, Westfield State College: “Urban Print Culture and the Making of the English Working-Class Author in Alton Locke” 11.17
Sandra Staton-Taiwo, Pennsylvania State University-York: “Pitching and Batting on the Creative Field: Ruling Exceptions in Technical Communication” 8.23
Verena Stefan: “Reading from Fremdschläfer and other recent works” 15.02
Heather Stein, Johns Hopkins University: “Fiddling While Rome Burns: Tyranny in Fourteenth-Century Florence” 1.09
Mary Beth Stein, The George Washington University: “Memory and Post-Memory in Monika Maron’s ‘Pawels Briefe’” 17.11
Liisa Stephenson, McGill University: “Modernist Thinking Places: The Outhouse, the Tower, and the Trompe l’Oeil Library” 14.03
Kimberly Stern, Duke University: “‘Such a Pretty Taste’: Carnivorous Desire and Sexual Politics in The Pickwick Papers” 12.21
Carole Lynn Stewart, University of Maryland-Baltimore County: “Alcoholism as Racial Disease and Frances Harper’s Temperate Creoles” 13.25
Leslie Stobbart, Queen’s University: “Garbage, Community and the ‘Nuisance Grounds’ in the Work of Miriam Toews and Margaret Laurence” 12.20
Jessica Stock, Stony Brook University: “Revising Moses: Memory and Jewish History in Benjamin and Freud” 17.10
Louise Stoehr, Stephen F. Austin State University: “Leaving the Publisher Out of the Loop-- Online German-Language Curriculum” 8.04
Lorenza Stradiotti, University of Massachusetts-Amherst: “Neyla di Kossi Komla-Ebri: ritornare per ritrovarsi” 14.12
Regine Straetling, Freie Universität Berlin: “Autobiographical Spaces, Architectures of the Self: Georges Perec’s Strolls” 1.12
Andrew Strombeck, Wright State University: “Disorganization Man: Anti-Oedipal Terror in the 1950s” 5.24
Seth Studer, Tufts University: “Epistemology, Aesthetics, and the Essays of Marilynne Robinson” 4.10
José I. Suárez, University of Northern Colorado: “Portugal’s Case vis-à-vis Edward Said’s Orientalism” 4.03
Ron Sweeney, SUNY Buffalo: “Embodied Textuality: Shelley Jackson’s Skin and Authorial Inscription” 5.11
Phil Swenson, Georgetown College: “(Re)relevance and Social Activism: Don DeLillo on the Subject of Terror” 6.25
Monica Swindle, University of Missouri-Saint Louis: “Girls Bite Back: Fanfiction Resistance to Twilight” 5.09
Angela Szczepaniak, SUNY Buffalo: “Blood in the Gutter: Detecting the Image in Art Spiegelman’s ‘Ace Hole, Midget Detective’” 5.11
Ann Tabachnikov, Nassau Community College: “The Pedophile as Anti-Hero: Humbert Humbert in Lolita and Ray in Blackbird” 11.07
Carla Taban, University of Toronto: “‘To Buckle the Wheel of [the] Poem’: Tropes for Writing in Beckett’s Works and Letters” 1.16
Elise Takehana, University of Florida: “Collector/Compositor: Playing with Narrative Forms” 4.05
Mariko Tamaki: “Queer Content in Context” 11.08
Ulrike Tancke, Johannes Gutenberg University of Mainz: “White Teeth Reconsidered: Narrative Deception and Uncomfortable Truths” 17.14
Claudia Tardelli, Cambridge University: “Per una nuova edizione del commento di Francesco da Buti all’Inferno. Note sul Ms. Nap. XIII C 1” 1.11
Roi Tartakovsky, Tel Aviv University: “The Poem as Question: Equivocal Subject Matter in Poems of 9/11” 12.17
Birgit Tautz, Bowdoin College: “Translating the Caribbean World: English Drama on the German Stage” 4.14
Miles Taylor, Le Moyne College: “‘Like to a tenement or pelting farm’: Richard II and Stewardship” 6.21
Eleanor ter Horst, Clarion University: “Gendered Performance in Goethe’s Römische Elegien” 6.09
Philip Tew, Brunel University: “Zadie Smith and English Traditions” 12.22
Troy Thibodeaux, New York University: “Hart Crane’s ‘Lifted Altars’: Modernism, Mysticism, and Rhetoric” 5.23
George Antony Thomas, University of Nevada-Reno: “The Incan Celestina: Word and Image in the Works of Martín de Murúa and Guaman Poma” 17.06
Virginia Tiger, Rutgers University-Newark: “Fables for Tomorrow from Today in the Speculative Fiction of Doris Lessing and Margaret Atwood” 9.19
Victoria Tillson, Harvard University: “Rethinking Rome: Cinema and Myth after La dolce vita” 7.03
Lynn Timna, Bar Ilan University and The Arab Academic College: “Promoting Empathy in the Galillee Through the Performance of Romeo and Juliet” 4.21
Evgénia Timoshenkova, Université de Toronto: “Le pictural dans l’écriture du récit de voyage de Gautier” 9.17
Brenda Tindal, Emory University: “Movement Widows and the Many Uses of Autobiography and the Archives” 7.21
Robert Tobin, Clark University: “The Third Sex and Beyond: Ernst von Wolzogen” 7.14
Elaine Toia, SUNY-Rockland Community College: “Great Conversations: Interdisciplinary Writing and Learning in English 101 Honors” 9.11
Michelle M. Tokarczyk, Goucher College: “Imagined Solidarity across Races in Frozen River and Gran Torino” 6.02
Wojciech Tokarz, St Francis Xavier University: “El proyecto nacional en la novela histórica argentina de finales del siglo XX y principios del XXI” 4.11
Joyce Tolliver, University of Illinois-Urbana: “La raza redentora: Empire, Race and Regeneration in the Philippines” 16.08
Helen Tolson Dunn, University of Virginia: “To Dress or to Disappear: Fashion in the Post-Rousseauan Female Memoir” 12.16
Robert Topinka, University of Kansas: “Speaking of Culture: Narrating Objects and Cultural Locations in Persepolis” 16.04
Georgina Torello, Universidad de la República: “Madame Bovary sono io: ‘Resto Umano’ (1913) e l’audience femminile ai tempi del cinema muto” 8.05
Alison Toron, University of New Brunswick: “‘Nature with a Capital N’: Humour and Feminist Ecocriticism in Atwood’s Oryx and Crake” 2.18
Amanda Toronto, New York University: “Laurie Colwin’s Manhattan Pastorals” 9.24
Joan Torres-Pou, Florida International University: “Una guerra lejana: La campaña de Cochinchina y el discurso colonial en Espana.” 16.08
Alek Toumi, University of Wisconsin-Stevens Point: “Albert Camus: ‘Nostalg(ér)ies’ d’hier et d’aujourd’hui” 13.15
Collett Tracey, Carleton University: “Bear Naked: Undressing Marian Engel” 6.26
Maurice Tracy, St. Louis University: “Un-closeted Celluloid Nationalism: Queer Identity, Nationalism, Transnationalism, Race and Film” 11.01
Stephen Trainor, Salve Regina University: “God and Man at Kars: Francis Bacon and the Hidden Symmetries of Snow” 7.02
Beth Tressler, Boston College: “Rosamond and the Reader: On Sympathy and Selfhood in George Eliot’s Middlemarch” 10.22
Liliana Trevizán, SUNY Potsdam: “La poesía de Carmen Berenguer: Diferencia Chile Mujer” 7.10
Beatriz Trigo, Gettysburg College: “Galician Literature and the Fantastic: Of History and Story-telling” 9.19
Daniel Tripp, Frostburg State University: “House of Leaves and the Horrors of Genre Slumming” 5.11; “The New Mediality of Millenial American Prose” 7.22
Mario Trono, Mount Royal University: “Piercing the Corporate Veil: David Foster Wallace and Popular Culture” 5.11
Ben Trudel, University of Western Ontario: “Jean-Marc Dalpe: La litterature franco-ontarienne ‘en bonne forme’” 1.17
Meriel Tulante, Philadelphia University: “Do intellectuals believe they can be relevant figures in contemporary Italian society?” 16.01
Ulla Tuomarla, Université de Helsinki: “La lettre et ses traces dans les romans et autofictions de l’amour et de la rupture .” 10.17
Jill Twark, East Carolina University: “Postwall Picaresque Narratives by Brussig, Schulze, and Klonovsky” 7.15
Alexandre Tylski, University of Toulouse: “Ellis Island on Screen: Crialese’s Golden Door (2005)” 2.05
Katica Urbanc, Wagner College: “Nuevas discusiones en torno a la escritura femenina actual en España” 9.02
Heather Urbanski, Central Connecticut State University: “The In-Class Data Set: Inquiry Papers Using Students’ Own Writing About Writing” 6.18
Rafaela Fiore Urizar, Catholic University of America: “El tango como herramienta ideológica subversiva en la literatura argentina” 5.10
Cigdem Usekes, Western Connecticut State University: “Did the ’60s Make Baldwin Too Black and Too Queer? The Politics and Critics of Blues for Mr. Char” 3.11
Galo Vaca Acevedo, Independent Scholar: “Africa ecuatorial y Ecuador equinoccial” 16.09
Madeleine Vala, University of Puerto Rico: “‘Voces Clamandae’: Bolcom’s Recreations of Blake’s Songs of Innocence and of Experience” 8.07
Elena Valdez, Rutgers University: “Queer Interventions from the Hispanic Caribbean” 5.17
Silvia María Valero, University of Montreal: “Voces negras en la narrativa cubana de entre siglos (XX y XXI)” 1.05
Silvia Valisa, Florida State University: “Still Figures: Neera’s ‘Fotografie matrimoniali’ and The Epistemology of Photography” 8.05
Patricia Valladares-Ruiz, University of Cincinnati: “Propuestas ideoestéticas del nuevo cine venezolano” 7.09
Catharina Vallejo, Concordia University: “Cuban Women See the Cuban Revolution, 1959-2009” 5.08
Susan Van Dyne, Smith College: “The Slippage between Seeing and Saying: Getting a Life in Bechdel’s Fun Home” 16.04
Emmanuelle Vanborre, Gordon College: “Parole et écriture: Impossibilités et paradoxes dans Le Très Haut de Maurice Blanchot” 4.15
Eleanor Vanden Heuvel, The Johns Hopkins University: “The Triestine Schlemiel: Yiddish Folk Humor in Italo Svevo’s Novels.” 16.12
Chris Vanderwees, Carleton University: “Terrified of Gayness: White Masculinity and William S. Burroughs’ Representation of William Lee” 5.24
Iclal Vanwesenbeeck, State University of New York-Fredonia: “Shakespeare in Turkey: The Role of the Turkish State Theatre” 2.06
Margarita Vargas, University at Buffalo: “Translating Border Identities in María Novaro’s film El jardín del edén” 2.15
Hunter Vaughan, Washington University in St. Louis: “Two Sides of the Same Ocean: Contemporary Film Philosophy in France and the United States” 4.18
Javier Venturi, University of Massachusetts-Amherst: “La pólvora, el incienso, y el silencio en Los girasoles ciegos de José Luis Cuerda” 3.05
Matthew Vernon, Yale University: “Genealogies of Home” 12.04; “Dante’s Migration” 14.06
Joseph Viera, Nazareth College: “Global Migrations and Identity Constructions in Cristina García’s The Agüero Sisters” 8.12
Cristina Villa, University of Southern California: “Ambigue femme fatale nel cinema italiano” 6.04; “‘Il viaggio a Cefalonia’ di Luigi Ballerini” 10.14
Carlos Villacorta-Gonzáles, Colby College: “La erotización de la violencia: de La boca del lobo a Días de Santiago” 16.10
Andrés Villagrá, Pace University: “The Spanish Lounge de Pace University: A Content-Creation and Web 2.0 Initiative in Collaboration” 8.04
Kerry Vincent, Acadia University: “The New Interpreters: Parodic Reversals in Helon Habila’s Measuring Time” 12.05
Timothy Vincent, Duquesne University: “Subjective Deformation: Expressionism and the Modernist Child” 4.04
Anita Virga, University of Connecticut: “Cesare Pavese: il gesto estremo tra scrittura e vita” 10.01
Michelle Volz, Boston College: “The Play’s the Thing: How Experiential Learning and Community Involvement Engage the Modern Student” 14.06
Silke von der Emde, Vassar College: “Autobiography as Palimpsest in Helga Schütz’s Novels” 12.14
Nancy Von Rosk, Mount Saint Mary College: “‘Hush! Hush!’ Nelly Dean: Servants, Secrets, and Suffering in Wuthering Heights” 5.19
Bill Waddell, St. John Fisher College: “Gran/Ecology: Maxine Kumin on Community and Creativity” 1.03; “Figure and Ground: Locating the Contemporary” 7.22
Ulrike Wagner, Columbia University: “Relocating the Divine Spirit: Translations of Hebrew Poetry and Cultural Transformations” 5.16
Alexander Waid, U.S. Coast Guard Academy: “Sacrificial Ritual Spaces in Pan’s Labyrinth (2007)” 10.07
Lisa Ryoko Wakamiya, Florida State University: “Engagement and Othering in Transnational Writing” 4.01
Karen Waldron, College of the Atlantic: “The Christian Indians: Wrestling with Conversion in the Native American Literature Classroom” 7.24
Clarissa Wallace, Trinity College-Dublin: “Driven to Cheat: Masculinity and the Decline of Empire” 11.15
Nicole Beth Wallenbrock, The City University of New York: “Renegotiating French Identity: the Algerian War in Contemporary Cinema” 7.01
Charles Walls, Bard College: “Equiano’s Interesting Narrative and the Magic of Secular Sentiments” 13.23
Matt Walsh, Massachusetts Bay Community College: “Writing on Air: Giving Voice to Traditionally Silenced Populations with Amherst Writers and Artists” 6.12
Rachel Walsh, Stony Brook University: “Picturing Trauma and Complicity in Ari Foleman’s Waltz with Bashir” 16.04
Karma Waltonen, University of California-Davis: “She’s Canadian? Reading and Teaching Margaret Atwood in the United States.” 5.18
Wanming Wang, McGill University: “Reality in Imagination: Xi Peilan’s Song Lyrics on Flower-and-Bird Paintings” 11.02
Yanning Wang, Florida State University: “Cross-Cultural Vision and ‘New’ Women: Reading Shan Shili’s Poems on Travel” 11.02
Tina Ware, Oklahoma Christian University: “Speed Spanish: Conversation Practice for All Language Levels” 7.13
Lenora Warren, New York University: “Between Land and Sea: Harriet Beecher Stowe’s Exorcism of the Great Dismal Swamp in Dred” 5.25
Diane Watt, University of Wales-Aberystwyth: “Feminist Literary History and Medieval Women’s Writing” 3.07
Petra Watzke, Washington University in St. Louis: “The GDR’s Imaginary Indians” 8.09
Theodore Weaver, Rutgers University: “Tacitus and the Archetype” 5.16
Sven Weber, Bauhaus University of Weimar: “LOST in Layers: Complexity and History in Television” 13.12
Catherine Webster, University of Central Oklahoma: “Leaving the Wardrobe Behind: Modern Adaptation of French Literary Classics” 13.18
Astrid Weigert, Georgetown University: “Scholarly Book Reviews: Who Writes Them and Why?” 2.09; “Translation and Literary Criticism in the Works of Dorothea Veit-Schlegel” 4.14
Karen Weingarten, Queens College-CUNY: “Digital Writing in First-Year Composition” 7.07
George Weinschenk, Binghamton University: “Buddhist Tones in Wallace Stevens’s ‘Notes Towad a Supreme Fiction’” 14.19
Joshua A. Weinstein, Virginia Wesleyan College: “Urban Ecology in Gary Snyder’s ‘Three Worlds, Three Realms, Six Roads’” 1.19
Caroline Weist, University of Pennsylvania: “The Queer Consequences of Staging Charlotte von Stein’s Dido” 6.09
Amanda Weldy, University of Southern California: “On Moral Grounds: The Roman Villa and the Eighteenth-Century Verse Epistle” 5.16
Juliette Wells, Manhattanville College: “Teaching Austen and Popular Culture Inside and Outside the English Department: How and Why” 13.22
Jerry Weng, Yale University: “Blake and the Cultural Resurrections of Milton” 13.09
Christy Wenger, Lehigh University: “Feeling Bodies: The Theory and Practice of Embodied Writing” 6.18
Charles Wesley, Binghamton University: “The Crisis of Realism in Modernist Exile Literature: Mann and Lukács vs. Broch and Brecht” 17.07
Edward Wesp, Western New England College: “The Faun’s Ear: Nathaniel Hawthorne and the Museum as Medium” 4.06
Ashley Whipple, SUNY Albany: “Contemporary Spanish Civil War Novel, Women and Their Residual Memories of War” 16.10
Paul Whitehill, William Paterson University: “The Poetics of Neo-Realism in Fellini’s ‘La Strada’” 13.18
Gayle Whittier, Binghamton University: “Shakespeare in the Cancer Ward: A Midsummer Night’s Dream and Adrian’s ‘A Tiny Feast’” 17.01
Reginald Wilburn, University of New Hampshire: “Queering the Music Lesson in James Baldwin’s The Amen Corner” 3.11
Markus Wilczek, Harvard University: “Against Clichés: The Challenge of Multilingualism” 6.07
Keith Wilhite, Duke University: “Moving Out: Jonathan Franzen’s The Corrections and the Future of Suburbia” 13.26
Laura Anh Williams, Purdue University: “Queering the All-American Diet: The Queer Ecology of Ruth Ozeki’s Novels” 8.01
Lea Williams, Norwich University: “Giving Birth to the Future: Fascism, Dystopia, and Feminine Identity” 7.17
Jenn Williamson, University of North Carolina-Chapel Hill: “‘O give me my mother!’: Jermain W. Lougen, Masculinity, and Sentimental Separations” 8.25
Mary Willingham, Mercer University: “Persistent Popularity: The Evolution of the Children’s Mystery Story” 1.08
Daniel Wilson, Cornell University: “Ethology and Literary Ethics” 8.10
Ed Wiltse, Nazareth College: “Pirates of the Carib/Aden” 1.01
Peter Witkowsky, Mount Saint Mary College: “When Arts & Sciences Becomes Arts & Letters: The Watering Down of an Interdisciplinary Model” 9.11
Denise Witzig, Saint Mary’s College of California: “Upstairs, Downstairs: The Adjunct ‘At-Home’ in the Academy” 7.25; “What Do Women Want? (R)Evolution and the Catholic Campus” 8.08
Daniel Wollenberg, University of Pittsburgh: “From Greater Britain to England: Of Arthur and Merlin and Historical Convergence” 3.19
Jane Wood, Park University: “Driving to the Terminal” 10.09; “The Contemporary University: the Sacrilege of the Sacred” 9.20
Timothy Wood, SUNY Nassau Community College: “Grand Messages, Big Ideas, and Reverse Archeology: Some Close Readings of Hip Hop Lyrics” 4.12
Servanne Woodward, University of Western Ontario: “Cécile, Mme de Tourvel, and Mme de Merteuil’s Crimes” 2.14
Meg Woolbright, Siena College: “The In-Betweenness of Adolescence as Trauma” 7.23
Lisa Woolfork, University of Virginia: “Digital Ghettos: Rendering (Post?) Blackness in social media” 4.05
Chantal Wright, Mount Allison University: “Translating Tzveta Sofronieva’s Eine Hand Voll Wasser” 6.16
Kristina Wright, Tufts University: “In Search of Mama’s Garden in Lorraine Hansberry’s A Raisin in the Sun” 1.19
Margaret Wright, SUNY Stony Brook: “Protestant or Predator?: Miss Clack in Wilkie Collins’s The Moonstone” 11.09
Simona Wright, The College of New Jersey: “La natura madre e matrigna nelle novelle di Pirandello” 10.06
I-Hsien Wu, The New School University: “Performing Love: Drama and Romance in The Story of the Stone” 12.06
Wern Mei Yong, Nanyang Technological University: “When We Dead Awaken: Ingeborg Bachmann’s Utopian Re-vision in Malina (1971)” 9.19
Greg W. Zacharias, Creighton University: “Leon Edel’s Transcriptions of Henry James Letters in the Tintner Binders” 6.23
Reinhard Zachau, University of the South: “Stefan Heym’s Rediscovery of his Jewish Roots” 12.14
Alejandro Zamora, York University-Glendon: “Falsifying the World of Detective Fiction: Reading Padura’s Las cuatro estaciones as a Palimpsest” 1.08
Nelly Zamora-Breckenridge, Valparaiso University: “Desplazamiento, exclusion y marginalizacion en Angosta de Hector’s ‘Abad Faciolince’” 16.09
Suzanne Zelazo, Ryerson University: “From Salon to Stage: The Literary Hostess in Performance, Florine Stettheimer and Gertrude Stein” 9.03
Evi Zemanek, Universität Erlangen: “Textual Monuments and Ruined Poems” 1.12
Yang Zhang, Brock University: “Chinese Translation of English Media about the Beijing 2008 Olympic” 2.15
Arielle Zibrak, Boston University: “The Fidelity of the Likeness’: Economics of Desire in Thomas Hardy and Kate Chopin” 2.07
Anna E. Zimmer, Georgetown University: “‘Erzählen ohne Zentrum’: Zafer Şenocak’s Postmodern Search for Heimat” 11.06
Margrit Zinggeler, Eastern Michigan University: “Hybrid Identities in Narratives by Second Generation Female Swiss Writers” 13.13
Peter Zogas, University of Rochester: “Hawthorne’s ‘Legends of the Province House’: Narrative Visibility and the National Politic” 8.21
Joyce Zonana, Borough of Manhattan Community College-CUNY: “Self and Other in Mizrahi and Palestinian Diaspora Narratives” 10.09